We found 650806 price guide item(s) matching your search
There are 650806 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
650806 item(s)/page
Lot 340
An 18th Century Dutch Delft blue and white onion vase, decorated with figures merrymaking in a garden, base mark Z, 42cm high/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 342
A Southern Italian maiolica globular jar, possibly Calabria, with a portrait of a helmeted soldier, a baluster vase painted sheep and a bull, 17th Century and a pair of later albarelli painted landscapes, the first 13cm high/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 451
A Spode garniture of vases, pattern no. 1166, with flanged tops and gilt borders finely painted bouquets of flowers, on a gilt scale pattern blue ground having pearl dot borders, 16.5cm and 11.5cm/see illustration CONDITION REPORT: The largest vase has some glaze wear and scratches to the upper side of the interior and a few to the enamels on one of the bouquets. All three vases without damage or restoration
Lot 458
A Worcester blue scale Kakiemon vase, circa 1770, oviform and painted in red, green and blue with long tailed birds in branches, flower reserves in gilt scroll cartouches, square seal mark, 25cm high. CONDITION REPORT: Hairline crack from rim in to shoulder, approx 7cm long. Glaze scratches around the most bulbous part. Overall good appearance. No restoration.
Lot 471
A pair of Royal Worcester plates painted titled 'Autumn Tints, Berks' and 'Bluebells, Kew Gardens', a Hadley globular jardiniere, a Locke &Co ivory vase and six other items of Royal Worcester, the first 27cm diameter CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 473
A Royal Worcester two-handled vase and cover painted by Harry Davis, shape 1515, painted with highland sheep, the neck pierced with four small lattice panels, moulded with scrolls and with bronzed gilding, 23cm high/see illustration CONDITION REPORT: In good condition - no damage or repairs. Some light rubbing to gilding. A metallic scratch to the painting on the front.
Lot 478
A Royal Worcester blush ivory vase and cover of twin-handled baluster form, decorated flowers, shape 1618, 20.5cm high, two Royal Crown Derby Royal Cats, Russian and Siamese, 21.5cm high and a Royal Crown Derby cat paperweight, 13cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 493
Wilhelm Kage for Gustavsberg, an Argenta vase decorated a reserve of flowers to each side, shape 1211, 15.5cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 494
Wilhelm Kage for Gustavsberg, an Argenta vase of scallop form, shape 940, 18cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 62
Four Dutch Delft items, 17th and 18th Century, comprising a moulded dish of lobed shape painted in blue with Chinese figures in 'Transitional' style, 33cm diameter; a vase by De Porceleyne Claeuw, painted with a man leaning on a fence, 21.5cm high, Claw mark, and two small plates painted with plant designs/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: the first: two large sections broken out of the top part of the rim and glued. Crack at 8 o'clock, 12cm long. The vase with a restred chip to the front of the foot. The small pates with minor rim chipping.
Lot 66
A Dutch Delft vase, circa 1690-1700, of octagonal bottle shape with an onion bulb neck, painted in blue with alternate panels of birds and plants, 26.5cm high, GK mark for Gerrit Kam, De Drie Astonnekens factory (rim damage)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 68
A set of nine Dutch Delft tiles, probably Makkum, circa 1800, painted in manganese with a formal flower vase within circular panels, the corners with rows of dashes, each tile 13cm x 13cm/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 73
Three tin-glazed bottles, 17th Century and later, comprising a white faience wine bottle, probably Nevers, inscribed 'Verse', 21.5cm, a French faience pharmacy bottle, possibly Paris, painted in bright blue with Chinese figure panels and lambrequins, 23.5cm, and an Islamic sprinkler vase of double gourd shape, also painted in bright blue, 24.5cm/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 8
A selection of Roman glass, 1st-4th Century AD, all in pale green glass, comprising a small bowl, 5.7cm diameter, a conical unguentarium, 7cm high, an ointment pot, 5cm high, an onion-shaped juglet with a rich golden iridescence from burial, 7.5cm high, together with the neck of a Byzantine glass flask, 5th Century AD, later reduced to form a funnel and a small jug in Sidonian style, the side panels moulded with vase motifs, trailed handle and rim, 9cm. (6)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Funnel - Exterior decoration to funnel, peeling interior with lime scale deposits. Small vase - slightly misshapen with good pontil at base, later deposit throughout interior. Flat vase - cloudy with flakey deposits to interior. Smaller bulbous vase - with small chip to neck, lime deposits inside. Shorter ewer - very badly coated otherwise in good condition. Shaped ewer - with deposits on exterior, no chipping.
