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Lot 240

A Chinese style inverted baluster floor vase, decorated in blue glass on a buff ground with trailing foliage and a similar example in black glaze. 31' high

Lot 212

An Italian maiolica tin glazed globular vase painted in blue, manganese and ochre with a Roman soldier on a yellow ground. 9' high. Rim and glaze chips

Lot 26

An oriental style square form jar and cover 18' high and a yellow glazed vase

Lot 326

A Victorian vaseline glass epergne, hung with two glass baskets on scrolled clear glass cane supports 22½' high. Centre trumpet vase with star crack.

Lot 316

A silver pepperette, mustard pot, salt, bud vase and six spoons, 10ozs 12dwts weighable

Lot 220

A 20th century Japanese inverted baluster vase painted in reserves with figures in a garden, 12½' high. Chip to base

Lot 49

[§] VICTORIA CROWE O.B.E., R.S.A., R.S.W., A.R.W.S. (SCOTTISH B.1946) ENCLOSED GARDEN Signed, oil on canvas 102cm x 126cm (40in x 49.5in) Exhibited: Royal Scottish Academy, Annual Exhibition, 2006 Note: Victoria Crowe is one of Scotland's most significant living artists. Her ability to skilfully weave together landscape, portraiture, still life, and interiors make her artwork both highly desirable and instantly recognisable. She has achieved international status and recognition due to many high-profile exhibitions and notable commissions, including portraits of poet Kathleen Raine, composer Thea Musgrave, Professor Peter Higgs, a double portrait of the Duke and Duchess of Buccleuch, and HRH Prince Charles. Crowe began her artistic career at the age of 16 when she attended Kingston School of Art, followed by the Royal College of Art, London. Robin Philipson, who was then head of the Edinburgh College of Art, saw her degree show in 1968 and immediately offered her a teaching post in Edinburgh, where she subsequently taught drawing and painting for thirty years. She also took over the botanical drawing class upon Elizabeth Blackadder's retirement. Crowe has noted that she uses plant imagery as 'ciphers and symbols within a greater whole,' which means that her flower paintings operate simultaneously as abstract objects, as depictions of our known environment and as a symbolic language. Her works often begin as observations of the natural, visible world, before becoming layered with symbols and meditations on time, memory, and imagination. Enclosed Garden was exhibited as part of the RSA Annual Exhibition in 2006 and already hints at Crowe's curiosity about our relationship with plants and the settings in which we enjoy them, as well as the timelessness and endurance of nature. The calming, cool blue of the painting shows Crowe's sensitive control of colour and transports the image to an imaginary time and place. The painting is divided between the warmer interior tones on the left and the cold, harsh light of winter's day on the right. Behind the textured surface, we are offered a shaded glimpse at concealed images and decorative details, once again highlighting the painting's variations in depth, both real and illusory. As one of her more layered compositions, Crowe explores the fluidity and the boundaries of physical space, while also capturing the simplicity of symbolic details. On the right side of the painting, wild swirling twigs in a blue vase echo the barren branches of the trees directly behind it. It is as if the man-made vase is attempting to control the natural world it holds within, but chaos erupts like a trumpet blaring. The vegetation almost melds together, challenging the viewer's perception of space and twisting the realms of interior and exterior, reality and illusion. Enclosed Garden can be seen as a gateway painting to her 2007 exhibition Plant Memory. The exhibition was the product of a conversation between Crowe and Professor David Ingram of St Catharine's College, Cambridge (and formerly Regius Professor of the Royal Botanic Garden, Edinburgh) whilst she painted his portrait. The collaborative research project, which saw artist and scientist working together, centred around the use of living and preserved specimens in Botanic Gardens, Museums, Herbaria and Libraries in Cambridge, Edinburgh and Venice. Today, Crowe is represented in a large number of private and public collections. She has recently exhibited extensively, with simultaneous shows at the Scottish National Portrait Gallery and the Scottish Gallery (Edinburgh International Festival) in 2018, followed by a major lifetime retrospective at the City Art Centre in Summer 2019. She divides her time working and living in Venice and the Scottish Borders.

