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Lot 1361

A Ruskin high fired vase, 1924, shouldered form, red and purple glaze, impressed marks, 25cm high

Lot 1273

Pilkington, three Royal Lancastrian vases, 1906 to 1909, including double gourd shouldered vase in blue opalescent curdled glaze, an ogee onion form example in the same semi iridescent glaze and a shouldered semi lustre powder green ovoid shouldered vase, impressed marks, 2445, 2495, 2513, 13cm high (3)

Lot 112

Tiffany and Co., an Aesthetic Movement mixed metal vase, in the Japonesque style, circa 1876, modelled as a hanging vessel, the cylindircal copper body overlaid with silver climbing plant and butterfly, knotted rope effect support and hanging ring, stamped marks, 582, pattern number 4568, 19.5cm high

Lot 1293

Pilkington, a Royal Lancastrian mottled ruby lustre vase, 1910, inverse baluster form with elongated flared neck, speckled iridescent red copper glaze, impressed marks, 2888, 22cm high

Lot 662

Three Victorian glass vessels, Stourbridge, circa 1890s, including cased opaque and aventurine included jug, of gourd form with crimped rim and naturalistic amber coral handle, cranberry and opaque collared hyacinth vase and Richardson type opaque trailed and tooled petal footed bowl, 22.5cm high (3)

Lot 1106

William Moorcroft for James MacIntyre, a Green and Gold Florian Ware vase, circa 1903, shouldered ovoid form with narrow neck, printed mark and underglaze green monogram, 22cm high

Lot 1510

A Royal Doulton seriesware vase, circa 1920, All Black cricket team, I Wasn't Ready, 9.5cm high

Lot 1178

Henry Stacy Marks (attributed) for Minton Art Pottery, Kensington Gore, a faience vase, 1870, shouldered form, painted with King David and St Cecilia with a band of musicians, monogram possibly Edward Hammond, impressed and printed marks, 36.5cm high

Lot 455

A Pair of Chinese Spinach Green Jade Carved Bird Vases, cirac20th century, the carved stylised phoenix bird with square stepped funnel vase with leaf and scroll decoration, raised on carved wooden bases, losses to bases, 17cm high (2)

Lot 1342

A Ruskin high fired twin handled vase, circa 1925, cylindrical shouldered form with angled handles, green speckled over purple, red and grey galze, impressed marks, 25.5cm high

Lot 1317

Eric Bridges for Pilkington, a Royal Lancastrian miniature lustre vase, circa 1937, shouldered form, thick iridescent drip glaze over red, impressed marks and monogram, 7cm high

Lot 1391

Carter, Stabler and Adams, a Poole PB vase, shaped cylindrical form, impressed marks, 18.5cm high

Lot 1115

William Moorcroft for James MacIntyre, an Aurelian Cornflower vase, circa 1897, elongated inverse baluster form, printed marks, 31cm high

Lot 721

Rene Lalique, a St Emillion glass vase, model 10-939, designed circa 1942, blue stained, acid etched R Lalique France, 25.2cm high

Lot 1164

William Moorcroft, a small Pansy on white vase, circa 1916, inverse baluster form, impressed Burslem mark and underglaze green monogram, 10cm high

Lot 1066

Anji Davenport for Moorcroft, a Queen of the Night, Moorcroft Collectors Club vase, 2001, squat ovoid form, impressed marks and signed, 11.5cm high

Lot 956

A Herend porcelain pedestal vase and cover, circa 1890, Vienna style tooled gilt and painted panels, incised and printed marks, 12.5cm high

Lot 1163

William Moorcroft, a Moonlit Blue vase, circa 1925, small baluster form, impressed and painted marks, 8.8cm high.

Lot 1114

William Moorcroft for James MacIntyre, a Florian Ware Dianthus vase, circa 1899, ovoid form, printed mark and incised monogram, 22cm high

Lot 1069

Shirley Hayes for Moorcroft, a large Venice by Night limited edition vase, 2001, angled baluster form, 5 of 5, impressed marks and signed, 47.5cm high

Lot 1162

William Moorcroft, a Moonlit Blue vase, circa 1925, baluster form, impressed and painted marks, 13cm high.

