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A Royal Worcester vase and a pair of Royal Worcester two handled globular vases, painted by John Hopewell with a robin on holly and mistletoe or another bird and bellflowers on a pink ground, the pair of globular posy vases with tightly packed flowers to either side, on gilt ball feet, 8 and 18cm h, printed mark, both c1880 Slight wear to the gilding in places but in overall fine condition
A Royal Worcester serpentine handled oviform pot pourri vase and cover, painted to either side in 'wet' enamels with brambles and wild flowers within chrome green and gilt borders with bud knop and square plinth, 28cm h, printed mark and 63 for 1863 This vase was almost certainly painted by David Bates (1843-1921), a professional artist who first received training at the Worcester factory from about 1855 leaving in 1880. For comparable vases by Bates including an example of the same shape (519), see Sandon (H), Royal Worcester Porcelain from 1862 to the Present Day, plt 46. Pinhead sized flat nick to the rim of the cover, in otherwise excellent condition with no cracks, chips, damage or restoration, the gilding also fine
A Royal Worcester Shell-on-Coral Vase, the shell surmounted by a lizard and decorated in bronze and gold, on rocky foot, 22cm h, impressed and printed marks, date code for 1832 One of the coral branches slightly chipped. Some minorwear to the gilding around the foot, no restoration
A pair of Spode spill vases, of flared cylindrical shape, painted with scenes of a young woman with a spilled basket of fruit or a gardener and boy in octagonal gilt frames reserved on an apple green ground, the rims gilt, 11cm h, painted 580, c1825 One vase restored, the other with several small scratches to the green ground on the reverse
A Wedgwood Fairyland Lustre bowl or "Puff Box" and cover, in Flame Fairyland, the cover decorated with the Si WantgMu pattern, the bowl with the Bubbles II border and designed by Daisy Makeig Jones, gold lustre widow finial, 15cm diam, incised 3279, gilt printed vase mark, painted Z5360 cf des Fontaines (Una), Wedgwood Fairyland Lustre, p208. Some very light rubbing of the gilding on the exterior which is hardly noticeable and does not detract, no damage or restoration. A minute (less than a pinhead) graze on the edge of the rim of the cover on the underside which is more of a scratch in reality
A Japanese cloisonné enamel midnight blue ground shouldered oviform vase, with silver cloisons decorated in shaded enamels with finches amidst a blossoming tree, between lappet borders, 12cm h, with Hayashi Kodenji workshop mark and engraved Al Hayashi Tomo Saku, Meiji/Taisho In fine condition
A Japanese cloisonné enamel midnight blue ground shouldered oviform vase, finely enamelled in silver cloisonns with pheasant perched in a flowering cherry tree, in lotus palmette borders, 24cm h, Meiji/Taisho In fine condition, the base drilled with the intention of making a lamp
A VICTORIAN GREEN CRIMPED EDGE BASKET, clear handle and raised coloured flower head, 6 3/4 ins high, a white glass DITTO with amber handle and raised flower head, 7 1/4 ins high and a white glass VASE, crimped rim and amber side handle, with raised leaf and berry design, 5 ins high. (3).
AN EARLY 20TH CENTURY WEDGWOOD PORCELAIN LUSTRE WARE BOWL, designed by Daisy Makeig Jones, the interior with central chinoiserie landscape and yellow ground surround, the exterior red ground with gilt pagoda, figures, trees and rocks, Portland Vase mark, No. 25440.9, 5 1/2 ins diameter
A LATE 19TH CENTURY CASTLE HEDINGHAM POTTERY BOWL, decorated with raised flowers and leaves, 10 ins diameter, a ditto brown glazed VASE, 12 ins high, a ditto double handled VASE, a ditto five spout VASE, a ditto four lug MORTAR, a ditto foliate design VASE, a ditto pseudo 1646 TANKARD and three unmarked miniature VASES, with faults. (10).
A LATE 19TH CENTURY CHINESE PORCELAIN BLUE AND WHITE BALUSTER VASE AND COVER, decorated in the hawthorn pattern, 8 1/2 ins high with stand, a ditto baluster shaped VASE AND COVER, decorated with figures in a landscape, 8 1/2 ins and a blue and white foliate decorated GINGER JAR, 6 ins high. (3).
A VICTORIAN EBONISED AND MARQUETRY INLAID STRETCHER TABLE, the rectangular canted corner top with a musical and foliate inlaid central design, incised frieze, raised on twin turned end supports with down swept legs united by a turned stretcher with a central vase finial, 36 ins x 23 1/2 ins.
A Victorian silver wine jug, the slender vase shape body with bands of Grecian anthemion decoration and a contemporary Masonic presentation inscription, the hinged cover with a leaf spray thumbpiece and a hollow loop handle, on a bright cut bordered spreading foot. 13in. (33cm.) Makers Edward and John Barnard, London 1864. 18.5oz.
A pair of plated decanter stands, the pierced fret sides on copper, turned wood bases with baize underneath; together with a continental vase with a replaced ribbed stopper, the body with a band of Vitruvian scrolls and twist fluted neck, applied rams head mask, laurel swags, with leaf chased base and three legs on paw feet. 8.75in. (22cm.) (3)
A three piece silver coffee service, the ogee rectangular bodies partly ribbed with gadroon borders, the vase shaped coffee pot with swan necked spout, hinged cover, ebonised finial and bracket handle, the milk jug and lidded sugar basin with capped bracket handles. Maker E. Viner, Sheffield 1967/8. 42oz (all in.).
A late 19th century Sheraton Revival three piece bergère drawing-room suite, with cane work panels to the oval framed veneered backs, painted pastoral scenes and plumed foliage to the vase outline splats, the crests carved with roses and foliage, the arms with double carved panels, on front turned supports with serpentine floral painted carved seat frames with squab cushions, on front turned legs comprising, a pair of armchairs (one damaged to the back), and a settee. 4ft. 10in. (148cm.)
A GEORGE IV/WILLIAM IV SILVER PLATE ON COPPER AND CUT GLASS EPERGNE with central facetted vase-shaped stem of flared form supporting a cut glass bowl, on circular base with leaf-scroll and shell border and four scroll feet, the central knop supporting four numbered reeded branches with similar ornament, each with cut-glass dish, unmarked, 40cm, (15.5in) high
A MID-VICTORIAN MINTON MAJOLICA FIGURAL VASE modelled as Cupid standing with a ribbon-tied quiver of arrows beneath his feet, wearing a sash and headdress of fruiting vine, pulling a rope entwined round a wicker-effect trumpet-form vase, on a naturalistically-modelled oval base, impressed mark and date code for 1878 to base, 26.5cm, (10.4in) high (vase spray-restored)
A SET OF FIVE SECOND QUARTER 19TH-CENTURY BLUE TRANSFER-PRINTED POTTERY PLATES, each having a chinoiserie scene with a small child and a man holding a butterfly net, flanking a vase of flowers before a pavilion and a boat on the river beyond, the border of wild flowers interspersed with three panels, two with birds, the third with two figures beside a fence, unmarked, bluish glaze pooling inside footrim, 25cm, (9.8in) diameter
AN EARLY VICTORIAN BLUE TRANSFER-PRINTED POTTERY ASHET of wavy-edged rounded oblong form, centred by a classical-style narrative scene within a foliate frame with four smaller friezes, two pairs of interspersed with two pairs of facades, all within foliate scrollwork, impressed verso "ANTIQUES/Stone China" beneath a vase, plus blue printed number "7", 43.5cm, (17.1in) wide
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653685 item(s)/page