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Lot 79

A Ruskin Pottery green lustre vase a souffle glaze candlestick and a crystalline glaze vase impressed marks green lustre vase 23cm high

Lot 80

A Ruskin Pottery high-fired stoneware vase swollen cylindrical form, white with sang de boeuf band, speckled green impressed Ruskin 1933, restored 27cm. high

Lot 91

A Royal Doulton stoneware gourd vase designed by Francis Pope, covered in a running blue and ochre glaze impressed marks 17cm. high

Lot 93

A Royal Doulton stoneware gourd vase designed by Francis Pope, covered in a running grey, blue and ochre glaze impressed marks 16cm. high

Lot 99

A Moorcroft Pottery baluster vase covered in a rich flambe glaze impressed mark 31cm. high

Lot 102

A James Macintyre twin-handled Aurelian vase printed in blue and gilt printed marks, restored chips to top rim 22cm. high

Lot 103

'Rose Garland' a James Macintyre miniature vase designed by William Moorcroft, painted in shades of red and green, highlighted in gilt on a white ground printed mark, painted green signature 6.5cm. high

Lot 104

'Rose Garland' A James Macintyre miniature vase designed by William Moorcroft, painted in shades of red and green, highlighted in gilt printed mark, painted green signature 7cm. high

Lot 108

'Rose Garland' a James Macintyre vase designed by William Moorcroft, painted in shades of pink and green, highlighted in gilt on a white ground printed mark, painted green signature, restored chip to top rim 31cm high

Lot 110

A rare Moorcroft lustre vase designed by William Moorcroft and retailed by Liberty & Co, painted with pink flowers, on a white ground with remains of yellow lustre printed Liberty mark, painted green signature, minor restoration to base rim 26cm. high

Lot 111

'Alhambra' a James Macintyre vase designed by William Moorcroft, painted in shades of salmon pink, red and blue highlighted in gilt printed mark 28.5cm. high

Lot 121

'Pansy' a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of purple, yellow and green on a blue ground painted green signature 32cm. high

Lot 125

A modern Moorcroft Pottery vase tubeline decorated with apples painted marks 14cm. high

Lot 126

A Cobridge Stoneware vase painted with flowers in blue and green on a cream ground, and a Cobridge jug impressed and painted marks 10cm. high

Lot 127

'Pomegranate' a Moorcroft Pottery baluster vase designed by William Moorcroft, painted in colours on a blue ground impressed marks, painted blue signature 32.5cm. high

Lot 129

'Leaf and Berry' a Moorcroft Pottery vase designed by Walter Moorcroft, ovoid with collar rim, painted in shades of blue, purple, green and ochre impressed factory marks 16.5cm. high

Lot 130

'Late Florian' a Moorcroft Pottery vase designed by William Moorcroft, cylindrical form with everted rim, painted in shades of yellow and blue on a celadon ground impressed mark, painted green signature dated 1918 17cm. high

Lot 134

'Persian' a Moorcroft Pottery vase designed by William Moorcroft, painted in colours on a white ground impressed marks, painted green monogram 9cm. high

Lot 135

'Hazledene' a Moocroft Pottery vase designed by William Moorcroft, painted in colours impressed marks, painted green signature 12.5cm. high

Lot 144

'Iris' a Wemyss pottery vase painted in shades of purple, yellow and green on a white ground impressed Wemyss mark 15.5cm. high

Lot 145

'Cockerels' a Wemyss pottery twin-handled vase painted in colours on a white ground impressed mark, hairline 12cm. high

Lot 154

A Bough Pottery vase by Elizabeth Amour, dated 1915, painted with panels of chequers in black and white on a pale blue ground painted marks 11cm. high

Lot 156

A large Farnham Pottery vase shouldered form, incised with flowers and foliage, glazed green incised marks to base, chips and minor glaze loss 47cm. high

Lot 161

A Hancock & Son Morrisware vase model C63-1, designed by George Cartlidge, painted with purple carnation flowers on a green ground printed mark, facsimile signature, restored top rim 15cm. high

Lot 162

A Hancock & Son Morrisware vase model C18-5, designed by George Cartlidge, tubeline decorated with red bell flowers printed mark, painted facsimile signature, cracked 24.5cm. high

Lot 165

A Wedgwood Matt Straw earthenware vase designed by Keith Murray, ribbed cylindrical form, and a Moonstone bowl printed marks, KM monogram 16cm. high

Lot 167

A Wedgwood Moonstone earthenware vase designed by Keith Murray, shape no.3805, impressed and printed marks, facsimile signature 29cm. high

Lot 168

A Wedgwood Moonstone earthenware vase designed by Keith Murray, shape no 4315, and another shape no 4314 printed marks, KM monogram 19.5cm. high

Lot 169

A Wedgwood earthenware vase designed by Keith Murray, incised cream body covered in champagne, impressed and printed marks, facsimile signature 15.5cm. high

Lot 184

A Dresden pottery vase decorated with squirrels eating in the bough of an oak tree, in colours highlighted in gilt printed marks 25cm. high

Lot 192

A Poole Pottery Art Deco vase designed by Truda Carter, painted by Ruth Pavely, shape no.846, painted with geometric flowers and foliage in shades of green, brown and black on a mushroom ground, impressed, incised and painted marks, minor hairline to top rim 33cm. high. Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 64 for a pedestal bowl decorated in a variation of this pattern

