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A Furstenberg pot-pourri vase and cover, circa 1775, of ovoid form on a flared foot and with scroll handles, finely painted with a flower spray on each side and further scattered blooms, the domed cover similarly decorated and surmounted by a rose finial, the inside cover pierced and surmounted by a gilt pinecone finial, the rims and handles edged in gilding, F in underglaze-blue to inside rim, incised N2 to base, 37cm, 14.5in, chips to rose finial and inside rim of cover, (3)
A large Furstenberg pot-pourri vase and cover, circa 1775-80, of reverse baluster form with gilt-edged spirally-fluted lower section, moulded with puce swags below a finely painted flower spray on each side, gilt-edged, fluted rim and handles, on a gilt-edged, spirally-moulded fluted foot with gilt laurel-wreath rims on a gilt-edged square base, the domed cover pierced with spirals and surmounted by a figure of a seated putto holding a vegetable with trailing flowers, F in underglaze-blue, 54cm, 21.25in, haircrack to rim, minor damage to vegetable on finial, (2), The manufactory price list of 1779 includes this model: 1 Vase, Lit. T. mit Henkel, auf dem Deckel eine sitzende Figur, welche staffirt ist; das Gefa§ mit bunten Blumen bemahlt, und mit Gold gezieret ... 23 Zoll, at a cost of 46 Reichsthaler 18 Mgr.; quoted by S.Ducret, Furstenberger Porzellan, vol.II, p.14, see also ill.329 for an unpainted variation of the model with satyr masks instead of handles.
Four Meissen figures representing the Seasons, late 19th/early 20th century, outside factory decorated, Spring standing beside a vase of flowers, Summer with a sheaf of corn, Autumn beside a ewer with a glass of wine and a bunch of grapes, and Winter as an old man warming his hands over a brazier, crossed swords in underglaze-blue, incised model numbers 2724, 2730, 2731 and 2732, red script painter's numerals 11, approx 23cm, 9in, some restoration, (4)
A black basalt vase with encaustic decoration, possibly Humphrey Palmer, late 18th century, the ovoid body painted in shaded brown and white with a classical male figure holding a lyre seated on a rocky outcrop beside a deer, between orange and white Greek key and anthemion bands, twin loop handles beneath a cylindrical neck; together with another encaustic decorated black basalt vase, 19th century, painted with laurel swags hung from tied ribbons, unmarked, former 35.5cm, 14in, small chip to foot of second vase, (2), A similarly decorated vase with the Humphrey Palmer mark is illustrated by D.Edwards, Black Basalt Wedgwood and Contemporary Manufacturers, p.10, col.pl.3.
A Minton floral-encrusted vase and cover, circa 1825-35, of gourd shape, the front painted with a view of a garden showing an exotic bird and an urn on a pedestal, the reverse with a floral bouquet, each within a scroll-moulded border heavily encrusted with flowers around branch handles, 28cm, 11in, minor restoration and damage; together with a 'Coalbrookdale' inkstand, with eagle's head handle, fitted with two inkstands, covers and liners and a vase, 30cm, 11.75in. long, some restoration, (10)
A French gilt opaline sugar vase and cover, circa 1820, in gorge de pigeon, the waisted ovoid form with everted foot and rim, the domed cover and bowl gilt with a band of palmettes and foliate festoons, ball finial, 14.5cm, 5.375in, some very minor typical rubbing to the gilding, (2), For the form see Y.Amic, L'Opaline Francaise au XIXe Siecle, pl.VI and C.Vincendeau, Les Opalines, p.45, fig.
A garniture of three Bohemian opaline vases, late 19th century, in two sizes, each slender ovoid form of opaque-white glass with everted rim and foot, painted with sprays of flowers within gilt framework reserved within an apple-green border and gilt line rim, the reverse with a gilt scallop and scroll, 44.3cm. and 36cm, 17.375in. and 14.125in, some typical rubbing to gilding and restoration to foot of one smaller vase, (3)
A fine Baccarat intaglio-engraved 'Japanese-style' vase with ormolu mounts, circa 1878, the tall square form with waisted circular neck and everted rim, finely engraved on each side with either a pair of birds perched amidst blossom or a swan swimming between reeds, within formal scroll borders, the mount with four branch and blossom feet, 34.2cm, 13.5in, A vase of this type was exhibited by Baccarat at the Paris Exposition Universelle, 1878. For further examples of Japanese-influenced intaglio-engraved or 'rock-crystal style' glass made for the Exposition, see D.Sautot, Baccarat. Une manufacture Francaise, pp.64-67.
A silver caster, Carrington & Co,London,1935, baluster applied with stiff leaf border; a biscuit box, FP AP?, London, 1922, plain drum shaped with gadroon borders; a coffee pot, Elkington & Co, Birmingham, 1906, plain baluster; a sugar bowl, Chester, 1924, vase-shaped with reeded swing handle; 2 shell dishes, Henry Atkin, Sheffield, 1921/24; a three piece cruet set, Elkington & Co, Birmingham, 1946/7; butter knife, Sheffield, 1961 and five dessert dishes, London & Provinces, 1899-1944, various shapes and sizes , 102oz 14dwt, 3197gr all in excluding liners
A Regency mahogany twin flap side table by Greenwood, Lancaster, the canted corner edge top above a frieze drawer with paper label 'Greenwood CABINET-MAKER, Lancaster', on a vase turned stem to three scroll legs with brass castors, 28.5in (72.4cm) h, 18.25in (46.3cm) w, 16.5in (42cm) d.
An oak longcase clock, the 8-day movement striking on a bell to a 12in square brass dial, with a silvered chapter ring inscribed 'John Richardson Warwick' to matted centre with subsidiary seconds dial and date aperture, to vase and eagle spandrels, the hood with a caddy top and blind fret frieze above a glazed door, the waist door with a lenticle, the base on bracket feet, 91in (231cm) h.
A Georgian 1796 Pattern Infantry Officer's Sword, the single edge fullered steel blade engraved and bearing traces of gilt with coat of arms, Crowned GR and inscribed Osborns, with copper gilt hilt, hinged double shell guard, foliate capped quillon, stirrup knuckle bow and wire bound grip with panelled baluster vase shaped pommel
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653833 item(s)/page