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Lot 55

Bridget Drakeford (b.1946) Vase with faceted decoration and mottled green glaze signed and with impressed potter's seal 28.5cm high.

Lot 56

Bridget Drakeford (b.1946) Vase oxblood glaze signed and with impressed potter's seal 25.5cm high.

Lot 59

Duncan Ross (b.1943) Vase burnished terra sigillata with geometric pattern above bands of orange colour incised potter's monogram 17.5cm high.

Lot 595

Ethel Gabain (1883-1950) Flowers in a black vase signed (lower right) oil on canvas 64 x 75cm.

Lot 60

Duncan Ross (b.1943) Vase seedpod form, burnished terra sigillata with geometric patterns incised potter's monogram 18.5cm high.

Lot 623

Mary Godwin (1887-1960) Pink flowers in a glass vase oil on canvas 45 x 40cm.

Lot 672

Henrietta Dubrey (b.1966) Blue Vase, 1990 signed, inscribed, and dated (to stretcher) oil on canvas 104 x 76cm.

Lot 77

David Leach (1911-2005) Teapot and vase impressed potter's seals teapot 14cm high, vase 13cm high; and a box and cover by Jane Hamlyn, 7cm high (3).

Lot 78

John Pollex (b.1941) Two rectangular dishes and a vase slipware impressed potter's seals largest 43cm diameter (3).

Lot 788

Manner of Suzanne Valadon (1865-1938) Flowers in a Yellow Vase oil on canvas 66 x 51cm.

Lot 803

Tony Wild (b.1941) Flowers in a Blue Vase, 1992 signed and dated (to reverse) gouache 65 x 48cm.

Lot 81

Phil Rogers (b.1951) Large vase tenmoku glaze, the body with horizontal bands impressed potter's seal 39cm high.

Lot 83

Michael Casson (1925-2003) Large floor vase blue brushwork on ochre ground impressed potter's seal 78cm high.

Lot 86

Alan Brough (20th Century) Yunomi and a bud vase tenmoku impressed potter's seals 8.5cm and 11.5cm high (2).

Lot 87

Alan Caiger-Smith (1930-2020) Vase with blue brushwork to each side painted potter's monogram 16.5cm high.

Lot 94

Ruthanne Tudball (b.1948) Tall vessel twisted form with combed decoration impressed potter's seal 36cm high; and a Chris Bull (Contemporary) mug and pot and cover; an Andrew Hill vase; and a Nicholas Marsh vessel (5).

Lot 97

Chris Carter (b.1945) Vase of pentagonal form with blue and grey oxidised glaze impressed potter's seal 23cm high.

Lot 98

David White (1934-2011) Vase of bulbous form with flared rim, green and blue crackled glaze impressed potter's seal 12cm high.

Lot 99

Hazel Johnston (1933-2011) Miniature vase and bowl mottled cream glazes both with impressed potter's seal vase 15.5cm high, bowl 13cm diameter (2).

Lot 455

NINETEENTH CENTURY CHINESE BLUE AND WHITE PORCELAIN VASE, of slender ovoid form with short cylindrical neck, painted with dragons and foliage, 7 ½? (19.1cm) high, underglazed blue four character Kangxi mark C.R. U shaped re-glued chip to the neck and with bad chip to the joint, at least two chips to footrim

Lot 451

CHINESE LATE QING DYNASTY PORCELAIN INVERTED BALUSTER SHAPE VASE (cover absent), well painted in underglaze blue with flowering plants issuing from rockwork beneath a lapetted shoulder and narrow neck, 12in (30.5cm) high, on an associated carved and pierced wooden stand, also a LATE QING DYNASTY ORBICULAR GINGER JAR (cover absent), painted in underglaze blue with opposing panels of objects and precious things on a cracked ice and prunus blossom ground, 7in (18cm) high, on an associated carved and pierced wooden stand, together with TWO ODD COVERS with Dogs of Fo finials

