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Click here to subscribeA Della Robbia Pottery vase by Charles Collis, ovoid with modelled handles, incised and painted with wild roses, in red, yellow, green and blue on a tan ground, incised mark, 656 and C artist mark, minor glaze loss, professional restoration to top rim, 12.5cm. high ProvenanceFrom the collection of Ian and Rita Smythe
A Della Robbia vase by Charles Collis, shouldered twin-handled form, incised and painted with Art Nouveau flowers on long entwined stems, in orange, green and red on a green ground, incised factory mark, C monogram and 888, painted monogram, paint flakes, 23.5cm. high ProvenanceFrom the collection of Ian and Rita Smythe
A Della Robbia Pottery vase by Annie Smith, slender, shouldered cylindrical form, painted with arched panels of foliage in green, turquoise, blue and yellow, incised mark, incised L and painted AS artist monogram, 28.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Pilkington's Lancastrian vase by Richard Joyce, dated 1915, slender, shouldered cylindrical form, painted with fish swimming amongst waterweed, in golden lustre on a dark blue-black ground, impressed marks, painted artist cipher and date code 20cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware Kingfisher lustre vase by William Howson-Taylor, indistinct date possibly 1911, slender baluster form, covered in a petrol lustre glaze, impressed mark and indistinct date, drilled to base, 28.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware lustre vase and cover by William Howson-Taylor, dated 1907, baluster form with shallow domed cover, covered in a pink lustre graduated to white, with patches of turquoise, impressed mark and date, 19cm. high (2) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A small Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, dated 1910, shouldered, cylindrical from, covered with a sang de boeuf and lavender fissured glaze, over silver-grey, impressed mark and date, 11.8cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, ovoid with tall flaring cylindrical neck, covered in a mottled turquoise, mint green, purple and lavender speckled glaze over silver-grey, impressed Ruskin mark, 16cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, dated possibly 1906, ovoid with tapering cylindrical solifleur neck, covered with a white glaze, the neck and base streaked lavender and purple with mint speckles, impressed mark, flooded date, 17cm. high, ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, dated 1907, ovoid with flaring cylindrical neck, covered in a sang de boeuf glaze over white, with lavender and mint green speckles, impressed mark and date, 15.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware Souffle vase by William Howson-Taylor, indistinct date probably 1906, baluster form, covered in a blue souffle glaze, the shoulder decorated with a band of ivy, impressed mark and date, 19cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware Souffle vase by William Howson-Taylor, dated 1906, shouldered form with short solifleur neck, covered in a turquoise glaze over lavender, the shoulder decorated with a band of fruiting grape vine, impressed mark and date, painted scissor mark, 19cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
An unusual Ruskin Pottery stoneware Souffle vase by William Howson-Taylor, dated 1905, shape no.255, shouldered baluster form, covered in a fiery orange-red with green speckling glaze, impressed Ruskin mark, 255 and date 1905, 15.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer ChestLiteraturePaul Atterbury & John Henson, Ruskin Pottery, Richard Dennis Publications, page 39 for a comparable vase also dated 1905.
A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, dated 1933, ovoid with tall, flaring cylindrical neck, covered in a lavender graduating to sang de boeuf glaze with mint speckles, impressed marks, 21.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware Souffle vase by William Howson-Taylor, dated 1909, cylindrical form with flaring neck, covered in a streaked sang de boeuf glaze over silver with lavender and purple, impressed mark and date, 24.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware lustre vase by William Howson-Taylor, dated 1922, shouldered, ovoid form, covered in a lavender glaze, a Ruskin Pottery jug covered in a strawberry lustre glaze, and two other vases, impressed marks, 11.5cm. high (4) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware lustre ginger-jar and cover vase by William Howson-Taylor, dated 1912, covered in a pale pink lustre glaze, another smaller covered in a yellow lustre glaze, two Ruskin Pottery bowls covered in a yellow lustre glaze, a Royal Doulton veined flambe vase, a Royal Doulton Flambe vase and a bowl, impressed marks, one Ruskin bowl smashed and re-stuck, 13.5cm. high (9) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware lustre vase by William Howson-Taylor, dated 1920, slender baluster form, covered in a blue lustre glaze under lavender patches, and two other Ruskin Pottery lustre vases glazed blue, impressed marks, 19cm. high (3) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A Ruskin Pottery stoneware Souffle glaze vase by William Howson-Taylor, dated 1905, shouldered form covered in a strawberry pink glaze, and two other Ruskin Pottery vases glazed strawberry pink lustre and purple, impressed marks, 20cm. high (3) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest
A tall Martin Brothers stoneware Aquatic vase by Robert Wallace Martin, dated 1888, slender, baluster form painted with grotesque fish and an eel swimming amongst waterweed, in green, blue and ochre on a buff ground, incised 12-1888 R W Martin & Bros, London & Southall, small glaze frits to base rim, 33cm. high
A Martin Brothers stoneware Dragon vase by Robert Wallace Martin, dated 1889, shouldered baluster form with cylindrical neck, incised with classical dragon with scrolling foliate motif, flanking mask shield panels, in buff and ochre on a tan ground, incised 1889 R W Martin & Bros, London & Southall, 34.5cm. high ProvenancePrivate collection of Martin Ware Pottery.
