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An extensive suite of Whitefriars glass, late 19th/early 20th century, designed by T G Jackson comprising: thirteen finger bowls, five small fluted tumblers, five larger tumblers, six champagne glasses, seven small wine glasses, twelve larger wine glasses, five side plates, two claret jugs and stoppers, two square decanters and stoppers, two further stoppers, another decanter and stopper, two cruet bottles and stoppers together with two beakers and two licqueur glasses from another suite and a two handled vase (74)
A Pilkington's Royal Lancastrian lustre vase, dated 1909, painted by Richard Joyce with four silver lustre deer divided by formalised trees with red fruit and beneath scroll rim, impressed factory mark and shape no. 2394, painted artist's monogram and year rebus (a deer), 28cm.
A Loetz silver mounted glass vase, after 1902, the bright yellow ground decorated with combed bands of green and amethyst, the mounts cast as flowers and leaves, the mounts marked for the Alvin Corporation, 21.5cm. This colour is listed in the factory records as `Citron gelb Cytisus (with bands in blue and green and silver/green flecks)
A Quezal `Jack in the Pulpit' type vase, early 20th century, the white ground decorated with vivid green and gold feathered iridescence, the interior of the wide everted rim of deep golden tone, the underside with a band of heart-shaped motifs, engraved mark, `QEZAL, 5', 24cm.
Emile Galle and Austrian School A cameo glass vase and rosewood and inlaid pedestal early 20th century, the pale pink ground overlaid in green and mauve and decorated with large clematis flowers and stems, the square section pedestal with a stepped top, each side with three mother-of-pearl and inlaid star motifs flanked by columnar terminals, on a stepped base, cameo mark, `Galle'vase: 46cm., pedestal: 99cm.; 1ft. 6in., 3ft. 3in.
'Farniente': an Argy Rousseau pate de verre vase, (Bloch-Dermant no. 32-01), after 1932, the purple ground decorated with chevron bands and incorporating two rectangular panels incorporating seated or prone naked women, moulded mark, 'G Argy-Rousseau' to side of vase and 'FRANCE' to underside, 15cm.
Stuart Devlin A parcel gilt silver centrepiece, London 1970, base only marked, shaped hexagonal base with central detachable malachite-mounted finial formed as pivotal hexagons in sizes, bark effect cover formed as conjoined and hollow hexagons in sizes with trumpet shaped vase, with a parcel-gilt table lighter, 42 cm.; 16Din. wide, 6005 gr. weighable silver. (2)
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