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Lot 160

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1905, baluster form, the mushroom glazed tocky body with sang de boeuf splashes with green and turquoise spots, impressed factory mark and date, 16cm. high Provenance A private collection of Ruskin Pottery

Lot 161

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1923, shouldered form with collar rim, covered in a rich sang de boeuf glaze over silver, with turquoise splashes, impressed factory mark and date, chip to base rim, 15cm. high Provenance A private collection of Ruskin Pottery.

Lot 162

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1926, swollen form, covered in sang de boeuf and purple glaze with turquoise splashes, impressed factory mark and date 14.5cm. high Provenance A private collection of Ruskin Pottery.

Lot 164

A Holyrood Pottery vase, shouldered drum form, covered in a pink glaze speckled with pale blue impressed factory mark, 11.5cm. high

Lot 167

A Minton Secessionist pottery floor vase designed by Leon Solon and John Wadsworth, shouldered form, decorated in low relief with stylised flower stems in blue and green on a pale green ground incised number, impressed marks and printed Minton mark, stress lines to the neck, 47cm. high

Lot 168

'Tudor Rose' a Moorcroft Pottery vase designed by William Moorcroft, retailed by Liberty & Co, swollen cylindrical form, painted with stylised Art Nouveau flower stems in blue, green and flambe red, on a turquoise ground, printed Liberty & Co mark, painted green signature, professional restoration, 14.5cm. high

Lot 17

A rare Art Nouveau Guerchet silver mounted enamelled glass vase, baluster form, the silver foot cast in low relief with foliage spray rising to overlay the body with violet flower stems, the glass body enamelled with similar violets in blue and green, highlighted in gilt on a textured ground stamped Guerchet to foot, 12cm. high

Lot 170

'Violets' a James Macintyre & Co miniature vase designed by William Moorcroft, swollen cylindrical form, tubeline decorated in blue and green on a white ground, printed factory mark, painted green signature, professional restoration to top rim, 7.5cm. high Provenance Private collection.

Lot 176

'Fuchsia' a Moorcroft Pottery vase designed by Walter Moorcroft, shouldered form with collar rim, tubeline decorated with flower stems in purple, blue and green on a yellow ground impressed factory marks, painted blue signature, 31cm. high

Lot 179

A large Pilkington's Lancastrian Pottery vase by Richard Joyce, dated 1925, shouldered form with flaring neck, painted with a frieze of classical Greek warriors spearing a wild boar, between stylised foliage, in golden lustre on a blue and red ground, painted artist cipher and date, small chip to base rim, 41cm. high

Lot 179A

A Pilkington's Royal Lancastrian plate by Gladys Rogers, model no.3266, painted with radiating foliate design in turquoise on a grey ground, a Royal Worcester Salopian Ware bottle vase covered in a flambe glaze, a Gray's Gloria Lustre bowl painted fruit panels, A Howson's Pottery solifleur vase and eight other items impressed factory marks, painted artist cipher, 21cm. diam. (12)

Lot 18

An Art Nouveau Galle cameo glass solifleur vase designed by Emile Galle, tapering cylindrical yellow glass body with everted rim, overlaid with coral red glass, cameo decorated with berried foliage, cameo Galle signature to side, 13.5cm. high

Lot 182

An early Pilkington's Lancastrian Maiden vase designed by Walter Crane, shape no.2089, tall, shouldered form, modelled in low relief with three dancing classical maidens in a formal garden setting, glazed matt olive over orange impressed early P mark, 33.5cm. high Provenance The Bill Coles collection.

Lot 183

A Pilkington's Lancastrian vase, dated 1912, ovoid with everted top rim, covered in a mottled orange and ruby lustre glaze, the glaze trailing to form flower stem motif to the base, impressed Pilkington's mark and date code, 27cm. high Provenance The Bill Coles collection.

Lot 185

A Pilkington's Royal Lancastrian lustre pot and cover by Gladys Rogers, the footed bowl painted with laurel sprays, the cover with similar band and inscribed Amor Patriae Vincit, glazed in golden lustre on a blue ground, and a Pilkington's Lancastrian vase with shield panels, impressed marks, painted monogram, 13cm. high, (3) Provenance The Bill Coles collection.

