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Japanese Vase. An 19th century Japanese bronze vase, the ovoid body with relief decoration depicting phoenix in flight, the raised neck with foliate scrolls, and with repeating shield shape panels with scrolls in key border, the lower panels with exotic birds on an integral vase stand base, unsigned, 31cm high (Qty: 1)
Wardrobe. A late 18th/early 19th century Continental painted pine wardrobe, possibly Austrian, the pedimented cornice painted with marbled border and name 'Magdalena Eichmayr iii', above a single door with two painted panels, upper panel with the Madonna within an oval ribbon frame and garland of flowers, lower panel with a vase of flowers, both panels within marbled frame, central lozenge between the two panels with floral decoration and date '1826' painted in black, the canted corners with painted floral border, substantial brass key and lock plate, enclosing hanging space to the left and shelves to the right, good solid construction with some wear, commensurate with age, 1177cm high x 1119cm wide x 554cm deep (Qty: 1)
Dresden Porcelain. A late 19th century Dresden porcelain ovoid vase and cover, hand painted with a two panels of figures including a courting couple with two panels of flowers on a pink ground, the whole piece richly gilt decorated with scrolls and geometric decoration, the base with blue A R monogram, 39.5cm high, together with a similar pair of porcelain bottle vases, with panels of flowers on a black ground with blue A R monogram, 32cm high, some minor rubbing to the gilding and flaking to the paint but generally in good condition (Qty: 3)
Saltglaze stoneware vase in the form of a female torso Impressed potters mark MH in a circleHeight 38cmThis very personal collection of pictures from the painter Rose Hilton's Botallack Moor house are those she kept about her and saw every day. Botallack was her home for 54 years during 10 of which she was married to the older, abstract painter, Roger Hilton. The house with its views across ruined mine workings to the wide sea was formed of a row of miners' cottages that Roger had spotted advertised for sale in The Times, knocked through and modernised to make a home for their young sons Bo and Fergus. Roger brought a few inherited pieces of antique furniture and the austere self portrait painted by his mother as a student at the Slade School of Art. Rose added her own casual decorative touches, described by their friend the poet W.S. Graham as, 'the Beat style.' The artists in this far flung corner of the St. Ives diaspora had always gifted and swapped pieces amongst themselves and as Rose's painting career reignited in the years after Roger's death she began buying and adding to the growing collection at Botallack. The back wall in the little kitchen hung in a stack, edge-to-edge and almost to the ceiling, featured two by Terry Frost, another from Breon O'Casey was above the upright piano, there were landscapes in the bathroom and a 'gallery' corridor wall that she continually rehung with newer works: pieces by Fergus Hilton and her friends Jeremy Le Grice and Frank Phelan, her elder son Bo Hilton (also a painter) and a pair of striking paintings that she had bought as memorials to her old friend the painter Mary Stork. The picture store in the downstairs back room that was Roger Hilton's bedroom cum studio during the last years of his life was full up, too. 'If you're an artist, you're visual, so you usually paint walls white and have flowers and nice materials and things,' Rose said, describing her style.Rose was generous almost to a fault, and when she was not occupied with painting a steady stream of friends, fellow artists and curious visitors filled this hospitable house, art historians, collectors or the regulars of her weekly life drawing classes and older friends who arrived to talk and drink and join in with singing the chapel hymns she knew by heart around the piano that she had bought from the local pub and the fire in the Long Room.
Siddy Langley (British, b.1955), a contemporary studio glass ovoid vase in ochre mottled glass with fluid striations of caramel and yellow glass, signed and dated 1998, h18cmSiddy Langley was apprenticed to Peter Layton at the London Glass Blowing Workshop in 1979, before opening her own studios in Maidenhead in 1987, and subsequently in Devon..
Siddy Langley cylindrical studio glass vase with flared rim, in clear glass with blue and purple fluid trails, signed and dated 1994, h24cm and a Greenhalgh, Derbyshire studio glass bowl decorated in tones of green and blue, signed, h10cm (2 in lot)Siddy Langley was apprenticed to Peter Layton at the London Glass Blowing Workshop in 1979, before opening her own studios in Maidenhead in 1987, and subsequently in Devon..
Peter Layton stoneform vase, in a mottled palette of predominantly greens, blues and browns, cased in clear glass, signed, h13.5cm x w19cm.Peter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. . Overall condition good. No faults found.
Peter Layton studio glass vase with amber bands within a deep blue ground, signed, h25cmPeter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. . Overall condition good. No faults found.
Peter Layton Ariel tall Stoneform vase, decorated with deep caramel and ochre trails over a deep blue ground heavily cased in clear glass, signed, h31cm x w16cm.Peter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. . No cracks, chips or evidence of grinding
Peter Layton Ariel vase, decorated with deep caramel and ochre trails over a deep blue ground heavily cased in clear glass, signed, h14cm x w7cm.Peter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. .
Peter Layton Mirage vase of ovoid form decorated with red swirls below a pale blue rim, signed, h26cm x approx w21cm. Peter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. . Overall condition good. No faults found.
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653833 item(s)/page