Lot 475

NINETEENTH CENTURY STAFFORDSHIRE FLAT BACK POTTERY GREYHOUND WATCH HOLDER GROUP, painted in colours and modelled with a leaping hare above two standing greyhounds, 8 ½? (21.6cm) high, together with a STAFFORDSHIRE GREYHOUND SPILL VASE, modelled standing with a hare at its feet, both of gilt lined oval bases, 7 ¾? (19.7cm) high, (2) C.R. the watch holder with tiny rim nicks to the edge of the holder and the back of the base, the spill vase with restored back right leg and the vase appears slightly different in colour to the top section but no obvious restoration, also with a firing crack to the base in between the back legs and the base of the vase, 2? long approx, both with the usual crazing and light rubbing and enamel chips

Lot 186

FOREIGN SILVER COLOURED METAL VASE, 800 STANDARD, of bulbous form with three ball feet, engraved with scrolling leaves, 4 ¼? (10.8cm) high, together with ANOTHER, MATCHING BUT SMALLER, 1 ¼? (3.2cm) high, 4.5oz, (2)

Lot 198

EDWARD VII WEIGHTED SILVER TRUMPET VASE, with flared, wavy rim above floral embossed panels and domed foot, Birmingham 1909, 6 ½? (16.5cm) high

Lot 281

FOUR PIECES OF ROYAL CROWN DERBY JAPAN PATTERN CHINA VASES, pattern no: 2444, comprising: TWO HANDLED PEDESTAL VASE AND COVER, 7 ½? (19.1cm) high, date code for 1947, ORBICULAR POT POURRI VASE, lacking outer cover, 6 ½? (16.5cm) high, date code for 1885, and a PAIR OF CONICAL, FOOTED VASES with slightly flared necks, 5 ½? (14cm) high, no date code, (4) C/R. the cover to the pedestal has been smashed and re-glued and with sticky paper lining the inside and with 2 bad chips to the inner rim (of the cover), pot pourri vase good, pair of vases both with rim chips and related hairlines, all pieces with the usual light rubbing and surface scratching

Lot 279

PAIR OF LATE VICTORIAN ROYAL CROWN DERBY CHINA POT POURRI VASES, lacking covers, each of lobated, footed form with short cylindrical collar, decorated in the Imari palette with Oriental flowers on a leaf textured gilt ground and set between blue and gilt lined borders, 5? (12.7cm) high, date code for 1890, together with a MATCHING OVOID VASE with moulded and slightly flared rim, 8? (20.3cm) high, printed mark for W. LITHERLAND, LIVERPOOL, date mark illegible, all with painted pattern no: 2246, (3) C/R. all good apart from light rubbing to the gilt, mainly to the rims

Lot 219

AN INTER-WAR YEARS PILKINGTONS ROYAL LANCASTRIAN POTTERY MOTTLED ORANGE VERMILLION GLAZED SLENDER OVIFORM VASE, 11" (28cm) high

Lot 290

THREE PIECES OF LATE NINETEENTH CENTURY AND LATER ROYAL WORCESTER FLORAL PAINTED BLUSH IVORY CHINA, comprising: POT POURRI VASE AND COVER, of lobated form with pierced cover, mould no: 1314, 5 ¼? (13.3cm) high, date code for 1899, SQUAT EWER WITH DRAGON PATTERN HANDLE, mould no: 1048, 4 ¼? (10.8cm) high, date code for 1899, and a PEDESTAL VASE, with knopped stem, mould no: 2260, 5 ½? (14cm) high, date code for 1908, printed marks, (3) C.R. very light rubbing to the gilt and very, very light surface scratching, otherwise good

Lot 462

TWENTIETH CENTURY ORIENTAL BLUE AND WHITE MOULDED PORCELAIN VASE, of square baluster form with waisted neck, painted with exotic birds and flowers, 14? (35.6cm) high C.R. neck badly broken into several pieces and re-glued and with related rim chips and losses

