A VERY FINE FAMILLE ROSE 'BIRDS AND FLOWERS' PEAR-SHAPED VASE, YUHUCHUNPING, REPUBLIC PERIODChina, 1912-1949. Vividly decorated in bright enamels with swallows perched on entwined gnarled branches bearing leaves, buds, and blossoming peonies above leafy sprays of aster, one swallow in flight. Note the remarkable attention to detail overall, and the unusually high quality of the enameling.Provenance: Dutch trade. Condition: Excellent condition with minor wear and firing irregularities.Weight: 2,200 g Dimensions: Height 35.5 cmAuction result comparison: Type: Related Auction: Christie's London, 13 November 2015, lot 1310 Price: GBP 20,000 or approx. EUR 28,500 converted and adjusted for inflation at the time of writing Description: A finely enameled famille rose 'peony and butterfly' vase, Republic periodExpert remark: Note the smaller size (27.6 cm) and apocryphal Qianlong reign mark Auction result comparison: Type: Related Auction: Christie's New York, 15 September 2011, lot 1641 Price: USD 23,750 or approx. EUR 28,500 converted and adjusted for inflation at the time of writing Description: A famille rose bottle vase, 20th centuryExpert remark: Note the smaller size (22.3 cm) and Jurentang zhi hall markAuction result comparison: Type: Related Auction: Christie's London, 11 November 2016, lot 746 Price: GBP 12,500 or approx. EUR 18,000 converted and adjusted for inflation at the time of writing Description: A large famille rose 'peony' vase, 20th centuryExpert remark: Note the slightly larger size (39.5 cm) and apocryphal Qianlong reign mark民國粉彩花開富貴玉壺春瓶中國，1912-1949年。撇口，束頸，圓腹，圈足，釉質細膩白皙。明亮的琺瑯生動地描繪盛開的牡丹，一隻燕子棲息在樹枝上，空中飛著一隻燕子。 來源：荷蘭古玩交易。 品相：狀況極佳，有輕微磨損和燒製缺陷。 重量：2,200 克 尺寸：高 35.5 厘米 拍賣結果比較： 形制：相近 拍賣：倫敦佳士得，2015年11月13日，lot 1310 價格：GBP 20,000（相當於今日EUR 28,500） 描述：民國時期粉彩桃與蝴蝶瓶 專家評論：請注意尺寸較小(27.6 厘米)和偽乾隆款。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2011年9月15日，lot 1641 價格：USD 23,750（相當於今日EUR 28,500） 描述：二十世紀粉彩花卉靈芝紋瓶 專家評論：請注意尺寸較小(22.3 厘米)和不同款識。 拍賣結果比較： 形制：相近 拍賣：倫敦佳士得，2016年11月11日，lot 746 價格：GBP 12,500（相當於今日EUR 18,000） 描述：二十世紀粉彩牡丹紋瓶 專家評論：請注意尺寸稍大(39.5 厘米)和偽乾隆款。
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A VERY FINE FAMILLE ROSE 'BOYS AT PLAY' VASE, MEIPING, REPUBLIC PERIODChina, 1912-1949. Of ovoid form tapering towards the foot, surmounted by a short waisted neck, finely painted in gilt, iron-red, and bright enamels, with boys playing music and performing with masks in a garden scene, further depicting rockwork with lingzhi, a prunus tree, and violet chrysanthemums, the foot with a gilt rim.Provenance: From a private collection in San Francisco, United States, acquired in the 1990s. Dr. Neill Kendall, acquired from the above. Christie's South Kensington, 14 May 2010, lot 415, sold for GBP 8,750 or approx. EUR 15,000 (converted and adjusted for inflation at the time of writing). A private collection, United Kingdom, acquired from the above. Dr. Neil Kendall's interest in Chinese porcelain was sparked while studying in Hong Kong as a medical student. He started his collection in the 1990s with the help of Peter Wain, a noted Asian art dealer. Kendall's collection specialized in the finest Republic period pieces from master potters and porcelain painters, but also included Yixing ware. Condition: Only minor wear to the enamels. A long hairline to body and shoulder, stabilized.Weight: 427.5 g Dimensions: Height 20.3 cmThe recessed base with an apocryphal blue-enameled four-character mark Yongzheng nianzhi. Auction result comparison:Type: RelatedAuction: Christie's Hong Kong, 1 June 2011, lot 4027Price: HKD 112,500 or approx. EUR 18,500 converted and adjusted for inflation at the time of writingDescription: A fine famille rose 'boys' vase, Hongxian iron-red mark within double-squares, Republic periodExpert remark: Compare the related form, fine painting, motif, and enamels. Note the size (24.8 cm).