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A Grand Tour style brown patinated cast bronze copy of the Medici vase, the main body finely detailed with a band of figures, height 31.5cm, width 21cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of early 20th century papier-mâché vases on shaped wooden stands – probably Japanese, baluster-shaped, lacquered and gilded, the (rubbed) gilt decoration depicting pagodas and buildings in the distance and trees and shrubbery in the foreground (some damage, 3cm section of lip away and reaffixed together with one stand broken and repaired (30.75cm high)Condition Report: First vase - damage in two places to stand and re-affixed, otherwise decoration (gilding) worn but vase in overall OK condition. Second vase - a 4cm piece away from lip and re-affixed, otherwise gilding rubbed but no further damage.
A pair of 19th century gilt-metal-mounted porcelain two-light table candelabra: in the Louis XV taste and with central cast flowerheads flanked by two higher candle holders with campana-style holders and separate drip pans; the lime-green baluster-shaped ceramic vase centres (both badly damaged at the neck) flanked by two high arched scrolling handles cast with further acanthi, each on ornate shaped cast base (one candelabra with significantly more gilt present than the other) (each approx. 46cm high) (2)
A North East Persian Meshad rug; with a directional vase of flowers emanating upwards and terminating in a prayer niche, with stylised birds, hares etc. on an ivory ground with dark blue main border incorporating flowers and feathered birds etc.(worn and central repair), early 20th century (211cm x 140cm)Condition Report: The rug is not in perfect condition, there are a series of small holes and the largest hole to the middle appears to have been badly sewn. There are one or two problems towards the edge of the border, a fair amount of wear. The rug itself has faded somewhat through wear and usage and the colours are faded. In areas it is quite low pile in areas of the carpet.
Six pieces of fine quality glassware: - a conical-shaped Waterford carafe, hand-cut hobnail pattern 22.75cm) - a small clear-glass decanter with mushroom-style stopper of squat, ovoid form and engraved with the coat of arms of Cheltenham College.- a carafe intaglio-engraved with fuschia and star-cut base- a heavy circular glass hand-cut Waterford bowl - a heavy Brutalist-style elliptical vase signed 'Nachtmann' - a fine quality jug with hand-cut base
Two late 18th century Hepplewhite period oak chairs of similar design/proportions; each with yoke-shaped cross rail above central pierced splat and with solid seat, each raised on square legs united by stretchers, together with one other carved oak period chair, elaborate top rail, vase shaped splat carved with acanthus, later drop-in seat and turned and block front legs united by an H-form stretcher (3)
A 19th century Sèvres-style potpourri vase and cover: the domed cover with a gilded pineapple finial above lobing; the vase with a reticulated neck; two scrolling partially gilded scrolled handles; two panels decorated in enamel with exotic birds amongst country surroundings; conical foot with spreading circular beaded base; blue-painted marks to the underside of vase and lid (28cm high)Condition Report: The gilding appears a little worn on the finial and also to the rim of the cover but no other chips, cracks or restoration noted. It is noted on the main body that there is a small section (1cm) of kiln grit visible to the top lip horizontally about the reticulated neck. The vignettes with enamel decoration are clear and bright and then underside of the circular spreading foot is noted to be dirty/discoloured. The join of the foot to the main body is visible with a thread and nut as expected. A little bubbling on one side of the main vase glaze-wide near the handle.
Two large clear glass bowls:1. a large thistle-head-shaped clear glass bowl / vase with flowering petal-style top above a hobnail-cut body and star-cut base (some minor chips to extremities of lip) (27.5cm diameter widest),2. a mid-20th century heavy, hand-cut, crystal, Bohemian-style pedestal bowl on flowering, fluted circular foot (20cm diameter)
An unusual early/mid 20th century brass mounted and glass table lamp; vase-shaped wrythen glass main body with internal bubbles as decoration, clear glass flowerhead base onto a round, circular brass support with four unusual curling legs, on reeded circular brass plinth base (44cm high including electrical fitting)Condition Report: The base and top mounting appear to be quite oxidised and have dulled down significantly, the wire has been cut so will need re-wiring, under closer inspection of the glass it the item appears to be in good general order with no chips, cracks or restoration noted.
A good and heavy late 17th / early 18th century oak side chair of good colour and proportions; the shaped top rail flanked by two uprights with circular terminals, single vase-shaped splat flanked by two further rectangular verticals, two plank seat above turned and block front legs united by a high turned stretcher (height ??)
