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ARR AFTER DAVID HOCKNEY RA (British b.1937), Exhibition Poster for Grey Art Gallery & Study Center New York University, April 3rd to May 3rd 1980, (hat, jacket and portfolio on a chair), 94cm x 66cm framed together with a colour reproduction print of a windowsill with rose in a vase, signed in plate, 59cm x 44cm (2)
A LEEDS POTTERY CREAMWARE FIGURE OF A RECUMBENT LION, moulded rectangular base, impressed mark, early 20th century, 18cm wide; together with a similar five division, fan shaped stem vase, moulded with foliage, on a gadrooned and moulded rectangular base, impressed mark, 20th century, 18cm high (2)
A LEEDS POTTERY CREAMWARE URN VASE AND COVER, pierced and moulded with floral swags, foliage and beading, twin female caryatid handles, on a square base with pierced and shaped apron, bracket feet, the cover with flambeau finial, impressed mark, early 20th century, 31.5cm high. See illustration
A LEEDS POTTERY CREAMWARE SUNFLOWER CIRCULAR BUTTER TUB, COVER AND STAND the base and stand moulded with petals, the pierced cover centrally moulded with seeds below an entwined strap handle with flowerhead terminals, impressed marks, early 20th century, the stand 17.5cm diameter; together with a similar five-section, fan shaped stem vase, moulded with shell work and with pierced sides, rectangular base, impressed mark, early 20th century, 14cm high (2)
A LEEDS POTTERY CREAMWARE VASE AND COVER, of hexagonal baluster section, pierced all over and moulded with foliage, the domed cover with flambeau finial, impressed mark, early 20th century, 26.5cm high; and another of waisted hexagonal section, similarly decorated, the cover with conforming finial, impressed mark, early 20th century, 25cm high (2)
A RARE CARTER STABLER ADAMS POOLE POTTERY RED BODIED EARTHENWARE VASE shape no. 958 designed by Harold Stabler, the cylindrical ribbed form, painted on grey pot facing glaze by Mary Brown (1926-34) with a foliate and geometrical design in brown, mocha, grey and black, impressed mark no. 11 (1921-34), shape no. 958, painter's mark and '/CA', 18.5 cm high. See illustration
A HOLLAND UTRECHT POTTERY TWO-HANDLED VASE, of circular section, polychrome painted with stylised flowers and leaves in the Art Nouveau manner, printed black mark and monogram for J.W.Mijnlief, painted numeral 715P and impressed mark Mod 98 to the underside, circa 1890, 42.5cm high. See illustration
A GOUDA POTTERY VASE, of baluster form, relief-moulded and polychrome painted in the Nationaal design with fisherwomen with a child on the sea shore, inscribed 'Scheveningen, Holland', painted underglaze blue mark, pattern name and numerals 7048 to the underside, circa 1900, 32.5cm high
A COLLECTION OF ROYAL CROWN DERBY CHINA, printed, painted and gilt in the Imari palette, comprising a baluster vase, pattern no. 1128 and further numbered 1627, date coded for 1939, 15.5cm high; similarly patterned, shaped circular plate, date coded for 1889, 22cm diameter; a similarly patterned diamond shaped dish, date coded for 1918, 25.5cm wide; a similarly patterned composite trio, the plate coded for 1937; and a sugar and cream jug, pattern no. 2451, date coded for 1937 (8) Note : Large vase - this item has suffered damage since cataloguing and now has a piece (6cm x 2.5cm) broken from rim. We have the section.
A ROYAL WORCESTER PORCELAIN FRUIT PAINTED VASE AND PIERCED COVER with knop finial the rounded body painted with four reserves of plums, grapes, apples, berries and cherries within gilt moulded and strapwork panels, signed P.English, date code c.1970, shape no. H162, 12cm high
A good Scandinavian Art Glass modernist circular heavy Vase, very finely engraved with a frosted naked female form seated and head bent forward and holding her long hair in her right hand, the revers with varying frosted and clear etched blocks, squares and rectangles of differing size and angles etc., the base etched with signature to underside (possibly ``Unikat``, the lower section of base with minor glass ``nibbles``, 19cm high x 12.5cm dia.
A Victorian carved oak open Armchair in the 17th Century manner, the arched back initialled LMB within a shaped cartouche over a panel carved in raised relief depicting birds and baskets of flowers, Caryatids and pomegranates centred by an oval with boar`s head crest and motto (crest for the Bayley family), flanked by lion mask head arm supports to a solid seat on wrythern fluted vase shaped and block legs
A MIXED GROUP OF CHINESE FAMILLE ROSE AND OTHER CERAMICS Including: a porcelain rice bowl decorated with figures and calligraphy, Daoguan iron red seal mark; a turquoise ground vase decorated with dragons and foliage; a Canton vase and cover etc (6). All with damage or repairs/restoration
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653685 item(s)/page