Lot 460

FOUR PIECES OF NINETEENTH CENTURY AND LATER ORIENTAL BLUE AND WHITE PORCELAIN, comprising: PAIR OF JAPANESE ?BLUE IMARI? SKITTLE SHAPED VASES with frilled rims, outlined and washed with birds and flowers, 12? (30.5cm) high, MINIATURE PANELLED DRUM SHAPED GARDEN SEAT with pierced top, decorated with panels containing flowers, 6? (15.1cm) high, and a PLATE WITH DISHED CENTRE, painted with animals in a mountainous river landscape, 9 ¾? (24.8cm) diameter, together with a MODEL OF A DOG OF FO, painted in colours and modelled seated on a rounded oblong plinth, 4 ½? (11.4cm) high, (5) C.R. PAIR OF VASE one with large V shaped rim chip, re-glued and stapled, 4? x 5? approx and both with chips to the frilled rims, GARDEN SEAT-good, PLATE-large re-glued rim chip, 4? x 1 ½? approx and four other rim chips, DOG OF FO-small glaze chip to tip of left ear otherwise good, all pieces with the usual minor rubbing and surface scratching

Lot 461

MODERN JAPANESE IMARI PORCELAIN JAR AND COVER, of ovoid form, decorated with birds and flowers, heightened in gilt, 12? (30.5cm) high, together with a MODERN BLACK LACQUERED PAPIER MACHE VASE AND STAND, painted in red and gilt with a dwelling and trees in a mountainous river landscape, 8? (20.3cm) high overall, gilt printed mark, (2) C.R. JAR AND COVER with rubbing to the gilt, VASE AND STAND with scratching

Lot 476

WELL MODELLED NINETEENTH CENTURY STAFFORDSHIRE POTTERY MODEL OF A PIEBALD GREYHOUND, modelled with long, elegant legs and a running hare at its feet, on a gilt lined shaped oval base, 6 ¼? (15.9cm) high, together with a PIEBALD GREYHOUND PEN HOLDER, typically modelled on a blue base with shaped front, 5? (12.7cm) high, (2) C.R. the model with replaced front left leg, now loose, originally with a spill vase behind the greyhound, now missing the top and with restoration, the pen holder with head off, re-glued and restored and with hairline around one front paw

Lot 285

HADLEY?S WORCESTER HAND PAINTED CHINA POT POURRI VASE, of lobated, squat form, decorated with yellow and pink roses beneath a moulded collar, printed mark, 3? (7.7cm) high C.R. lacks cover and with very light rubbing and surface scratching

Lot 247

VENETIAN LATTICINO GOBLET, with flared bowl, twin knopped stem and spreading foot, 6 ½? (16.5cm) high, together with a VENETIAN WINE GLASS with gilt line rim and knop, 6 ¾? (17.1cm) high, and a ROMAN STYLE BLUE SODA GLASS BUD VASE, with applied spiral to the neck, 4 ¼? (10.8cm), (3) C.R. LATTICINO- the outside of the bowl is applied near the base with two small scrolls, one is missing and the other is badly chipped, WINE GLASS with chip to the footrim, ROMAN STYLE VASE-good

Lot 248

EIGHT PIECES OF NINETEENTH CENTURY AND LATER COLOURED GLASS, comprising: RED CASED VASE, SWAGGED IN WHITE AND APPLIED WITH A CLEAR GLASS FLOWER, 7 ¼? (18.4cm) high, SIMILAR BUT SMALLER TWO HANDLED YELLOW SPECKLED VASE, GREEN PEDESTAL EWER, 8 ¾? (22.2cm) high, THREE SMALLER BLUE GLASS EWERS, all enamelled with flowers and heightened in gilt, and TWO SIMILAR PIECES, (8) C.R. RED VASE chips and losses to the applied flower, YELLOW VASE rim ground and with nicks, GREEN EWER with chips to the rim and rubbing to the gilt, THE REMAINING PIECES with rubbing to the gilt