Lot 186

A Pilkington's Lancastrian vase by William S Mycock, shape no.2153, compressed form with collar neck, painted with panels of berried laurel sprays alternating with simple leaf panels in golden lustre on a ruby ground impressed factory mark, painted artist cipher, 14.5cm. high Provenance The Bill Coles collection.

Lot 189

A pair of early Pilkington's Lancastrian vases, slender cylindrical form, covered in a streaked green glaze, a Pilkington's Lancastrian vase with a curdled turquoise glaze, and five other vases impressed marks, 21.5cm. high (8) Provenance The Bill Coles collection.

Lot 190

A Pilkington's Lancastrian vase, dated 1906, shouldered ovoid form, covered in a streaked lavender glaze, a tall Pilkington's vase with curdled blue glaze, a tall Pilkington's faceted, shouldered vase covered in a blue streaked glaze and five other Pilkington's items impressed marks, 9.5cm. high (8) Provenance The Bill Coles collection.

Lot 191

A Pilkington's Lancastrian vase, dated 1912, shouldered ribbed form, painted with rosehip sprays in dark blue on a mottled matt blue ground, another similar covered in a speckled in green, a vase modelled in low relief with fruiting vine by William S Mycock, glazed pale matt grey and three other vases, impressed factory marks, damages, 28cm. high (6) Provenance The Bill Coles collection.

Lot 192

An early Pilkington's Lancastrian vase, cylindrical with knopped neck, covered in an experimental running 'crystalline' glaze in shades of brown and yellow, another Pilkington's vase with speckled turquoise over pink glaze, another ovoid vase by Gladys Rogers and three other vases factory marks, 18cm. high, (6) Provenance The Bill Coles collection.

Lot 196

A Pilkington's Lancastrian vase, shape no.2821, shouldered form with pulled handles, covered in a streaked red glaze, another Pilkington's Lancastrian vase with aventurine glaze, a twin-handled dish with a 'Broken Ruby' glaze and six other Pilkington's pieces, impressed factory marks, 13.5cm. high (9) Provenance The Bill Coles collection.

Lot 197

An early Pilkington's Lancastrian vase, shouldered, fluted body with collar neck, covered in a running turquoise glaze, two smaller Pilkington's Lancastrian vases similar and another cast in low relief with a trefoil leaf design, impressed and printed marks, minor damages, 26.5cm. high (4) Provenance The Bill Coles collection.

Lot 199

A Pilkington's Royal Lancastrian Pottery vase, shouldered cylindrical form, cast in low relief with three lions, covered in a mottled orange glaze, another vase modelled in low relief with cockerel by William S Mycock, and a bowl decorated with a seagull by William S Mycock, impressed marks, cockerel vase smashed and re-stuck, 25cm. high, (3) Provenance The Bill Coles collection.

Lot 201

A Rookwood Pottery vase, shouldered ovoid form, painted with cyclamen flowers in orange on a graduated ochre ground, impressed factory marks, 900D, 16cm. high Provenance Andrew McIntosh Patrick Collection. The Fine Art Society.

Lot 202

A tall Art Nouveau Dutch pottery vase, shouldered form with tall cylindrical neck, painted with blue lily flower stems and stylised scrolling foliage, in colours painted mark and GS monogram, 35.5cm. high

Lot 203

An Art Nouveau Gouda Zuid Holland miniature twin-handled vase, painted with stylised foliage, five miniature solifleur vases, a miniature ewer, a miniature jug and two miniature bowls, painted marks, small chip to twin-handled vase, 10.5cm. high (tallest), (10)

Lot 218

A Royal Doulton stoneware vase by Francis Pope, baluster form, incised and painted with stylised poppy flowers, in blue, green and buff, the interior glazed pale pink, and a Doulton Lambeth stoneware bowl by Eliza Simmance, and a French Art Nouveau plate by D & Co, impressed marks, incised monogram, professional restoration to foot, 22cm. high (3) Provenance The collection of Pam and Mark Taylor.

