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Click here to subscribeA rare Wedgwood Black Basalt vase designed by Keith Murray, shape no.3891, tall cylindrical footed form with a band of turned grooves to the top, impressed marks, printed mark and facsimile signature, 22cm. high Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC, page 190 figure 206, for a group of vases designed by Jean Luce illustrated in The Studio, 1932, for a comparable form illustrated (right),
A Scottish electroplated pedestal bowl and pair of candlesticks by JB Glasgow, the candlesticks tapering square section with knopped neck and round sconce, set with four amber coloured glass cabochon, and an en suite pedestal bowl set with eight amber coloured glass cabochon, a Moorcroft Pottery Hibiscus vase and a large Victorian 'Aurora' tile the plated bowl and candlesticks stamped JB Glasgow, 18cm. high (candlesticks), 25cm. wide, (bowl), (5)
A rare Fulham Pottery flower vase and lamp probably designed by Gerard de Witt, the fluted rim vase with two graduating stem holders above a larger fluted compartment with twin light fittings, covered in an oatmeal-cream glaze, on stepped base, impressed factory mark, 30cm. high, 36cm. wide. Catalogue notes The design of this vase with uplighter could also be attributed to Constance Spry on stylistic grounds.
A Gray's Pottery Gloria Lustre vase and cover, pattern no.5753, shouldered, baluster form with domed cover, painted with a gazelles racing in a woodland clearing, in golden lustre on a white ground, and an unusual Gray's lustre bowl printed in black with shell vignette on a streaked pink lustre, printed and painted factory marks, 22.5cm. high (3) Literature Hand Painted Gray's Pottery, City Museum Stoke on Trent, 1982. page 26 figure 36 this vase and cover illustrated in the Pottery and Glass Record, 1925.
Chinese blue and white porcelain vase, late 19th Century, inverted baluster form decorated with prunus blossom, Kangxi six character mark, height 26.5cm; also a pair of finely decorated Chinese blue and white Export plates, early 19th Century, decorated with island pavilions, 23.5cm diameter; a Chinese Imari bowl, decorated in the peony rock pattern, 15cm diameter; a Chinese blue and white saucer, 14cm diameter; and a Chinese blue and white bowl decorated with figures, 12cm diameter (6)
Chinese blue and white wine jug, 19th Century, moon shape decorated with dragons scrolling amidst foliage in underglaze blue and with a domed cover, 22cm; also a Chinese blue and white small moon flask, with salamander handles and domed cover, decorated with figures, 19.5cm; and a Chinese blue and white Meiping covered vase, decorated with figures on a bridge in blue and white, four character Kangxi mark, height 32.5cm (3)
Charlotte Rhead Crown Ducal twin handled vase, in the Manchu pattern, printed marks and painted signature, shape no. 215, height 13cm; also a Charlotte Rhead Tudor Rose jug (4491), tapered form, printed and painted marks, 18cm; and a Bursleyware jar and cover, decorated in a lustrous tulip pattern (TL76), printed marks, height 14.5cm (3)
A group of Chinese porcelain items, including a peacock design enamel painted bowl, diameter 36cm, and a hand painted blue and white porcelain vase, with 6 character mark, height 16cm Enamel bowl: 2 hairline cracks running from edge inwards, and a few small chips on the foot. Vase with 6 character mark: in very good condition. Large tureen: several cracks and large chips. Blue & white vase: hairline crack running from top rim to half way down body. Lid has several edge chips. Both figures in generally good overall condition with just a few small edge chips.
A Worcester coffee cup circa 1765 of plain form with a thick, indented loop handle, painted in polychrome in the Mandarin taste with a figure seated beside a desk with vase of flowers and small further flowering plant pot, with a red flowering tree sprouting from a bright green landscape to the opposing side, interior with a wave and line border, unmarked, 6.3cm high Provenance: Ex. Wychwood Collection.
A small Worcester bowl circa 1775-80 transfer-printed in underglaze blue with the rare version of the Mother and Child pattern, featuring a third figure to the right, with internal vase of flowers to the interior a single blue lined upper rim, hatched crescent mark, 10cm diameter Provenance: Ex. Wychwood Collection. Purchased on 28th September 2004 at Law Fine Art.
A Worcester coffee cup circa 1770 painted in polychrome enamels in the Chinese style, with two figures seated at a table, a further figure holding vase of flowers and a young boy observing a cock fight, within a flower and landscape panelled gilt scroll band, unmarked, 6cm high Provenance: Ex. Wychwood Collection.
A Worcester saucer circa 1770 painted with a chinoiserie design of magnolias in a vase alongside precious objects, within a stylised flower decorated rim, impressed circle, 12cm diameter Provenance: Provenance: Ex. Wychwood Collection. Purchased at these rooms on 8th December 2004.
A Worcester blue-scale-ground teacup and a blue-ground saucer circa 1775, The cup painted with gilt-bordered mirror and vase-shaped panels of flowers, the saucer with circular and fan-shaped panels, fret mark to the cup, 4.6cm high, saucer 11.8cm diameter (2) Provenance: Ex. Wychwood Collection.
A Chinese celadon vase, relief moulded with figures and clouds and with impressed pseudo Qianlong seal mark to base. Height 22 cm. CONDITION REPORT: The vase is in generally good order with no damage, no repairs and no restoration. We can not see any chips or cracks. The interior of the base of the vase is discoloured. This should be visible on our images.
A 19th century Cantonese club shaped vase and cover, decorated in typical Canton colours. Height 41 cm. CONDITION REPORT: The lid has rubbing to the gilding and a glaze scuff to the knop. The lid edge has three shallow chips just through the gilt edge. There is also rubbing to the gilding. The top lip of the vase has rubbing to the gilding. The club shaped body of the vase has an off oval section +/- 12 cm x 6 cm which has been out and put back. There is an outline to this oval which now looks like a hairline crack. There is a further 10 cm hairline crack through the opposing panel. There is however no restoration and no cracks to the base.
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