民國粉彩《嬰戲圖》瓶中國，1912-1949年。瓶口微撇，短頸，圓肩，肩以下漸收，圈足。粉彩描金，描繪園中童戲，一群兒童在敲鑼打鼓，另一個童子頭戴面具，正蹲在樹下，手中拿著一根長棍，上面挂著紅蝙蝠。場景生動活潑，稚趣可愛。 來源：美國舊金山私人收藏，購於上世紀九十年代；Dr. Neill Kendall購於上述收藏；南肯辛頓佳士得，2010年5月14日，售價 GBP 8,750或 EUR 15,000 (根據通貨膨脹率)；英國私人收藏，購於上述拍賣。Dr. Neil Kendall對中國陶瓷的興趣是在香港讀醫科的時候產生的。他於 1990 年代在著名亞洲藝術品經銷商Peter Wain 的幫助下開始收藏。Kendall的藏品專注於民國時期陶瓷，但也包括宜興瓷器。品相：琺瑯只有輕微磨損，瓶身和肩部有細長裂紋。 重量：427.5 克 尺寸：高 20.3 厘米 圈足内青花“雍正年製”四字款。 拍賣結果比較： 形制：相近 拍賣：香港佳士得，2011年6月1日，lot 4027 價格：HKD 112,500（相當於今日EUR 18,500） 描述：民國粉彩庭院嬰戲圖瓶，礬紅雙方框四字楷書款 專家評論：比較相近的外形、精美的繪畫、主題和琺瑯。請注意尺寸(24.8 厘米)。
A JADEITE 'CHILONG AND LINGZHI' QUATRELOBED VASE, GU, QING DYNASTYChina, 19th century. Of archaistic form, carved from a single piece of jade, rising from a splayed foot to a flaring neck. The neck flanked by a pair of pierced lingzhi handles suspending loose rings, the longer sides carved in relief with clambering chilong and neatly incised with swirling clouds. The translucent stone of a light green tone with apple green splashes, pale lavender areas, and icy white inclusions.Provenance: New York trade. An old label 'A 27' to the stand. Condition: Very good condition with expected old wear, few minuscule nibbles to the rims, the stone with natural inclusions and fissures, some of which have developed into hairlines over the years. The stand with few minor age cracks, minuscule nicks, and remnants of adhesive.Weight: 535.5 g (excl. stand) and 567.4 g (incl. stand) Dimensions: Height 14.3 cm (excl. stand) and 17 cm (incl. stand)The fitted hardwood stand carved in openwork and reticulated with peaches. Possibly huali. (2)Auction result comparison:Type: Closely relatedAuction: Christie's New York, 19 September 2015, lot 896Price: USD 10,625 or approx. EUR 13,000 converted and adjusted for inflation at the time of writingDescription: A small archaistic jadeite vaseExpert remark: Compare the closely related quatrelobed form, handles suspending loose rings, and chilong decoration. Note the smaller size (7.9 cm).清代翡翠螭龍啣芝輔首活環方觚中國，十九世紀。仿古方觚造型，由整塊翡翠雕刻而成，三段式觚形、圓鼓腹。頸部兩側是分別有一個獸首啣環，器身頸部和腹部分別高浮雕一隻攀爬的啣芝螭龍，淺浮雕祥雲紋。淺綠色調的半透明翡翠，帶有蘋果綠色斑、飄紫，冰白色內沁。 來源：紐約古玩交易，底部有老標籤 'A 27'。 品相：狀況非常好，舊時磨損，邊緣輕微細小磕損，石料有天然內沁和裂紋，其中一些多年來已經發展成細紋。底座輕微老化裂縫、微小的劃痕和黏合劑殘留物。 重量：535.5克 (不含底座) 與 567.4 克 (含底座) 尺寸：高 14.3 厘米 (不含底座) 與17 厘米 (含底座) 硬木鏤空仙桃紋底座，可能爲花梨木。 (2) 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2015年9月19日，lot 896 價格：USD 10,625（相當於今日EUR 13,000） 描述：翠玉雕螭龍紋花觚 專家評論：比較非常相近方觚外型、獸首啣環和螭龍裝飾。請注意尺寸較小 (7.9厘米)。
A CARNELIAN AGATE 'PEACH AND LINGZHI' RETICULATED DOUBLE VASE, 18TH CENTURYChina. The vessel with two receptacles carved as gnarled tree trunks, further cast in relief and openwork with a leafy branch bearing peaches and a bat perched on the trunk as well as lingzhi sprigs, the striking contrast between the white agate and bright-red carnelian inclusions ingeniously used to great effect. Provenance: Scottish trade, United Kingdom. Condition: Excellent condition with minor old wear. Natural inclusions and fissures to the stone. Fine manually applied polish overall, with an elegant lustrous shine, as expected from an authentic 18th-century carving from this distinct group.Weight: 515.1 g (excl. base) and 564.7 g (incl. base)Dimensions: Length 12 cm, Height 9.1 cm (excl. base) and 10.6 cm (incl. base)With a matching and finely carved openwork hardwood