Lot 219

A Royal Doulton stoneware vase by Frank Butler, waisted cylindrical form, tubeline decorated and applied with slip beadwork Art Nouveau design in blue, green and ochre, impressed factory mark, incised FAB monogram, 33cm. high Provenance The collection of Pam and Mark Taylor.

Lot 22

An Art Nouveau Daum Nancy enamelled glass vase, square section mottled yellow glass body enamelled in red and green with wallflowers, acid etched Daum Nancy mark, 12cm. high

Lot 222

A fine Royal Doulton stoneware vase by Frank Butler, cylindrical form with inverted rim, tubeline decorated with Art Nouveau flower stems in blue, green and brown impressed factory marks, incised FAB monogram 35.5cm. high Provenance The collection of Pam and Mark Taylor.

Lot 227

A Royal Doulton Sung vase by Charles Noke, swollen baluster form, painted with a flying exotic bird in shades of blue and lavender on a flambe ground printed factory mark, painted Noke signature and Sung, 14.5cm. high Provenance The collection of Pam and Mark Taylor.

Lot 23

An Art Nouveau Daum Nancy cameo glass vase, swollen cylindrical mottled yellow glass body cased with fruiting blackberry sprays in blue, acid cast Daum Nancy mark, 12.5cm. high

Lot 231

'Hazledene' a large Moorcroft Pottery vase designed by William Moorcroft and retailed by Liberty & Co, footed, tapering cylindrical form with everted top rim, tubeline decorated with tall trees in shades of green, blue and yellow painted green signature, printed Liberty & Co mark, small flat chip to foot rim. 25cm. high Provenance The collection of Pam and Mark Taylor.

Lot 25

A Louis Comfort Tiffany Favrile glass vase, twisted form with flaring top rim, and another Louis Comfort Tiffany glass vase with applied prunts with trails, applied paper label to top rim, etched L.C.T, losses to one trail on second vase, 12.5cm. high (2)

Lot 27

An Art Nouveau Loetz Phaenomen iridescent glass vase, shouldered cylindrical form with collar rim, surface decorated with golden lustre unsigned, 12cm. high

Lot 28

An Austrian Secessionist glass vase with wrought iron mount, slender, swollen green cylindrical glass body with enamelled black and white design, set in wrought iron foliate stand unsigned, 30cm. high

Lot 31

A Loetz glass vase, ovoid with waisted cylindrical neck, covered in a combed iridescence, unsigned, 20cm. high

Lot 32

A Loetz glass vase, tapering diamond section, applied prunts and trails, covered with a golden iridescence, 15.5cm. wide, 8.5cm. high

Lot 34

An Aesthetic Movement Wedgwood Vigornian vase, shouldered form with winged handles, the cylindrical neck with pierced design, the body acid etched with a crane wading in a wild pond, dragonflies resting on the reeds, covered in a brown glaze, unsigned, 35.5cm. high

Lot 357

A Birmingham Guild of Handicraft copper and brass vase and cover, swollen copper baluster shaped body on brass foot, the domed copper cover with brass finial, lightly hammered finish stamped BGH to base, 26cm. high (2)

Lot 37

A large Minton's floor vase in the manner of Dr Christopher Dresser, shouldered flaring form with fluted flaring neck, on tripod legs and circular base, printed with flowerhead bands in shades of yellow, brown and green on a white ground impressed marks, 2636, stress hairlines to neck, 56cm. high

Lot 377

A Liberty & Co Tudric pewter vase with Clutha glass liner, model no.0580, the pewter pierced and cast with foliate panels, stamped marks, 10.5cm. high

Lot 381

An Arts and Crafts William Hutton & Sons silver vase designed by Kate Harris, flaring cylindrical body with everted fluted rim, stamped in low relief with flower panels, on flat circular base decorated with stylised leaves in low relief, stamped marks, London 1900, weighted base, 19.5cm. high

Lot 41

An Aesthetic Movement Coalport vase, elliptical, cylindrical form applied with two dragon handles, printed and painted with stylised floral panels enamelled in colours on a pale blue ground, highlighted in gilt printed gilt mark, repaired damages, 22.5cm. high

Lot 448

A James Powell & Sons Whitefriars Minoan glass vase, swollen form, blue threaded on sea green glass, unsigned, 22cm. high Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons Richard Dennis Publications, page 121 plate 103 for a comparable vase illustrated,

