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A Chinese Qing dynasty Famille Rose porcelain vase, Yongzheng period (1723-1735), of ovoid form with delicate enamelled pink and yellow chrysanthemums on foliate branches, with butterflies, the underside with underglazed blue six zhuanshu character mark, 17 cm highCondition: in overall good condition. Some minor losses to the enamel. Firing crack to the centre of the underside.
A Chinese Qing dynasty blue and white porcelain vase, Guangxu period (1871-1908), of globular form with circular vignettes, one with figures, the underside with six character kaishu mark, 13 cm high x 17.5 cm diameterCondition: In overall good condition. Some wear to underside consistent with age and wear.
A Carter Stabler & Adams Poole Pottery vase probably designed by Truda Adams, ovoid with applied loop handles, shape 202, painted with bands of simple geometric design, in purple, green, blue and yellow on an off-white ground, a Poole Pottery vase after an original by James Radley Young, pear shaped form painted in shades of black and terracotta on an unglazed brown ground, and two smaller vases, shape no.563, impressed marks, painted marks, 17cm. high (4) Provenance The Redstone Collection.
'Old Harry Rocks' a Poole Pottery Isle of Purbeck vase designed by Karen Brown, shouldered form, painted with the Dorset landscape of Old Harry Rocks in colours and a Poole Pottery cylindrical vase painted with chevron design in blue, printed mark, painted monogram, 20.5cm. high, (2)
A Next Interior cylindrical vase, elliptical section, painted with black irregular design on celadon, with green spots, another Next Interior shouldered vase, a Next Interior shaped plate by Carol McNicoll, and five other Next Interior ceramics printed factory marks, 26.5cm. high (8)
An Omega Workshops vase by Roger Fry, low, shouldered form, painted with panels of animals in terracotta on a grey tin-glaze, the interior painted with a star motif, painted Omega mark, damages 17cm. diam. Provenance Everard Meynell, by repute, thence by descent. Exhibited A Room of Their Own: Lost Bloomsbury Interiors, Victoria Art Gallery, Bath 11th June-4th September 2016 Mantelpiece Modernism The Omega Workshops, Bloomsbury & Gordine Dorich House Museum, 27th September-17th November 2018. Literature Mantelpiece Modernism The Omega Workshops, Bloomsbury & Gordine Dorich House Museum, page 5 two views illustrated.
Richard Batterham (1936-2021) a porcelain cut-sided vase, shouldered form, covered in a pale celadon glaze, unsigned applied paper exhibition label no.250 95cm high Provenance Richard Batterham, 1972 British Crafts Centre exhibition, catalogue number 250 From the estate of Richard Batterham
An Art Nouveau Dutch pottery vase, model no.540, shouldered form, painted with Art Nouveau chrysanthemum flower stems in blue and white on a mottled yellow ground, two Arnhem Pottery vases, two Dutch pottery vases retailed by Liberty & Co and another Dutch pottery vase, painted marks, 9.5cm. high (6)
A pair of Doulton stoneware spill vases, cylindrical form on flaring feet, painted with fruit in shades of green and tan, a Royal Doulton cabinet plate painted with St Michael's Mount, two Doulton Series Ware plates, a Royal Doulton Morrison Ware vase and a collection of ceramics including a Foley Wileman part tea set, impressed marks, 18.5cm. high (a lot) Provenance The Douglas Johnson collection. Exhibited On loan to Bristol Museum & Art Gallery
'Jazz Stitch' a Carlton Ware jug, pattern no.3655, shouldered form, printed and painted in colours, highlighted in gilt, a Carlton Ware bowl in the same pattern, a Crown Devon vase pattern 2250 printed and painted with a bird, a Crown Devon Art Deco bowl printed with butterflies and a Falcon Ware sugar sifter, printed and painted marks, 19.5cm. high (5) Provenance The Douglas Johnson collection. Exhibited On loan to Bristol Museum & Art Gallery (Carlton Ware jug and sugar sifter).
'Violets' a Wemyss dish, rectangular painted with flowers and inscribed 'I looked for something sweet to send you and the Violets asked if they would do', two Wemyss thistle shaped vases, a waisted Wemyss 'Jazzy' vase a Black Cockerel vase and dish and eight various Wemyss plates painted with fruit, impressed and painted marks to Violets dish, damages, 14.5cm. wide (14) Provenance The Douglas Johnson collection.
'Crocus' a Clarice Cliff Bizarre Conical jug, painted in colours above a brown band, with yellow spout and green detailing, a Clarice Cliff Patina bowl and a Clarice Cliff 'Rhodanthe' posy vase, printed factory marks, 18cm. high, (3) Provenance The Douglas Johnson collection. Exhibited On loan to Bristol Museum & Art Gallery (jug and vase).
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653685 item(s)/page