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Lot 1024

A Ruskin Pottery High Fired vase, 1925, shouldered form, brown beige over sang de boeuf, impressed marks, 26cm high

Lot 1025

A Ruskin Pottery Late glaze vase, circa 1932, conical gourd form, orange fruit peel glaze, impressed marks, 12cm high

Lot 1026

A Ruskin Pottery High Fired vase, 1924, inverse baluster form, sang de boeuf over white, fissured, impressed marks, 22.5cm

Lot 1027

A Ruskin pottery High Fired vase, 1932, shouldered form, red and cram with green spots, impressed marks, 22cm high

Lot 1029

A Ruskin Pottery High Fired vase, 1922, shouldered form, grey over red, impressed marks, 21cm high

Lot 1051

A small Royal Doulton Flambe vase, bowed ovoid form, with mottled purple over red, 10cm high

Lot 1053

A Royal Doulton Titanian ware vase, elongated square form, decorated with silver lustre cranes and flowers, printed and impressed mark, 20cm high

Lot 1055

Keith Murray for Wedgwood, a Champagne glaze creamware vase, designed circa 1934, shouldered form with stepped concentric bands, apparently unmarked, 29cm high Note: although this design was generally produced in matte glazed earthenware, examples in gloss glazes do exist including in the collection of Birmingham Museum of Art, Alabama, USA.

Lot 1056

Norman Wilson for Wedgwood, a Unique Ware vase, ribbed ogee ovoid form on a concentric ringed foot, mottled oatmeal glaze, impressed marks, 12.5cm high

Lot 1060

Millicent Taplin for Wedgwood, a resist lustre vase, circa 1925, footed trumpet form with platinum ground, painted with stylised floral sprays and dots, printed mark, 10.5cm high

Lot 1064

Janice Tchalenko (1942-2018), a studio pottery reduced stoneware vase, London, circa 1985, thrown ovoid form with everted rim, glazed in yellow and red over green and blue, incised JT monogram, 9.5cm high

Lot 1070

† John Ward (b.1938), a studio pottery stoneware vase, circa 2012, rounded beaker form with cleft rim, incised banded design in orange over a cream ground, artist seal mark, 21cm high

Lot 1071

† Hans Coper (1920-1981), a studio pottery stoneware bottle vase, 1964, shouldered ovoid form with flat wide brim disc rim, oatmeal glaze over rusticated crackled ash and manganese, artist seal mark, 16.5cm high Provenance: Museum Boymans-van Beuningen, 1967; Christie's, Amsterdam, World Ceramics: The J.W.N. van Achterbergh Collection, 1st November 2005, lot 177; Christie's, New York, 26th March 2008, lot 41

Lot 1072

† Hans Coper (1920-1981), a studio pottery stoneware vase, 1964, the bulbous onion body with bowed cylindrical neck, incised linear band, oatmeal glaze over rusticated crackled treacle, artist seal mark, 19.5cm high Provenance: Museum Boymans-van Beuningen, 1967; Christie's, Amsterdam, World Ceramics: The J.W.N. van Achterbergh Collection, 1st November 2005, lot 188; Christie's, New York, 26th March 2008, lot 136

Lot 1075

† Dame Lucie Rie (1902-1995), a studio pottery stoneware vase, circa 1970, flattened conical baluster form with elongated neck and wavy broad rim, integral coloured spiral, mixed clay in orange, green and white with a dolomite glaze, artist seal mark, 35.5cm high

Lot 1076

† Dame Lucie Rie (1902-1995), a studio porcelain bottle vase, circa 1975, cylindrical shouldered form with flaring neck, sgraffito decorated to the shoulder with a band of vertical lines, the neck and lip similarly decorated to the interior and exterior, glazed to the foot and rim with borders of golden manganese, the base with incised radiating lines and copper lustre, seal mark, 24cm high Note: see Cooper, E., 2002, Lucie Rie, The life and work of Lucie Rie 1902-1995, London, p.32 for a similar example

Lot 1077

† Dame Lucie Rie (1902-1995), a studio pottery stoneware swan neck vase, circa 1956, ovoid form with elongated and flared neck, white oatmeal glaze with integrated manganese speckles, artist seal mark, 40cm high Note: see Birks, T. 2009, Lucie Rie, Catrine, p.129 and the back cover illustration for similar examples; Lucie Rie – A Retrospective, exhibition 2010, The National Museum of Modern Art, Tokyo, p.109 for a similar example

Lot 1093

J Reed for Royal Worcester, a pot pourri vase and cover, circa 1970, painted with fallen fruit on mossy bank, signed, black printed marks, 13cm high

