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Click here to subscribeA CHINESE FAMILLE ROSE WALL VASEbearing a six character Qianlong mark to the base, the blue ground vase decorated in gilt with bats and clouds, raised floral applied decoration to the facade, a figured stand to the base with scrolled legs, a hanging indent to the reverse, 21.5cm high, in a fitted wooden case bearing old labels
A COLLECTION OF CLOISONNE including a Japanese bowl and cover, 10cm high, a small Japanese vase, 13cm high, three cloisonné napkin rings, a Japanese box and cover, a very small pair of vases, 6.5cm high, a cup and a bottle vase (10)Provenance: Thomas Child (1841 - 1898) was a pioneering photographer who produced a large body of photographs during his time in Beijing during the 1870's. He was close to the Emperor and the court. The family believe a number of objects were gifts from the Imperial family.
A PAIR OF JAPANESE CLOISONNE VASES Meiji period, 19th century, of baluster shape with midnight blue ground, decorated with roosting pigeons amongst maple leaves, 12.5cm high; together with a similar miniature vase decorated with poppies, 7.5cm high (3)Provenance: The collection of R P & P Gray, Bridport, Dorset.
A VICTORIAN SILVER TAPERING SPILL VASE SIBRAY, HALL & CO., LONDON 1894 The fluted and lobed body with a cable twist band and on a domed foot 30.5cm (12in) 560g (18 oz) Condition Report: Marks are clear Slight knock to the foot rim Slightly wobbles No engraving Light scratches and wear commensurate with age and use Condition Report Disclaimer
Small group of 19th century and later table glass, comprising: an etched blown glass celery vase, 24cm high; a panewl-cut drinking glass etched with hop, vine leaf and wheat on a star-cut square base, 10cm diameter x 14cm high; a stem glass with ivy decoration, and a George VI 1937 Coronation glass etched with Flowers of the Union, together with a glass pestle, (5)
§ Christine Feiler (1948-), a large studio pottery trumpet vase, 2006, signed with initials to underside 38cm high; together with a shallow bowl with geometric design, signed with initials to underside 29cm diameter (2)Provenance:Acquired directly from the artist by the present vendor
§ Andre Derain (1880-1954) Design for a vasebearing Atelier Andre Derain stamp (lower right)watercolour19 x 14.5cmNot examined out of the frame, the outermost edges obscured by the mount so are not available for inspection. Some very minor undulation to the paper support, but appears otherwise in very nice overall condition
Ceylan, an R. Lalique opalescent glass vase, designed 1924, the blue tinted body of gently tapering form and moulded in high relief with eight perching budgerigars, wheel etched ‘Lalique, France’ to the underside 24cm highGround and polished to foot rim (noticeable to one side) and slight chipping to base ring, mould line visible. See images. Stands true and stable.
Robert Wallace Martin for Martin Brothers, a salt glazed stoneware foliate vase, 1886, squat ovoid form with angular neck, sgraffito decorated with stylised flower heads in a foliate scroll ground, in the Mannerist revival, incised marks 4-1886, R W Martin & Bros London + Southall, 19cm high
A Vincennes porcelain candlestick, 1745-50, conical hyacinth vase form with ogee rim, the body painted in the round with a Meissen style Kauffahrtei scene of Moorish and European traders in a coastal encampment with ships in the distance, the external rim decorated with a Rococo border of foliate scrolls and diaper panels, the interior with floral sprigs, incised marks A M to underside, 11cm highNote: see the Metropolitan Museum of Art, New York, accession number 54.147.27, for an example of this form with similar border and painted decoration, also bearing the same incised marks to the underside; the French Royal Porcelain Works operated outside Paris in Vincennes from 1740 until its relocation to Sevres in 1756. The mark is illustrated in Dauteman, C C, 1986, Sevres Porcelain; Makers and Marks of the Eighteenth Century, New York: Metropolitan Museum of Art, p.174 and 218, 219
Christopher Dresser for Linthorpe, an Aesthetic Movement art pottery twin handled vase, circa 1885, of moonflask form, modelled in relief with quartered roundels of stylised honeysuckle motifs within beaded borders, the conical neck flanked by two curved buttress handles, streaky green ochre glaze with iridescent striations, impressed marks and facsimile signature, incised 337, 20cm high
Joe Juster for William De Morgan, an Arts and Crafts lustre vase, Fulham, circa 1890, bottle gourd form, the bulbous body painted in underglaze blue with alternating griffon and grotesque lion motifs in a foliate scroll ground, highlighted in iridescent yellow, the knopped neck with geometric lappets and concentric double lustre roundels, painted marks, 28cm high
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