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A collection of Doulton Lambeth Silicon ware items to include vases, a candle stick, snuff pot and a vase together with Royal Doulton stoneware vases with artist's monograms to base. Tallest 15.5cm. In good condition with no obvious damage or restoration with some minor damages.
A collection of mainly two-tone stoneware to include a Doulton Lambeth jug for E. Johnson & Co Alnwick, a matchstick holder with a threaded rim, a low shouldered stoneware vase with floral relief, an ashtray 'made only for Watson and Co Salisbury' and a matchstick holder with hallmarked silver rim depicting traditional scenes (5). In good condition with no obvious damage or restoration.
A 1908 Royal Worcester porcelain vase, of cylindrical form, hand painted with roses and signed by W H Austin, shape No 2510, 14.5cm high, together with another smaller, decorated by E Townsend, 11cm high, and a beaker shaped vase, decorated by H Ayrton, shape No G 923, 11.5cm high (3)Condition report: Townshend vase with two very fine hairlines.Otherwise no apparent faults.
A 1911 Royal Worcester porcelain twin handled pedestal urn, decorated with roses, shape No 2736, 19cm high, together with a Hadley's Worcester vase and cover, decorated with peacocks, shape No F 106, 19cm high (2)Condition report: Urn – no apparent faults.Vase and cover – finial to cover is restored, vase with no apparent faults.
A 1919 Royal Worcester porcelain vase, of globular form, hand-painted with sheep within a landscape, signed by Harry Davis, printed puce mark to the underside, shape No. F126, h.10cm (note; cut down at neck)Condition report: Neck gone and break is clearly visible.Slightly grubby.Otherwise good.
A 1915 Royal Worcester blush ivory ewer, relief decorated a lizard to the basket weave body, the handle in the form of antlers, printed puce mark verso, shape No 1714, 15.5cm high, together with a Royal Worcester blush ivory vase, hand painted with flowers, printed puce mark verso, shape No 1538, Rd No 176650, 17.5cm high (2)
An early 20th century Art Nouveau inspired mantle clock; shaped mahogany case with boxwood marquetry emanating from a vase below, white enamel dial with Arabic numerals signed 'Greatbatch, Birmingham', gilded movement and together with key (25.5cm high) Condition Report: At present the clock is not working - it does wind but would benefit from a complete service
A large fireside pottery model of a Scottish Terrier holding a golf ball and a Royal Doulton figure, 'The Master' (damaged/repaired). Together with two pieces of treen: an elephant with calves and an Oriental-style tripod vase stand (4)Condition Report: There is some paintwork away to the tail and lower sides and a very small chip to the top of the right ear, the golf ball has been restored.
A set of five clear-glass hock glasses with air-twist stems (18cm high) and six coloured glass hocks of varying cuts and colours (the tallest 19.5cm). Also to include a gilt-decorated blue-glass vase with metal rose, an antique-style vase in ewer form and a two-handled frosted glass vase (10cm high)
the salt-cellars each in the form of a classical vase and on square base, the lower body part-fluted, each with two bifurcated branch cast handles and with conforming blue glass liners, the mustard-pot similarly formed and with detachable cover and associated blue glass liner, each engraved on both sides with a crestThe crest is that of Lambert as borne by the Lambert baronets, probably for Sir Henry John Lambert, 5th Baronet (1792-1858). In 1821 Lambert married Anna Maria Foley, the granddaughter of Thomas Foley, 1st Baron Foley of Kidderminster.12.5cm wide over handles, weight of silver 57oz 16dwt, 1,798grProvenance:Probably commissioned by Sir Henry John Lambert, 5th Baronet (1792-1858) to celebrate his marriage to Anna Maria Foley in 1821 and by descent. Property from a Private House, St Judes, Isle of Man (Lots 2231-2252 and 2254-2267).Condition report: Each marked near rim. There is wear to the marks overall. There is overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points and the engraving. The blue glass liners have some chips and one is cracked. They are possibly later.
pear-shaped and on spreading foot, the hinged cover with vase-shaped finial, engraved with a crest, with later ivory insulated silver handle32cm high, gross weight 31oz 16dwt, 989grProvenance: Property from the Estate of Ian Stephenson, The Laithes, Penrith (lots 2277-2324).Condition report: Marked underneath. The cover and handle each apparently unmarked. There is overall surface scratching and wear, consistent with age and use. The handle is later, probably replacing a carved wood handle. There are some shallow bruises.
each campana shaped and on spreading foot with beaded silver mount, the antico rosso marble bodies with silver mounts, the mounts on the lower body stamped with foliage and with bearded mask handles, the applied rims with fruiting grapevines, one side on each applied with a coat-of-arms within foliage scrollsThe arms are those of Astley quartering another as borne by the Astley Baronets of Hill Morton, almost certainly for Jacob Astley, 6th Baronet and later 16th Baron Hastings.32.5cm highProvenance: Sotheby's, London, 10 May 2016, lot 40.Footnote: Catalogue Note: Samuel Jackson seems to have specialised in mounting other materials in silver to produce wine-coolers. Besides the present examples are a pair of frosted glass examples mounted in silver-gilt, each in the form of the Warwick vase and hallmarked for 1825 (Sotheby's, London, 13 April 2011).
A Pair of Japanese Black Lacquer Mounted Ivory Tusk Vases on Stands, Meiji period, the vases carved and stained with apes and insects on quatrefoil scroll carved stands gilt with beasts and foliage on four scroll feet and peripheral stretcher, 62cm highCondition report: One vase broken off from mount and with associated cracks and losses. Some typical staining, splitting and surface wear.
~ A Regency Mahogany and Ebony-Strung Sideboard, early 19th century, of D shape form, the brass back rail with turned vase finials above a reeded edge and recessed arched kneehole drawer flanked by a cupboard door and pivoting lead-lined cellaret drawer, on square tapering legs, 184cm by 76cm by 138cm
{} A Royal Worcester Porcelain Vase and Cover, 1910, of baluster form with pierced cover and scroll handles, painted with rose sprays within moulded and gilt borders, printed mark in green, 34cm highCondition report: The fineal with a chip to the very tip, and reglued to the cover, no further damage or repair, typical minimal wear,
{} A Royal Worcester Porcelain Twin-Handled Vase and Cover, by Terry Nutt, 2nd half 20th century, of ovoid form, painted with a still life of fruit on a mossy bank within gilt borders, signed, printed mark in black, 21cm highCondition report: Typical minimal surface wear.
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653833 item(s)/page