base in the form of rockwork with flowers, grass, and lingzhi. (2)Auction result comparison:Type: Closely relatedAuction: Sotheby's Hong Kong, 30 November 2017, lot 362Price: 225,000 HKD or approx. EUR 29,000 converted and adjusted for inflation at the time of writingDescription: A large carnelian agate 'sanduo' vase, Qing dynasty, 18th centuryExpert remark: Compare the closely related form with two receptacles and fine openwork carving as well as the related motif with tree trunk and peach. Note the larger size (21.3 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 13 May 2021, lot 46Price: GBP 45,250 or approx. EUR 54,000 converted and adjusted for inflation at the time of writingDescription: A large carnelian agate 'sanduo' vase, 19th centuryExpert remark: Compare the closely related form, also with two receptacles and fine openwork carving as well as the similar motif with tree trunk and peach. Note the larger size (19 cm) and the green stained bone and wood stand.十八世紀南紅瑪瑙靈芝祝壽紋理花插中國。花插選用整塊南紅瑪瑙雕製成樹樁狀，外壁紅色處採高浮雕及鏤雕技法琢壽桃、靈芝，枝葉錯落有致，枝幹虯曲，果實豐碩，整體構思巧妙。瑪瑙質地細膩油潤，紅白二色分明。局部挖空以供插花。 來源：英國蘇格蘭古玩交易。 品相：狀況極佳，有輕微磨損。瑪瑙有天然夾雜物和裂縫。整體手工拋光細膩，散發出優雅的光澤。 重量：515.1 克 (不含底座)，564.7 克 (含底座) 尺寸：長 12 厘米，高 9.1 厘米 (不含底座) ，10.6 厘米 (含底座) 配置鏤空雕刻的花、草、靈芝紋硬木底座。 (2) 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2017年11月30日，lot 362 價格：225,000 HKD（相當於今日EUR 29,000） 描述：清十八世紀南紅瑪瑙巧雕福壽三多花插 專家評論：比較非常相近外型和鏤空雕刻，以及相近的主題，有三個樹樁和桃子。請注意尺寸 (21.3 厘米)。 拍賣結果比較： 形制：非常相近 拍賣：倫敦邦瀚斯， 2021年5月13日，lot 46 價格：GBP 45,250（相當於今日EUR 54,000 ） 描述：十九世紀南紅瑪瑙「三多」花插 專家評論：比較非常相近外型，精美的鏤空雕刻，以及相近的主題，有三個樹樁和桃子。請注意尺寸較大 (19 厘米) 和綠色骨質與木底座。
A GOLD AND SILVER-INLAID BRONZE ARCHAISTIC STEAMER, SONG TO MING DYNASTYChina, 960-1644. Heavily cast, the upper cauldron with two upright loop handles to the rim, decorated with interlocking scroll and confronting stylized phoenixes. The sides with three animal masks flanked by confronting phoenixes divided by short flanges, above pendent stiff leaves, all reserved on leiwen grounds. The shoulders of the three legs cast with stylized large-eyed animal masks, decorated with scroll and lozenge designs. The bronze with a rich, solid, naturally grown, dark patina with scattered malachite encrustations.Provenance: From the personal collection of Dr. David McCay, and thence by descent in the same family. Dr. David McCay was an English physician and later surgeon general with the Indian Medical Service in Bengal, India. He was sent to China during the Boxer Rebellion and served as an army doctor at the Siege of Peking. While in India, he wrote a book titled Investigations on Bengal Jail Dietaries. Upon his retirement, he returned to England with his collection of Chinese bronzes, cloisonne, and porcelain. After his death, his wife gifted his favorite piece, a highly important Wanli garlic mouth vase, among other items, to the Victoria and Albert Museum, accession number CIRC.23-1950, where it remains to this day.Condition: Very good condition with expected old wear, traces of age and usage, some casting irregularities, small nicks and losses, light scratches, the undersides of the feet with tiny old fills. The gold inlays are fresh and in very good condition overall. The silver inlays have darkened over time and show expected tarnish. However, we chose not to clean the silver inlays, so to preserve the piece's impressive natural appearance.Weight: 5,200 g Dimensions: Height 31.5 cmReferring to the importance of reverence to the past in Chinese art, Ulrich Hausmann writes:“Archaic bronzes and their inscriptions, the subject of centuries of epigraphic and