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Lot 169

An Art Nouveau waisted glass vase with green trailed decoration, 3½"; an iridescent spherical bubble vase; and another

Lot 171

A Dartington blue glass bottle, 13½"; a Mdina glass vase; a similar vase; another signed for the Malta Congress

Lot 181

A large Imari porcelain vase decorated with alternating panels of flowers and landscape scenes, 16"

Lot 204

Four pieces of Royal Crown Derby Japan pattern china: square shallow dish, length 11½"; a circular dish on raised foot, diameter 7½"; a small offset vase and pin tray

Lot 206

A Studio pottery circular rice bowl, half glazed in mottled green and gilt, monogrammed 'TL09', diameter 5½"; a Studio pottery baluster stoneware vase with mottled fawn and white glaze, height 6"

Lot 208

A John Ditchfield Art Glass iridescent vase of tapering form with swirled decoration, "Glassform" No 9047, with etched signature and original paper label, height 7"

Lot 209

A Royal Brierley Studio Art Glass ovoid vase with deep pink iridescent finish, height 10"; an opaque white tapering vase with iridescent grey finish, etched signature to base, height 5"

Lot 210

An Art Nouveau design iridescent glass bowl in the manner of Loetz, of circular waisted form with green rim and white trailed decoration, diameter 7"; an Art Glass iridescent green vase with wide flared rim, tapering stem and circular foot, height 8"

Lot 211

A Canadian Art Glass vase by Robert Held, of baluster from with iridescent and 'jewelled' finish, etched signature and paper label, height 6"; a "Blossoms" Rhythms Art Glass vase by Linda Westrom, fattened form with amethyst and white banding, etched signature, height 7½"

Lot 212

A Monart style opaque mottled white and green bowl, diameter 5"; a Caithness style baluster vase with opaque swirled white decoration, height 7½"; a similar blue beaker vase, height 5"; a Caithness vase of waisted form, with opaque black and white swirls, height 9"

Lot 213

A Whitefriar's style cylindrical green glass vase with folded rim and bubble decoration, height 11½"; a tall green glass vase; a turquoise pedestal vase; 2 bottle vases, one mottled brown, the other silver overlaid turquoise

Lot 214

A Holmegaard mallet shaped vase in hyacinth blue, etched signature, height 7½"

Lot 215

A Mdina slender neck vase of flattened form, signed, height 9"; a similar mottled red baluster vase with indistinct signature, height 4½"; a tall blue vase with slender neck; a Venetian style flared green vase; a folded shallow dish with white opaque swirl decoration

Lot 216

An iridescent baluster vase, mottled purple with white swirled decoration, indistinct etched signature, height 5½"; an iridescent baluster vase in blue, purple and green, monogrammed indistinctly, height 8"

Lot 217A

A continental hand painted vase; a storage jar with Victorian oil painting, signed to front; 3 pieces of glassware etc

Lot 218

A Moorcroft green ground baluster vase, amaryllis pattern, 9½"

Lot 224

A small Wedgwood covered jug decorated in gilt and blue; a small porcelain blue and gilt vase; a Royal Crown Derby cup and saucer; a Royal China Works Worcester reticulated covered pot hairline crack to lid); 2 other pieces (a.f)

Lot 226

A Mdina goblet à la façon Venise; a Studio pottery vase

Lot 226A

An iridescent Art Glass vase; 3 glass paperweights; coloured glassware

Lot 231

A 1920's Satsuma vase; a Carlton Art Deco sucrier and trefoil dish; a cabinet trio set

Lot 233

A Royal Doulton "Penarth" blue and white vase/stick stand, height 23½" (several cracks lower body) and a similar column

Lot 242

A Royal Brierley Art Glass baluster vase decorated in iridescent gilt over pink, height 12"; a "Jozefina" opaque pink ovoid vase with raised decoration height 13"

Lot 244

A Studio Pottery blue and iridescent vase by Sarah Perry; an iridescent pink glass vase; 4 other pieces of Studio Pottery

Lot 255A

A Charlotte Rhead tube lined lustre vase in pink and green, height 12½"

Lot 261A

A majolica candlestick; a similar vase; decorative china

Lot 265

A 20th century Chinese wall vase with gilt decoration and text, 5½"

Lot 266

A 1970's Poole ovoid vase with red ground; a 1930's Crown Devon tube lined table lamp

