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Lot 89

Doulton Lambeth stoneware hunting tyg, 5.75" high; together with a Doulton & Slaters stoneware vase, Denby stoneware hunting tankard, assorted teapots etc (faults)

Lot 111

A Troika Pottery Coffin Vase, Initialled L.H, 7" High

Lot 16

A WMF Ikora Circular Based Bulbous Vase, (Some Dents To The Neck) 9" High

Lot 34

A Circular Based Indian Brass Vase With Ring Handles & Inset Agate Stones, 12" High

Lot 356

A Port Meirion Pottery Vase, Together With A Lustre Glazed Jug Etc (3)

Lot 44

An Orange Ground Acid Etched Signed Vase, Together With Two Further Glass Vases Etc (4)

Lot 48

A Clarice Cliff Newport Pottery Moulded Budgerigar Pattern Vase, 8" High

Lot 74

A Troika Pottery Moon Vase, Initialled L.T, 5" High

Lot 99

A Cream Ground Moorcroft Pottery Leaf Decorated Bud Vase, 6" High

Lot 106

Japanese Vase. An 19th century Japanese bronze vase, the ovoid body with relief decoration depicting phoenix in flight, the raised neck with foliate scrolls, and with repeating shield shape panels with scrolls in key border, the lower panels with exotic birds on an integral vase stand base, unsigned, 31cm high (Qty: 1)

Lot 142

Wardrobe. A late 18th/early 19th century Continental painted pine wardrobe, possibly Austrian, the pedimented cornice painted with marbled border and name 'Magdalena Eichmayr iii', above a single door with two painted panels, upper panel with the Madonna within an oval ribbon frame and garland of flowers, lower panel with a vase of flowers, both panels within marbled frame, central lozenge between the two panels with floral decoration and date '1826' painted in black, the canted corners with painted floral border, substantial brass key and lock plate, enclosing hanging space to the left and shelves to the right, good solid construction with some wear, commensurate with age, 1177cm high x 1119cm wide x 554cm deep (Qty: 1)

Lot 339

(ARR) Kennedy (Cecil, 1905-1997). Flower Piece, oil on canvas, showing a vase of flowers on a side table, signed lower right, 44.5 x 54.5cm (17.5 x 21.25ins), period gilt moulded frame, glazed, The Fine Art Society label to verso inscrbed with title (Qty: 1)

Lot 84

Delft. A pair of late 19th century Dutch Delft octagonal pottery vase and covers, polychrome decorated in the Chinese style with stylised birds, flowers and scroll with a blue monogram to base, some cracking and chips, 36cm high (Qty: 2)

Lot 85

Dresden Porcelain. A late 19th century Dresden porcelain ovoid vase and cover, hand painted with a two panels of figures including a courting couple with two panels of flowers on a pink ground, the whole piece richly gilt decorated with scrolls and geometric decoration, the base with blue A R monogram, 39.5cm high, together with a similar pair of porcelain bottle vases, with panels of flowers on a black ground with blue A R monogram, 32cm high, some minor rubbing to the gilding and flaking to the paint but generally in good condition (Qty: 3)

Lot 72

Wedgwood game pie dish and cover, porcelain to include a part Victorian tea service, a pair of Booths cups and covers, a Derby saucer, a small Derby vase, two pots, etc.

Lot 74

Royal Copenhagen vase, tureens, salt and pepper, and other similar pattern items; a Delft tile, modern Meissen or Dresden onion pattern china, etc

Lot 96

A Royal Copenhagen blue ground vase, decorated with white flowers and foliage, 35cm high; Chinese prunus jar fitted as a lamp and a gilt metal mounted lamp (3)

Lot 104

A Chinese blue and white vase, mark to underside, 46cm high (A/F)

Lot 115

A Chinese sang de boeuf vase, and another (2)

Lot 222

A 19th century engraved glass cornucopia vase, with stag's head mount, on a marble plinth 26.50 x 30cm (10 x 12in)