A Martin Brothers stoneware Aquatic miniature vase by Edwin and Walter Martin, dated 1899, ovoid with flaring neck, incised and painted with fish swimming amongst jelly fish and a limpet, in green, blue and brown on a buff ground, incised 1-99 Martin Bros, London, 6.2cm. high ProvenanceLillian Hoffman collection Rago AuctionsPrivate collection.
A Martin Brothers stoneware Dragon vase by Robert Wallace Martin, dated 1890, footed, urn shape with applied scrolling handles, incised with dragons in scrolling foliage flanking central flower stem, in shades of ochre on a buff ground, incised 10-1890 R W Martin & Bros, London & Southall, one handle restored, 21cm. high
A Martin Brothers stoneware miniature Aquatic vase by Edwin and Walter Martin, shouldered, square section with loop handles, incised and painted with fish, water snails and an eel amongst waterweed in green and blue, incised 7-1913 Martin Bros London & Southall, minor professional restoration to top rim, 8cm. high
A Martin Brothers stoneware Aquatic vase by Edwin & Walter Martin, dated 1896, slender, shouldered form, modelled in low relief and incised with a large sun-fish, eels, an octopus and scaly fish swimming through waterweed, in colours, highlighted with white, incised 1896 Martin Bros London & Southall, minor professional restoration to base rim, 25cm. high
A large Torquay terracotta pottery vase by Alexander Fisher, shouldered form, painted with two herons wading in shallow water, the next with printed carnation flower repeat band, enamelled in colours and highlighted in gilt, signed A Fisher to side, minor frit chips, 43cm. high LiteratureKeith Poole The Art of the Torquay and South Devon Potters, page 103 figure 148 for a comparable vase by Alexander Fisher. Alexander Fisher was awarded special mention and was highly acclaimed for a pair of Eastern vases painted with storks and herons at the Paris exhibition of 1878. Alexander Fisher senior, was the father of the well known enamel artist (Alexander Fisher).
A Doulton Lambeth stoneware vase by Hannah Barlow, dated 1878, baluster form, incised with a pride of resting lions, between borders of applied florets and stiff-leaf foliage, in green, blue and white on a buff ground impressed factory marks, date and incised monogram, 19.5cm. high ProvenanceJulian EadePrivate collection. Catalogue notesThe vase has the usual HB monogram which is continued Barlow and KAS, this is for the Kensington Art School.
A Ruskin Pottery high-fired stoneware Elephant's-Foot vase designed by William Howson-Taylor, swollen cylindrical form, covered in a sang de boeuf glaze, with silver-grey top rim, streaked with lavender and turquoise speckles, impressed factory mark and date, applied collection label, professional restoration, 20.3cm. high ProvenanceThe Albert E Wade CollectionThe Albert E Wade Collection, Sotheby's Olympia, 2nd May 2002, lot 263. LiteraturePaul Atterbury & John Henson, Ruskin Pottery, Richard Dennis Publications, page 59 (top) this vase illustrated.
A Burmantoft's Faience Pottery vase by Leonard King, shouldered form with cylindrical neck, painted with Persian flower and foliage in ruby lustre on a smoky buff ground, painted LK monogram, 30cm. high ProvenanceA Private Collection of Burmantoft's Faience Pottery, Woolley & Wallis, 22nd June 2017, lot 670
A Burmantoft's Faience Anglo Persian vase by Leonard King, ovoid with tapering neck, painted with a frieze of diving scaly fish before waterweed, in blue, turquoise aubergine and green on a white ground, impressed factory marks, painted marks and LK monogram, Design 30, minor paint flakes to design, 24.5cm. high
A Della Robbia twin-handled Moorish vase by John Cecil Shirley and Ruth Bare, dated 1917, shouldered form with applied twin-handles, incised and painted with kingfishers flying and perched on reeds by a river, in shades of blue, yellow and green, incised Della Robbia mark, C Shirley and 17, painted RB monogram 26cm. high LiteraturePeter Hyland The Della Robbia Pottery, ACC Books, page 212 figure 228 for a comparable vase by Shirley illustrated.
A Wedgwood Pottery vase by Alfred Powell, shouldered form, model no.4238, painted with a band of running stags in a woodland setting, between stylised Tudor rose and foliage, in shades of purple, green and orange lustre on a white ground, impressed and painted marks, 14cm. high ProvenanceLawrences Auctioneers 12th April 2018 lot 927. LiteratureMaureen Batkin Wedgwood Ceramics, 1846-1959, Richard Dennis Publications, page 141 plate XLVI for a comparable example illustrated.
A fine Bernard Moore Flambe Viking Boat vase, shouldered, ovoid form, painted with a rowing boat at sea, in flambe red, blue and yellow, highlighted with white printed Bernard Moore mark, 20cm. high ProvenanceThe Daryl Fromm collection. LiteratureAileen Dawson, Bernard Moore Master Potter, Richard Dennis, page 72 plate XII this vase illustrated.
‘Eighteenth Century’ a James Macintyre & Co vase designed by William Moorcroft, shouldered form with collar rim, tubeline decorated with swags of flowers in red, blue and green on a white ground, with gilt highlights, printed factory mark, painted green signature, small chips to base rim, 23.5cm. high
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