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Lot 656

A contemporary studio glass vase by Adam Aaronson from the Windswept 2 range, of tapered sleeve form decorated with textured mixed colour enamels over the pale pink ground, signed and title to the base and dated 2011, height 37cm.

Lot 498

A Royal Worcester shape G957 vase panel decorated by Kitty Blake with hand painted autumnal leaves and berries, signed to the reverse, puce mark with date code for 1932, height 8cm, together with a small pin dish coaster decorated by Kitty Blake with similar decoration, puce mark with date code for 1941, diameter 7cm. (2)

Lot 796

A Riihimaki cog glass vase, designed by Tamara Aladin, of stepped cylinder form all in a ruby ground cased in clear, together with another cog vase in blue and an Alsterfore vase internally decorated in opal and cased in citron, tallest height 28cm. (3)

Lot 505

A Royal Worcester shape H291 vase with spire cover panel decorated by Stinton with hand painted Highland cattle, signed, green printed mark with date code for circa 1912, height 13cm, damaged.

Lot 895

A 20th Century Gullaskruf glass vase, of ovoid form with tall collar neck, all in a ruby ground, retains paper labels, height 25cm, together with a large oval smoke grey vase/bowl by Saara Hopea for Nuutajarvi Notsjo, a small Alvar Aalto Savoy blue dish for Iittala, a matching pair of textured and patterned Scandinavian candleholders in smoke grey and a small clear crystal Holmegaard Kluk Kluk decanter. (6)

Lot 801

A mid 20th Century Davidson Brama Luna glass vase, of square section, the body with textured relief moulding decoration all in a green ground, height 20cm, together with three other similar smaller textured vases in citron, ruby and green, height 18cm. (4)

Lot 534

A late 19th to early 20th Century continental Sitzendorf porcelain cache pot, the central tapered vase, flanked by three putti, encrusted with relief moulded flowers, height 25cm, together with a similar basket form jardiniere, supported on putti form supports, height 13cm. (2)

Lot 858

A later 20th Century John Ditchfield art glass vase, of tapering ovoid form, decorated with pulled cinnamon loops over a pale amber ground, signed and dated 1980 to the base, height 33cm.

Lot 680

A mid 20th Century Thomas Webb & Sons clear crystal vase circa 1960, designed by David Hammond, the flared form cut, polished and engraved with repeat star motifs, pattern number 53009, acid mark, height 20cm.

Lot 634

A 1930s Stuart & Sons Art Deco cut clear crystal glass vase, the goblet form body decorated with geometric crescent shape mitre cuts with optic lenses above a compressed knop and circular spread foot with radial star cut, pattern number 26032, acid mark to the base, height 21cm.

Lot 793

An early 20th Century cameo glass vase by Daum Nancy, the footed low shouldered body rising to a slender tapered neck, cased in a deep magenta over a mottled tonal orange and yellow ground and cut back with a tree lined coastal landscape with sailing boats, cameo signature to the body, height 24cm.

Lot 936

A collection of 1960s Czeckoslovakian Sklo Union pressed glass by Frantisek Vizner for Libochovice to include a cylindrical vase with block design, pattern number 3236/230/M, a matched low rectangular trough vase pattern number 3236/175 and a similar example, pattern number 3390, tallest 22.5cm. (3)

Lot 469

A 19th Century Spode twin handled vase decorated in the Imari palette with a garden and fence pattern, painted Spode 967 to the base, height 18cm, together with a smaller Spode tri-footed vase also painted Spode 967 to the base, height 9cm, and a Crown Staffordshire preserve pot and cover with floral decoration, height 9.5cm, all with damage. (3)

Lot 688

A later 20th Century Iittala glass vase designed by Tapio Wirkkala of lobed form with wave rim, engraved signature with L7/1987, height 14cm.

Lot 642

A 1930s Royal Brierley clear cut crystal vase of swollen ovoid form, decorated with wrythen bands of printie panels joined by a stylised foliate scroll motif, acid mark to the base, height 21cm.

Lot 845

A 20th Century continental glass vase, of footed low shouldered form with tall collar neck and wavy rim decorated with opal pulled trailing over a ruby ground, height 35.5cm.

Lot 694

A 19th Century Bohemian glass vase in the manner of Neuwelt, the wide slice cut and domed foot rising to a slice cut shouldered body and flared neck with petal edged rim, the body enamelled and gilded with fruiting vines over the deep blue ground, height 22cm, damage.

Lot 518

A Royal Worcteser vase, shape 1661, of footed globe and shaft form, hand painted by James Stinton with pheasant to a woodland setting between blush and gilded borders with relief moulded stiff leaf detail, hand signed to the body, printed marks to the base and dated for 1911, height 16cm.