Lot 82
Three Jasperware vases, all late 18th Century, comprising one vase and cover by Wedgwood, of egg shape with a Cupid finial, a shield shaped vase by Adams with Classical scenes including The Baptism of Cupid, 28cm, and an Adams pot-pourri vase and cover, impressed marks (5)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Wedgwood example with Cupid finial - cover cracked into several pieces and restuck, Cupid finial also cracked and restuck, vase with deep crack from upper rim through body to the join at socle where it appears it may have been overtightened, with further hairline crack extending out from the deep crack in body.The pot-pourri vase and pierced cover- triangular shaped chip to top aperture of cover, some white misfiring to underside of cover, two small flat chips to rim of vase, two minute chips to foot/rim, possibly glued and reattached through bolt to base as small glue deposits are evident. The two-handled shield shaped vase- one handle cracked and with glued repair, further chipping and deep spreading cracks to body. Lacking cover.
Lot 92
A Chinese porcelain meiping vase, Qing, 18th-19th Century, monochrome-glazed, baluster shape with a sang du boeuf glaze streaked in turquoise and red, 10cm high/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. There is a very small blown-out firing fault to glaze, minute chip to glaze at side of footrim.
Lot 94
A Japanese Arita circular dish and a bottle, Edo period, late 17th Century, painted in dark blue with peonies in a vase by a fence, 27cm diameter, the bottle also Arita, 18th Century, with a copy of Chinese 'Prunus and Cracked Ice' pattern, 26cm high (rim repair) (2)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The dish with a flat chip to the underside of the rim which is approx.1.3cm wide, there is a short stained hairline crack to the rim which is 2cm long. The bottle vase is restored, in-filled and over painted to approx. half of the upper rim into the neck, with some typical glaze crazing, most noticeable to the underside of the base
Lot 97
Three Chinese porcelain vases, late Qing, 19th-20th Century, one square section with famille verte panels on a yellow ground, 30cm, together with a ginger jar, 17cm, and another vase with famille rose figure subjects, 22cm/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The yellow ground famille verte vase with drill hole to one side above footrim. A ginger jar with a forked hairline crack running from the upper rim down into the neck and into the body, some grey patches of misfiring and wear to the lower body near the border. Lacking cover. The famille rose vase chipped to the upper rim with associated hairline crack running into the upper body, minor wear to gilding and enamels.
Lot 119
A Nantgarw 'Mackintosh Service' dish painted with a golden pheasant, 30cm, a Nantgarw plate of Duke of Cambridge pattern, 23cm, impressed NANT-GARW CW, a selection of kiln wasters from the Nantgarw site, a pair of Rockingham botanical plates, purple Griffin marks, a Coalport inkstand with separate wells and a taperstick and a Coalport vase in Welsh style with the rare Ampersand mark, 12cm high/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The Mackintosh service dish - cracked across with old riveted repairs issuing further shorter hairline cracks, also cracked and riveted to one lobe at rim, some wear to gilding. A Nantgarw plate with green ground cracked into four pieces and poorly restuck, small old losses and areas of repainting. Both Rockingham plates with some pale discolouration to the glaze, one with a short hairline crack to rim, wear and rubbing to gilding and enamels. The Coalport taper stick with slight chipping to the upper rim, one inkpot with chipping to flange, the stand with polished chipping to one scroll handle, some wear to gilding and enamels.
Lot 122
Two Minton plates, one dated 1879, painted by Edmond Reuter and Richard Pilsbury, with orchids in a Chinese cloisonné vase, 24.5cm, the other circa 1920, with raised gilding and five panels of different game birds by J E 'Teddy' Dean, signed, 26cm/Note: Eight plates from this important Minton service were in the Minton Museum, sold by Bonhams 23 July 2002, lot 248/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Example with game birds in good order, the example with the vase has two stained hairline cracks to the rim and further forked cracks across centre.