Five pieces of hallmarked silver:- a hallmarked silver four-division toast rack (early 20th century), - a large matchbox holder with repoussé-style lid and vacant oval vertical cartouche (19th century), - a pair of heavy hallmarked silver knife-rests with cruciform-style ends,- an unusual white-metal squat castor-shaped vase-and-cover, gilded interior, the lid decorated in repoussé style with flowerheads and leaves and the main waisted body with fluting and further foliate-style ornament below slightly spreading circular foot.- (total weight approx. 312.6g)
A Cecil Baugh (Jamaican) Studio pottery heavy baluster vase with a slightly flared rim and "hare's fur" glaze marked Baugh 2001 to the base. 19 cm high x 15 cm diameter Together with a Jim Malone beaker, a David Leach style jug, a covered studio pottery jug and a terracotta puzzle jug.Condition report: The Baugh vase seems free from defects.The covered jug seems to have a line in the glaze just in the spout of the jugThe puzzle jug seems OKChawan style beaker seems OKThe open pitcher with iron glaze seems OK
A Chinese porcelain Tianqiuping shape vase, Republic Period, painted with two iron red dragons chasing gilt pearls through thick blue enamel clouds with flames, above a scrolling wave band, 40cm, with wood strandPurchased in Shanghai in the 1940'sCondition report: In good condition with no obvious faults.
Emile Galle: an early 20th century glass stem vase, of squat rounded form with inverted tapering neck, decorated with green leaves on a frosted pink ground, raised signature to corner, 14 cm high.Condition report: Marks and scratches to body, horizontal deep scratch mark visible to interior of the neck. No apparent cracks or chips.
Edwin Martin for Martin Brothers, a small stoneware vase, of grotesque design depicting four repeating stylised faces, with flared rim, incised marks to base, 14 cm high.Private collection.Condition report: Small chip to the end of one of the noses, firing crack towards the base. Scratch (or thin hairline) visible to the inner rim, not visible on the outside. No signs of major damage or repair.
A pair of large Meissen porcelain vases with serpent handles (Schlangenhenkelvase) , late 19th century, now fitted as table lamps. on fluted spreading feet and gilt metal socles. 60 cm overall height, 50 cm high the actual vase.Condition report: Wired from below. Gilding rubbed throughoutSnakes OKGenerally in good order, the sections of the vase are loose on their threaded barThese vases are fitted as lamps
A Japanese Satsuma vase, Meiji period, of tapering hexagonal form, the shoulder with diaper panels on a gilt scale ground, above panels of deities and Rakan, signed Hododa, 15.5cm; and a late Meiji period tapering cylindrical vase, with a panel of young boys with gilt fans and a panel of boys with scrolls and instruments, between moriage flowers, unsigned, 20.5cmCondition report: Both with some minor gilt rubbing otherwise no obvious visible faults.
A pair of Japanese mirror image Satsuma vases, Meiji period, the shoulder painted with a geometric band above a band of fans, the tapering bodies painted with a fan shape panel with seated figures, within a mountainous landscape with a pagoda and trees, each signed Hakuzan, 24.5cm; and Strachan, Elaine; My Passion for Japanese Cloisonne, Satsuma and Related WaresCondition report: One vase with discolouration in the crazed glaze to the rear of the vase, a small speckle of gilding missing on the rim. The other vase, whilst in good order, has some rubbing to the gilding on the band around the bottom. Otherwise, both vases are in good condition with no obvious chips, cracks or signs of restoration.
An early 20th century William Moorcroft Prunus pattern planter, with tube-lined blossom on a green ground, painted signature verso and numbered 1305, 11.5 cm high x 12 cm diameter, together with a Walter Moorcroft Poppy vase, of shouldered form on a mottled pink ground, 20 cm.Qty: 2Condition report: Firing fault to the rim of the planter, also with a repaired chip to rim. The other vase in good order
A Chinese eggshell porcelain lampion shape vase, Republic or later, painted with Shou Lao with boy attendants with ruyi sceptre and large peach, between ruyi head, cash and key painted borders, four rows of calligrahy verso, apocryphal four character Qianlong mark, 19.5cmCondition report: In good condition with no obvious faults.
A Pair of Chinese porcelain pheasants, late 20th century, each standing on a pierced rockwork mand flora base, impressed marks, 30cm, a porcelain elephant supporting a vase, 20cm, a small canton enamel vase, 16.5cm, a 20th-century square dragon stand, with raised sides and base, apocryphal six-character Wanli mark14.7cm wide and a Japanese square for dish, Edo period, with raised butterfly decoration bordered by roundels of cranes and tortoises amongst reeds and with re-entrant corners, 15cm wide,Condition report: Damage, repairs and losses to the elephant. Small chip to edges of the square dish. Other items with some surface wear and marks, but no apparent damage or repair.