Lot 628

A mid 20th Century Stuart & Sons clear cut crystal glass vase, designed by John Luxton, of swollen barrel form cut with vertical panels of graduated printie cuts between mitre cut borders, acid mark, height 21.5cm.

Lot 809

A collection of 1930s Davidsons blue Cloud Glass to include a large pedestal bowl, smaller pedestal dishes, a tulip vase and a dressing table set.

Lot 650

A large post war Czech glass vase designed by Jaroslav Beranek for Skrdlovice, the ovoid form with wrythen worked and pulled body in a sommerso cased clear over pale blue, unmarked, height 20cm.

Lot 516

A small Royal Worcester posy vase, shape G210, of tapered ovoid form, hand painted by Harry Stinton with Highland cattle to a mountainous landscape below a single fine gilded band, hand signed to the body, printed marks to the base and dated for 1911, height 7cm.

Lot 379

A collection of 20th Century serpentine ware to include light house models, one converted to electricity, height 27cm, a vase, height 19.5cm, an aneroid barometer, ash trays and a small collection of five tiles each printed with musical instruments. (qty)

Lot 663

A large 19th Century continental glass vase, the slender ovoid form with stepped foot and knopped stem, cased in pale pink over opal and hand enamelled with stylised flowers and foliage with matched banding, unmarked, height 38cm.

Lot 918

A late 1950s Harrach 'Harrtil' vase, designed by Milan Metelak, the ovoid body with slice cut rim, internally decorated with a fine white mesh design, unmarked, height 12.5cm, together with a matched shallow dish with scroll work decoration to the rim. (2)

Lot 868

A late 20th Century Okra glass vase in the Purple Charlock pattern, designed and made by Richard Golding and Nicola Osborne, the cylindrical body decorated with murrine flower heads over a whiplash and mottled purple and blue iridescent ground, 17.5cm, complete with box and certificate, engraved signature, dated 1987, together with a similar period paperweight with stylised flower heads over iridescent ground, unsigned. (2)

Lot 479

A small contemporary studio pottery vase by Mary Rich decorated in tones of purple with gilt detailing, impressed seal mark, height 6.5cm.

Lot 673

A large later 20th Century Royal Doulton Crystal glass vase of footed conical form, the body heavily cut with stylised foliate and leaf motifs above a radial star cut foot, complete with glass flower frog, unmarked, height 24cm.

Lot 660

A large 1920s French Art Deco vase, enamel decorated with blue chrysanthemum and black foliage on the clear ground, artist monogram to the side, painted Delvaux Paris to the base, height 51cm.

Lot 839

A Whitefriars Random Strap vase designed by Geoffrey Baxter, pattern number 9798, decorated with Tangerine strapping over Tangerine ground, height 16cm.

Lot 658

A large late 19th Century Moser crystal glass vase, the slender fluted sleeve form body with a scalloped upper rim, raised to a facet stem and swept foot, the whole finely enamelled with scrolling flowers and cracked ice over a graduated ruby to clear crystal ground, unmarked, height 52cm.

Lot 789

A contemporary studio glass vase by Richard P Golding of Station glass, the shouldered ovoid form with a drawn collar neck, decorated with petrol iridescent whiplash lines and murrine flowers over a mottled purple and green ground, engraved signature and dated 2014, height 20cm.

Lot 719

A 1930s Art Deco Andre Hunebelle Prism glass vase designed by Roger Cogneville, of ovoid form, the body relief moulded with geometric diamonds over a frosted ground with the projecting sides to the upper half polished clear, moulded A. Hunebelle & R. Cogneville signature to the body, height 15cm.

Lot 820

A collection of assorted mid Century glass to include Whitefriars ruby dishes, Kingfisher blue jug, Gullaskruf vase by Arthur Percy and Holmegaard Kluk Kluk decanter in pale blue. (8)

Lot 939

A collection of 1960s Czeckoslovakian Sklo Union pressed glass by Rudolf Jurnikl Libochovice to comprise a rectangular sleeve vase, pattern number 3403, a low rectangular flower trough for Rudolfova Hut, pattern number 13236, and a similar example, pattern number 13277, tallest 18cm. (3)

Lot 817

An assorted collection of 19th and 20th Century glass to include an Art Deco Stevens & Williams Alabaster glass dessert set in pale apple green and white, an Art Deco continental jade green pressed glass box and a Sowerby green pressed glass posy vase with stiff leaves and Anthemion, damages. (10)

Lot 829

A Whitefriars Tangerine coffin vase designed by Geoffrey Baxter, pattern number 9686, height 13.5cm.