Lot 24

Chinese blue and white bottle vase; a Far Eastern fragment of gilt wood carving of a vase and flowers; two Chinese porcelain cylindrical vases; small box and cover; 7 two handled bowls and stands; two Cantonese cups; Japanese figure; soapstone figure (qty)

Lot 26

Three Chinese ginger jars and covers, a pair of Imari baluster vases, two cylindrical vases, a famille verte ginger jar with pierced wooden cover and a pair of Japanese imari vases, one other vase (qty)

Lot 340

A silver flower vase, three silver toastracks, 12 silver tea knives, cased; 6 teaspoons, glass mounted fruit bowl, plated dessert knives and forks, etc

Lot 346

A collection of silver items including a sauceboat, cream jug, two cigarette boxes, a pair of knife rests and a vase 9ozt weighable silver (7)

Lot 42

A Japanese Satsuma miniature vase and a tea bowl; various 18th century Chinese plates and a shell salt

Lot 52

Two early 19th century glass rummers, a black ceramic vase with floral decoration and a continental floral bowl and cover

Lot 55

A late 19th century German saltglaze twin handled vase together with a quantity miscellaneous ceramics (qty)

Lot 122

Saltglaze stoneware vase in the form of a female torso Impressed potters mark MH in a circleHeight 38cmThis very personal collection of pictures from the painter Rose Hilton's Botallack Moor house are those she kept about her and saw every day. Botallack was her home for 54 years during 10 of which she was married to the older, abstract painter, Roger Hilton. The house with its views across ruined mine workings to the wide sea was formed of a row of miners' cottages that Roger had spotted advertised for sale in The Times, knocked through and modernised to make a home for their young sons Bo and Fergus. Roger brought a few inherited pieces of antique furniture and the austere self portrait painted by his mother as a student at the Slade School of Art. Rose added her own casual decorative touches, described by their friend the poet W.S. Graham as, 'the Beat style.' The artists in this far flung corner of the St. Ives diaspora had always gifted and swapped pieces amongst themselves and as Rose's painting career reignited in the years after Roger's death she began buying and adding to the growing collection at Botallack. The back wall in the little kitchen hung in a stack, edge-to-edge and almost to the ceiling, featured two by Terry Frost, another from Breon O'Casey was above the upright piano, there were landscapes in the bathroom and a 'gallery' corridor wall that she continually rehung with newer works: pieces by Fergus Hilton and her friends Jeremy Le Grice and Frank Phelan, her elder son Bo Hilton (also a painter) and a pair of striking paintings that she had bought as memorials to her old friend the painter Mary Stork. The picture store in the downstairs back room that was Roger Hilton's bedroom cum studio during the last years of his life was full up, too. 'If you're an artist, you're visual, so you usually paint walls white and have flowers and nice materials and things,' Rose said, describing her style.Rose was generous almost to a fault, and when she was not occupied with painting a steady stream of friends, fellow artists and curious visitors filled this hospitable house, art historians, collectors or the regulars of her weekly life drawing classes and older friends who arrived to talk and drink and join in with singing the chapel hymns she knew by heart around the piano that she had bought from the local pub and the fire in the Long Room.

Lot 540

Winifred BROCKLEBANK (1893-1963)A Vase of Poppies Oil on board Signed 53 x 43cm

Lot 691

A group of Michael TRUSCOTT studio potteryA small cut sided vase, a cycladic form vase and three other pieces

Lot 699

Bob BERRY SnrA large Raku vase of ovoid formHt 23cm

Lot 710

William MARSHALL (1923-2007)An important monumental stoneware vase of ovoid form with tenmoku glaze46cmImpressed personal seal(See illustration) Condition report: In good overall condition. Some inclusions in the clay, beneath the glaze.