Lot 196

A Poole Pottery Contemporary vase pattern EX/YHP, painted in shades of mushroom and silver grey printed and painted marks 12cm. high

Lot 201

A Poole Pottery Atlantis vase by Guy Sydenham, ovoid, incised with columns, glazed sand, white and brown, and another Guy Sydenham Atlantis vase impressed marks, artists cyphers 13.5cm. high

Lot 212

A Midwinter solifleur vase designed by Jessie Tait, slip decorated with bands of dash motif in black on a white ground impressed and printed marks 17.5cm. high

Lot 219

A Beswick Colin Melbourne vase model no.1397, glazed in brown and blue, and a slender trough printed marks, facsimile signature 20cm. high

Lot 229

'Crocus' a Clarice Cliff Bizarre vase shape no.195, painted in colours, and a Bobbins ashtray printed marks, hairline to vase 22.5cm. high

Lot 235

'Newport' a Clarice Cliff Bizarre shape 200 vase painted in colours printed mark 19cm. high

Lot 236

'Forest Glen' a Clarice Cliff Bizarre 'Daffodil' shape flower vase, shape no.450, painted in colours, and a flower brick printed marks 33cm. wide.

Lot 240

A Troika Double Base vase by Anne Lewis, modelled in low relief and painted in shades of blue and ochre painted marks, AL monogram 35.5cm. high

Lot 242

A Troika Pottery rectangular vase modelled in low relief with a geometric face, in shades of ochre and blue painted marks 17.5cm. high

Lot 243

A Troika Pottery rectanglular vase modelled in low relief with a mask, in blue and white with bronze sides painted marks 17cm. high

Lot 244

A Troika Pottery Wheel vase modelled in low relief and painted in shades of blue and buff painted marks, EW monogram, restored top rim 16.5cm. high

Lot 249

A Troika Pottery Chimney vase modelled in low relief with stylised figure, in shades of green and ochre with a blue shoulder painted marks, artist cypher 20.5cm. high

Lot 251

A Troika Pottery small Wheel vase modelled in low relief with a torso, in blue and brown, a white glazed square dish and a small Cylinder vase painted marks, white dish restored 11.5cm. high

Lot 252

A Troika Pottery Wheel vase by Teo Bernatowitz, modelled in low relief and glazed in shades of ochre and blue painted marks, 19.5cm. high

Lot 253

A Troika Pottery cube vase by Simone Kilburn, modelled in low relief, in shades of blue and ochre painted marks 15cm. high

Lot 255

A Troika Pottery Spice Jar moulded in low relief and painted in shades of brown and blue, with bronze shoulder, and two others similar painted marks, white vase restored 15cm. high

Lot 256

A Troika Pottery small cube vase, painted in colours, and a small Wheel vase painted marks, restored rim to wheel 8.5cm. high

Lot 258

A rare Troika Pottery Globe vase by Alison Brigden, painted in shades of blue with a geometric frieze painted marks, professionally restored top rim, small hairline 20cm. high

Lot 260

A Troika Pottery cylindrical vase by Penny Black, painted in shades of blue and ochre painted marks, PB monogram 20cm. high

Lot 263

A Troika Pottery Wheel vase modelled in low relief, in shades of blue, ochre and brown painted marks 16cm. high

Lot 267

A Troika Pottery Wheel vase modelled in low relief with a geometric pattern, in shades of blue and ochre painted mark 16.5cm. high

Lot 270

A Coldrum stoneware vase designed by Reginald Wells covered in a pitted and running green glaze, impressed marks Coldrum Chelsea, minor glaze loss to top rim, 25cm. high

Lot 277

A David Leach Lowerdown Pottery cut-sided vase covered in a rich temmoku glaze impressed seal mark, hairline to top rim 16.5cm. high

Lot 281

A Janet Leach, St Ives stoneware vase shouldered form with lug handles, the neck and shoulder covered in an ash glaze, with simple brush stroke to the body impressed Jl and St Ives seal 19.5cm. high.

Lot 285

A Byron Temple stoneware vase with pinched rim, covered to the foot with ash glaze impressed seal marks 18.5cm. high

Lot 287

A tall Janet Leach stoneware vase with small lug handles, decorated to the neck and a simple brush stroke in ash glaze impressed JL and St Ives seal mark 34.5cm. high

Lot 296

A William Marshall, St Ives stoneware vase compressed form with incised hatched decoration, in ash and temmoku glazes impressed seal marks 11cm. diam.

Lot 298

A large pottery vase probably by Malcolm Pepper, stoneware with hakeme glaze to upper two thirds of body, impressed seal mark, height 31cm.

Lot 301

A Lucie Rie stoneware bottle vase purchased from Albion Mews, ovoid with slender neck and flaring rim, glazed with a spiral blue, lavender and brown pitted glaze impressed LR mark 30cm. high. Provenance: Purchased from Lucie Rie at her Albion Mews studio 1982-83, sold with two photocopied letters from Lucie Rie to the vendor. Literature: Tony Birks Lucie Rie Alpha books page 183 for a comparable vase

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