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A Royal Worcester shape G957 vase panel decorated by Kitty Blake with hand painted autumnal leaves and berries, signed to the reverse, puce mark with date code for 1932, height 8cm, together with a small pin dish coaster decorated by Kitty Blake with similar decoration, puce mark with date code for 1941, diameter 7cm. (2)
A 20th Century Gullaskruf glass vase, of ovoid form with tall collar neck, all in a ruby ground, retains paper labels, height 25cm, together with a large oval smoke grey vase/bowl by Saara Hopea for Nuutajarvi Notsjo, a small Alvar Aalto Savoy blue dish for Iittala, a matching pair of textured and patterned Scandinavian candleholders in smoke grey and a small clear crystal Holmegaard Kluk Kluk decanter. (6)
A late 19th to early 20th Century continental Sitzendorf porcelain cache pot, the central tapered vase, flanked by three putti, encrusted with relief moulded flowers, height 25cm, together with a similar basket form jardiniere, supported on putti form supports, height 13cm. (2)
A 1930s Stuart & Sons Art Deco cut clear crystal glass vase, the goblet form body decorated with geometric crescent shape mitre cuts with optic lenses above a compressed knop and circular spread foot with radial star cut, pattern number 26032, acid mark to the base, height 21cm.
An early 20th Century cameo glass vase by Daum Nancy, the footed low shouldered body rising to a slender tapered neck, cased in a deep magenta over a mottled tonal orange and yellow ground and cut back with a tree lined coastal landscape with sailing boats, cameo signature to the body, height 24cm.
A collection of 1960s Czeckoslovakian Sklo Union pressed glass by Frantisek Vizner for Libochovice to include a cylindrical vase with block design, pattern number 3236/230/M, a matched low rectangular trough vase pattern number 3236/175 and a similar example, pattern number 3390, tallest 22.5cm. (3)
A 19th Century Spode twin handled vase decorated in the Imari palette with a garden and fence pattern, painted Spode 967 to the base, height 18cm, together with a smaller Spode tri-footed vase also painted Spode 967 to the base, height 9cm, and a Crown Staffordshire preserve pot and cover with floral decoration, height 9.5cm, all with damage. (3)
A Royal Worcteser vase, shape 1661, of footed globe and shaft form, hand painted by James Stinton with pheasant to a woodland setting between blush and gilded borders with relief moulded stiff leaf detail, hand signed to the body, printed marks to the base and dated for 1911, height 16cm.
A late 20th Century Okra glass vase in the Purple Charlock pattern, designed and made by Richard Golding and Nicola Osborne, the cylindrical body decorated with murrine flower heads over a whiplash and mottled purple and blue iridescent ground, 17.5cm, complete with box and certificate, engraved signature, dated 1987, together with a similar period paperweight with stylised flower heads over iridescent ground, unsigned. (2)
A large late 19th Century Moser crystal glass vase, the slender fluted sleeve form body with a scalloped upper rim, raised to a facet stem and swept foot, the whole finely enamelled with scrolling flowers and cracked ice over a graduated ruby to clear crystal ground, unmarked, height 52cm.
A contemporary studio glass vase by Richard P Golding of Station glass, the shouldered ovoid form with a drawn collar neck, decorated with petrol iridescent whiplash lines and murrine flowers over a mottled purple and green ground, engraved signature and dated 2014, height 20cm.
A 1930s Art Deco Andre Hunebelle Prism glass vase designed by Roger Cogneville, of ovoid form, the body relief moulded with geometric diamonds over a frosted ground with the projecting sides to the upper half polished clear, moulded A. Hunebelle & R. Cogneville signature to the body, height 15cm.
A collection of 1960s Czeckoslovakian Sklo Union pressed glass by Rudolf Jurnikl Libochovice to comprise a rectangular sleeve vase, pattern number 3403, a low rectangular flower trough for Rudolfova Hut, pattern number 13236, and a similar example, pattern number 13277, tallest 18cm. (3)
An assorted collection of 19th and 20th Century glass to include an Art Deco Stevens & Williams Alabaster glass dessert set in pale apple green and white, an Art Deco continental jade green pressed glass box and a Sowerby green pressed glass posy vase with stiff leaves and Anthemion, damages. (10)
A large Doulton Burslem Luscian Ware Portland shape vase hand painted by Samuel Wilson, the shouldered ovoid body with everted neck and twin handles and hand painted in the round with wild grouse to a moorland setting below a relief past gilt floral pattern border with gilded neck, handles and foot, printed and painted marks, height 23cm.
A limited edition contemporary silver cameo glass vase by Jonathan Harris, of footed ovoid form, cased in silver over lilac and opal over a pale turquoise blue ground and cut with a rolling landscape scene, engraved signature to the base, numbered 10 of 25, dated 2005, height 21cm.
Two Royal Worcester vases comprising a shape H261 four footed vase decorated by B. Cox with hand painted roses, height 7.5cm, and a shape H230 four footed vase decorated in the style of Kitty Blake with autumnal leaves and berries, unsigned, height 9.5cm, together with a pair of Hadleys Worcester table salts of similar form, all with restoration. (4)
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653685 item(s)/page