There are 653685 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Chinese Porcelain Blue and White Baluster-Shaped Vase and Cover, 18th Century, painted with dragons chasing the sacred pearl, and precious objects, later 'clobbered' with overglazed coloured enamels and gilt, 24ins (61cm) highThe vase has been broken into at least seven pieces and restuck. The cover similarly has been broken into at least ten pieces and restuck. The enamels are in reasonably good condition. There is some scattered wear to the gilt detail.
ARR Matthew Smith (1879-1959) - Oil painting - "Mixed Flowers in a vase" canvas 28ins x 12ins, in deep gilt moulded frame Provenance: Duncan R. Miller Fine Arts Ltd. 17 Flask Walk, Hampstead, London, NW3 1HJ and 6 Bury Street, St James's, London, SW1Y 6AB With Arthur Tooth & Son, Private Collection Note: In 1925, living and working in Paris, Smith began to paint still lives and for the most part flower paintings. Like Van Gogh, painting flowers allowed him to extend his colour range beyond the simple palette he had been using for his so-called 'red nudes' of 1924. Having begun with tulips he rapidly moved on to more intricate flower forms, mixing them into increasingly ambitious arrangements. Selected pictures from the Peter Barkworth Collection There is a small dent with associated very light scratching close to the lower right corner. Under UV lamp no obvious restoration/damage can be seen.
A George V Silver Tazza and a Similar Smaller, the larger by Barker Brothers, Chester 1924, with moulded rim and pierced band, on circular moulded foot rim, 8.5ins diameter x 3ins high, the small tazza Birmingham 1928, with shaped and pierced rim on conforming footrim, 5ins diameter x 3.25ins high, combined weight 13ozs, and a George V silver octagonal spill vase of tapered form, Chester 1923, 8ins high, loaded
An Edwardian Oak Hall Stand, with moulded edge to top, the back inset with bevelled mirror panel, and six coat hooks, with shelf, lozenge carved panel and vase pattern splat under, flanked by cut out handles, the lifting seat enclosing cupboard, on angled end supports, 36ins wide x 13ins deep x 73ins high
Beautiful oil on canvas painting by New York City artist Anna S. Fisher. A bunch of white and blue chrysanthemums is set in a white porcelain vase on which two Asian females are strolling leisurely. Fisher's still-life is displayed in an interior where a blue-green background highlights the subtle quietness of her composition. Housed in the original carved wooden frame. Includes a plaque on the frame: Anna S. Fisher N.A. Artwork dimensions: 13.50"L x 18"H. Frame size: 21"L x 25"H x 2"W. Artist: Anna S. Fisher (American, 1873-1942)Issued: c. 1920Country of Origin: United StatesCondition: Age related wear.
This exuberant oil and acrylic on canvas artwork depicts a bunch of flowers and foliage in a vase painted by Adeline Rich. Crimson, orange, pink and peach peonies are painted with think chunks that form reliefs amongst the green tones foliage in the vase and tabletop that compliment the apple green background. Rich's method results in a joyous and bountiful composition with areas of three-dimensionality. Signature and date in black paint on lower left: Adeline Rich, 73. Housed in a dark green wooden frame with an light green linen border. Artwork dimensions: 17.25"L x 23.25"H. Frame size: 20.75"L x 26.75"H x 1.25"W. Artist: Adeline Rich (American, 20th century)Issued: 1973Country of Origin: United StatesCondition: Age related wear.
Hand painted double-handled vase. Beautifully decorated with red apples from a pink blossom tree. Accented with gilt outlines. Imperial Nippon backstamp. Dimensions: 6.75"L x 6"W x 12"HManufacturer: Imperial NipponCountry of Origin: JapanCondition: Age related wear. As is. Chip on the base.
Pair of antique Japanese bronze urns made in a combination of flora and fauna. Each body is partially covered with bunches of flowers in rattan baskets held by mythological griffins. The handles and the legs are sculpted in stylized griffins and other fantastical animals. Each vase dimensions: 9"L x 7.50"W x 14.50"H. Issued: c. 1890Condition: Age related wear.
The back panel carved with a stylized floral-filled vase, within a leafy-carved arcade, with cable-carved pillars and triform leaf spandrels centred by high-relief pyramidal crossed boss, topped by a matching floral carved flat cresting rail, the back uprights with stiff-leaf carving above the channel-moulded carved and punch-decorated scroll-ended open arms, the boarded seat with applied deep cushion-mouldings with leafy-lunette carved decoration, on rising-baluster front legs, joined by run-moulded stretchers, 91cm high, 64cm wide.
A Japanese Satsuma earthenware vase by Hozan, Meiji period, of shouldered tapering form with short flared narrow neck, painted and gilt with leaf shaped panels filled with figures in landscape and flowers, reserved against a floral ground, gilt signature to base, height 15.5cm (minor bruise, retouched gilt to rim).
A Chinese blue and white porcelain vase, late 19th/early 20th century, of slender baluster form, painted with blossoming prunus branches, height 22.5cm (rim restoration), together with a famille rose porcelain box (lacking cover), and a Continental famille rose style porcelain jar and cover (repaired finial).
A Chinese white-glazed porcelain beaker vase, Qing dynasty, probably 18th century, of tall slender cylindrical form with flared rim, carved in relief with a ruyi-head band above a dense design of scrolling leafy branches and scattered fruit and flowers, moulded four-character mark to base, height 60cm (some restoration).
A large Chinese Canton famille rose porcelain vase, mid to late 19th century, the swollen cylindrical body painted with a continuous fenced garden scene of birds and butterflies amidst peony, prunus, bamboo, willow and magnolia above fenghuang, other birds and rocks, between black tasselled borders, the similarly decorated flared neck with applied gilt chilong to shoulders, flanked by Buddhistic lion and cub handles, height 92.5cm (extensive restoration and faults).
A Chinese famille verte archaistic gu-form porcelain vase, Kangxi period, the panelled square mid-section painted with precious vessels, objects and Buddhistic lion, the flared upper and lower neck and base sections filled with birds, rocks and flowers, height 43cm (repaired neck, chips and converted to a table lamp).
A Japanese silver mounted cloisonné enamel vase by Namikawa Yasuyuki, Meiji period, of diminutive teardrop form, finely worked with two sparrows and flowers on a midnight blue ground, the foot with applied silver plaque, signed 'Kyoto Namikawa', height 7.7cm. Note: Namikawa Yasuyuki (1845-1927) was born into a samurai family in Kyoto. He began his career as a cloisonné artist in about 1868 and worked with the Kyoto Shippo Kaisha (Kyoto Cloisonné Company) between 1871 and 1874, before opening his own studio. He exhibited his work to great acclaim at national and international expositions and in 1896 he was appointed an Imperial craftsman to the Meiji emperor.
A Japanese Satsuma earthenware vase by Seikozan, Meiji period, of shouldered tapering cylindrical form, painted and gilt with panels of arhats, children and bijin, within borders of simulated brocade, gilt Kozan Sei (shortened form of Seikozan) and impressed signatures to base, height 13cm.
A Chinese crackle glazed porcelain vase and cover, early 20th century, of baluster form, decorated with a battle scene, height 30.5cm, together with a Chinese Imari export porcelain plate, 18th century, diameter 21.9cm, and a blue and white export porcelain plate, 18th century, painted with flowers, diameter 23.1cm (rim chips and hairline).
A Chinese porcelain bottle vase, Republic period or slightly later, the globular body painted with fishermen in boats, pavilion and trees in a lakeside landscape opposing lines of black text and three iron red seals, the flared narrow neck with black banded borders, iron red seal mark to base, height 28.5cm, with wood stand.
Loading...
