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Collection of Royal Worcester ivory blush ceramics to include a tapering vase with twin dragon handles, a smaller twin handled vase, small jug, basket vase, and lidded jar, plate (AF) (all with puce Royal Worcester marks) together with a Royal Worcester wood pecker mug, pair of Locke & Co pheasant vases, and ivory blush trio. Tallest measures 28cm.
Mixed glass & ceramics to include Shelley, Daum of France, Royal Doulton & Denby examples, featuring a Daum glass dish (signed, measures approx 27.5cm wide), Shelley 'drip glaze' vase (numbered 930 to base), Shelley jug, Royal Doulton pot pourri jar & cover and a group of mixed Denby stoneware (featuring a Marguerita range example and a set of 6 'Romance' tea plates)
A collection of Royal Worcester blush and old ivory, to include a blush ivory vase, circa 1902, shape 1556, decorated with flowers, green mark, h.21cm, a blush ivory vase, circa 1903, shape 2121, puce mark, h.17cm, a blush ivory vase, circa 1899, shape 1727, h.11.5cm, an old ivory ewer, shape 1116, puce mark, h.19cm, a blush ivory ewer, circa 1899, shape 1047, puce mark, h.20cm, and a blush ivory ewer, circa 1900, shape 783, green mark, h.19cm (6)783 ewer is cracked and restored.1556 vase has chips to the rim.Overall some light scratching to the bodies and rubbing to the gilt.
A George III mahogany framed elbow chair, having acanthus leaf carved and swept top rail, pierced vase splatback, and reupholstered drop-in seat, the whole raised on chamfered square supports, seat w.62cm, d.47cmLater ply reinforced corners.Seat rails not original and have been moved higher.Evidence of worm to stretcher beneath the seat.Looks to have had a break to the top rail.Knocks and losses to feet.Seat cover is modern.
A George V Silver Wall-Sconce. by Lionel Alfred Crichton, London, 1914, Britannia Standard each in the Charles II or William and Mary style, the shaped backplate with an openwork vase issuing foliage and above an engraved coat-of-arms, with scroll branch and single arm18.5cm high, 7oz 17dwt, 244grFully marked on bottom edge. The maker's mark to the left of the sconce and the other marks to the right. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The edge of the wax pan with some obvious bruising all the way around.
A Seven-Piece George V Silver Table Centrepiece, by James Dixon and Sons, Sheffield, 1912, The Vases 1914 each piece with pierced foliage scroll border below foliage and shell rim, comprising a centrepiece bowl, on spreading foot; a pair of smaller matching bowls and a set of four tapering vases, each on spreading footthe largest bowl 32.5cm diameter, the smaller bowls 17cm diameter, the vases 17.5cm high, 79z 16dwt, 2,482gr (7)Each piece is fully marked near rim or above foot as expected. The marks are generally clear. There is only some very minor surface scratching and wear, consistent with age and use. There is some minor bruising to the piercing but there seems to be no repairs of splits to the piercing. One vase rocks very slightly when placed on a flat surface.
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653833 item(s)/page