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Hoechst, Kaffeeservice und Mokkaservice, 20. Jh., für 12 bzw. 4 Personen, Form: Kurfürst, Dekor: Erdbeeren mit blauem Band, polychrom gefasst mit Goldstaffage, 58-tlg., blaue Radmarke mit Malerzeichen (überwiegend mit Signatur des Meistermalers Kurt Schröder), bestehend aus: Kaffeekanne mit Zuckerdose und Milchkanne, Mokkakanne mit kl. Zuckerdose und Michlkännchen, 13 Kaffeetassen mit 14 Untertassen, 4 Mokkatassen mit 4 Unterassen, 12 Kuchenteller, Tablett, kl. Konfektteller, Vase, Kerzenständer, Teedose, H. Kaffeekanne: ca. 17,5 cm, L. Tablett: ca. 36,5 cm, sehr guter Zustand. Dazu kl. Höchster Deckelterrine im Barockstil mit selbem Dekor.
Hoechst, Teeservice für 4 Personen, Dekor Musselmat, insgesamt 19 Teile: Teekanne; Zuckerdose; Milchkännchen; große Kuchenplatte, D.: 33 cm; Vase, H.: 12,5 cm; Schale; 4 Tassen mit Untertassen und 4 kleine Teller. Unterglasurblaue Radmarke, überwiegend mit Schleifstrich.
Große Vase, Amphora Czechoslovakia, Tschechoslowakei, 20. Jh., Keramik, heller Scherben, polychrom gefasst, gestaucht bauchiger Korpus mit langem Hals, Wandung umgehend mit reliefiertem Korbgeflecht, aufgesetzt drei plastische Putti mit Blumengirlande spielend, am Boden unterglasurbraune gestempeltes Firmensignet sowie gepresst bez. "Amphora, 20055, 43, G" sowie blaue Pinselnr. 693, H.: ca. 53,5 cm, leichte Alters- und Gebrauchsspuren.
Füllhorn Prunkvase, wohl Volkstedt-Rudolstadt, 20. Jh., Vase in Form eines Füllhorns auf volutenförmigen Postament, an der Füllhornspitze sitzende Dame, polychrom gefasst mit Goldstaffage, Bukett- und Obst-Malerei, H.: ca. 33 cm, am Boden unterglasurblaue Bienenkorb-Marke und bez., Gold partiell berieben, Rock wohl altresauriert (insbesondere am Saum), Blume aus Masse, nachträglich ergänzt.
Konvolut kleiner Ziervasen, überwiegend Ginbari Cloisonne, wohl Japan, 1. H. 20. Jh., 4 Stück, 3x Glasfluß über geprägter Metallfolie auf brüniertem Kupfer/ Messing mit Blumen- bzw. Vogeldekor, 1x Emaille auf Kupfer mit Kranichpaar-Dekor, H.: ca. 9-12 cm, Emaillevase unten an der Wandung beschädigt sowie Stand durch 'Deutsches Kaiserreich'-Münze ersetzt, eine Ginbari-Vase an der Schulter stark beschädigt und partiell bestoßen, zwei Vasen am Boden mit Signaturmarke (unbekannt).
Early 20th century Royal Worcester vase decorated by Harry Davis, the swollen cylindrical body with reticulated rim, hand painted with sheep against a highland landscape, signed Harry Davis, upon four scroll feet, with green printed marks beneath including shape number G42, and date code for 1909, H22.5cmCondition Report:A faint crack runs thrrough the centre of the vase which is only visible when inspected under UV light. Other small areas appear when inspected under UV but don't seem to be restoration, possibly residue from the main repair work. General light wear throughout. Green stain to one of the scroll feet.