After Wang Xiaoting, a Chinese porcelain Hu shape vase, with applied stag handles, the body painted with a continuous landscape of figures, buildings and trees beneath misty mountains, signed to the reverse, a two character Zhuanshu mark to the underside, 29cmCondition report: No obvious visible faults.
A small Chinese cloisonne enamel mallet shaped vase, Qing, possibly Daoguang period, decorated with lotus flowers amongst tendrils on a pale blue ground between a gilt rim and foot, 9.5cmCondition report: Small area of enamel loss at the foot (see image), no further apparent damage or loss. Age related marks and grime to surface.
A Chinese cloisonne enamel and gilt metal double gourd vase, Qing, 19th century, of square form, the neck decorated with upright leaves, the body with gilt circular medallions enclosing gilt clouds, surrounded by lotus flowers and tendrils against a dark blue ground, on a rectangular foot, 15.3cmCondition report: No major damage or repair. Some enamel loss in places, with small dents to corners.
For the scholars desk, a Chinese cloisonne enamel vase for censer tools, Qing, 18th/19th century, of bottle form, the neck with lotus flowers and tendrils, above a band of stiff leaves and ruyi heads, the body with square panels enclosing a single prunus blossom, on a lotus flower and scrolling tendril pale blue ground, the rims previously gilded14.3cm; together with a Chinese cloisonne enamel and parcel gilt vase, Qing, 19th century, decorated with lotus flowers and meandering tendrils against a pale blue ground, with Taotie mask and ring handles, on a circular foot, 15cmCondition report: The bottle shaped vase rims have previously been gilded but now erased, the underside is still gilded. There is a chip to the enamel on one ruyi heads which continues into the shoulder, and also on the top left corner on one of the panels of prunus.The larger vase has a large knock to the left of one handle, resulting in some loss of enamel.The gilding on the top rim is erased. Some age related losses where the base joins the vase.
A pair of Chinese famille verte vases, Qing, of cylindrical form, painted with various fish, crabs and other sea life amongst plants, against an iron red ammonite scroll ground, between ruyi head and false gadroon borders, 45.5cmCondition report: One vase extensively restored around the top of the rim and neck. The other with restored rim break.
Two pairs of Chinese porcelain vases and a single vase, Qing and later, comprising a famille rose pair with applied shishi and chilong above panels of dignitaries and warriors, (A/F) 30.5cm, a pair of crackle glaze ground dragon vases, with incised Chenghua marks, 25.5cm; and a single 20th century vase painted with two horses, with flowers and rockwork beneath a willow tree, 20.8cmQty: 5Condition report: Large missing section to rim of one of the famille rose vases, small chips to the rim of the other. The remaining items appear generally good, with some light surface marks and pitting in places.
A large Chinese porcelain blue & white vase, Qing, painted with buildings and boating figures before the great wall, between ruyi head and false gadroon borders 49cm; and a pair of Chinese blue & white vases, Qing, 19th century, painted with dragons chasing a flaming pearl amongst clouds, with applied masks to the shoulder, on wood bases, 38cmCondition report: The large vase is extensively restored. All with surface marks and pitting, age-related wear throughout
A Chinese blue & white club shape vase, Qing, 19th century, the rim painted with a band of ruyi, the neck with clouds and flames, the main body with playful shishi amongst flames and clouds, a double concentric ring to the underside, 46cm, on wood standCondition report: A repaired break around the rim.Two small glaze bursts on the rim.
A 19th Century porcelain two handled inkstand in the manner of Coalport, the shaped rectangular applied with flowers in relief with central pen recess, with a pair of pots and covers, the pots applied with floral finials, taperstick holder, pen holder and a posy vase, on raised on a scrolling base, the body painted with flowers, the scrolling feet painted and heightened with gilt, the entire gilt heightened, unmarked, 11.5cm long x approx 8cm wide (Condition Report: flowers broken, chipped, old repairs to underside of two scrolling support - AF)
A Carltonware lustre vase, pattern no: 2971 decorated with stylised pansies, black factory stamp to base, impressed 456/G, artist's initials, 17cm high together with a Royal Winton pattern no: 2399 lustre baluster vase, decorated with flowers, stamped to base, (AF - old damage and repair to rim) (2)
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653833 item(s)/page