Lot 1014

Olivier de Sorra for Pierrefonds, an Art Nouveau vase, circa 1905, dimpled bottle form, cut with peeled lappet segments to the shoulder, streaky crystalline glaze, impressed marks 5, 25.5cm high

Lot 611

Oliver Baker for Liberty and Co., a Tudric pewter and Conamara marble vase, model 045, footed conical form with twin handles to the base, set with cabochon stones to each side, stamped marks, 20cm high

Lot 1331

Charles Noke for Royal Doulton, a Sung glazed vase, circa 1920, painted with deer standing beneath a tree in the sunset, printed and painted marks 17cm high

Lot 1403

William Staite Murray, a small studio pottery vase, shouldered cylindrical form, purple tinged blue gray glaze, impressed mark, 9cm high

Lot 1128

William Moorcroft, a Claremont vase, circa 1920, inverse baluster form, impressed marks and underglaze blue signature, 16.5cm high

Lot 1301

Pilkington, a Royal Lancastrian Transmutation glazed vase, circa 1900, elongated double gourd form, green fruit skin draining to drip, the rim with red purple colouration, incised P mark, 22.5cm high Note: illustrated in the Graves Catalogue of Pilkington pottery, figure 9.

Lot 993

Louis Etienne Desmant, a French faience Bayeux Tapestry lustre vase, circa 1890, twin handled double gourd form, relief moulded angled handles, painted with Duke William about to embark on the ships to England, the reverse with a bird, highlighted in silver lustre, incised marks Subles Normandie, 19cm high

Lot 1503

J H Plant for Royal Doulton, a scene painted vase and cover, twin handled footed urn form, views of Venice, RA7090, within heavily gilded cobalt blue ground, signed, 15cm high

Lot 1381

Daisy Makeig Jones for Wedgwood, a Hummingbird lustre vase, Z5294, ovoid form with cupped neck, gilt marks, 13cm high

Lot 1255

A Burmantofts Faience art pottery vase, double gourd form, press moulded daisy and tulip leaf design in the Art Nouveau style, treacle glazed, 29cm high

Lot 1064

Paul Hilditch for Moorcroft, a Hesperian Crown Imperial limited edition vase, Moorcroft Collectors Club 2010, baluster form, 64 of 150, impressed marks and signed, 14cm high

Lot 1147

William Moorcroft, a Pomegranate vase, circa 1916, elongated cylindrical form, impressed Burslem marks, painted green signiature, 17.5cm high

Lot 1417

A Native American Santa Clara type black ware pottery marriage vase, double spouted, carved with geometric design to each side, 35cm high

Lot 1187

Christopher Dresser (attributed), an art pottery turquoise glazed vase, circa 1880, shouldered conical form with flared neck, lace moulded floral design to the body below a gadrooned border, incised H mark, 19cm high

Lot 732

Rene Lalique, a Chamonix glass vase, model 1090, designed circa 1933, opalescent, acid mark R Lalique, France, 15.3cm high

Lot 708

Loetz, a Secessionist iridescent glass Olympia vase, circa 1896, shouldered ovoid form with everted rim, pale green and purple lustre, 10cm high

Lot 427

A Chinese Famille Rose Decorated Porcelain Vase, Guangxu mark, the red ground with turquoise rim, bearing label saying Ching Kuang Hsli mark to base, 40.5cm high

Lot 1472

Walter Powell for Royal Worcester, a mask handle vase of slender ovoid form, painted with storks in a desert oasis watering hole, the neck and foot with moulded rope twist band and burnished gilding, signed W. Powell, puce printed factory and date code for 1910 and shape number 1410, 28cm high