Lot 268

A large Art Glass iridescent bowl; a tall overlaid red glass vase; 2 decanters; glassware

Lot 269

A Monart style flared vase, mottled green with swirled decoration, height 8"; a Royal Brierley iridescent scent spray; an "Atlantis" obelisque

Lot 269A

A opalescent art glass charger and a similar vase

Lot 270

A Royal Worcester 2 handled vase of flattened pedestal form, the body decorated in polychrome with a village street and cottages, signed 'John Stinton', height 9½"

Lot 324

A silver glass holder; a similar trophy cup; a stem vase and 2 other items

Lot 468

A large oriental bronze vase decorated in high relief with figure of a warrior on a bridge, script and seal mark, 18½"

Lot 139

[§] ETHEL WALKER (SCOTTISH B.1941) JAPANESE VASE Signed, oil on board 12cm x 10cm (4.75in x 4in)

Lot 31

[§] HENRI MATISSE (FRENCH 1869-1954) SEATED YOUNG WOMAN WITH A BOUQUET OF FLOWERS 1923, signed in pencil to margin and numbered 47/60, lithograph 29cm x 20.5cm (11.5in x 8in) Note: 'What I dream of is an art of balance, of purity and serenity devoid of troubling or disturbing subject matter...like a comforting influence, a mental balm - something like a good armchair in which one rests from physical fatigue.' Henri Matisse is generally considered one of the most important artists of the twentieth century, and a leading figure in modern art. He made prints throughout his career, starting working in lithography in 1906, and returning to it again and again. The offered work dates from a particularly productive period, when from 1922-25 Matisse created fifty lithographs, mainly of women and decorative patterns. Artistically, Matisse viewed printmaking as an extension of drawing, and thus a direct expression of the artist's thoughts. Formally, it was an opportunity to re-focus on line and composition. The painterly qualities of lithography particularly suited Matisse's technique, and his interest in rich detail and texture. In fact, Matisse preferred a version of lithography called transfer lithography where instead of drawing directly onto the stone, the artist was able to utilise transfer-paper, drawing directly onto the paper, the image was then transferred onto the stone and printed. This meant the image was not reversed and often the grain of paper was captured within the image. Seated Young Woman with a Bouquet of Flowers reflects Matisse's key interests in print-making. The subject is a young woman, surrounded by decorative patterns. He creates a bold composition, by angling different patterns against each other. There are the expected visual patterns - the floral pattern in the sitter's blouse, and on the vase, and the bold horizontal striping of the blinds behind her, but these are juxtaposed with patterning created by the artist to add depth and texture, his graphic mark-making in the table surface and the distant sky. It has been suggested that even when working in monochromatic prints, Matisse's works have the sense of being colourful. That is true here. We can easily imagine the bold colours that would feature in an oil painting version, especially in the bold patterning, yet the monochromatic simplicity allows Matisse's compositional insight, and ability to manipulate the qualities of lithography, to really shine.

Lot 1730

A Chinese lacquer rectangular cabinet on stand, decorated in polychrome and gilt with ho-ho birds, gu-shaped beaker vase and precious objects, 35.5cm wide, c. 1800, the European stand with chamfered legs, 115cm high overall

Lot 189

A Royal Worcester Persian Inspired two-handled ovoid vase, printed with fanciful bird perched on gilt foliage, on an ivory ground, pierced scroll angular handles, the neck and base in relief with strapwork, in burnished gilt, 27cm high, printed crown and circle mark, date code for 1887; a Royal Worcester jardiniere, in relief with scrolling foliage and lion masks, in gilt and green on a blush ivory ground, everted rim, 27cm diam, printed crown and circle mark, date code for 1912, shape no.1510

Lot 191

A Royal Worcester Kate Greenway style figural spill vase, of a girl holding an oversize basket, gilt line rims, rocky bases, 25.5cm high, printed crown and circle mark in puce, date code for 1884

Lot 192

A Royal Worcester Hadley three handled pedestal vase, decorated with yellow and red roses, lion mask and double scroll handles, knopped and scroll buttress column, circular base, 22.5cm high, crown and circle mark, date code for 1908

Lot 196

A pair of Royal Worcester plates, in the 18th century style, with flowers in vase and fan shaped reserves, on a scale blue ground, gilt borders, 21cm diam, crown and circle mark, date code for 1912; other plates, by Raymond Rushton, with castle ruins, 23cm diam, crown and circle marks (5)

Lot 205

A Royal Worcester wrythern fluted ovoid vase, painted by Jas Stinton, signed, with a pair of pheasants in a coppice, gilt line rim and circular foot, puce printed marks, model no. G957, date code for 1905

Lot 210

A Royal Worcester two handled pedestal ovoid vase, painted by N Creed, signed, with ripe peaches and black berries on a mossy ground, the verso with apples and grapes, grotesques mask angular handles, domed cover, spire finial, 37cm high, crown and circle mark in black, shape no.1691 Condition Report: Good condition.