stylistic studies by literary men and artists, became inseparable, so much so that since that time scholars writing characters have seen at the back of their minds the image of ancient bronze vessels whose rubbings they had carefully studied. Generations of painters and calligraphers [...] spent a lifetime studying these inscriptions. What could be more fitting than to embellish one's studio with subtle allusions to the magnificent past, or to furnish the ancestral altar with vessels expressing the continuation of their inheritance.” (Quote from Ulrich Hausmann, Later Chinese Bronzes: In Search of Later Bronzes in Documentary Chinese Works of Art: In Scholars' Taste, Ed. Paul Moss, Sydney L. Moss, London, 1983, page 233, requoted again by Hugh Moss and Gerard Tsang in Arts from the Scholar's Studio, The Oriental Ceramic Society of Hong Kong and the Fung Ping Shan Museum, University of Hong Kong, 1986, cat. no. 161.)Expert's note: The present steamer is quite likely to date from the Song dynasty, because the earliest archaistic bronzes generally tend to be the closest in form and design to their archaic prototypes. This is clearly the case here, as shown by the two literature comparisons below, which prove that the present lot is very much in the spirit of its Shang and Western Zhou paragons. The example from the National Palace Museum, Taipei, even has gold and silver inlays just like our vessel, which is unusual for such an early piece. Another important aspect is the superb, naturally grown patina on the present lot with its distinct malachite encrustations. This is beyond doubt not a patina from the late Ming or early Qing dynasty: It not only does closely resemble that of ancient bronzes, but with its unique appearance, reminiscent of savage elementary forces rather than the genteel creations of later periods, essentially makes this bronze an archaic vessel of its own merit.Literature comparison: Compare a closely related prototype for this steamer, also with gold and silver inlays, dated to the Shang dynasty, in the National Palace Museum, Taipei, image number K1A002369N000000000PAB. A related prototype, lacking gold and silver inlays, dated to the Western Zhou dynasty, 11th-10th century BC, in the collection of the Arthur M. Sackler Gallery in the National Museum of Asian Art, Smithsonian Institution, accession number S1987.352a-b, is illustrated by Jessica Rawson, Western Zhou Ritual Bronzes from the Arthur M. Sackler Collections, Vol. IIB, Massachusetts, 1990, pp. 342-344, no. 33.Auction result comparison: Type: Related Auction: Bonhams London, 11 November 2010, lot 139 Price: GBP 31,200 or approx. EUR 49,500 converted and adjusted for inflation at the time of writing Description: A large archaistic bronze tripod steamer, yan, probably Song dynastyExpert remark: Compare the closely related form with similar legs cast with animal masks. This steamer is however vastly inferior to the present lot as it lacks the gold and silver inlays and the design is overall less lively. Note the larger size (44.5 cm). Auction result comparison: Type: Related Auction: Sotheby's New York, 1 December 2022, lot 694 Price: USD 37,800 or approx. EUR 35,000 converted at the time of writing Description: An archaistic copper-inlaid bronze tripod censer (Ding), Ming dynastyExpert remark: Compare the related form with similar legs cast with animal masks. This censer is however vastly inferior to the present lot, not only because the inlays are merely copper, but also because it completely lacks the cauldron found on the present