Lot 284

EARLY TWENTIETH CENTURY ROYAL CROWN DERBY TWO HANDLED PEDESTAL CHINA VASE, of campana form with scroll feet, floral painted in colours and gilt on a cream ground, above a lower section in blue and gilt, 4 ¾? (12cm) high, printed mark and dated code for 1905 C.R. rim nicks and glaze pop type faults to handles, both the rim and handles have been refreshed

Lot 244

NINETEENTH CENTURY PALE GREEN GLASS TABLE LUSTRE, with prism cut drops ad pink enamelled border, 10 ½? (26.7cm) high, together with a PINK TINTED GLASS JUG, with frilled rim and blue and yellow enamelled decoration, 10? (25.4cm) high, a CRANBERRY GLASS ?JACK IN THE PULPIT? BUD VASE, 8 1/42 (21cm) high, CRANBERRY GLASS SUGAR BOWL and a SMALL RUBY GLASS AND SILVER LUSTRE VASE, (5) C.R. LUSTRE with one drop loose and wire fastener to the body missing, chips to the drops, PINK JUG- good, JACK IN THE PULPIT VASE with re-glued clear glass stem and rim nicks, SUGAR BOWL with several chips to the ground rim, RUBY VASE-good

Lot 246

VICTORIAN CRANBERRY GLASS TRUMPET VASE IN A PIERCED ELECTROPLATED HOLDER, the wire pattern holder with pierced fruiting vine border, 9 ¼? high C.R. the glass good, sits slightly proud, possibly matched? The holder with minor losses

Lot 465

CHINESE REPUBLIC PERIOD PORCELAIN SLEEVE VASE, painted with an immortal and attendants, beneath inscription and red seal marks, the reverse with lengthy inscription and two red seal marks, 11 ¼? (28.6cm) high C/R- there is a fine hairline running across the base, inside the footrim, 9cm long approx, usual rubbing and light scratchng, otherwise good

Lot 230

AFTER A DESIGN BY GLYN COLLEDGE FOR DENBY POTTERY, LARGE POTTERY JUG SHAPED VASE, painted in muted tones of blue and green with stylised leaves on a matt white ground, unsigned, 12? (30.5cm) high, together with a CZECHOSLOVAKIAN TUBE LINED AND FLORAL PAINTED VASE, 5? (12.7cm) high and a PARAGON CHINA OBLONG PIN DISH, printed marks, (3) C.R. all good

Lot 105

A Worcester bottle vase, circa 1753-4Of hexagonal baluster or 'onion' form, delicately painted with a Chinese figure wearing a pointed hat and carrying a long stick, the reverse with another standing beside a vase and holding a parasol, the remaining facets painted with floral sprays, a formal border below the rim, 12.3cm highFootnotes:ProvenanceRalph Kenber CollectionCompare the style of the figure painting on this lot with that on the two hexagonal vases from the John Alchin Collection, lots 21-22. The painting here is more free, less stylised and certainly by a different hand.For further information on this lot please visit Bonhams.com

Lot 124

A fine and early Worcester beaker vase, circa 1754Of 'Scratch Cross' type and of waisted, cylindrical form, finely painted with the 'Bird and Snail' pattern, the bird perched on one of two gnarled branches which stand by a small, red fence, looking down towards an unfortunate snail on the grass below, the reverse with a smaller vignette of flowering bamboo sprouting from rocks and an insect in flight, 14.8cm highFootnotes:ProvenanceA J Smith CollectionGordon and Sue Guy-Jones CollectionSimon Spero exhibition 2012, no.8Ralph Kenber CollectionThere would appear to be four recorded examples of this exceptional vase. One from the Rous Lench Collection, later in the Sir Jeremy Lever and Crane Collections was sold by Bonhams, 7 March 2007, lot 21 and 31 March 2010, lot 60, respectively. The present lot being almost identical with the addition of a flying insect painted on the reverse. Two smaller examples are in the Ashmolean Museum, one illustrated by H Rissik Marshall, Coloured Worcester Porcelain (1954), pl.25, no.563. A matching water bottle and basin also from Rous Lench was gifted to the Museum of Royal Worcester. Three bell-shaped mugs with the same decoration are recorded, each inscribed on the base 'ExL 1754'. One of these from the Grant Dixon Collection was at Ampleforth Abbey. The second is in the Victoria and Albert Museum and the third is at Colonial Williamsburg. These mugs were instrumental in dating of early 'Scratch Cross' class and by association it is possible to confidently place the current lot around 1754.Although not painted with this pattern, a closely related vase, clearly painted by the same hand from the R David Butti Collection was sold by Bonhams, 10 May 2006, lot 33. In each case, the painting is very finely executed, with great care given to the detailing and composition.For further information on this lot please visit Bonhams.com

