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A DELLA ROBBIA EARTHENWARE VASE, late 19th century, of tapering cylindrical form, the elongated neck with frilled rim, "hand drawn and painted" by Carlo Manzoni in shades of blue, yellow, green and cream with Persian style banding, incised marks and monogram, No.60A, 9 1/4" high (Illustrated)
A COLLECTION OF RYE IDEN POTTERY, mid to late 20th century, by Dennis Townsend comprising streaky brown glazed bottle vase, 11" high, blue, pink and green stripey two piece tapering cylindrical cruet, 4" high, abstract beaker vase, 4 1/2" high, and a blue glazed oval vase, 4 1/2" high (4)
A POWELL "RIBBON" vase, 1930`s, of flared cylindrical form, the pale amber body applied with a turquoise trail to the exterior, 7" high, together with a Webb clear glass vase of flared cylindrical form, the exterior cut and etched with two butterflies amidst stars and internal bubbles, etched mark, 11 1/2" high (2)
A late Victorian silver specimen vase of faceted form, Sheffield 1897, a silver hand mirror, and a silver topped glass jar, together with a collection of plated wares, including a part canteen of cutlery, an antler handled crumb scoop, a pair of salad servers and a pair of fish servers.
A Chinese famille rose green ground porcelain vase, mark of Daoguang but probably late 19th Century, the shouldered ovoid body painted with precious vessels, objects and flowers on a green ground beneath a ruyi-head collar, pseudo iron red seal mark to base, height approx 22.5cm, together with a carved hardwood stand.
A Chinese blue and white porcelain vase, late 19th Century, the baluster body painted with birds and butterflies amongst flowers within prunus, flower and trellis borders, height approx 34.5cm, together with a Chinese blue and white trumpet beaker vase, early 19th Century, painted with a continuous coastal landscape of pavilions, trees and figures, height approx 25cm.
A Chinese green crackle glazed bottle vase, 20th Century, with iron oxide rim, height approx 38cm (repaired rim), three Japanese Satsuma earthenware vases, two carved hardwood figures of sleeping sages with detachable hats, three Japanese Imari bowls and a small bowl (some with faults).
A Chinese brown patinated bronze vase, mark of Xuande but early 19th Century, the flared neck cast in relief with an entwined dragon, the ovoid body decorated in low relief with four figural panels and script, against a ground of precious objects, flowers and ribbons, within key fret borders, cast six character mark within a dragon relief surround to base, height approx 59.5cm.
A group of Japanese studio pottery, comprising a brown glazed baluster vase, a ribbed pottery vase painted with a brown crane beneath a green glazed rim, a gourd shaped bottle, a red glazed stoneware figure of a sage, a brown drip glazed and cream bottle and a brown glazed vase (mostly with faults).
A group of Oriental porcelain and pottery, including a Japanese brown decorated cream glazed jar (lacking cover and cracked), an ochre glazed double gourd wall vase and a Chinese blue and white baluster vase, late 19th Century, painted with Buddhistic lions within iron oxide borders (faults).
A Chinese famille rose porcelain vase, mark of Daoguang and of the period, the baluster body painted with a continuous scene of standing maidens accompanied by a deer and Buddhistic lion cub beside vessels and tables, flanked by a pair of moulded lion mask and ring handles, iron red seal mark to base, height approx 25.5cm (some wear to enamels and retouching).
A Chinese Guan type crackle glazed censer, 18th/19th Century, the bombé body and handles covered in a cracked pale celadon glaze, height approx 10.5cm, together with a pair of yellow enamelled crackle glazed vases, a crackled celadon glaze bowl and a crackled celadon glaze vase (some faults).
A pair of Chinese famille rose export porcelain bottle vases, late Qianlong period, each painted in the Mandarin palette with opposing panels of flower filled cornucopia, vase and basket, within underglaze blue floral borders framing further flower vignettes, height approx 25.5cm (one with chip to foot and rim), together with a famille rose export porcelain vase painted with figures and flowers within underglaze blue borders, height approx 24.5cm (cracked).
A Chinese pink ground famille rose porcelain vase, mark of Qianlong but 20th Century, the baluster body painted with three roundels filled with insects and flowers, reserved against a pink enamelled ground incised with scrolls, pseudo underglaze blue seal mark to base, height approx 42cm.
A Chinese blue and white porcelain vase, late 19th Century, the cylindrical neck applied with an entwined dragon above a formal design of dense lotus flowers and tendrils, height approx 35cm (chip and cracks to neck), together with a blue and white prunus pattern bottle vase (damaged rim and neck).
A collection of nine W.H. Goss models of houses, comprising Dr Samuel Johnson`s house at Lichfield, St. Nicholas Chapel, Manx Cottage, Charles Dickens House, Thomas Hardy`s Birthplace, Robert Burns Cottage, Ann Hathaway`s Cottage. Old Maids Cottage at Lee and Shakespeare`s House, together with a Willow Art model of Shakespeare`s House and a Goss crested china vase (Thomas Hardy`s House and Manx Cottage with restoration).
A Royal Worcester porcelain flat back jug, circa 1894, painted with flowers and leaves, against a blush ground flanked by a gilt reeded handle, printed factory marks including `1094` to base, height approx 16cm, together with a Royal Worcester porcelain narrow neck vase, circa 1892, painted with flowers and leaves on a blush ground, printed factory marks including `1528` to base, height approx 17cm.
A Royal Worcester posy vase, circa 1919, the fluted rim above a conical body painted with roses against a cream ground, puce printed factory mark to base, height approx 8.5cm (chip to rim), and a Royal Worcester vase, circa 1952, of shouldered form painted with flowers against a cream ground, printed factory marks to base, height approx 12cm.
A Royal Doulton stoneware bowl, by Ethel Beard, the sides tube lined with stylized flowers and vertical leaves against a pale green ground, impressed factory marks and incised monogram to base, diameter approx 17cm, a Gouda pottery `Paris` design footed bowl, painted factory marks including `104` and `1665` to base, a Chameleon Ware posy vase, and a Moorcroft pottery globular vase decorated with leaf and grape design, impressed factory mark with facsimile signature to base, height approx 11cm (faults to neck).
A Sitzendorf porcelain triple egg cup, late 19th Century, each flower encrusted egg cup supported by a recumbent putto on a circular base, together with a Continental porcelain figure of a putto and a Staffordshire bone china spill vase modelled with two birds and a nest (minor faults).
A Crown Ducal jug, decorated with Tarragona pattern, designed by Charlotte Rhead, printed factory mark with tubelined signature and pattern No. 5623 to base, a Burleigh Ware vase decorated with Florentine pattern, designed by Charlotte Rhead, blue printed factory mark with tubelined signature and pattern No. 4752 to base, and a Crown Ducal small vase decorated with zig-zag and overlapping leaves, designed by Charlotte Rhead, blue printed factory mark with tubelined signature and pattern No. 2682 to base.
A Sèvres porcelain butter dish and cover, circa 1757, the cylindrical body, integral stand and cover all painted with flower sprays within blue and gilt borders, blue enamelled interlaced `L`s and date code to base, diameter approx 20cm (repaired), together with an English porcelain blue and white shaped oval dish, late 18th Century, painted with leaves and berries, pseudo Chinese characters to base, length approx 25cm (rim chips), and a Wileman & Co iridescent stoneware vase, impressed factory mark (cracked).
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650806 item(s)/page