lot. Also note the significantly smaller size (16.7 cm).Auction result comparison: Type: Related Auction: Sotheby's London, 14 May 2014, lot 252 Price: GBP 80,500 or approx. EUR 116,000 converted and adjusted for inflation at the time of writing Description: An archaistic silver and gold-inlaid bronze wine vessel and cover, you, Ming dynastyExpert remark: Compare the closely related manner of casting and decorations with similar gold and silver inlays. Note the related size (30.2 cm). Auction result comparison: Type: Related Auction: Sotheby's Hong Kong, 8 October 2014, lot 3350 Price: HKD 2,680,000 or approx. EUR 380,000 converted and adjusted for inflation at the time of writing Description: A large gold and silver-inlaid bronze incense burner, gui, late Ming dynastyExpert remark: Compare the closely related manner of casting and decorations with similar gold and silver inlays. Note the similar size (28.5 cm).宋至明代銅錯金銀三足銅甗中國，960-1644年。 來源：Dr. David McCay收藏，在同一家族保存至今。品相：狀況極好，有磨損和使用痕跡、一些鑄造不規則、小刻痕和缺損、輕微劃痕、腳底面有微小的填充物。錯金部分整體狀況非常好。錯銀部分變暗並顯示出光澤。
AN AMBER-GLAZED POTTERY VASE AND COVER, HU, HAN DYNASTYChina, 202 BC to 220 AD. The compressed globular sides rising from a short, splayed foot to a waisted neck and everted rim surmounted by a domed cover. The shoulder and body each with a narrow band carved with wave designs enclosed by recessed line borders. Covered overall in an even and finely crackled, golden amber glaze, the interior of the cover with a greenish tint. (2)Provenance: The base with an old label, 'Han Dynasty. Amber glaze. Covered jar. 25-220 AD.' From the collection of Joseph Rondina (1927-2022), who was born into a first-generation Florentine-American family in Auburn, upstate New York. Returning to the U.S. after being stationed in Berlin at the end of the Second World War, he studied at the Whitman School of Design before opening Joseph Rondina Antiques on Madison Avenue in Manhattan's Upper East Side in 1957. In the beginning, his interests focused primarily on European 18th-century decorative arts and furniture, over time developing to include Chinese, Korean, Indian, Thai, Cambodian, Persian and Japanese art, bringing a more esoteric and exotic style to the market. His clientele included stars of the stage and screen, royalty, notables, dignitaries, and denizens of the social register from the United States and abroad.Condition: Good condition, commensurate with age. The foot chipped with an associated old fill, minor old repairs and touchups as generally expected from Han dynasty excavations. Wear, firing flaws, intentional glaze crackling, glaze abrasions, kiln grit, small losses, encrustations.Weight: 1,396 gDimensions: Height 25.8 cmLiterature comparison: Compare a related amber-glazed hu, decorated with taotie masks suspending mock ring handles and lacking the cover, 40.6 cm high, dated to the Eastern Han dynasty, in the Metropolitan Museum of Art, accession number 1994.605.123. Compare a related amber-glazed hu, decorated with taotie masks and lacking the cover, 34.5 cm high, dated 2nd century BC to 1st century AD, in the Ashmolean Museum, Oxford, accession number EA1956.909.Auction result comparison: Type: Related Auction: Sotheby's London, 18 May 2018, lot 284A Estimate: GBP 4,000 or approx. EUR 5,500 converted and adjusted for inflation at the time of writingDescription: A large amber-glazed pottery vase, hu, Han dynasty Expert remark: Compare the closely related form and amber glaze. Note the lacking cover and the larger size (47.5 cm).漢代褐釉弦紋壺中國，公元前202 年至公元220 年。口外撇，束頸，鼓腹，足外撇。有一個圓頂蓋。