Lot 87

[§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) FLOWERS IN A VASE Signed, oil on canvas, unframed 102cm x 76cm (40in x 30in)

Lot 380

Mdina Glass vase, 20th Century blue and green colourway 11cm high

Lot 346

Whitefriars Glass vase zig zag form, pewter colourway 15cm high

Lot 375

Early 20th century Small glass vase green and blue mottled iridescent finish 9cm high

Lot 365

Loetz Small glass vase, Art Nouveau period iridescent finish with naturalistic form silver coloured7cm high

Lot 273

Aase Haugaard (Danish, b1956) Stoneware vase incised leaf and turtle pattern, wood fired potters mark to underside 17cm high

Lot 372

Louis Comfort Tiffany (early 20th Century) Glass vase blue swirl iridescent finish Inscribed "L.C.T." to base 26cm high

Lot 299

Studio Pottery Two stoneware jugs and a vase various glazes tallest 29cm high (3)

Lot 297

Studio Pottery Large stoneware vase hand painted linear decoration in three band blue and white colourway 35cm high

Lot 288

Royal Doulton Flambe vase decorated with a landscape with shepherds impressed number and factory mark to base 24cm high

Lot 351

Whitefriars Footed vase tangerine original label to side 18cm high

Lot 284

Katherine Pleydell Bouverie (1895-1985) Stoneware vase incised linear pattern under a deep green glaze impressed potter's mark to underside 8cm high

Lot 384

Scandinavian school Blue glass vase, 20th Century fluted form 25cm high

Lot 366

Loetz Small glass vase, Art Nouveau period iridescent finish with linear form silver coloured9cm high

Lot 286

Studio Pottery Vase by Donald Glanville, sculpture of a horse and dish each with impressed potter's mark dish 27cm across (3)

Lot 282

Katherine Pleydell Bouverie (1895-1985) Stoneware vase incised decoration under a clear glaze impressed potter's mark to bottom 11cm high

Lot 261

Troika pottery Stoneware vase square form with linear and circular decoration, in brown blue and orange colourway handwritten potter's mark to underside 21cm high

Lot 370

Émile Gallé (1846-1904) Glass cameo vase, purple overlay of flowers on a white ground cameo signature to neck 11cm high

Lot 410

Giles Jones (British 20th Century) Glass vase pink and frosted decoration inscribed signature to underside 15cm across

Lot 339

Contemporary Pottery Vase by Ray Hoole, miniature vase and footed bowl various glazes each with impressed potter's mark to underside largest 17cm across (3)

Lot 424

Svenskt Tenn Pewter vase circular form factory marks to base 16cm high

Lot 356

Per Lutken for Holmegaard (Danish 1916-1998) 'May Green' glass vase inscribed factory marks to base 20cm high

Lot 295

Studio Pottery Bowl by Toff Milway, small vase by Nick Harrison and small jug by Derek Emms various glazes, each with impressed potter's mark to underside bowl 20cm across (3)

Lot 404

British Art Glass Small globular vase yellow lustre finish 14cm high

Lot 266

Mari Simmulson for Upsala-Ekeby (Swedish, mid 20th Century) Stoneware vase stamped decoration with two tone glaze potter's incised marks to base 15cm high

Lot 409

Carlo Moretti (Italian 20th Century) Glass vase green and blue colourway inscribed signature to bottom 27cm high

Lot 289

Attributed to St Ives Pottery Small ceramic vase multi coloured burnished glaze potter's mark to underside 11cm high

Lot 405

Siddy Langley (b. 1955) Small glass vase, 2006 gold streaks on a purple lustre finish signature and date to base 8cm high

Lot 281

Katherine Pleydell Bouverie (1895-1985) Stoneware vase incised decoration under a turquoise glaze impressed potter's mark to underside 13cm high

Lot 360

René Lalique Glass "Rampillon" vase hand engraved "R LALIQUE FRANCE No 991" to base 13cm high

Lot 313

Phil Rogers (b. 1951) Stoneware vase square form with pale green mottled glaze and linear decoration impressed potter's mark to underside 24cm high