Lot 1094

J Freeman, for Royal Worcester, a pot pourri vase and cover, circa 1956, painted with fallen fruit on mossy bank, signed, black printed marks, 13cm high

Lot 1100

A Royal Worcester vase, circa 1892, angled baluster footed form, painted with clematis and spring flowers to an apple green ground, blush ivory elongated neck and shoulders with applied twin dolphin handles, shape No.1578, puce printed mark, 18.5cm high

Lot 1102

J Skerrett for Royal Worcester, a pot pourri vase and cover, circa 1970, quarter lobed form, painted all around with fallen fruit on mossy bank, signed, black printed marks, 12cm high

Lot 1103

A Shuck, for Royal Worcester, a twin handled vase and cover, circa 1924, inverse baluster footed form, painted with a stork in an oasis, signed, puce printed marks, 18cm high

Lot 1104

C Baldwyn, for Royal Worcester, a twin handled vase, circa 1914, spherical footed form, painted with three swans in flight, signed, green printed marks, 13.5cm high

Lot 1105

J Smith for Royal Worcester, a pot pourri vase and cover, circa 1951, painted with fallen fruit on mossy bank, signed, black printed marks, 12cm high

Lot 1106

H Stinton, for Royal Worcester, a vase, circa 1927, painted with Highland cattle, signed, puce printed marks, 15cm high

Lot 1107

H Stinton, for Royal Worcester, a vase and cover, circa 1912, painted with Highland cattle , signed, green printed marks, 12cm high

Lot 1108

Harry Stinton, for Royal Worcester, a vase and cover, circa 1930, twin handled pedestal urn form, painted with a stag and doe in a highland scene, signed, puce printed marks, 21cm high

Lot 1109

J Cook, for Royal Worcester, a vase of cylindrical form with pierced scroll foot, circa 1970, painted with fallen fruit on a mossy bank, signed, black printed marks, 21cm high

Lot 1110

W Ricketts, for Royal Worcester, a vase, circa 1926, painted with fallen fruit on a mossy bank, signed, puce printed marks, 15cm high

Lot 1111

K Blake, for Royal Worcester, a vase, circa 1951, painted with blackberries and blossom, signed, black printed marks, 8.5cm high

Lot 1112

B Leaman, for Royal Worcester, a vase and cover, circa 1970, painted with fallen fruit on a mossy bank, signed, black printed marks, 24.5cm high

Lot 1113

S Drysdale, for Royal Worcester, a pot pourri vase and cover, circa 1970, painted all around with fallen fruit on a mossy bank, signed, black printed marks, 12cm high

Lot 1114

H Stinton, for Royal Worcester, a vase, circa 1939, painted with Highland cattle, signed, puce printed marks, 8cm high

Lot 1121

A Royal Worcester twin handled vase and cover, circa 1899, ovoid baluster footed form, painted with peonies and forget-me-nots, blue glazed and gilded relief moulded neck and finialed cover, the circular foot with moulded foliate gilded collar, shape No. 1632, 27cm high

Lot 1122

A Royal Worcester black and white vase, baluster footed form, circa 1905, decorated with a timbered house 'Wor'shire Chimey', shape No.1866, 17.5cm high

Lot 1123

Raymond Rushton for Royal Worcester, hand painted vase, circa 1929, baluster form, 'Harvington' thatched cottage with figure, shape No. 293, 19cm high

Lot 1124

A Royal Worcester Prismatic Enamel vase, circa 1893, twin handled globular footed form, painted with clematis and yellow Jasmine to a blue and pink hued ground, the slender relief moulded neck flanked by dog mask and acanthus scroll handles, the circular foot with applied foliate band on gilt flecked marble base, shape No.1569, printed puce marks, 34cm high

Lot 1126

F Roberts for Royal Worcester, a pot pourri vase and cover, circa 1970, painted with fallen fruit on mossy bank, signed, black printed marks, 13cm high

Lot 1134

A Royal Worcester blush ivory vase, 1898, twin handled pedestal urn form, painted with floral bouquets, green marks, 23.5cm high

Lot 1135

A Royal Worcester blush ivory vase, 1899, twin handled conical baluster form, painted with floral bouquets, green marks, 25cm high

Lot 1144

Royal Crown Derby Imari ware, including 2451 tyg, ogee moulded dish, squat inverse baluster vase and a salt cellar, dish 12.5cm diameter (4)

Lot 1215

A collection of Wedgwood Jasperware and Basalt, 1860s and later, including twin handled urn vases, Museum vase, pair of pots and covers, impressed marks

