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Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass flower vase, circa 1885, plain waisted cylindrical form, polished pontil, 16cm highNote: in the tradition of Gertrude Jekyll's Munstead flower glasses, the Whitefriars glassworks continued to embrace the Ruskin and Morris philosophy of simplicity and function above ornamentation, in the late 19th century, pioneering the production of utilitarian yet decorative vases which would accentuate rather than compete with the aesthetics of the contents. Philip Webb and T G Jackson's table glass of the 1860s and 70s paved the way for this style of domestic glass. The vase shape is also seen in smaller ribbed drinking glasses and as vases for the King of Siam dinner service and the motto engraved vases, cf. Evans, W. et al. 1995, Whitefriars Glass, London: Museum of London, p.80 fig.80; See Jackson, L. 1996, Whitefriars Glass, Richard Dennis, p.109 pl.49 for similar examples of this design pattern 910.
A Chinese famille verte vase, Qing dynasty, Kangxi mark and possibly of the period, Gu form painted in the round with naturalistic foliate arrangements of plants with birds, insects and a frog, including a spider in web, in polychrome enamels, six character underglaze blue mark, 36.5cm high
John Walsh Walsh, an Arts and Crafts opaline brocade glass vase, circa 1897, the crimped handkerchief body with optic moulded foliate pattern, on a leaf textured fix petal foot, 17.5cm highNote: see Reynolds, E. 1999, Glass of John Walsh Walsh, Richard Dennis, for various examples of this design illustrated, including the cover
Albert Gregory for Royal Crown Derby, a large floral painted Campana Urn vase, 1904, decorated with four panels of bouquets within raised gilt and beaded arcades between foliate scroll and bi-coloured fruiting garland motifs, on green and blue ground, below an extensive millefiori border, the foot similarly decorated, on a moulded square base, signed, printed marks, 42.5cm high
Ludwig Kny for Stuart, an Art Deco cut glass vase, pattern 28398, circa 1930s, footed trumpet form, decorated with a trellis and foliate frond design, etched marks, 21cm highNote: see Benson, N, and Hayhurst, J. 2003, Art Deco to Post Modernism, p.15 fig.55 for an example of this vase
A Wedgwood Aesthetic Movement twin handled vase, footed inverse baluster form, cream ground painted with raised and tooled gilt bird in leafy branches, polychrome enamelled blossom in pink and yellow, the handles of coiled and knotted tendril form, impressed mark Wedgwood, 21cm high
Bombay School of Arts, an Arts and Crafts vase and stand, circa 1880, the amphora form vessel with relief moulded peacock handles, slip decorated with roundels of Hindu figures within a foliate scroll ground, the waisted conical stand similar decorated with birds in relief, 52cm high
A Staffordshire spill vase, circa 1860, modelled as a seated mustachioed figure in Highland dress, sash, kilt and sporran, holding a flask and gun beside a hollow treetrunk, polychrome enamel painted with gilded highlights and applied clay textural details, mounted on a rocky, naturalistic, gilt-lined ovoid base, 24cm high, together with a larger figure modelled as a dancing Highland hunter, with dead game, dog and rifle, white glaze with polychrome enamel and gilded details on an irregular, white, gilt-lined base, 38cm high (2).
GROUP OF WEST GERMAN POTTERY VASES, ALONG WITH OTHER VASES in various colours and styles tallest vase 43cm highThe second vase pictured in the first image has some ware around the brim.The first vase in the second image does have some imperfections to the handle (photo added) similar imperfection to brim of the second vase in the second image (photo added). Paint stains present to the last vase in the second image (photo added). The first vase in the third image has some minor chips to the brim (photo added)
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653685 item(s)/page