Lot 128
Three pieces of early Meissen, all circa 1735-40, comprising a pounce pot in the shape of a barrel, painted in blue with the 'Onion' pattern, 8.5cm, a cream jug, painted with the 'Tischchenmuster' pattern in bright colours, 8.4cm, and a rare vase of beaker shape, painted in underglaze blue, red enamel and gold with an all over leaf scroll and flowerhead pattern, 12.2cm, all with crossed swords marks/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Meissen barrel shaped pounce pot cracked and restuck to handle, very minor footrim chipping. The milk jug is lacking a cover, otherwise ok. The cylindrical vase is reduced at the neck and with a 1cm wide footrim chip, hairline crack to upper rim.
Lot 145
A German porcelain vase and cover, possibly Hochst, circa 1760, encrusted with modelled flowers picked out in enamels, the cover with a figure of a putto holding a basket, 30.5cm, faintly-impressed letters IH/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Putto finial cracked and restuck, through neck with further hairline cracks through body, chipping to toes and to the underside of rim of cover, with chipping and losses to applied foliage and flowers throughout, some rubbing to gilding.
Lot 153
A Paris porcelain vase by Dagoty and a Paris teapot and cover, both circa 1790-1810, the vase decorated in gilding with a landscape with ruins, guillouche border in pearl lustre, 11.5cm, marked RF Dagoty, period of the First Republic, the cylindrical teapot with a marbled ground gilded with Chinoiserie landscapes, 13.5cm (2)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The Paris vase with some slight wear to gilding, most noticeable at rims and handles. The teapot cover with a small rim chip, the flange of the teapot with small chip, some slight wear to the gilding, slightly more noticeable at shoulder of teapot.
Lot 169
An important Royal Worcester vase by Harry Davis, (1885-1970) of plain, baluster shape with a small gilt neck, painted with a stag in a snow scene in experimental sunset colouring, signed H Davis, date code for 1921, 17cm high/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall this is in good order. There is a fingernail sized misfiring of misfiring beneath the stag where there is a small glaze fault and a white patch where the sunset colours have not fired correctly.
Lot 171
A Royal Worcester plate, by John Stinton (1854-1936), and two vases, the plate dated 1931, painted with Dovedale, signed J Stinton, 26.3cm, one vase painted by Harry Davis with Highland sheep, 14.5cm, the other with Highland cattle by Harry Stinton, 14.8cm (the neck restored) (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The plate with two very small footrim chips, the vase with sheep has been extensively cracked and restuck, into at least 5 sections with small associated losses, small chip to upper rim, some rubbing, the other vase with extensive restoration and overpainting and regilding to neck, with restored, overpainted and regilt chip to footrim, small scratch to glaze to lower body, with some wear to gilding.
Lot 172
A Royal Worcester pear shaped vase and cover, dated 1903, painted by Harry Davis (1885-1970), with a small landscape panel, flower festoons probably by Harry Chair, and underglaze blue handles and mounts, 30cm (cracked)/Note: Illustrated by Henry Sandon in his book Royal Worcester Porcelain (1973), pl 137/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The vase with a hairline crack running from the socle up into the body below one upper handle terminal, the finial restored, with some wear to gilding.
Lot 181
A Royal Worcester vase and a plate, both by Harry Davis (1855-1970), the vase dated 1921 painted with an owl in experimental colouring, signed H Davis, 22cm, the plate with a monochrome Venice view, 22.7cm, date code for 1909/Note: Harry Davis confirmed to Henry Sandon that he painted this plate, one of a small series of Venice/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The vase has been extensively broken and restuck into several pieces, with the break spanning across the base and up into the body across the owl, there are small associated glaze losses to the break, including a very small hole to the lower body. The plate with minute scratching to enamels, very minor glaze chip to footrim
Lot 190
Ken Russell (1934-2020) A selection of jewelled porcelain, comprising a cup and saucer with gilded feathers, a small vase with butterflies and jewelled neck, 13.4cm and a cream jug with all-over turquoise jewelling, 8.5cm high, all signed by Ken Russell (4)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. Some minute wear throughoutARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 196
A selection of hand-painted Worcester porcelain by David Peplow (born 1941), comprising a presentation vase with a rich Imari pattern, inscribed to Henry Sandon on his 60th birthday, 1988, together with a blue and white miniature vase, a prototype Worcester 'Joshua Reynolds Service' plate, and three porcelain trinket boxes, all signed by David Peplow (6)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: All in good order