Lot 125

A Worcester vase, circa 1757-8Of shallow baluster form with a wide trumpet shaped neck, painted with 'The Mobbing Birds with Owl' pattern, with a long-eared owl perched on a branch, flanked by two other inquisitive birds and flocks of birds populating the sky above a lush, grassy ground, the reverse with a formal bouquet of roses and bluebells and scattered sprigs, 11.7cm highFootnotes:ProvenanceDiscovered by the BBC Antiques Roadshow, Beaumaris 1993Bonhams sale, 5 December 2007, lot 231Ralph Kenber CollectionThe Mobbing Birds PatternThe many Worcester artists responsible for the Mobbing Birds design clearly had differing abilities. In a pioneering article in Connoisseur in 1963, Hugh Tait suggested the design was based on a combination of bird drawings by C Fenn, including some engraved by Robert Hancock. The fact that an identical composition is known on a Chelsea vase makes it seem more likely Worcester copied Chelsea, and therefore by extension the pattern and shapes derive ultimately from Meissen. These two vases in the Kenber Collection are painted in an almost cartoon-like style, their comical manner far removed from the signed mug in the British Museum that forever links the name I.Rogers to this group.For further information on this lot please visit Bonhams.com

Lot 126

A Worcester vase and cover, circa 1757-58Of baluster shape, on a spreading foot, the high domed cover with a flower bud finial, painted with 'The Mobbing Birds with Owl' pattern with a long-eared owl perched on a branch, flanked by two other birds, the tree placed on a lush grassy mound, the reverse with a formal bouquet of flowers, with related sprigs and scattered leaves around the neck and cover, 17.5cm high (2)Footnotes:ProvenanceRalph Kenber CollectionA similar vase is in the H Rissik Marshall collection, no.513 in the Ashmolean Museum, while a larger form of this vase was given by Lady Charlotte Schreiber to the Victoria & Albert museum (414:39/&A-1885). Both have almost identical decoration to the current lot and combined with the beaker vases, these would have formed impressive garnitures.For further information on this lot please visit Bonhams.com

Lot 132

A Worcester vase and cover, circa 1757-8Of inverted baluster form, the high domed cover with a bud finial, painted in Meissen style with a full spray of European flowers, smaller sprays and sprigs scattered around it, 21cm high (2)Footnotes:ProvenanceSimon Spero Exhibition 1994, no.21Ralph Kenber CollectionFor further information on this lot please visit Bonhams.com

Lot 148

A rare Worcester pedestal or plinth, circa 1770Of square form, for a vase or figure, painted on each side with colourful flower sprays, with narrow gilt borders, 9cm highFootnotes:ProvenanceRous Lench Collection, Christie's sale, 30 May 1990, lot 536Zorensky Collection, Bonhams sale, 23 February 2005, lot 203Simon Spero Exhibition 2005, no. 22Ralph Kenber CollectionIllustrated by John Sandon, Dictionary of Worcester Porcelain (1993), p. 256. Severe firing problems may explain why this is the only recorded example of a Worcester pedestal.For further information on this lot please visit Bonhams.com