肩部和身體各有一條弦紋，上面刻有由凹線邊框包圍的波浪圖案。通體施褐色釉，釉色均勻，裂紋細密，蓋內泛綠。 來源：底部有標籤 'Han Dynasty. Amber glaze. Covered jar. 25-220 AD.'。Joseph Rondina (1927-2022年) 私人收藏。Joseph Rondina (1927-2022年) 出生於紐約州北部奧本的第一代佛羅倫薩美國人家庭。第二次世界大戰結束後駐紮在柏林，後回到美國。之後他在惠特曼設計學院學習，於 1957 年在曼哈頓上東區的麥迪遜大街開設了 Joseph Rondina 古董店。一開始，他的興趣主要集中在歐洲十八世紀的裝飾藝術和家具。隨著時間的推移，他開始收集印度、中國、韓國和日本的藝術。他的客戶包括來自美國和國外的銀幕明星、皇室成員、名人、政要和社會名流。 品相：品相好，足部有小填充、小修補。有磨損、燒製缺陷、釉面裂痕、開片、窯砂、小損失、結殼。 重量：1,396 克 尺寸：高 25.8 厘米 文獻比較： 比較一件相近的東漢褐釉弦紋壺，飾有饕餮輔首啣環，沒有蓋子，40.6 厘米高，收藏於大都會藝術博物館，館藏編號1994.605.123。比較一件相近的公元前二至一世紀釉弦紋壺，飾有饕餮輔首啣環，沒有蓋子，34.5 厘米高，收藏於牛津Ashmolean Museum，館藏編號EA1956.909。 拍賣結果比較： 形制：相近 拍賣：倫敦蘇富比，2018年5月18日，lot 284A 估價：GBP 4,000（相當於今日EUR 5,500） 描述：漢褐釉弦紋壺 專家評論：比較非常相近的外形和褐釉。請注意沒有蓋子和尺寸較大(47.5 厘米)。
A PAIR OF VERY FINE MILLEFLEUR DOUBLE GOURD VASES, REPUBLIC PERIODChina, 1912-1949. Of double gourd form, superbly enameled in shades of pink, green, blue, yellow, and white, with iron-red, depicting a myriad of flowers including lotus, peonies, prunus, and chrysanthemums. The upper rim and foot lined in gilt, with a turquoise ground to the interior of the neck and recessed base. (2)Provenance: French trade. Condition: Very good condition with minor wear and firing irregularities, little rubbing to the gilt.Weight: 745 g and 823 g Dimensions: Height 20.7 cm and 20.8 cmThe bases with an apocryphal, iron-red, six-character mark da Qing Qianlong nianzhi.Auction result comparison:Type: Closely relatedAuction: Christie's New York, 14 December 2021, lot 91Price: USD 6,000 or approx. EUR 6,000 converted and adjusted for inflation at the time of writingDescription: A famille rose mille fleurs double-gourd vase, China, Republic periodExpert remark: Compare the related form, bright enamels, and motif. Note the Daoguang mark, the larger size (31.8 cm) and that this result is for a single vase only.Auction result comparison:Type: RelatedAuction: Bonhams San Francisco, 13 October 2015, lot 3414Price: USD 20,000 or approx. EUR 23,000 converted and adjusted for inflation at the time of writingDescription: A pair of millefleur vases, Qianlong marksExpert remark: Compare the motif. Note the form, handles, and larger size (37 cm).民國一對百花不落地葫蘆瓶中國，1912-1949年。巧取葫蘆為形，通體點綴各式花卉，其設計獨具匠心，畫面雖繁密卻不亂，花葉分佈各有主次，婉轉舒展。其筆意精美絕倫，琺瑯明亮。底施松石綠釉，中心書紅彩寄托款“大清乾隆年製”，足際處塗抹金彩一周。 來源：英國古玩交易。 品相：狀況極好，輕微磨損和燒製不規則，描金輕微磨損。 重量：分別爲745克與823 克 尺寸：分別高20.7 厘米與20.8 厘米 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2021年12月14日，lot 91 價格：USD 6,000（相當於今日EUR 6,000） 描述：中國民國粉彩萬花錦紋葫蘆式瓶 專家評論：比較相近的外型、琺瑯明亮和主題。請注意道光款、尺寸較大(31.8 厘米) ，以及此僅有一瓶。 拍賣結果比較： 形制：相近 拍賣：舊金山邦瀚斯，2015年10月13日，lot 3414 價格：USD 20,000（相當於今日EUR 23,000） 描述：一對乾隆百花不落地瓶 專家評論：比較主題。請注意的外形、雙耳和尺寸較大(37 厘米)。
A CLOISONNE ENAMEL MALLET VASE, QIANLONG FIVE-CHARACTER MARK AND OF THE PERIODChina, 1736-1795. The cylindrical body rising from a spreading foot to a tall neck with gilt rim, decorated around the exterior with lotus blooms borne on meandering leafy scrolls between ruyi bands, the foot encircled with C-scrolls and circles, all reserved on a distinct turquoise ground. The base incised with a five-character mark Qianlong nianzhi zuo and of the period.Provenance: British trade. Condition: Good condition with expected old wear, minor crackling and small fills typical for these wares. Minuscule nicks, some dents with associated small losses, the vase slightly leaning.Weight: 226 g Dimensions: Height 14.4 cmBased on its size and mallet shape, this vase was made to hold incense instruments. These types of small cloisonne vases, censers, and instruments (luping sanshi) which were made for the burning of incense had an additional