Early 20th century Royal Worcester vase decorated by Harry Davis, the ovoid form body with pierced shoulder and short flared neck, hand painted with sheep against a highland landscape, signed H Davis, upon a circular gilt and leaf moulded foot, with puce printed marks beneath including shape number G935, and date code for 1910, H22.5cmCondition Report:The neck and upper section of the vase has been restored and illuminates when inspected under a UV light. Small areas on the body of the vase also illuminate when inspected under UV light. General light wear throughout. Some white marks to the gilt foot and minor wear to gilding.
Early 20th century Royal Worcester blush ivory vase by H. A. Stinton, ovoid form with twin satyr mask handles and flared neck, hand painted with Pheasants in a highland landscape, signed H. A. Stinton, upon square foot, puce printed marks beneath including shape number 1716 and date code for 1911, H21cmCondition Report:General light wear throughout, otherwise good condition.
Early 20th century Royal Worcester vase by William Ricketts, of slightly lobed ovoid form with twin acanthus and scroll mounted handles, hand painted with a still life of fruit against a mossy ground, signed Ricketts, upon a gilt circular moulded foot, with puce printed marks beneath including shape number H313, and indistinct date code, probably 1925, H29.5cmCondition Report:Neck, shoulder, handles and foot all restored. General light wear throughout.
Mid 20th century Royal Worcester twin handled vase and cover by B. A. Schwarz, the body of ovoid form hand painted with a still life of fruit, signed B. A. Schwarz, upon a circular gilt foot, with black printed marks beneath including shape number 2701, H17cm Condition Report:Restoration to upper section of vase. Handles possibly re-gilded. Surface wear and some losses to the gilding.
Royal Worcester vase by George Mosely, of bottle form with slender neck, hand painted with a still life of fruit, signed Mosley, with puce printed marks beneath including shape number G702 and date code for 1933, H13.5cm, together with a Royal Worcester pot pourri vase and cover and vase, each painted with a still life of fruit, signed Roberts, with black printed marks beneath including shape number 291A and 2491 (3)Condition Report:All three pieces have general surface wear. Pot pourri: Gilding darkened over time, giving the vase and cover a bronze finish in areas.The bottle vase has a rough pitted finish to the glaze, appears fine under UV light.
Pair of Royal Worcester vases by Roberts, each of ovoid form hand painted with a still life of fruit upon a mossy ground, signed Roberts, with black printed marks beneath including shape number G461, H11cm together with a similar Royal Worcester hand painted spill vase, with black printed marks beneath, signed Roberts (3)Condition Report:Some surafce wear, otherwise good condition.
Early 20th century Royal Worcester pot pourri vase and cover by E. Lewis, the compressed quatrelobed body with scroll pierced lid, branch form finial and handles, decorated with a thatched cottage and figure, signed E. Lewis, upon naturalistic moulded base, green printed marks beneath including shape number 241 and date code for 1911, H20cmCondition Report:Cover cracked and repaired with some losses. One handle cracked and repaired and one foot chipped. General light wear throughout including some rubbing to the gilding.
Royal Worcester vase decorated by Harry Ayrton, the cylindrical form body hand painted with a scene of Raglan Castle, signed H. Ayrton, upon a circular pierced base, with 'Raglan Castle' and printed marks beneath including shape number 161, H26cmCondition Report:General light wear throughout. Wear to the pierced base including some losses to the gilding. Crazing to the underneath.
Early 20th century Royal Worcester vase by Sedgley, of ovoid form with twin acanthus and scroll mounted handles, the body hand painted with roses, signed Sedgley, upon pedestal base, faded blue printed marks beneath, H31cmCondition Report:General light wear throughout and two small nibbles to the base rim, otherwise good condition.
Early 20th century Royal Worcester vase by Harry Martin, of ovoid twin handled form, the body hand painted with roses, signed H. Martin, upon circular acanthus moulded foot, with puce printed marks beneath including shape number 2307, and date code for 1911, H27.5cmCondition Report:Lacking cover. General light wear throughout and some rubbing to the gilding, otherwise good condition.
