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Click here to subscribeA large quantity of Victorian and later glass, comprising mostly cut glass, to include a pair of Victorian shaft and globe decanters and stoppers with slice cut decoration, H26cm, a large vase with star cut decoration, H30cm, smaller vase, H25.5cm, other various vases, bowls including pedestal examples, finger bowls, jugs, drinking glasses of various six and form including hock glasses and ale glasses, etc.
Christopher Dresser for Minton, an Aesthetic Movement Pilgrim vase, 1870, flattened circular moonflask form with twin serpent or tadpole handles, enamelled and gilded in the Japanesque cloisonne style with flying cranes and fish amongst bands of clouds, impressed marks and number 1348, 19.5cm high
Mary Thomson after Mark V Marshall for Doulton Lambeth, a stoneware figural vase, The Waning of the Honeymoon, modelled as two rabbits sitting either side of a hexagonal section vase, on oval stepped base, the body carved and stamped with geometric fishscale and tile panels, the figures in pink, green and brown, incised artist monogram MT, 12cm high
Joseph Hancock for Royal Doulton, a twin handled painted vase and cover, footed and shouldered ovoid form with foliate scroll handles, on bracket foot, decorated with boy and horses crossing a ford in a country landscape, gilt and blue ground, printed marks, signed, 14cm high
Leslie Johnson for Royal Doulton, a painted pedestal vase and cover, He Loves Me He Loves Me Not, the spherical body on slender stem, with narrow trumpet neck and triple C scroll handles, decorated in the round with a woman sitting in a floral garden landscape, between tooled gilt on blush bands, printed and painted marks, signed, 26cm high
Charles Noke and Harry Nixon for Royal Doulton, a Chang vase, ogee chalice form, painted with a band of scrolling waves, craquelure and fissure glazed in brown and cream, painted marks, 11.5cm high Provenance: Richard Dennis Doulton Pottery Exhibition Part II, 1975, number 399
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