Lot 162

A Worcester teabowl, coffee cup and saucer, circa 1756-58Finely potted and 'pencilled' in black with a Chinese man in a fenced garden, holding a parasol, a bird perched on his other hand, between a vase of flowers on a low table and a tree, the reverse and interior of the teabowl and reverse of the cup with island pavilions, lambrequin scroll borders inside the rims, saucer 11.7cm diam (3)Footnotes:ProvenanceRalph Kenber CollectionFor further information on this lot please visit Bonhams.com

Lot 181

A Worcester vase and cover, circa 1768Of tapering hexagonal form, the high domed cover with a pointed finial, fully decorated with a yellow ground reserved with arabesque panels containing printed and coloured landscapes with ruins, the front and back with larger panels, one with an elegant party rowing past a ruined arch, the other with a man with a staff standing in a ruined temple among pieces of broken entablature, the rims with an iron red diaper pattern reserved with gilt flowerheads, 29.2cm high, (2)Footnotes:ProvenanceZorensky Collection, Bonhams sale, 16 March 2004, lot 144Sir Jeremy Lever Collection, Bonhams sale, 7 March 2007, lot 107Ralph Kenber CollectionThis celebrated vase is illustrated by Sandon and Spero, The Zorensky Collection (1996), p.228, fig.265. A very similar vase, possibly the pair to this lot, is in the H Rissik Marshall Collection and is illustrated in Coloured Worcester Porcelain (1954), pl.13 no.233. The inspiration would appear to have been 1730s Meissen, an influence acknowledged by the use of kakiemon sprigs on the shoulder similar in taste to the 'indianische Blumen' sprigs used at Meissen. The primary prints on this vase also occur on a pair of scale blue ground hexagonal vases in the British Museum, see R L Hobson, Catalogue of the Frank Lloyd Collection of Worcester Porcelain (1923), pl.78.For further information on this lot please visit Bonhams.com

Lot 20

A Worcester coffee pot and cover, circa 1754-55Of 'Scratch Cross' type and with a characteristic greyish glaze, the baluster border supported by a spreading foot, the scrolled handle with thumbrest, painted in famille rose style with the 'Tea Ceremony' pattern, two Chinese figures and a small dog beside tables, the reverse with a lady beside a parrot perched on a hoop, 18cm high, incised line inside footrim below the handle (2)Footnotes:ProvenanceJohn Alchin CollectionThe same lady at a tea table appears on a vase in the British Museum, see Franklin Barrett, Worcester Porcelain and Lund's Bristol (1966), pl.11. A similar coffee pot and cover from the Zorensky Collection was sold by Bonhams, 22 February 2006, lot 6. A classic Worcester model of the mid-1750s.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 21

A Worcester bottle vase, circa 1753-54Of hexagonal baluster or 'onion' form, delicately painted with a Chinese figure pointing to one side, wearing pink, blue and yellow costume, a fenced garden behind, the reverse with a flower spray, 11.7cm high,Footnotes:ProvenanceBillie Pain Collection, Bonhams sale, 26 November 2003, lot 114John Alchin CollectionA very similar vase is illustrated by Simon Spero, The A J Smith Collection (2006), p.182, pl.90. A comparison with the present lot reveals a remarkable consistency in the details of the pattern.Onion-shaped Bottle VasesThis delightful and popular shape is most likely derived from Chinese blanc de chine or Fujian white porcelain from the earlier Kangxi period. The shape is also known in Staffordshire white saltglaze. Worcester's onion bottles compare closely, in date, size and decoration, with a range of small white glass bottles with enamelling in bright colours, believed to have been made in South Staffordshire. Although the glass bottles are not octagonal, the chinoiserie figures and floral subjects are remarkably similar to early Worcester decoration and some of the same painters may have been responsible.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 22

A Worcester bottle vase, circa 1753-54Of hexagonal baluster or 'onion' form, painted with a Chinese figure standing with arms crossed, wearing pink, blue and yellow robes, a fence behind painted with a distinctive pebbled pattern, the reverse with a flower spray, 12cm highFootnotes:ProvenanceBillie Pain Collection, Bonhams sale, 26 November 2003, lot 115Simon Spero Exhibition 2004, no.11John Alchin CollectionThis is one of the models from this brief period which underlines the likelihood that many of these pieces were conceived as ornaments rather than objects for practical use.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 45