Lot 718

Bob BERRY SnrA raku ovoid vase Height 20cm

Lot 719

Nic HARRISON A stoneware vase of traditional shape Tenmoku glaze and celadon rimHeight 34.5cm

Lot 1789

An ornate gilt framed oil on canvas, still life with vase of flowers - indistinctly signed

Lot 1003

An Aller Vale A1 Persian pattern double spouted and ring handled vase - sold with an Aller Vale QI slender jug knights head (chipped)

Lot 1013

An early 20th Century Doulton Lambeth Slater's Patent baluster vase with piped peony decoration, initialed LB - height 11"

Lot 1025

An art glass smoky vase

Lot 1035

An art glass ruby vase - sold with a shell shaped dish and an opaque pedestal vase

Lot 1036

An old Noritake baluster vase with castle in landscape within bands of gilt detailing

Lot 1051

A Dutch Amoon Royal Zuid Gouda decorative bulbous vase - 3451

Lot 1053

Two Royal Doulton figures comprising Charlotte HN2421 and June HN2991 - sold with a Benaya dress pattern vase, four further figures, etc.

Lot 1057

An antique Chinese baluster vase with five air dragons fighting over a flaming pearl before a crashing wave background, in polychrome palette, obscure mark to base - heavily damaged top with some pieces remaining

Lot 1070

A box of glassware including decanters, vase, etc.

Lot 1105

A Radford jug - sold with a SylvaC vase and three further vases, etc.

Lot 1125

A small mid 20th Century Moorcroft Columbine pattern vase with paper label to base

Lot 187

Set of Graduated Jugs and Blue and White Vase

Lot 365

Lidded Glass Storage Jar and Brass Vase

Lot 106

Siddy Langley (British, b.1955), a contemporary studio glass ovoid vase in ochre mottled glass with fluid striations of caramel and yellow glass, signed and dated 1998, h18cmSiddy Langley was apprenticed to Peter Layton at the London Glass Blowing Workshop in 1979, before opening her own studios in Maidenhead in 1987, and subsequently in Devon..

Lot 110

Siddy Langley cylindrical studio glass vase with flared rim, in clear glass with blue and purple fluid trails, signed and dated 1994, h24cm and a Greenhalgh, Derbyshire studio glass bowl decorated in tones of green and blue, signed, h10cm (2 in lot)Siddy Langley was apprenticed to Peter Layton at the London Glass Blowing Workshop in 1979, before opening her own studios in Maidenhead in 1987, and subsequently in Devon..

Lot 111

Peter Layton stoneform vase, in a mottled palette of predominantly greens, blues and browns, cased in clear glass, signed, h13.5cm x w19cm.Peter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. . Overall condition good. No faults found.

Lot 112

Peter Layton studio glass vase with amber bands within a deep blue ground, signed, h25cmPeter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. . Overall condition good. No faults found.

Lot 113

Peter Layton Ariel tall Stoneform vase, decorated with deep caramel and ochre trails over a deep blue ground heavily cased in clear glass, signed, h31cm x w16cm.Peter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. . No cracks, chips or evidence of grinding

Lot 114

Peter Layton Ariel vase, decorated with deep caramel and ochre trails over a deep blue ground heavily cased in clear glass, signed, h14cm x w7cm.Peter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. .

Lot 115

Peter Layton Mirage vase of ovoid form decorated with red swirls below a pale blue rim, signed, h26cm x approx w21cm. Peter Layton Glass is probably one of the most well-known names in British Studio Glass Artistry, and has produced glass since establishing the Peter Layton Glass Studio and Gallery in 1976. . Overall condition good. No faults found.

Lot 119

Studio glass ovoid vase with bands of amber and green glass, signed indistinctly, possibly 'Mathew', h23cm..

Lot 122

Moorcroft buttercup vase by Sally Tuffin,1990's, green marks to base, 18 x 20 cm . In good overall condition without any detected chips, cracks or restoration. Glaze crazing throughout.

Lot 123

Moorcroft parrot and lemons vase and a blackberry pattern jug, tallest 20 cm . No chips, cracks or restoration detected. Glaze crazing throughout.

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