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Click here to subscribeRENÉ LALIQUE (FRENCH, 1860-1945)'Ceylan' vase, designed 1924Opalescent glass, frosted and polished.24.2 cm highWheel-cut R. LALIQUE FRANCE and engraved No. 905.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 905For further information on this lot please visit Bonhams.com
ALBERT MAYER (1867-1944) FOR WMF (GERMAN, FOUNDED 1853)Art Nouveau Flower vase/Wine Cooler, circa 1898Cast in high relief with a mermaid, shell and lizard and with wave and foliate motifs.32.5 cm highStamped maker's marks.Footnotes:LiteratureArt Nouveau Domestic Metalwork from Württembergische Metallwarenfabrik, English Catalogue 1906 with introduction by Graham Dry, Antique Collectors' Club, 1990,p. xxxvi, pl. 24 (similar vase illustrated designed by Albert Mayer, Model No. 112, c.1898)For further information on this lot please visit Bonhams.com
RENÉ LALIQUE (FRENCH, 1860-1945)'Druide' vase, designed 1924Clear glass, frosted and polished, with grey staining.17.8 cm highMoulded R.LALIQUE signature.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 937For further information on this lot please visit Bonhams.com
KATHARINE PLEYDELL-BOUVERIE (BRITISH, 1895-1985)Vase, circa 1926Stoneware, green glaze with soft iron speckle over incised repeating linear and dot design. 14.5 cm highImpressed with artist's and Cole Pottery marks. This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JANET LEACH (AMERICAN, 1918-1997)Rounded bottle vase, circa 1973Porcelain, grogged body, pale blue-green celadon glaze with trailed iron design.20 x 17 x 7 cmImpressed with artist's and Leach Pottery seals.Footnotes:Provenance Bonhams, Knightsbridge, 'The Geoffrey Godden Collection of Studio Pottery', 29 November 1995, lot 181This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
CONSTANCE SPRY (BRITISH, 1886-1960)Twin-handled vase on pedestal, circa 1930Earthenware, glazed interior. 17 x 42 x 16.5 cm Produced by Fulham Pottery, London, England. Underside impressed DESIGNED BY CONSTANCE SPRY/MADE IN ENGLAND/2 and incised 45.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
MICHAEL CARDEW (BRITISH, 1901-1983)Vase, circa 1932Earthenware, white slip beneath an amber glaze with iron brushed and incised patterns.13.2 cm high, 16 cm diameter Impressed with artist's and Winchcombe Pottery seals.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
FRANCOIS-EMILE DÉCORCHEMONT'Bol deux anses caméléons' vase, 1924-1925Pate de Cristal, the blue, oviform cast with twin handles formed as chameleons, raised on a short foot.11.4 cm high, 18.5 cm wideSigned with 'Décorchemont' seal, incised date coding 'A55'.Footnotes:ProvenanceThe present owners's grandmother collected the work of Decorchemont within his lifetimeLiteratureVéronique Ayroles, Francois Décorchemont – Maitre de la pate de verre, Editions Norma, Paris, 2006, p. 256 (for model 189, similar model in a different colour illustrated and noted as 'Bowl with two chameleon handles, created in 1922 distributed until 1925, H. 11 D.19 cm (with handles), 10 copies')For further information on this lot please visit Bonhams.com
WILLIAM MOORCROFT (BRITISH, 1872-1945)Large 'Spanish' footed vase, circa 1916Glazed earthenware, tube-lined decoration.33.8 cm high, 20.5 cm wideImpressed maker's marks MOORCROFT/BURSELM/ENGLAND/73 with painted green facsimile signature W.Moorcroft.For further information on this lot please visit Bonhams.com
WILLIAM MOORCROFT (BRITISH, 1872-1945)'Dawn' vase, circa 1925Glazed earthenware, of squat and footed form, painted with a tube-lined landscape and geometric border in blue and yellow.6.8 cm highUnderside signed with blue fascimile monogram WM and impressed Moorcroft/Made in England.For further information on this lot please visit Bonhams.com