Lot 1220

A Belleek first period Flying Fish vase, pearlescent glaze, modelled as a winged fish with conch shell, printed marks, 11.5cm high

Lot 1230

A Wedgwood green Jasperware vase, circa 1850, footed urn form with Classical allegorical figures to each side, between lions mask and ring handles, the shoulder with naturalistic foliate and floral fronds, impressed mark Wedgwood, 23cm high

Lot 1231

A Wedgwood relief moulded polychrome enamelled Jasperware vase, circa 1820, twin handled footed ovoid form, applied in high relief with naturalistic orchid flowers emanating from branchy handles, realistically painted, on a blue and white ground, impressed Wedgwood and moustache mark, W, 24.5cm high

Lot 1244

David Furese for Ashtead Pottery, a twin handled vase, ovoid form, relief moulded with antelope handles, printed marks, tope glaze, 28cm high

Lot 1249

An Ashtead Pottery green glazed part breakfast set, including teapots, egg cups, jam pots etc., together with a vase and pepper pots (q)

Lot 165

A large George V silver trumpet vase, Walker and Hall, Sheffield 1918, footed with banded knops and crimped rim, 32.5cm high, weighted

Lot 180

A large Edwardian silver centrepiece, Henry Wilkinson and Co., London 1910, the central trumpet vase with cast foliate rim, on stepped and splayed foot, flanked by two reticulated ogee baskets, supported on cast figural bi-tailed sea putti, the cruciform plateau with acanthus border, on four shell and foliate scroll bracket feet, 33cm high, 62cm long, 89.37ozt

Lot 427

A Chinese blue and white vase and cover, inverse baluster form, painted with foo dogs in clouds, 27cm high

Lot 429

A Chinese famille rose vase, Qianlong mark, rounded shoulder rouleau form, enamelled with foliate scrolls and lotus flowers on a feather scroll incised pink ground, underglaze blue inset seal mark, 23.5cm high

Lot 434

A Chinese polychrome decorated vase, Kangxi, circa 1700, ogee moulded rectangular section inverse baluster form with elongated flared neck, painted with a mountainous watery landscape to each side, with figures, alternating with prunus specimens, below a neck with four floral panels and a ribbon and rosette border, 32.5cm high

Lot 437

A Chinese famille rose vase, Qianlong mark, shouldered ovoid form, decorated with circular cartouches of poppies and chrysanthemums within a gilt and polychrome millefleur ground, red seal mark, 34cm high

Lot 438

A Japanese Satsuma teapot and a miniature vase, Meiji, the vase of shouldered form with gilt dragon on blue ground, 6.5cm high (2)

Lot 44

A 19th century Swedish silver mounted horn centrepiece vase, Stockholm 1839, two rings with squat bun feet and Rococo style foliate bracket supports, with a denticulated rim, 33cm long, 19.5cm high

Lot 443

A Japanese Satsuma vase, Meiji, twin handled inverse baluster form, painted with two panels of Samurai and Geisha in a lakeside encampment with Mount Fuji, within a raised gilt geometric ground, moulded lions mask handles, 18.5cm high

Lot 446

A Japanese Satsuma vase, Kinkozan, Meiji, shouldered form, painted in the round with aristocratic figures in a mountain garden landscape, between Greek Key borders, the central cartouche portrait of mother and child, on a tasselled geometric band, below a tooled gilt patchwork floral and diaper shoulder, raised gilt mark, 15.5cm high

Lot 91

Horse Racing Sir Michael Stoute signed black and white colour photo pictured is the legendary Shergar winning the 1981 Derby who of which Stoute trained. Sir Michael Ronald Stoute (born 22 October 1945, in Barbados) is a Barbadian British thoroughbred horse trainer in flat racing. Stoute, whose father was the Chief of Police for Barbados, left the island in 1964 at the age of 19 to become an assistant to trainer Pat Rohan and began training horses on his own in 1972. His first win as a trainer came on 28 April 1972 when Sandal, a horse owned by Stoute's father, won at Newmarket Racecourse in England. Since then, he has gone on to win races all over the globe, including victories in the Dubai World Cup, the Breeders Cup, the Japan Cup and the Hong Kong Vase. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

Lot 227

A STUDIO POTTERY TWO HANDLED VASE AND JUG A PIQUOT WARE HOT WATER JUG GLASS GRAPEFRUIT DISHES ETC

Lot 45

LATE 19TH CENTURY MOUTH BLOWN HANDMADE CELERY VASE HAND ETCHED WITH FERNS

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