Lot 311

Michael Casson (British 1925-2003) Stoneware vase banded salt glaze impressed potter's mark to underside 14cm high

Lot 355

Art Glass Vase, 20th Century inset with blue centre and orange swirl signed "Jan Exmar Calif. USA" to base 13cm high

Lot 292

Winchcombe pottery Two mugs, teapot, vase and three jugs various glazes each with impressed studio mark tallest 27cm high (7)

Lot 382

British art glass Vase blue and gold lustre finish Norman Stuart Clarke inscribed signature to base 30cm high

Lot 260

Lionel Miskin (20th Century) Stoneware vase hand painted figures and animals on a brown glaze hand painted artist's mark to base 18cm high Department Head Falmouth Art College, lecturer in Art History

Lot 357

Attributed to Keith Murray Glass vase globular form 15cm high

Lot 394

Karen Klim (Norwegian, b.1951) Glass vase, 1999 black broken linear design on a white ground signature and date to base 22cm high

Lot 157

Gerald Clements (20th Century) 'Bottle, Vase and Fruit Bowl', 1967 woodblock print, 1/2 title, edition, signature and date to margin unframed, 66cm x 51cm

Lot 1342

Beswick jugs and vases, including Chrysanthemum vase in red 1605, green jug 874-2, yellow floral jug 1729, Circus pattern jug 1441-2, two plant pots 597 (8)

Lot 1060

A 19th Century Staffordshire flatback spill vase (restored) of a milkmaid with a cow; together with a flatback of a lady with a sheaf of corn (2)

Lot 1209

A Royal Copenhagen square vase

Lot 1350

A Delft pedestal vase, inverted baluster shape, pedestal base has been off and repaired, nibbles to exposed rims, 22 cms high.

Lot 1564

A Doulton vase (with impressed marks), height 18.5cm, together with a Moorcroft style vase, height 20cm (with crown stamp).Condition: No damage or faults.

Lot 1557

Scandinanvian lot - Riihmaki vase Tamara Aladin 14cm green, together with Simon Gates vase signed and numbered, green bowl 21cm diameter, red vase 50cm, red vase 20cm, green vases x2 15cm (7)

Lot 1246

Royal Worcester 19th Century finger bowl, 5171, Royal Worcester pin dish 1420 and Royal Worcester potpourri vase 1885

Lot 1529

A modern Chinese paperweight boxed, Bohemian ruby glass vase. A "Top glass" studio vase - etched to base. A white friars style  vase and another to include a Pirelli glass scotty dog (english)  

Lot 1253

Pilkington, a Royal Lancastrian lustre vase, 1909, domed form with flared neck, relief moulded cartouche and jewel design to the body, red glazed with gun metal lustre to the interor rim, impressed marks and number 2801, 16cm diameter. Condition; A 9mm. chip to rim. Part broken off and reattached. An approximately 7cm crack running down from top of rim.

Lot 1539A

An Art Deco amethyst glass footed bowl, together with a mottled blue glass vase (2)

Lot 1063

Poole vase, with blue bird and floral detail, marked IQB to base, 11cms high approx

Lot 1409

A Sarah Akin Smith porcelain circular vase, hand painted with apple design together with three pairs of Victorian vases, two single examples and two boxes of miscellaneous ware including earthen ware coffee set, Cottage Ware tea pot, tea pots, vases etc (3 boxes)

Lot 1432

Royal Crown Derby posies pin dish and two 1920's saucers. Blue/White Mintons Haddon Hall dish, Marlow dishes and sandwich/sweet meat dish. Shelley dishes, Mailin dish. Sylvac terrier (beige) 1578, Sylvac vase 4215, Swan vase 4385. Six 1962 (march) Midwinter tea plates, "Fashion Shape" Devon vase 1960/70. Grays cream jug silver lustre. Arthur wood milk jug, Aynsley pin tray etc inc heirloom horsea - coffee pot and Artisan vase pierced 1 box 

Lot 1329

Walter Moorcroft, a large bluster vase, pale green blending to deep blue, impressed facsimile signature and Late Queen Mary sticker, 37.5cms High.

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