RENÉ LALIQUE (FRENCH, 1860-1945)'Moissac' vase, designed 1927Opalescent glass.13 cm highMoulded R.LALIQUE and engraved FRANCE.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 992For further information on this lot please visit Bonhams.com
CHARLES CUNDALL (1890-1971) FOR PILKINGTON'SLustre vase, 1910Ceramic, the oviform with raised and trailing decoration, painted in coloured lustres with stylised flowers and leaves.18.5 cm highFaint outline of Pilkington Bees mark, painted artist's monogram and date cypher for 1910.For further information on this lot please visit Bonhams.com
KATE MALONE (BRITISH, b. 1959)'Wide Mouthed Snap Dragon' vase, 2012Stoneware, green and ochre crystalline glazes.31 cm highIncised Kate Malone 2012.Footnotes:ProvenanceAdrian Sassoon, London, 2013Acquired from the above by the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Sunset and Moonlight' baluster vase, 1895Earthenware, triple-lustre glaze, decorated with swimming fish with red fins and lips, against a swirling sea background. Decorated by Joe Juster.21 cm highPainted mark D.M. FULHAM/2263/J.J.8.Footnotes:ProvenanceHaslam & Whiteway, LondonThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
NORAH BRADEN (BRITISH, 1901-2001)Vase, circa 1930Stoneware, ash glazes with painted design. 15.3 cm high, 14 cm diameter Painted NB monogram and VIII.II.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
WILLIAM S MYCOCK (BRITISH 1872-1950) FOR PILKINGTON'S LANCASTRIANSlender baluster vase, 1911Earthenware, hand painted in red, orange, and gold lustre glaze, depicting stylised flowers and foliage.31.8 cm highImpressed factory marks, painted artist's seal and bird date cypher.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
CHARLES VYSE (BRITISH, 1882-1971)Vase, 1931Stoneware, cream glaze with iron painted leaf motif.13.5 cm high, 14 cm diameter Incised CV and dated 1931.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
BERNARD LEACH (BRITISH, 1887-1979)Early vase, circa 1935Stoneware, thick tenmoku glaze with blue hue over incised design. 18.5 cm high, 14 cm diameter Impressed with artist's and Leach Pottery seals.Footnotes:ProvenanceBonhams, Knightsbridge, 'Contemporary Ceramics', 2 April 1998, lot 59This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)Twin-handled vase, circa 1890Ceramic vase with bulbous base, cylindrical neck and loop handles, decorated with a 'Persian' floral pattern in white, green, and aubergine on a turquoise ground, with a short everted foot rim.22 cm highThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)Impressive twin-handled vase, 1890Earthenware, blue, green, and turquoise glazes, Persian style decoration depicting multiple swimming fish against a swirling spiral sea background, the handles decorated with spirals and dots. Decorated by Joe Juster.27.8 cm highImpressed Sand's End Pottery (Early Fulham Period) mark, with painted JJ32.Footnotes:ProvenanceHaslam & Whiteway, LondonLiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 223 (for a similar design and shape)The Metropolitan Museum of Art in New York hold a similarly patterned William De Morgan twin-handled vase, also decorated by Joe Juster, in their permanent collection. https://www.metmuseum.org/art/collection/search/658676This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
RUSKIN POTTERY (1898-1935)Vase, model no. 302, 1923Stoneware, high-fired flambé glaze.15.2 cm highProduced by Ruskin Pottery, West Smethwick, England. Underside impressed RUSKIN/ENGLAND/1923.Footnotes:LiteraturePaul Atterbury and John Henson, Ruskin Pottery: The Pottery of Edward Richard Taylor and William Howson Taylor, 1898-1935, Baxendale Press, 1993, p. 152For further information on this lot please visit Bonhams.com