character below the reign mark and were made for the Qianlong court. Some scholars have suggested that the fifth character under the Qianlong mark could have been a way to number the large group of objects in the correct order, see H. Brinker and A. Lutz, Chinese Cloisonne: The Pierre Uldry Collection, New York, 1989, pp. 74-79.Literature comparison:Compare a similar cloisonne enamel vase with Qianlong five-character mark and of the period, from the Robert H. Clague Collection, Phoenix Art Museum, illustrated in Beatrice Quette, Cloisonne: Chinese Enamels from the Yuan, Ming and Qing Dynasties, New York, 2011, p. 291, pl. 130.Auction result comparison:Type: Near identicalAuction: Christie's New York, 18 September 2014, lot 613Price: USD 37,500 or approx. EUR 44,500 converted and adjusted for inflation at the time of writingDescription: A small cloisonne enamel bottle vase, Qianlong four-character mark inscribed in a line and of the periodExpert remark: Compare the near identical bottle or mallet form, motif, five-character mark, and size (14.5 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 11 May 2017, lot 180Price: GBP 22,500 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel bottle vase, Qianlong five-character mark and of the periodExpert remark: Compare the closely related mallet or bottle form, motif, and five-character mark. Note the slightly larger size (17 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 17 May 2012, lot 139Price: GBP 20,000 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel and gilt-bronze long-necked cylindrical vase, incised Qianlong five-character mark and of the periodExpert remark: Compare the closely related form, motif, and five-character mark.乾隆五字款及年代銅胎掐絲琺瑯纏枝蓮紋賞瓶中國，1736-1795年。長頸，直腹，底足微束，足微外撇。外壁掐絲琺瑯描繪纏枝蓮紋，瓶口下裝飾一圈如意紋。底足内刻“乾隆年製”與“左”字款。 來源：英國古玩交易。 品相：品相良好，有磨損、輕微裂紋和小填充物。微小的刻痕，一些凹痕、缺損，賞瓶略微傾斜。 重量：226 克 尺寸：高 14.4 厘米 根據它的大小和形狀，這個瓶子應是用來盛放香薰器具的。這些供燒香用的小景泰藍瓶、香爐和器具在年號下方加了一個字，是為乾隆宮廷製作的。 一些學者認為，乾隆標記下的第五個字符可能是一種以正確順序對大群物品進行編號的方式，見 H. Brinker和A. Lutz，《Chinese Cloisonne: The Pierre Uldry Collection》，紐約，1989年，頁74-79。 文獻比較： 比較一件相似的銅胎掐絲琺瑯乾隆五字款和年代賞瓶，來自Robert H. Clague 收藏，收藏於Phoenix Art Museum，見Beatrice Quette，《Cloisonne: Chinese Enamels from the Yuan，Ming and Qing Dynasties》，紐約，2011年，頁291，圖130。
A TEADUST-GLAZED QUADRILOBED VASE, QING DYNASTYChina, 18th to 19th century. Of flattened baluster form, rising from a flaring foot, surmounted by a tall, slightly flaring neck with quadrilobed rim, the neck flanked by a pair of dragon-form handles, covered overall with a silky yellow and green spotted teadust glaze, save for the foot rim revealing the buff ware.Provenance: New York trade. Condition: Very good condition with minor old wear, the upper rim slightly smoothened, and manufacturing flaws including pitting and glaze recesses.Weight: 576.1 g Dimensions: Height 19.7 cm Auction result comparison:Type: Closely relatedAuction: Bonhams London, 10 November 2011, lot 241Price: GBP 3,750 or approx. EUR 6,700 converted and adjusted for inflation at the time of writingDescription: A teadust-glazed four-lobed vase, 18th/19th centuryExpert remark: Compare the closely related form, glaze, and handles. Note the size (28.4 cm).清代茶葉末釉葵口雙耳瓶中國，十八至十九世紀。葵口瓶，敞口，束頸，鼓腹，頸部一對龍紋耳。通身施茶葉末釉，胎體較厚重，胎土淘洗精細，底足露胎。 來源：紐約古玩交易。 品相：狀況極好，有輕微磨損，上邊緣略微光滑，製造缺陷包括點蝕和釉面凹陷。 重量：576.1 克 尺寸：高19.7 厘米 拍賣結果比較： 形制：非常相近 拍賣：倫敦邦瀚斯，2011年11月10日，lot 241 價格：GBP 3,750（相當於今日EUR 6,700） 描述：十八至十九世紀茶葉末釉葵口雙耳瓶 專家評論：比較非常相近的外形，釉面和頸部一對龍紋耳。請注意尺寸 (28.4 厘米)。