Lot 419

A Chinese Export Famille Vert Rouleau Shaped Vase, circa 20th Century, decorated in coloured enamels with rose scrolling chrysanthemum borders interspersed with vase motifs, the two panels with scenes of huntsmen on horseback chasing deer and hare to one side and emperor to the other with bearers on horseback, printed mark to base, 42cm high

Lot 1404

William Staite Murray, a small studio pottery vase, shouldered inverse baluster form, circa 1924, brown glaze over red earthenware, impressed mark and incised date, 9cm high

Lot 1435

A pair of Spode Copeland vases, circa 1920, baluster form with twin handles, hand painted with sprays of roses and gilt on a lilac border, signed J. Worrall, alon with a Wedgwood vase signed J. H Plant tallest 27cm (3)

Lot 1132

William Moorcroft, a large Pomegranate on blue vase, circa 1928, footed trumpet form, impressed marks and underglaze blue signature, 31cm high

Lot 1124

William Moorcroft, a Pomegranate on ochre vase, circa 1916, conical ovoid form, impressed Burslem marks and underglaze green signature, 15.5cm high

Lot 1043

Rachel Bishop, Moorcroft for Liberty and Co., a Tudric Dream limited edition vase, 2005, shouldered form, 15 of 50, impressed marks and gilt signature, 22.5cm high

Lot 1068

Emma Bossons for Moorcroft, a Spirit of Liberty limited edition vase, 2001, ovoid form, 81 of 200, impressed marks, 37cm high

Lot 1276

Pilkington, three Royal Lancastrian small vases, circa 1906 to 1908, including opalescent veined square section shouldered vase, 2461, 2332 and 2344 in streaky glazes, 7.5cm to 17cm (3)

Lot 1050

Rachel Bishop for Moorcroft, a large Seagull limited edition vase, 2004, shouldered form, 5 of 15, impressed marks and signed, 53cm high

Lot 1015

Olivier de Sorra for Pierrefonds, a large Art Nouveau twin handled vase, circa 1900, globe and shaft form with buttress handles, crystalline specked green glaze over yellow, impressed marks, 390, 40.5cm high

Lot 1445

A Royal Worcester blush ivory ground figure group vase, circa 1888, after a model by James Hadley, modeled as a boy and girl drinking water at a well, gilt highlights, puce printed factory mark and impressed marks including shape number '813' to base, 18cm high

Lot 1052

Rachel Bishop for Moorcroft, a Phoenix or Peacock Feathers vase, 1996, baluster form, impressed marks, painted by Anji Davenport, 16cm high

Lot 1013

Alphonse Cytere for Rambervillers, two Art Nouveau lustre mugs, conical and ribbed barrel forms, and a lustre vase of cuboid form, relief moulded, impressed marks, 11.5cm high (3)

Lot 1080

Walter Moorcroft, a large Hibiscus vase, circa 1960s, elongated ovoid form, red and yellow on blue, impressed marks, Late Queen Mary sticker, 38cm high

Lot 1223

A Martin Brothers vase, circa 1890, baluster twin handled form, decorated with birds in foliage, inscribed Martin London, 8.5cm high

Lot 1401

Bernard Leach, a St Ives studio pottery vase, ovoid form, incised combed L decoration, impressed seal marks, 10cm high

Lot 1328

Hilda Carter for Bernard Moore, a flambe prunus vase, inverse baluster form, painted in the round, monogram and marks, 25cm high

Lot 1117

William Moorcroft for liberty, a Prunus vase, circa 1908, a waisted form, impressed and painted marks, 30cm high.

Lot 1047

Rachel Bishop, Moorcroft for Liberty and Co., a Solomon limited edition vase, 2004, narrow neck baluster form, 75 of 150, impressed and printed marks, signed in gold, 23.5cm high

Lot 1060

Rachel Bishop for Moorcroft, a Snowdrops trial vase, 2002, footed trumpet form, variation of the Nivalis pattern, impressed marks, 16cm high

Lot 1071

Rachel Bishop for Moorcroft, a Blue on Blue vase, 2003, ships decanter form, impressed marks, 24cm high

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