RICHARD JOYCE (1873-1931) FOR PILKINGTON'S ROYAL LANCASTRIAN'Toucan' vase, circa 1920Earthenware, in red, purple, and gold lustre glazes, with three toucans perched on fruiting branches and scrolling border decoration.30.8 cm highImpressed factory mark and number '2838', with painted artist's mark.Footnotes:ProvenanceWoolley & Wallis, 22 May 2003, lot 649This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILHELM KÅGE (1889-1960) FOR GUSTAVSBERGGroup of 'Argenta' ware, 1930-1952Stoneware decorated with silver appliqué and comprising; vase decorated with 'Leda and the Swan', green ground, date code for 1935, globular vase decorated with two fish on a green ground, date code for 1932, and a red glazed circular dish decorated with a mermaid, date code for 1952 and signed 'Kåge'; together with a Gustavsberg Kåge oval serving dish decorated with a mermaid and waves on a green ground, dated 1930 and signed Kåge.Tallest vase: 27 cm highOval dish: 40.2 cm wideAll with signed Gustavsberg. All except oval dish marked Argenta, with various numbers and anchor motifs.(4)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
EMILY MARGARET WOOD (BRITISH, 1865-1907) FOR DELLA ROBBIADouble sided twin-handled vase, no.21, 1900Terracotta, slip and sgraffito decorated with a classical figure with a lyre, seated in an Arcadian scene with a sunrise and rabbits; the reverse with a seated figure with peacocks and a setting sun; the handles mounted with stylised bird heads, painted in colours by Lizzie Wilkins.41 cm highSgraffito signed with Della Robbia galleon mark, 1900, EMW, No 21 and painted L W.Footnotes:The vase bears two artists marks, one for the sgraffito artist Emily Margaret Wood (1865-1907) and the other for the painter/colourist Lizzie Wilkins. Emily Wood was well regarded for her depictions of botany and nature and was a keen member of the 'Liverpool Naturalists Field Club'. The main figural subject could be 'Erato', one of the muses and goddess of lyric poetry, whose attributes are a Lyre, myrtle wreath, and roses.For further information on this lot please visit Bonhams.com
WILLIAM MOORCROFT (BRITISH, 1872-1945)'Claremont' vase, circa 1915Glazed earthenware, tube-lined decoration.22.6 cm highImpressed maker's marks MOORCROFT/BURSLEM/ENGLAND/M74 with painted green facsimile signature W.Moorcroft.Footnotes:ProvenanceBonhams, London, 'British Ceramic Design from 1860; Including the Bracewell Family Collection of Moorcroft', 24 September 2008, lot 695For further information on this lot please visit Bonhams.com
SÉRAPHIN NIKOLAEVICH SOUDBININE (1870-1944) Faceted vase, circa 1930 Stoneware, the oviform with faceted sides covered with a thick, dappled pink and grey/brown glaze; incised on the base En souvenir de ma femme (In memory of my wife). 20 cm high Incised artist's mark with SERA/PHIN. Footnotes: Provenance Sotheby's, Paris, '20th Century Decorative Arts' (PF6003), 16 May 2006, lot 49 For further information on this lot please visit Bonhams.com
RENÉ LALIQUE (FRENCH, 1860-1945)'Acacia' vase, designed 1921Clear glass, frosted, with blue staining.21 cm highInscribed Lalique to underside.Footnotes:LiteratureFélix Marcilhac, René Lalique 1860-1945; Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 949 For further information on this lot please visit Bonhams.com
JANET LEACH (AMERICAN, 1918-1997)Vase, 1960sStoneware, dark brown body, mottled blue-green glaze to neck and tenmoku glaze splash.18 cm high, 11 cm diameterImpressed with artist's and Leach pottery seals.Footnotes:ProvenanceFina Gomez, acquired from the artistThence by descent to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
MAURICE GENSOLI (FRENCH, 1892-1973)Vase, circa 1930Stoneware, thick dark silver lustre glaze. 14.8 cm high, 18 cm diameter Underside impressed with artist's monogram and fish mark.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
