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A JAPANESE BRONZE BALUSTER VASE, Meiji Period (1868-1912), with flared rim and elongated neck, applied with twin side handles, decorated in relief with birds above rolling waves, on bulbous body and domed circular base. 59.5cm high; together with another smaller example of similar period. 47cm high (2)
A CHINESE POWDER BLUE GROUND YEN YEN VASE, Kangxi, of flared baluster form, the tapering cylindrical neck decorated with courtesans and mountainous landscape, in famille verte enamels, the body with leaf and fan shaped reserves, filled with traditional Chinese depictions, on a circular undercut foot, 45cm high
A Chinese ship wreck porcelain taper/quill stand, painted with bamboo, 9cm high, along with another similar 6.5cm high, each bearing label to base, along with a Chinese porcelain blue and white ovoid vase painted with scrolling vines, 10cm high and a circular box and cover also probably a ship wreck piece, 10cm diameter (4)
Peter Spicer: A George III style burr walnut and satinwood strung neoclassical style urn and cover, of vase form, on square plinth base, the cover with turned knop and gilt brass finial. 43cm high. Notes Peter Spicer was born in Folkestone in 1930 where he lived until the evacuation of Dunkirk when his family moved to Tunbridge Wells. As a boy he went to watch his fathers friends at work, many of whom were craftsmen in various branches of woodwork. It was in their workshops that he learnt his woodworking skills, during this period, he has access to antique furniture and the restoration of antiques. On examining these items, he was often disappointed in the standard of workmanship in the backs, interiors and bottoms. He decided that whatever he made in the future would be of the same standard of workmanship and finish throughout. After National Service, he established a workshop at his home in Tunbridge Wells where he made many items to furnish his own home and for exhibition and competition. He gained many awards, gold and silver medals and prizes at National level for his work. Spicer studied music and violin playing and was able to combine this with his love of woodwork, for many years he was in demand as a repairer and restorer of old and valuable instruments of the string family. For more than twenty five years he cared for the stringed instruments of of The Royal Marines musicians on the Royal yacht Britannia.
Peter Spicer: A George III style mahogany and kingwood marquetry inlaid urn and cover in the manner of Robert Adam, of vase form on square plinth base, the domed cover with turned finial, stamped P. S Spicer. 39cm high. Notes Peter Spicer was born in Folkestone in 1930 where he lived until the evacuation of Dunkirk when his family moved to Tunbridge Wells. As a boy he went to watch his fathers friends at work, many of whom were craftsmen in various branches of woodwork. It was in their workshops that he learnt his woodworking skills, during this period, he has access to antique furniture and the restoration of antiques. On examining these items, he was often disappointed in the standard of workmanship in the backs, interiors and bottoms. He decided that whatever he made in the future would be of the same standard of workmanship and finish throughout. After National Service, he established a workshop at his home in Tunbridge Wells where he made many items to furnish his own home and for exhibition and competition. He gained many awards, gold and silver medals and prizes at National level for his work. Spicer studied music and violin playing and was able to combine this with his love of woodwork, for many years he was in demand as a repairer and restorer of old and valuable instruments of the string family. For more than twenty five years he cared for the stringed instruments of of The Royal Marines musicians on the Royal yacht Britannia.
A white moulded glass ceiling light shade, with classical vase and swag decoration, and silver plated mounts in the form of an angel's head with wings, suspended from three chairs, 35.5cm diameter CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A Whitefriars orange bark vase, 19.5cm high and a smaller similar turquoise example, 14cm high CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
An Edwardian Regency style milk jug, Chester hallmarks 1910, 10cm high, 2.58ozt, 80.3g, and a two-handled glass vase on sterling silver base, 9cm high CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A Victorian watercolour portrait of a young woman in a blue dress beside a vase of flowers, unsigned, 21cm x 16.5cm, housed in an ornate oval gilt frame CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
A large Hancock and Sons Rubens Ware 'pomegranate' pattern printed and painted vase by F X Abraham, 32cm high CONDITION REPORT: The glaze is heavily crazed and cracked although this is only visible on close inspection, and whilst there are no chips or cracks the vase does not 'ring' when tapped and therefore there are one or more hairline cracks that I have not found.
A Royal Doulton stoneware vase, with inscribed initials 'EG', possibly Annie Gentle, impressed numbers '1310' and impressed letters 'le', 25.25cm high CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
Two Charlotte Rhead Crown Ducal vases, in the 3728 Pink Trailing Leaf pattern and the 5982 Circular Fruits pattern, printed and painted marks to base, the tallest 18.5cm tall. Condition Report: No chips, cracks or restoration. Crazing evident to the trailing leaf vase.
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