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Click here to subscribeSilver and plated ware, the majority Swedish, to include a Primans silver plated christening cup and cover with foliate and scroll decoration, a pair of candlesticks with cast scroll decoration, a twin handled vase with gadrooned lower section, a cocktail shaker and a single silver teaspoon (6)
Roger Capron (French, 1922-2006), Vase decorated with a Greek warrior, signed to base, Capron, Vallauris, 26cm highCondition Report: There is overall discolouration to the outside of the vase and signs of staining from use to the interior.There is a small glaze bubble or chip to the base.
Geoffrey Baxter (British, 1922-1995) for Whitefriars, a tall orange bark glass vase, 19cm high, together with two smaller vases, in red and aubergine colourways, 15.5cm high, together with three vases by Frank Thrower, and two Dartington glass vases, one in aubergine colourway and one in blue colourway, etched marks to base (8)
Kerry Goodwin (British, fl.2000) for Moorcroft, The First Collectors, a limited edition vase, figures in an industrial landscape, edition 2/30, impressed and painted signatures to base, dated 2012, 37cm highCondition Report: Some minor paint spotting to the shoulders, which appear to be removable.Good condition
Sally Tuffin (British, b. 1948) for Moorcroft, Finches and fruit blue, pin tray and vase, impressed marks to base, the vase 10cm high, the dish 11.9cm diameter, together with two pin tray and vase sets, Sally Tuffin, Violet, similar dimensions, and Rachel Bishop, (British, b. 1969), Lamia, the tray 11.5, the vase, 13cm (6)
Sally Tuffin (British, b. 1948) for Moorcroft, Bramble, vase, damages, 13cm high, Emma Bossons FRSA (British, b. 1976) for Moorcroft, Wild Cyclamen, vase, 46/4, 10cm high, Rachel Bishop, (British, b. 1969) for Moorcroft, Pansy, vase, 8.5cm high, Nicola Slaney, Anna Lily, vase and Sian Leeper,Melody, vase, both 6cm high (5)
A very large and impressive Doulton Lambeth Faience stoneware floor baluster vase, probably originally produced as an exhibition piece, late 19th century, in the Aesthetic taste with a decoration of a bird and a butterfly amongst lilys on a yellow ground, one leaf bearing the artist mark for Florence E Lewis, impressed factory mark to the inner rim, 75 cm high, shoulder width approximately 46 cm.No major cracks evident, some chips to the rims with enamel losses in places, and surface pitting / abrasions throughout.
A Derby porcelain figure group of Jason and Medea at the altar of Diana, c1780, painted in colours and bearing the incised number 37 to the base, 29 cm overall height, tgether with a Derby figure of Andromache weeping for Hector, painted in colours, patch marks to the base, "Welch Tailors Wife" together with other English porcelain figures and a Staffordshire pearlware 'St. Matthew' and other items.Private estateTailor's wife:The goat horns are missing/damaged its front legs is cracked and tail missing, the baskets are missing the handles, the lady's hat is chipped, the goats ear is chipped at the tip, the base is cracked.Figure of spring:flowers and leaves a little chipped.The Gardner's wife bocage figure:One arm is replaced, extensive losses to the bocage and rear of scroll base as it joins the tree stump.The weeping Andromache:some rubbing to her robe colours ,a firing crack to her left wrist, some small chips to the base, gilding rubbed.The altar of Diana:Diana's quiver is broken, her neck and right arm are restored.Jason's left arm is restored, Medea's right arm is restored.The rear corner of the plinth is restored.Fancy bird decorated vase:It seems to be in good order other than slight chips to the petals.Rootstock handled vase and cover:The handles have been restored, the rim has a firing crack, inevitably chipped petals and leaves. Cover chipped blooms and cracked internally and large chip to rim.The Shepherd's companion:Right arm restored and 9/10ths of hand missing, left arm restored fully, considerable loss of bocage and stump.Walton pearlware figure of St. Matthew:The base is badly broken and restored, bocage fully missing, the figure has been off its base and his nose and right hand fingers are missing (a bit of a train wreck).
A pair of 19th-century style gilt bronze candelabrum, each with four lights, on a vase shape stems with square bases mounted with masks, on moulded square feet, 40 cm highThe gilding is still rich and lustrous and structurally the candelabrum are sound if a little crooked. The branches are fitted to the front and sides but none to the rear as these would have been made to sit either side of a clock on a mantle piece. The components would be generic and this model would have also been produced as a four branch table candelabras and so a hole is seen on the reverse. See the extra images for clarification.