MARTIN BROTHERSSmall 'Peacock Eye' vase, 1903Salt-glazed stoneware.6 cm high, 7 cm diameter Underside incised 9-11-1903/Martin Bros/London & Southall. Footnotes:LiteratureMalcolm Haslam, The Martin Brothers Potters, London, 1978, p. 160 for a similar exampleThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
SHIGEYOSHI ICHINO (JAPANESE, 1942-2011)Rounded bottle vase, circa 1973Stoneware, violet and purple shaded glaze over a green glaze. 20 x 17 x 10 cmImpressed with artist's and Leach Pottery seals. Footnotes:ProvenanceGeoffrey Godden Collection, United KingdomBonhams, Knightsbridge, 'The Geoffrey Godden Collection of Studio Pottery', 29 November 1995, lot 200For further information on this lot please visit Bonhams.com
EMMANUEL TJERNE FOR WEDGWOOD'Wedgwood Bicentenary Competition' vase, dated 1930Ceramic, decorated in relief and sgraffito with a centaur with bow and arrow on one side and a mermaid on the other, with birds, deer, fish and foliage, in off-white against an eau de nil ground, with shaped added base, highlighted with gilt on the neck and base; marked in relief around the neck WEDGWOOD and 1730 - 1930 around the base.46 cm highImpressed on underside of base Wedgwood.Footnotes:Provenance:Sotheby's, London, 25 November 2004, lot 498LiteratureMaureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis, London, 1982, p. 202, pl. 505 (similar vase illustrated in black and white, but appears to be a darker ground) and p. 240 ('Eammanuel Tjerne. Designer. Danish glass designer working in Copenhagen in 1930 when he won the international design competition, organized by Wedgwood, to choose a design for a vase to mark the bicentenary of the birth of Josiah I. A limited number of the vases were made, (about 16) one was presented to each of the judges and one to Tjerne.')For further information on this lot please visit Bonhams.com
WILLIAM MOORCROFT (BRITISH, 1872-1945)Large 'Moonlit Blue' vase, circa 1925Glazed earthenware, tube-lined decoration.32 cm high, 20 cm diameter Impressed MOORCROFT/MADE IN ENGLAND with painted blue fascimile signature W.Moorcroft.Footnotes:ProvenanceBonhams, London, 'British Ceramic Design from 1860; Including the Bracewell Family Collection of Moorcroft', 24 September 2008, lot 712For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)Small bottle vase, 1885Earthenware, ruby lustre glaze, decorated with stylised foliage and stripes to neck.13.8 cm highImpressed MERTON ABBEY (oval) mark.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Circa 2nd millennium B.C. With frieze depicting central standing figure (the god Enki) in ankle-length robe holding a vase from which four jets of water flow downwards; two flanking attendants in flounced robes; panel of cuneiform text; supplied with a museum-quality impression. 9.66 grams, 20 mm (3/4 in.).From an important London, UK, collection, 1970-1990. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s.
Circa 6th century B.C. Bulbous-bodied with a short neck, deep rim and strap handle; polychrome roundels to the mouth, orange line to the rim, dots around the shoulder and a five-petalled lotus flower blossoming on the main body, a five-rayed wheel at the centre of the flower and on the opposite side. Cf. Amyx, D.A., Corinthian Vase Painting of the Archaic Period, Berkeley, London, New York, 1988, pp.237-238, pl.105 nos.3a, 3b and 4, pl.106 no.1a-c, for the shape; cf. aryballos with similar decoration in the Metropolitan Museum of Art, New York, Rogers Fund, 1941 (41.162.165). 96 grams, 77 mm high (3 in.).Ex P. A., Hertfordshire, UK, specialist collection of Greek art, 1980-1990s.Corinthian aryballoi with floral quatrefoils or lotus flowers were produced in great numbers throughout the 6th century B.C. and probably into the 5th, and were also widely exported. The simple but distinctive decoration suggests that these vases may have had a specific contents, possibly used as an oil flask.