Early 20th century Royal Worcester vase by William Jarman, of pear form with twin acanthus mounted handles and slender neck, hand painted with roses, signed W. E. Jarman, upon circular foot, green printed marks beneath including shape number 229 and date code for 1908, H27cmCondition Report:General light wear throughout, otherwise good condition.
Early 20th century Royal Worcester vase by Walter H. Austin, the ovoid form body hand painted with roses against a faded green ground, signed W. H. Austin, upon circular foot, puce printed marks beneath including shape number 294 and date code for 1914, H27cmCondition Report:General light wear throughout including some rubbing to the gilding. Lacking cover.
Mid 20th century Royal Worcester vase by Mildred Hunt, of ovoid form with twin acanthus and scroll mounted handles, the body hand painted with roses, signed M Hunt, upon circular foot, puce printed marks beneath including shape number 2710 and date code for 1945, H28cmCondition Report:General light wear throughout, otherwise good condition.
Early 20th century Royal Worcester ovoid form vase, the body hand painted with roses, unsigned, upon circular foot, with puce printed marks beneath including shape number 294, and date code for 1911, H20cmCondition Report:Lacking cover. General light wear throughout including some scratches to the painted decoration and some rubbing to the gilding, otherwise good condition.
Early 20th century Royal Worcester pot pourri vase and cover, ovoid form body with pierced cover and floral finial, hand painted with roses, unsigned, upon three splayed suppots, puce printed marks beneath including shape number 245 and date code for 1917, H19cmCondition Report:General wear throughout and some minor loss to the gilding, otherwise good condition.
Late Victorian Grainger & Co Royal China Works Worcester reticulated pot pourri vase and cover, the bulbous body hand painted with two birds perched on a gilt-heightened branch, upon three scroll supports, with pierced lobed base and domed cover, brown printed marks beneath including shape number 474 HCondition Report:Some light surafce wear including some losses to the gilding, otherwise good condition.
Pair of Chinese Qing dynasty blue and white bottle vases, the globular body decorated with 'Long Eliza and the Playing Boys' in four panels and pointed leaf tips to the necks, bearing Kangxi Nian Zhi character mark beneath, H36cm Condition Report:One vase has a chip to the top rim. Both have minor surface marks including wear to the foot rim. Both inspected under UV and have no signed of restoration.
Chinese Qing dynasty blue and white bottle vase painted with a continuous landscape scene depicting boats on a river, a farmer with a tethered buffalo and pavilions and mountains, double ring mark and collector's paper label beneath, H30cmCondition Report: Some minor surface marks and wear to the foot rim but overall in very good condition. Inspected under UV no signs of restoration.
A pair of Japanese bottle neck Satsuma vases decorated with figures enclosed within gilt reserves, complete with tops, one with small repair to neck, a Japanese octagonal Satsuma vase with landscape figures and Samurai's, chips to top, a Chinese Canton style vase of tapered form, losses to top, and a Chinese Peking style enamel circular box decorated with sleeping figures, (tallest: 18.5cm, bottleneck vases: 16cm)
A modern Egyptian inspired terracotta glazed baluster vase table lamp, on hardwood stand, with stylised lotus flower and palm leaf enamelled and gilded decoration, (34cm x 18cm) and a modern treen painted candlestick style table lamp of baluster form, on circular moulded base, (35cm x 12cm) (2)
An oval fluted sided pottery vase with stylised white and brown glazed design, (14cm x 20cm), a tapered conical cylinder ribbed vase, signed verso AL, highlighted with gilt decoration (33cm x 9cm), a Pauline Zelinski pottery dish with leaf centre panel, (3cm x 39cm x 26cm) and a brown and gilt pottery vase impressed A verso, (24cm x 19cm) (4)
A pair of ceramic double gourd shaped china vases in the Minton style, with handpainted bird and peony design, with scrolling Nasturtium applied leaves, in turquoise blue, both originally drilled to base, one partially converted to lamp, (33cm x 17cm), some slight losses to Nasturtium leaves on right vase
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653685 item(s)/page