Lot 450

A tall Stevens and Williams Brierley Hill glass vase, tapering cylindrical body with flaring neck, engraved with flowers on sinuous Art Nouveau stems unsigned, 39.5cm. high

Lot 451

'London Olympics 1948' a Dartington glass limited edition vase engraved by Nick Davey, flaring form on knopped ball stem and small circular foot, the body engraved with the Discobolus and Olympic rings, the reverse Big Ben, in original presentation box and with certificate, etched Dartington numbered 8 of 48, 38cm. high

Lot 453

A Moncrieff's Monart Ware glass vase, tall, swollen, shouldered form, pale blue glass graduating to pink with green and purple whorls and aventurine inclusions, unsigned, 27.5cm. high

Lot 455

A Peter Layton glass vase, flattened disc form, mottled pale blue, opaque and purple glass with surface decoration, and a glass Mirage perfume bottle and stopper by Peter Layton, etched Peter Layton, 17.5cm. high (3)

Lot 456

A Peter Layton glass solifleur vase, dated 1990, flat disc form with pulled, tall slender neck and everted rim, mottled blue with surface decoration, etched Peter Layton 1990, 23cm. high

Lot 457

A Mdina Glass fish vase designed by Michael Harris, dated 1983, flattened axe form with pulled solifleur neck, pale cream with brown striations, cased in clear etched Mdina 1983 to base, applied paper label to shoulder, 26cm. high

Lot 458

A Mdina glass Cut Ice Lollipop vase designed by Michael Harris, flattened disc form with pulled solifleur neck, mottled yellow and turquoise cased in clear with cut facets, another similar, a bottle vase and two vases and paperweights main unsigned, 19cm. high, (7)

Lot 461

A glass vase in the manner of Daum, flaring cylindrical form, pale pink glass cased in clear with air bubble inclusions and applied clear glass flanges, unsigned, 22cm. high

Lot 462

An Art Nouveau Baccarat acid-etched cameo glass vase, shouldered form with flaring conical neck, textured clear glass cased in pink, acid-etched with berried blossom sprays to body and neck, highlighted in gilt, with gilt rims, etched Depose, 30cm. high

Lot 47

A Doulton Burslem porcelain vase, slender, shouldered form with applied scroll handles, painted in colours with a portrait of a maiden, roundel inside gilt frame, on a red ground, printed factory mark, 22cm. high

Lot 48

A Royal Doulton Sung vase designed by Charles Noke, ovoid with collar rim, covered in a smoked turquoise and blue streaked glaze on a red flambe ground printed factory mark, painted Noke signature and FA monogram, 10.5cm. high

Lot 524

'Original Bizarre' a Clarice Cliff Bizarre trumpet vase, painted with a band of alternating green and orange diamonds, on blue, between orange, green and blue bands, a 'Scarlet Flower' Clarice Cliff biscuit barrel with electroplated cover and a Garland plate, printed factory marks, professional restoration to foot, 22.5cm. high (vase), (4)

Lot 536

A Wedgwood Butterfly lustre vase and cover designed by Daisy Makeig-Jones, slender baluster vase printed in gilt with large butterflies on a mottled orange lustre ground, and a Wedgwood lustre bowl decorated with Chinese symbols and the interior with three beetles, printed factory marks, vase old restoration to top rim bowl hairline crack, 28cm. high, (3) Provenance From the collection of Anne Makeig-Jones.

Lot 54

A C H Brannam Barnstaple Dragon vase by James Dewdney, dated 1895, ovoid with flaring neck, applied with two modelled dragon handles, the body slip decorated with stylised foliage panels, in green, blue and brown on a cream ground, and a tall C H Brannam vase with scroll handles dated 1905, incised marks and monograms, restoration, 23.5cm. high (dragon vase), (2)

Lot 55

A large C H Brannam Pottery vase by James Dewdney, dated 1894, ovoid with cylindrical neck, the neck applied with three looped handles to the neck, the body painted in slip with large scaly fish swimming amongst waterweed, in green, blue and brown on a cream ground incised marks, professional restoration, 34cm. high

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