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JAPANESE IMARI JAR AND COVER AND ANOTHER IMARI VASE Edo period, of baluster form, the body decorated with two blue-outlined cartouches of chrysanthemum flowers in underglaze blue, red, pink and gold against a ground of peonies, the jar is wheel thrown and the foot rim hand cut, 30cm high; the vase of faceted octagonal form in imari palette, 24cm high
A Wedgwood pot pourri vase and cover early 19th century, the ovoid form applied with stylized sprays of lily of the valley between tall acanthus leaves, the neck with a border of interlocking circles and flowerheads, on a pale blue glazed ground, the cover pierced with a geometric arrangement of holes, impressed marks, 20.5cm. (2)
A Spode violeteer or pot pourri vase and cover c.1815, of U-shaped form with heart-shaped handles, richly decorated in pattern 1166 with bright flower sprays reserved on a blue and gilt scale ground, iron red factory mark and pattern number, a faint crack to the cover, a little gilt wear, 6.5cm high. (2)
A Paris porcelain vase 1st half 19th century, London-decorated perhaps at the Sims workshop with three doves at repose in a grassy landscape, the reverse with a basket of flowers including rose, hollyhock, convolvulus, tulip and lilac, the cover pierced with moons and stars and scattered with single pink roses, 26.2cm. The floral decoration and gilding is very similar to that on the Burdett-Coutts service of Swansea porcelain, also thought to have been decorated in the Sims workshop.
A good Worcester ovoid vase c.1770, richly decorated with a wide panel of two phoenix or other fancy birds perched on flowering chrysanthemum stems and holey rockwork, two further panels of chrysanthemum and leafy bamboo in the Kakiemon palette, alternating with narrow bands of gilt and white flowerheads on a deep blue ground, square seal mark, 19.8cm.
A fine Worcester gu-beaker vase c.1770, the flared and lightly knopped form painted with two panels of brightly-coloured fancy birds beneath leafy trees, within gilt cartouches reserved on a blue scale ground, the exterior rim with two further small panels of moths, blue square seal mark, 15.5cm.
A fine and large Worcester hexagonal vase and matched cover c.1758, painted with the Fancybird in a Tree pattern, three sides with the eponymous long-tailed bird perched in flowering branches, three with further sprays of Oriental flowers, the neck and shoulders with three landscape panels reserved on a dense foliate ground, the cover with the same design, workman's mark to the vase, the cover with a blue crossed swords mark, 38.5cm. (2) Cf. Bonhams, The Geoffrey Godden Collection of Blue and White Porcelain, 30th June 2010, lot 68 for a near identical vase, illustrated in Godden's English Blue and White Porcelain, p.23.
A good Lowestoft blue and white plate c.1770, painted with a Chinese lady holding an elaborate open parasol above her head, standing before a zigzag fence, the pattern echoed to the large vase on her right, the rim with three vignettes of prunus issuing from rockwork, 21.8cm.
A Delft tulip vase or flower pyramid perhaps 18th century, the octagonal base section resting on the backs of three recumbent lions and painted in blue with a continuous scene of figures in a tiled interior, three further sections resting on the heads of more lions, beach section set with four cylindrical apertures and painted with flowers and stiff leaf bands, blue AP mark perhaps for Anthony Pennis, some damages, 46.5cm. Anthony Pennis is recorded as working at The Two Little Ships (De twee Scheepjes) between 1759 and 1770.
An English delftware vase mid 18th century, perhaps Bristol, the ovoid form painted in blue with a Chinese figure carrying a vase, a further figure standing beneath pine, prunus and willow trees, the shoulders and foot with stylized leaf and ruyi-head bands in the Chinese Transitional manner, a little chipping, 21.5cm.
A Coalport porcelain vase and cover '25th Anniversary of the Coronation of Her Majesty, Queen Elizabeth II', No. 112/200, a Coalport porcelain vase and cover 'To Commemorate the Bi-centenary of The St Leger, 1776-1976', No. 36/200 and a large Aynsley porcelain vase and cover 'To Commemorate the Silver Jubilee of HM Queen Elizabeth II', signed L Woodhouse on a wood base, 9.5", 12.5" and 12.5" (3)
A Coalport porcelain vase and cover 'Silver Jubilee, 1952-1977', No. 132/250, a Royal Worcester porcelain urn 'To Celebrate the Marriage of His Royal Highness, Prince William of Wales and Miss Catherine Middleton', No. 60/250 and other Wedgwood Royal Worcester, Coalport and Royal Crown Derby Royal Commemorative ware
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653685 item(s)/page