Dino Rosin (Italian, b. 1948). Venetian Murano glass vase of undulating form. With the studio stamp and signed by Rosin along the side. Dino Rosin's brother, Loredano Rosin, has been credited with rediscovering the lost technique of calcedonia (chalcedony) which involves the alchemical mixing of glass with other elements such as silver. After Loredano's untimely death, Dino carried on the tradition and continues to create unique works using this technique.Height: 16 1/2 in x width: 8 1/2 in x depth: 7 in.
Beatrice Wood "Beato" (American, 1893-1998). Rounded conical ceramic pottery vase. Luster glazed stoneware. Decorated with sigils along the interior and exterior. Signed along the underside.Beatrice Wood was heavily involved in the Avant Garde movement in the United States. She founded and edited The Blind Man and Rongwrong magazines in New York City with Marcel Duchamp and Henri-Pierre Roche in 1917. These magazines were originally created to defend Duchamp's famous submission of a urinal under the pseudonym of R. Mutt to the First Exhibition of the Society of Independent Artists in April of that same year. She was often characterized as the "Mama of Dada," as she was among the earliest pioneers of the Dada art movement in the U.S. Wood was also the inspiration for the fictional character Rose DeWitt Bukater in James Cameron's hit movie "Titanic" (1997).Height: 5 1/2 in x width: 10 3/4 in.
Beatrice Wood "Beato" (American, 1893-1998). Rounded conical ceramic pottery vase or bowl. Luster glazed stoneware. With four nude female figures affixed along the exterior at even intervals. Signed along the underside.Beatrice Wood was heavily involved in the Avant Garde movement in the United States. She founded and edited The Blind Man and Rongwrong magazines in New York City with Marcel Duchamp and Henri-Pierre Roche in 1917. These magazines were originally created to defend Duchamp's famous submission of a urinal under the pseudonym of R. Mutt to the First Exhibition of the Society of Independent Artists in April of that same year. She was often characterized as the "Mama of Dada," as she was among the earliest pioneers of the Dada art movement in the U.S. Wood was also the inspiration for the fictional character Rose DeWitt Bukater in James Cameron's hit movie "Titanic" (1997).Height: 4 in x diameter: 9 3/4 in.
Flo Perkins (American, b. 1951). Hand blown glass sculpture titled "Chicago's Cactus," depicting a black vase with green and yellow spots supporting a bouquet of pink flower blossoms and yellow-green spines, possibly depicting cacti, attached with silicone, 1993.Provenance: Chicago International New Art Forms Exposition at Navy Pier; Private Arizona Collection; Private Minnesota Collection.Lot Essay:Flo Perkins is an American glass artist currently working and residing in the Pojoaque Valley north of Santa Fe, New Mexico. She received her Bachelor of Arts from the Philadelphia College of Art (1974), Master of Arts from the University of California at Los Angeles (1981), and she studied under renowned Italian master glass blower Lino Tagliapietra. Her work can be found in several museum collections including the Corning Museum of Glass, the Los Angeles County Museum of Art, the Albuquerque Museum and the Racine Art Museum as well as numerous public and private collections.In the 1970s Perkins was one of a small group of female artisan glass blowers. In the 1980s Perkins built her own glass studio in Pojoaque, New Mexico where she worked on learning Venetian glassblowing techniques. She further refined her glass making technique while studying with the Murano glass master Lino Tagliapietra.While living in New Mexico in the 1980s and 1990s she studied botanical forms including cacti, flower buds and bouquets and began incorporating those forms into her work as seen in the work offered here. In the 1990s she began incorporating bronze, steel bars and iron into her glass work to create larger works including lattices, wreaths, swags and bouquets.By the early 21st century Perkins had mastered her glassblowing technique and become known for her creation of brightly colored botanical sculptures created using Italian techniques including murrina, reticello and granulare. She also built her fourth hot shop on her estate located 20 miles north of Santa Fe, New Mexico.In addition to her glass work, Perkins has taught at the Pilchuck Glass School, California State University at San Jose, Penland School, and the University of California in San Diego. Additionally, she has taught workshops for students at the GlassRoots hot shop in Newark, New Jersey.Height: 22 in x width: 13 in x depth: 14 in.
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