Lot 198
Stephan Nowacki (born 1953) a Derbyshire porcelain vase and cover, campana-shape with a deep blue ground and jewelled gilding, the reserved panel with a shipping scene, 19.5cm, marked in gold SN/D; and three plates in the Derby tradition decorated by Yvonne Steel, Wendy Griffiths and Joan Walker, all with raised gilding, 27cm and 32cm (4)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Overall in good order. The plate with enamelled decoration by Yvonne Steel has some flaking to enamels, all have some slight scratching and slight overfiring to areas of the gilding. ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 200
Six pieces of Anita Harris pottery comprising a charger with smoking bottle ovens in Staffordshire, 41cm, numbered 1/10, a teardrop vase decorated with 'Hot Coals' pattern, 31cm, a Carlton Ware trial vase 'Fairy Dust' pattern, made in 2011, 15cm, a model of a bottle kiln, 22cm, and two square wall plaques, one with a glazed pattern inspired by Australian Aboriginal dot paintings, 16.5cm, the other with blossom, inscribed 'To Henry + Barbara, from Anita'/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 201
John Sandon (born 1959) A Royal Worcester punch bowl painted with lotus plants, painted in 2008, 23cm diameter, together with original design sketches in ink and wash; also a plate painted by John Sandon with a view of Worcester Cathedral, dated 1976, 27cm and a vase of the Root Pattern, painted by John Sandon for Geoffrey Godden, also 1976, 11.5cm (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The plate with Worcester Cathedral has a footrim chip which is approx. 1cm wide which occured at the time of manufacture, it is beneath the glaze. Otherwise these items are in good order ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 202
A Moorcroft enamel vase by Stephen Smith, finely painted with blue tits, the interior also painted with a nest and eggs, inscribed 'Trial 21.3.02', a prototype for a small limited edition, 7.5cm high x 6.5cm wide/Provenance: from the Henry Sandon Study Collection/see illustration CONDITION REPORT: In good order overall.
Lot 203
A Cobridge stoneware lamp base, presented to Henry Sandon in 2000, globular vase shape with running glazes, the vase 23cm; and five smaller Cobridge stoneware high-fired vases with flambe glazes, impressed marks, one small jar signed by Anita Harris (6)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: The lamp base is in good order. One of the smaller vases with blue glazed neck with some deep crazing to glaze. The Anita Harris vase with rim chip, the cover with some very minor chipping to rimARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 209
Lorna Bailey (born 1978) thee 'Prototypes', each presented to Henry Sandon 2005, comprising a winged jug painted with flame, yellow and black shapes, angel wing handle, 22cm, a jug and cover with a wedge-shaped body and triangular base, 27cm and a triple Skyscraper vase, 26.5cm, all three signed by Lorna Bailey and each inscribed 'Prototype' (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: In good order.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 213
David Leach (1911-2005) a stoneware 'Tree of Life' vase of baluster form, glazed in oatmeal on black and with a resist tree design, 31cm, potter's mark (section of the rim re stuck)/Note: Made in 2002 when the potter was 90, one of the last pieces he made, purchased from The Gallery Upstairs in Henley in Arden/Provenance: from the Henry Sandon Study Collection/see illustration CONDITION REPORT: A semi-circular section of the rim of the everted neck has been cracked and restuck, this is approx. 5-6cm long, with some very small losses to the glaze along the break. Otherwise in good order. ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 215
Geoffrey Whiting (1919-1988) a stoneware vase of slab form with resist decoration through the brown glaze, impressed marks, 23.5cm high/Note: shown in the Geoffrey Whiting Retrospective Touring Exhibition/Provenance: from the Henry Sandon Study Collection/see illustration CONDITION REPORT: In good order overall. ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 221
Henry Sandon (born 1928) four vases, circa 1965, made under the tutorage of Geoffrey Whiting, Victoria Institute, Worcester, hand thrown with accentuated throwing rings, one vase with black calligraphic decoration on a light green glaze, 16cm, another with yellow slip splashed on a black glaze, 13cm, a baluster jar with a white slip rim, 17cm, and a vase with a green glaze stopping just above the foot, mostly with incised S marks/Provenance: from the Henry Sandon Study Collection/see illustration CONDITION REPORT: A green glazed example with calligraphic-type inscription with a chip to one corner of upper rim of neck, further minute chip to glaze, another green glazed vase with a rim chip 1.5cm long, a baluster jar with a small shallow chip to upper rim, the black/brown glazed vase with small rim chip beneath the glaze which occured at time of manufactureARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 229
