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Click here to subscribeA late 19th to early 20th Century Burmese jug raised on four feet with applied handle, height 13cm, together with a Fenton Queens Burmese glass bowl of footed form with lobed and crimped rim, decorated with a leaf pattern, marked to base, together with another wrythen moulded vase of ovoid form with square rim. (3)
A group of late 19th to early 20th Century Stourbridge glass bowls, all cased over opal, comprising two examples in graduated pink with enamelled floral decoration and raised on clear feet, a quilted satin air trap example with a diamond pattern in pink and a vase with triform rim with alternating bands of blue, height of tallest 14cm. (4)
A collection of early 20th Century Shelley vases, to include an 'Intarsio' tapered tulip vase with stylised foliate motifs, height 24cm, pattern no. 4153622, a squat bottle form 'Intarsio' vase, pattern number 5823638, height 11.5cm, and an ovoid form vase with stylised foliate designs, height 12cm. (3)
An early 20th Century Kralik glass vase of spherical form with faint wrythen spiral below a wave rim over a pearlised opalescent ground, unmarked, height 17cm, together with a near pair of Kralik posy vases of fluted conical form decorated with applied green trails over a cased pearlised ground, unmarked. (3)
An early 20th Century Loetz glass posy vase of shouldered ovoid form with everted collar neck decorated in the Candia Papillon, unmarked, height 10cm, together with a similar smaller example in a Rusticana type moulded finish with green iridescence, a continental rose bowl in the manner of Loetz in a green petrol iridescence and a posy vase with pink iridescence over an opal ground. (4)
An early 20th Century glass bowl, possibly Kralik, of cylindrical form with a flared rim and internally decorated with pink iridescent flecks over an opalescent ground with tonal amber pull up detail, unmarked, diameter 24cm, together with an Isle of Wight glass vase with pink and white spots and swirls over a golden iridescent ground and a Guernsey studio glass vase in clear crystal over tonal blue and green with an opal core. (3)
A contemporary studio glass vase of conical form cased in clear crystal over a tonal green linear mesh design with white fissuring, unmarked, height 17cm, together a cylindrical vase with a textured finish over olive green ground and a footed studio glass vase with a feathered pattern. (3)
A contemporary Guernsey studio glass vase of spherical form with flat wave rim decorated with a gold iridescent feathered pull over the bright blue ground, impressed three lion mark, height 15cm, together with a similar smaller example with split rim, an Isle of Skye cylindrical vase and a contemporary studio glass vase of fluted spherical form with iridescent decoration. (4)
A post war white opalescent glass jug, possibly Holmegaard, of flared body with applied handle, together with an early 20th Century continental amethyst decanter in the manner of Hoffmann with a conical base and slice cut neck with a clear lapidary stopper and a studio glass vase of mushroom form with applied rigger work over a marbled caramel ground. (3)
Gregori (Lysechko) Lyssetchko (Russian 1939-): Still Life of Flowers in a Vase with Plums, oil on canvas signed and dated 2006, 49cm x 60cmDDS - Artist's resale rights may apply to this lot Condition Report Click here for further images, condition, auction times & delivery costs
Mabel Harrison (British exh.1907-1936): Still Life - Vase of Flowers and Fruit on a Table, oil on canvas unsigned with study of fish verso 57cm x 70cmProvenance: purchased from the Geoff Hill Gallery Wimbeldon 15/18 years ago who purchased at the artist's Studio Sale Condition Report Very good condition - well presented, ready to hangClick here for further images, condition, auction times & delivery costs
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