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A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1923, shouldered form with collar rim, covered in a rich sang de boeuf glaze over silver, with turquoise splashes, impressed factory mark and date, chip to base rim, 15cm. high Provenance A private collection of Ruskin Pottery.
A Minton Secessionist pottery floor vase designed by Leon Solon and John Wadsworth, shouldered form, decorated in low relief with stylised flower stems in blue and green on a pale green ground incised number, impressed marks and printed Minton mark, stress lines to the neck, 47cm. high
'Tudor Rose' a Moorcroft Pottery vase designed by William Moorcroft, retailed by Liberty & Co, swollen cylindrical form, painted with stylised Art Nouveau flower stems in blue, green and flambe red, on a turquoise ground, printed Liberty & Co mark, painted green signature, professional restoration, 14.5cm. high
A rare Art Nouveau Guerchet silver mounted enamelled glass vase, baluster form, the silver foot cast in low relief with foliage spray rising to overlay the body with violet flower stems, the glass body enamelled with similar violets in blue and green, highlighted in gilt on a textured ground stamped Guerchet to foot, 12cm. high
'Violets' a James Macintyre & Co miniature vase designed by William Moorcroft, swollen cylindrical form, tubeline decorated in blue and green on a white ground, printed factory mark, painted green signature, professional restoration to top rim, 7.5cm. high Provenance Private collection.
A large Pilkington's Lancastrian Pottery vase by Richard Joyce, dated 1925, shouldered form with flaring neck, painted with a frieze of classical Greek warriors spearing a wild boar, between stylised foliage, in golden lustre on a blue and red ground, painted artist cipher and date, small chip to base rim, 41cm. high
A Pilkington's Royal Lancastrian plate by Gladys Rogers, model no.3266, painted with radiating foliate design in turquoise on a grey ground, a Royal Worcester Salopian Ware bottle vase covered in a flambe glaze, a Gray's Gloria Lustre bowl painted fruit panels, A Howson's Pottery solifleur vase and eight other items impressed factory marks, painted artist cipher, 21cm. diam. (12)
An early Pilkington's Lancastrian Maiden vase designed by Walter Crane, shape no.2089, tall, shouldered form, modelled in low relief with three dancing classical maidens in a formal garden setting, glazed matt olive over orange impressed early P mark, 33.5cm. high Provenance The Bill Coles collection.
A Pilkington's Royal Lancastrian lustre pot and cover by Gladys Rogers, the footed bowl painted with laurel sprays, the cover with similar band and inscribed Amor Patriae Vincit, glazed in golden lustre on a blue ground, and a Pilkington's Lancastrian vase with shield panels, impressed marks, painted monogram, 13cm. high, (3) Provenance The Bill Coles collection.
A Pilkington's Lancastrian vase by William S Mycock, shape no.2153, compressed form with collar neck, painted with panels of berried laurel sprays alternating with simple leaf panels in golden lustre on a ruby ground impressed factory mark, painted artist cipher, 14.5cm. high Provenance The Bill Coles collection.
A Pilkington's Lancastrian vase, dated 1906, shouldered ovoid form, covered in a streaked lavender glaze, a tall Pilkington's vase with curdled blue glaze, a tall Pilkington's faceted, shouldered vase covered in a blue streaked glaze and five other Pilkington's items impressed marks, 9.5cm. high (8) Provenance The Bill Coles collection.
A Pilkington's Lancastrian vase, dated 1912, shouldered ribbed form, painted with rosehip sprays in dark blue on a mottled matt blue ground, another similar covered in a speckled in green, a vase modelled in low relief with fruiting vine by William S Mycock, glazed pale matt grey and three other vases, impressed factory marks, damages, 28cm. high (6) Provenance The Bill Coles collection.
An early Pilkington's Lancastrian vase, cylindrical with knopped neck, covered in an experimental running 'crystalline' glaze in shades of brown and yellow, another Pilkington's vase with speckled turquoise over pink glaze, another ovoid vase by Gladys Rogers and three other vases factory marks, 18cm. high, (6) Provenance The Bill Coles collection.
A Pilkington's Lancastrian vase, shape no.2821, shouldered form with pulled handles, covered in a streaked red glaze, another Pilkington's Lancastrian vase with aventurine glaze, a twin-handled dish with a 'Broken Ruby' glaze and six other Pilkington's pieces, impressed factory marks, 13.5cm. high (9) Provenance The Bill Coles collection.