Lot 210A

A Royal Worcester two-handled ovoid vase, printed and painted with wild flowers, on a blush ivory ground, gilt handles to shoulders, 21cm high, printed crown and circle mark, date code for 1898, shape no.1762; a similar flat sided jug, 10.5cm high, date code for 1909; another, shape no.H221, date code for 1910 (3)

Lot 237

A Mennecy lobed ogee shaped vase and cover, encrusted with band of flowers to shoulders, domed cover, flower finial, leafy mark, 18cm high, c.1750-60

Lot 25

A Wedgwood Jasperware two handled pedestal ovoid vase and cover, typically applied in white with classical figures, flying scroll handles, domed cover, ball finial, square base, 23cm high, impressed mark

Lot 251

A Vienna three handled vase, printed with the Three Graces and classical scene within a jewelled gilded border, banded in maroon with gilt scrolls, bold gilt paw feet, 19.5cm high, c.1900 Condition Report: Some wear to gilding, overall good

Lot 260

A 19th century Chinese baluster vase, decorated with polychrome butterflies, banded with cobalt blue fretwork, 23.5cm high, blue Qianlong seal mark

Lot 261

A 19th century Chinese blue and white slender baluster vase and cover, decorated in underglaze blue with long Elijah and palm tree the cover with Dog of Fo finial, 30cm high, four character Kangxi mark but later Condition Report: Small chip to underside of cover; slight slither chip to side dogs tail

Lot 264

A 19th century Chinese monochrome bottle vase, glazed in merging tones of turquoise, slender neck, circular foot rim, 23cm high, hardwood stand

Lot 265

A 19th century Chinese porcelain famille rose inverted baluster vase and cover, decorated in the typical manner with mirrored reserves of traditional figures of the court and colourful birds, butterflies, ripe fruit and blossoming flowers, green and pink enamel ground picked out in gilt, the neck and shoulder applied with two gilded ferocious dragons pursuing the flaming pearl, the domed cover with gilded mythical beast finial, 31cm high, Canton, c. 1870

Lot 266

A 19th century Chinese spinach green baluster vase, moulded and incised with lily flowers and pads, shooting sprigs and a crane, flared neck, 23cm high, hardwood stand

Lot 27

An Elliott of London Boer War commemorative stoneware ovoid vase, by S. Sims, signed, incised and picked out in blue glaze commemorating the capture of Pretoria, cobalt blue rim, 10cm high, impressed marks, dated Whit Tuesday June 5th 1900

Lot 271

A Chinese bulbous vase and cover, of Islamic influence, painted in tones of underglaze blue with figures in a rocky landscape, above a band of lappets and scrolling flowering stems, 40cm high, 19th century

Lot 277

A Chinese cylindrical vase, decorated in underglaze blue with oriental figures and pine tree, 24cm high, six character Kangxi marks but later

Lot 278

A Chinese double gourd vase, painted in underglaze blue with blossoming prunus on a ground of cracked ice, 20.5cm high, four character mark; a ginger jar; a temple jar and cover, similar (3)

Lot 28

Geoffrey Whiting (British, 1919 -1988), a stoneware vase, with ich tenmoku glaze, incised in lines, 30cm high, impressed GW seal

Lot 281

A Chinese monochrome baluster vase, glazed in merging tones of muted yellow, ochre crackle ground to interior, twin ring handles with lion masks, 25cm high, incised seal and character mark, hardwood stand

Lot 282

A Chinese monochrome blue glazed bottle vase, 41cm high, c.1880

Lot 283

A Chinese monochrome bottle vase, boldly modelled with a ferocious dragon in a spirally flight from the shoulder to the elongated and slightly flaring neck, the waist with a scrolling cloud, 22cm high, hardwood stand

Lot 284

A Chinese monochrome bottle vase, glazed in merging tones of vibrant blue, elongated neck, 20cm high, hardwood stand

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