Circa 1st-2nd century A.D. With shoulders tapering towards the plaque and two lateral knops, inset carnelian intaglio of a fluted vase with two birds perching on the rim, supported on the tail of dolphin; a marriage. Cf. Ruseva-Slokoska, L., Roman Jewellery, Sofia, 1991, item 232, for type. 7.40 grams, 26.18 mm overall, 18.95 mm internal diameter (approximate size British R, USA 8 1/2, Europe 18 3/4, Japan 18) (1 in.).Acquired on the German art market before 2000. Property of a Surrey, UK, collector.
4th century B.C. With rounded loop handles with elaborate palmettes below, pedestal foot; Side A with nude Eros flying left, holding a dish in his right hand; Side B with a standing female (Psyche?) waiting for Eros and offering a wreath with her left hand, dressed in a flowing peplos, a small altar before. Cf. Cambitoglou, A. and Trendall, A.D., ‘Addenda to Apulian Red-Figure Vase-Painters of the Plain Style’ in American Journal of Archaeology, Vol. 73, No. 4 (Oct., 1969), pp. 423-433, pls.119-120, figs.20-21, 26; similar painting style on a terracotta hydria in the Metropolitan Museum of Art, accession no. 56.171.65, in Mayo, M.E. and Hamma K., The Art of South Italy: Vases from Magna Graecia, Richmond: Virginia Museum of Fine Arts, 1982, no. 38, pp. 116–17, 308; some similar elements also on the volute crater in the MFA, accession no.1970.235; see also other works of Iliupersis in Trendall, A.D., Cambitoglou, A., The red-figured vases of Apulia, Oxford, 1978, figs.8/25; 8/51; 8/60. 90 grams, 27 cm wide (10 5/8 in.).Ex Barnard & Moore, 2003. From a Norfolk, UK, private collection. Accompanied by an original thermoluminescence analysis report no.N123k4 from Oxford Authentication. Accompanied by an old Moore Antiquities identification card with reference no.1958 and invoice dated 26 July 2003. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.11918-205900.The Iliupersis Painter was a south Italic Greek vase painter whose name is unknown. The name derives from a represented scene in a volute crater in the British Museum depicting sacking of Troy (Iliou Persis). The characteristic pillar-shaped monument depicted here can be seen also on the MET hydria, where the closed foot of the woman corresponds in detail to the one on our vase too. The Iliupersis Painter was a prolific and innovative artist, active just before mid 4th century B.C., whose work set the standard for the large, ornate-style vases of the second half of the same century: volute-kraters with plastic masks on the volutes, increased polychromy, complex floral ornament, multilevel compositions, mourners surrounding funerary naiskoi and stelei. [A video of this lot is available to view on Timeline Auctions Website]
Ming Dynasty, Wanli Period (1573-1620) Featuring at the center a vase with flowers in a fenced garden setting. The cavetto is adorned with eight shaped panels, interspersed with scrolls and filled alternately with flowers, fruits, and compositions of precious objects and tassels. The reverse side is further decorated with eight panels featuring stylized lingzhi mushrooms.Diam.: 35,5 cm SPECIAL SALE NOTICERestricted BiddingTo register and bid at this auction you will need to provide proof of identity and of address and provide photographic ID. You may be asked to pay a deposit of €5.000. Fund must be cleared in VERITAS Art Auctioneers account no later than 11am on Monday, December 4th, 2023. If you are not the winning bidder, you will be refunded within seven working days. Online bidders may be required to pay a €5.000 deposit, which will allow the online bidder to bid up to a maximum of €50.000 in total. For higher bids, different deposits apply.Bank Transfers should be sent to: Beneficiary PERIHASTA Bank BPI Branch Saldanha IBAN PT 50 0010 0000 4626 3080 0018 2 SWIFT/BIC BBPIPTPLCondition of LotsPlease note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.
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