An early Pilkington's Lancastrian vase, shouldered, fluted body with collar neck, covered in a running turquoise glaze, two smaller Pilkington's Lancastrian vases similar and another cast in low relief with a trefoil leaf design, impressed and printed marks, minor damages, 26.5cm. high (4) Provenance The Bill Coles collection.
A Pilkington's Royal Lancastrian Pottery vase, shouldered cylindrical form, cast in low relief with three lions, covered in a mottled orange glaze, another vase modelled in low relief with cockerel by William S Mycock, and a bowl decorated with a seagull by William S Mycock, impressed marks, cockerel vase smashed and re-stuck, 25cm. high, (3) Provenance The Bill Coles collection.
A Royal Doulton stoneware vase by Francis Pope, baluster form, incised and painted with stylised poppy flowers, in blue, green and buff, the interior glazed pale pink, and a Doulton Lambeth stoneware bowl by Eliza Simmance, and a French Art Nouveau plate by D & Co, impressed marks, incised monogram, professional restoration to foot, 22cm. high (3) Provenance The collection of Pam and Mark Taylor.
A Royal Doulton stoneware vase by Frank Butler, waisted cylindrical form, tubeline decorated and applied with slip beadwork Art Nouveau design in blue, green and ochre, impressed factory mark, incised FAB monogram, 33cm. high Provenance The collection of Pam and Mark Taylor.
'Hazledene' a large Moorcroft Pottery vase designed by William Moorcroft and retailed by Liberty & Co, footed, tapering cylindrical form with everted top rim, tubeline decorated with tall trees in shades of green, blue and yellow painted green signature, printed Liberty & Co mark, small flat chip to foot rim. 25cm. high Provenance The collection of Pam and Mark Taylor.
A large Minton's floor vase in the manner of Dr Christopher Dresser, shouldered flaring form with fluted flaring neck, on tripod legs and circular base, printed with flowerhead bands in shades of yellow, brown and green on a white ground impressed marks, 2636, stress hairlines to neck, 56cm. high
An Arts and Crafts William Hutton & Sons silver vase designed by Kate Harris, flaring cylindrical body with everted fluted rim, stamped in low relief with flower panels, on flat circular base decorated with stylised leaves in low relief, stamped marks, London 1900, weighted base, 19.5cm. high
A James Powell & Sons Whitefriars Minoan glass vase, swollen form, blue threaded on sea green glass, unsigned, 22cm. high Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons Richard Dennis Publications, page 121 plate 103 for a comparable vase illustrated,
'London Olympics 1948' a Dartington glass limited edition vase engraved by Nick Davey, flaring form on knopped ball stem and small circular foot, the body engraved with the Discobolus and Olympic rings, the reverse Big Ben, in original presentation box and with certificate, etched Dartington numbered 8 of 48, 38cm. high
'Original Bizarre' a Clarice Cliff Bizarre trumpet vase, painted with a band of alternating green and orange diamonds, on blue, between orange, green and blue bands, a 'Scarlet Flower' Clarice Cliff biscuit barrel with electroplated cover and a Garland plate, printed factory marks, professional restoration to foot, 22.5cm. high (vase), (4)
A Wedgwood Butterfly lustre vase and cover designed by Daisy Makeig-Jones, slender baluster vase printed in gilt with large butterflies on a mottled orange lustre ground, and a Wedgwood lustre bowl decorated with Chinese symbols and the interior with three beetles, printed factory marks, vase old restoration to top rim bowl hairline crack, 28cm. high, (3) Provenance From the collection of Anne Makeig-Jones.
A C H Brannam Barnstaple Dragon vase by James Dewdney, dated 1895, ovoid with flaring neck, applied with two modelled dragon handles, the body slip decorated with stylised foliage panels, in green, blue and brown on a cream ground, and a tall C H Brannam vase with scroll handles dated 1905, incised marks and monograms, restoration, 23.5cm. high (dragon vase), (2)
A large C H Brannam Pottery vase by James Dewdney, dated 1894, ovoid with cylindrical neck, the neck applied with three looped handles to the neck, the body painted in slip with large scaly fish swimming amongst waterweed, in green, blue and brown on a cream ground incised marks, professional restoration, 34cm. high
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653685 item(s)/page