A Worcester tankard, circa 1755-56With a gently spreading foot and a broad strap handle, painted in Kakiemon colours with a version of the 'Sir Joshua Reynolds' pattern, a long-tailed bird perched on a tall rock from which flowering branches grow to either side, 9.1cm highFootnotes:ProvenanceJohn Alchin collectionThis is a particularly rare and early example of the pattern on Worcester porcelain. Although clearly Japanese in style, the precise origin of this pattern remains unclear. A possible source is illustrated by R L Hobson, Worcester Porcelain (1910), pl.XXXIV where a close-up of the painting on a Japanese vase is shown alongside two Worcester pieces which appear to follow it very closely. The present lot differs slightly from these, the tail feathers of the bird being smaller and less curvaceous.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 51

A Worcester sucrier and cover, circa 1756-57Of plain circular form. the low domed cover with a bud finial, painted in a vibrant palette with a Chinese figure holding a fan, a small boy to the left seated by a red zig-zag fence, two vase and a table to the right, 11cm high (2)Footnotes:ProvenanceGwen and Ronald McKnight Melvin Collection, Simon Spero Exhibition 2007, no.17John Alchin CollectionThis lot belongs to a group of Worcester porcelains painted with Chinese figures in a distinct bright palette, the foreground washed in lime green and flocks of birds used to disguise flaws in the porcelain. Other pieces in the group include a bowl from the Crane Collection, Bonhams sale, 31 March 2010, lot 91 and a splendid mug from the Henry Sandon and R David Butti Collections, Bonhams sale 10 May 2006, lot 24. It is possible that this group was painted by a single hand working outside of the factory. Sucriers of this period are scarce.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 54

A Worcester bottle vase, circa 1754-55Of hexagonal baluster or 'onion' form, printed in outline and enamelled in bright colours with a Chinese mother and child standing before a vase, the mother holding a wand, a seated figure holding a fan to the reverse, insects in flight to either side, a formal iron red border painted below the rim, 11.9cm highFootnotes:ProvenanceSimon Spero exhibition 1996, no.28John Alchin CollectionThe pattern is one of a small number of prints created as an outline for hand-painted decoration. This seems to have been designed specifically for this shape of small vase as the pattern has not been noted on any other shaped pieces. Some twelve polychrome designs are recorded on this short-lived model.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 55

Another Worcester bottle vase, circa 1754-55Of hexagonal baluster form and identical in decoration to the previous lot, 11.9cm highFootnotes:ProvenanceSimon Spero exhibition 2005, no.19John Alchin CollectionIllustrated by John Sandon, Dictionary of Worcester Porcelain (1993), col. pl.87.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 88

A Worcester vase and a Chelsea cup, circa 1762-70The inverted baluster vase with twin scrolled handles, painted in rich kakiemon style with panels of long-tailed birds and flowering trees, reserved with gilt scrolled borders on a scale blue ground, 13.5cm high, square mark, the cup with narrow panels of birds alternating with mazarine blue bands gilt with flowers and trelliswork, with a pierced and scrolled handle, 6.2cm high, gold anchor mark (2)Footnotes:ProvenanceJohn Alchin CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 702

Two George III mahogany dining chairs, each with pierced vase splat and drop-in seats, on square chamfered legs, (2).

Lot 737

A mid-20th century Oriental rug, the central medallion and serrated border surrounded by birds and stylised figures, within a multiple border, 123 x 200cm and a small corridor carpet with overall foliate and vase of flowers decoration, 85 x 200cm, (2).

Lot 760

A Moorcroft 'Hibiscus' decorated vase of compressed form, 10.5cm high, small repair to rim of base, impressed factory mark, monogram to base.

Lot 762

A Cobridge stoneware trial vase decorated with poppies, 9cm high, impressed factory mark and printed '1314 A/H Trial CB19©03' to base.

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