Lot 636

An early 20th Century Thomas Webb & Sons clear crystal glass vase of footed shouldered ovoid form with collar neck, intaglio cut with a stork to a pond setting with bulrushes, flowers and foliage, acid mark, height 24.5cm.

Lot 487

A Coalport twin handled pedestal vase decorated with a small hand painted cartouche of the waters edge, signed E. D Ball against a gilt background with turquoise enamel dots, the handle terminals formed as rams heads, printed marks, height 18cm, damaged.

Lot 632

A 1930s Art Deco Stuart Crystal glass vase of cylindrical form with a flared rim, cut and polished with a band of inter woven leaves above a mitre cut lines, acid mark to the base, height 13.5cm.

Lot 512

A large Doulton Burslem Luscian Ware Portland shape vase hand painted by Samuel Wilson, the shouldered ovoid body with everted neck and twin handles and hand painted in the round with wild grouse to a moorland setting below a relief past gilt floral pattern border with gilded neck, handles and foot, printed and painted marks, height 23cm.

Lot 787

A limited edition contemporary silver cameo glass vase by Jonathan Harris, of footed ovoid form, cased in silver over lilac and opal over a pale turquoise blue ground and cut with a rolling landscape scene, engraved signature to the base, numbered 10 of 25, dated 2005, height 21cm.

Lot 643

A 1950s Venini fazzoletto vase of handkerchief form, cased in clear crystal over white interior, hand engraved two line signature to the base, height 18cm.

Lot 734

A contemporary Vic Bamforth studio glass sommerso vase, of triform, internally decorated with a ruby, citrine and blue core and a central control air bubble band, all heavily cased in clear crystal, engraved signature, dated 2019, height 30.5cm.

Lot 686

A later 20th Century studio glass vase by Collette Hughs, of compressed ovoid form, decorated with stylised abstract figures over a frosted ground with internal pale pink swirl, height 21.5cm.

Lot 740

A small early 20th Century Daum Berluze glass vase of compressed globe and shaft form with tall slender neck, the base cased in a powder green over a mottled powdered orange ground, acid mark to the body, height 15cm.

Lot 780

A mid 20th Century Whitefriars Knobbly range vase, designed by William Wilson and Harry Dyer, of cylindrical form with internal streaky green over clear decoration, pattern number 9611, height 22cm.

Lot 794

A contemporary studio glass vase by Richard P. Golding of Station Glass, the globe and shaft body decorated with incalmo poppies and leaves to a black ground, engraved signature and dated 2012, numbered 20/32, height 22cm.

Lot 684

A 1930s Art Deco clear cut crystal glass vase by Harbridge, the footed conical body cut with an abstract repeat design of printie panels with angular mitre cuts, unmarked, height 19cm.

Lot 488

Two Royal Worcester vases comprising a shape H261 four footed vase decorated by B. Cox with hand painted roses, height 7.5cm, and a shape H230 four footed vase decorated in the style of Kitty Blake with autumnal leaves and berries, unsigned, height 9.5cm, together with a pair of Hadleys Worcester table salts of similar form, all with restoration. (4)

Lot 792

A large contemporary studio cameo glass vase by Richard P. Golding for Okra, the slender baluster form rising to an everted rim, cased in deep magenta over a golden amber and cameo cut with stylised leaves to long slender stems, height 24.5cm.

Lot 657

A large Czech glass vase designed by Ladislav Palacek for Skrdlovice circa 1983, the tapered sleeve form body internally decorated with fine silver mica spiral lines and air trap to the graduated peach to green ground, unmarked, height 34cm.

Lot 635

A Whitefriars Knobbly range vase designed by William Wilson and Harry Dyer, pattern number 9610 in Kingfisher Blue, height 19cm.

Lot 1062

A Kosta Boda vase of textured circular form, 9cm high, Kosta crystal collection vase, another Arabia finish flower head vase, and another by Orrefors. (4)

Lot 224

A 19th century hand painted blue and white Chinese vase converted into a table lamp decorated with Phoenix's. 50 cm high without lampshade.

Lot 154

A Japanese turquoise enamel vase along with a hand painted ceramic dog and Oriental vase decorated with pine trees on a green glaze background. H.34cm (largest).

Lot 226

An Islamic hand decorated floral patterned vase. 20cm high.

Lot 26

A hand painted ceramic vase. Signed indistinctly on the base. H.41cm.

Lot 698

A quantity of figures and a vase.

Lot 724

A quantity of glass paperweights and a vase.

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