A MID VICTORIAN GLASS CLARET JUG the spherical body engraved with sphinx, Greek Key and leaf scroll ornament, together with armorial, 22cm high, together with a selection of decorative glassware including a Queen Elizabeth The Queen Mother cut glass vase with matching silver mounted plinth (a lot)
A GROUP OF THREE BRASS TABLE LAMPS including a baluster form vase lamp with a ribbed body, 36cm high, a turned candlestick lamp, 39cm high, and converted oil lamp with orb reservoir, 50cm high, all measured to the base of the electrical fitments (3)Provenance: The Christopher Hodsoll Collection.
19th Century Wedgwood Jasper pot pourri vase and cover, of twin-handled campana form, sprigged with classical figures, impressed mark, 39cm high Another example, ornamented in black jasper is illustrated Reilly (Robin), Wedgwood, 1989, Vol II (dated c1830-50). The vase was still in production later in the 19th c, being one of the shapes (no 43) illustrated in the Wedgwood '1878' Catalogue of Ornamental Shapes (Reilly, op cit, plt 940).
Martin Brothers stoneware gourd vase, ovoid form with everted neck, modelled with striations glazed cream over dark green, the base inscribed ‘Martin Bro London & Southall’ and dated ‘8-1903’, 15cm highThe paint has chipped off on around fifty percent of the outside rim and a couple of 1cm lines on the inside of the rim. There are pockmarks and an imperfection on the body of the vase.
Late 19th or early 20th Century Meissen miniature vase, of baluster pedestal form painted and gilded with floral panels within moulded and encrusted floral borders, on square base, blue crossed swords mark, incised ‘A44.X’ and painted marks, 10cm highThere are losses to a lot of the flower petals and leaves. Some light surface scratches, nibbles around the base. Some similar losses and wear to the glazed finish.
Chinese blue and white porcelain baluster or meiping vase, decorated in underglaze blue with figures and a horse in a landscape, seal mark of Kangxi (1662-1722), 33cm high, with two-part carved wooden lotus form stand, and a wooden cover, 45cm high overallPossibly brought back from China by the vendor's ancestor, Leonard Haynes (1909-1949), who worked for the Hong Kong Police Force.
Good quality Japanese Satsuma vase, Kyoto School, Meiji period, of four-lobed baluster form with applied gilt temple dogs to shoulders over finely rendered decoration of sages and arhats in a landscape, variously involved in a tea ceremony, gazing upon a scroll painting, etc, beneath an intricately gilt-flecked sky, all within textured collar and basal frieze, wavy-edged iron-red and gilt seal-type mark beneath with Satsuma mon, Dai Nippon, Gyokusui, Kyoto (Sei?), 30.5cm high
Studio Pottery - Shigeyoshi Ichino for Leach Pottery St Ives stoneware squat baluster vase having a brown glaze with Ju type splashes, impressed marks, 15cm high; together with a Leach Pottery stoneware small footed bowl having cream glaze with iron glaze abstract decoration, 13.5cm diameter together with a footed bowl marked with painted mark C7 and PF (3)The general condition is good for all pieces, but the vase does have some light crazing.
Constance Spry for Stevens and Williams, a Royal Brierley glass flower vase, circa 1930s, optic moulded Campana urn form with everted rim, on plain foot, etched facsimile signature, 15cm high Note: author and florist Constance Spry designed a number of vases in both glass (for Stourbridge manufacturer Stevens and Williams) and ceramic (for Fulham Pottery) to complement her well known flower arrangements and designs, on which she wrote numerous educational books.
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