David Eeles (1933-2015) a vase and a bowl, the early slipware vase circa 1960s with panelled decoration, 24cm, impressed DE seal, the lustre bowl painted with two swallows and a poplar tree in a rainstorm, in brown and blue metallic lustres, 31.3cm diameter, signed DE, paper label for Mosterton, Beaminster, Dorset and a Simon Eeles stoneware vase, made at Shepherds Well Pottery, with boldly painted floral brushwork, 20cm, impressed seal marks (3)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 233
Phil Rogers (1951-2020) a large vase, ovoid with a white dipped ring neck, the rest of the vessel with a deep brown glaze incised with wavy lines, 46cm high, impressed potter's seal/Note: presented to Henry Sandon at the Craft Pottery Assn. Exhibition in Oxford, 27 October 2001/Provenance: from the Henry Sandon Study Collection/see illustration CONDITION REPORT: Condition throughout good, very small bubbles to rim of neck.ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 239
David Leach (1911-2005) three small stoneware items made at Lowerdown Pottery, comprising a globular vase with a rich brown glaze, 8.5cm high, a round box and cover painted with a floral motif, 10cm diameter and a miniature vase with stamped decoration, all with impressed LD seal marks, together with a Leach Pottery, St. Ives jug, circa 1980 with an oatmeal glaze, 21cm, impressed St. Ives seal and a Leach Pottery small dish, circa 1950s with an incised wave, 11.3cm, impressed pottery seal and 'England' (5)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 241
Alan Caiger-Smith (1930-2020) an Aldermaston Pottery candlestick painted in resist with typical calligraphic brush-strokes, 24cm high, painted potter's mark, together with an Aldermaston lustre 'albarello' vase, with bold brush strokes in gold lustre on a midnight glaze, 26.5cm high, painted pottery marks and paper label of Andrew Hazelden (2)/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 242
Six pieces of Ewenny slipware, 20th Century, comprising a round slipware dish trailed with a triple knot and piecrust rim, 27.5cm diameter, two vases with a brickwork pattern, another vase with a leaf, and two plates with cobweb design, 23cm diameter, all marked Clay Pits Pottery Ewenny/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: Blue dish in good condition. All three vases have very small rim chips. Two other bowls are good.
Lot 16
A pair of George III old Sheffield plated candlesticks,unmarked, by Boulton and Fothergill, circa 1775,circular tapering baluster stems with foliate decoration and swags below stylised ionic terminals bearing medallions, vase-shaped capitals with removable drip pans, on raised filled circular bases with fluting and acanthus leaf shoulders, height 29.4cm (2)For an illustration of a similar candlestick and for the design of the candlestick from the Boulton and Fothergill pattern book, see Crosskey, G., Old Sheffield Plate, Treffry Publishing, 2011, page 307.
Lot 20
A pair of Austrian plated two-handled urns, one on a raised base, and both on circular mirror plateau bases,by Stephen Mayerhofer, also marked with the Imperial eagle,campana form, part-fluted decoration, the interiors with a raised vase, one on a raised circular base, with foliate borders, both on mirror plateaux, with foliate borders, on four steel paw feet, with two replacement wooden bases, height of urn 32cm, diameter of plateaux 56cm. (7)At the end of the 18th century, Stephan Mayerhofer (1772-1852) was a maker of 'silver-plated wares on iron and steel', and by 1802 was a maker of 'English plated wares', presumably in reference to the Sheffield plate system of sandwiching metal between sheets of silver. The double-headed eagle mark denoting Imperial and Royal privilege for an 'iron and metal English-plated wares factory' was awarded in 1808. The firm of Mayerhofer and Klinkosch, and later as J.C. Klinkosch, eventually rose to become Austria's leading 19th century silver and luxury goods manufacturer.
Lot 26
A mixed lot,comprising silver items: a Victorian blue glass vase, with a silver rim and foot, by H. Matthews, Birmingham 1899, another Victorian blue glass vase, silver base, London 1894, a swing-handled sugar basket, unmarked, and a modern lobed oval dish, Chester 1929, total approx. weighable 11oz. (4)
Lot 322
A pair of silver yachting trophy cups,by Edward Dimes, London 1935,vase form, plain scroll handles, pull-off cover with a yacht finial, on a raised circular foot, both inscribed 'Glenham Cup Memento', height 24.2cm, approx. weight 22.4oz. (2)The Glenham Cup is a race held by The Royal Channel Islands Yacht Club.
Loading...-
650806 item(s)/page