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Lot 291

Late 19th/early 20th Century Chinese blue and white porcelain vase decorated with birds amidst flowers, double ring mark to base, 30cm high

Lot 295

Rare 1930's Rene Lalique 'Paquerettes' pattern glass vase, of ovoid form decorated in relief with sunflowers, etched mark beneath, 18cm high (rebuilt)

Lot 357

Assorted glassware to include; a Uranium glass 'Jack-in-the-Pulpit' vase, Italian Murano glass baskets, assorted cranberry glass etc

Lot 542

Early 20th Century Japanese bronze vase, Meiji period, decorated in deep relief with dragons chasing the sacred pearl, lacking base, 50.5cm high

Lot 328

Nicola Mortimer - Five items of studio pottery comprising: four assorted graduated jugs and a two handled vase modelled as a 'crinoline dress', painted initials, latter 21.5cm high (5)

Lot 294

Three items of 'Mary Gregory'-style cranberry glass comprising: a pair of lidded ovoid pots, and a campana-shaped vase, the latter 20.5cm high (3)

Lot 284

Pair of Continental figures of a courting couple, each standing beside an urn and pedestal as spill vase, 30cm high

Lot 326

Collection of assorted glassware to include; eight various paperweights, double gourd scent bottle, vase and 'witch ball' (11)

Lot 122

POOLE POTTERY TRADITIONAL VASE, globular form, shape no. 429, decorated in the LO pattern, designed by Truda Carter, painted by Eileen Prangnell, painted and impressed marks, 25cm high

Lot 112

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL VASE, cylindrical form with raised collar, red-bodied, shape no. 159, decorated in the EW pattern, designed by Truda Adams, painted in polychrome with stylised flowers, by Anne Hatchard, painted and impressed marks, 27cm high

Lot 37

WILLIAM MOORCROFT: A SALT GLAZED "EVENTIDE" VASE, oviform, decorated with tree's and mountainous landscape, painted and impressed marks, 30.5cm high

Lot 115

POOLE POTTERY CARTER STABLER ADAMS "BLUE BIRD" VASE, shouldered form, two stylised handles, decorated in the DV pattern, shape no. 973, painted in polychrome by Ruth Pavely, impressed and painted marks, 21.5cm high

Lot 86

MOORCROFT: A "Launching Liberty" numbered edition vase, c.2015, of squat form with long tapering slender neck, tubeline decorated and painted in polychrome with sailing vessels on rough seas, on an ivory and dark blue ground, designed by Paul Hilditch, no. 158, signed, painted and impressed marks, paper label, 28.5cm high The vase depicts two 19th century British war ships, HMS Impregnable and HMS Hindustan, which were de-commissioned in 1921. The timbers were then bought by Arthur Lasenby, Liberty, and used in the building of his famous "Liberty London" retail store.

Lot 36

•EDWARD HALD FOR ORREFORS: A GRAAL GLASS PAPERWEIGHT VASE, c.1930, globular form, internally decorated with fish swimming amongst reeds, signed marks, 12.5cm high

Lot 96

MOORCROFT: An "Oak Tree" trial vase, c.2016, of baluster form, tubeline decorated and painted in polychrome with oak trees, designed by Vicky Lovatt, painted and impressed marks, 27.5cm high

Lot 43

WILLIAM MOORCROFT: A "FLORIAN WARE" VASE, baluster form, decorated with stylised tubeline flowers on a blue ground, painted and printed marks, 29.5cm high

Lot 51

WILLIAM MOORCROFT: A SALT GLAZED "ORCHID" VASE, globular form, decorated in polychrome with flowers on an ivory ground, painted and impressed marks, 13cm high

Lot 5

THOMAS WEBB & SONS (STOURBRIDGE): A CAMEO GLASS VASE, baluster form with long slender neck, the translucent yellow ground overlaid in opaque white, finely wheel-carved with a butterfly and scrolling flowers and tendrils, the circular foot and rim banded, 24.5cm high

Lot 13

•GEOFFREY BAXTER FOR WHITEFRIARS: A WILLOW WAISTED VASE, c.1967, paper label, 31cm high

Lot 116

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL VASE, oviform, shape no. 684, red-bodied, decorated in the IN pattern, painted by Truda Rivers, impressed and painted marks, 36cm high

Lot 108

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL EARTHENWARE VASE, globular form with raised collar, shape no. 947, red-bodied, decorated in the JC pattern, designed by Truda Adams, painted by Ruth Pavely, painted and impressed marks, 30.5cm high Exhibited at the Brighton Museum 1998 Literature, Poole Pottery Leslie Hayward and Paul Atterbury, page. no 48, bottom left, for comparable vase.

Lot 53

WILLIAM MOORCROFT: A MATCHED PAIR OF ANEMONE VASES, globular form, decorated with flowers on a blue-greenish ground, impressed marks and signed in facsimile, 15cm high, and one "Hibiscus" pattern vase, 12.5cm high (3)

Lot 14

•GEOFFREY BAXTER FOR WHITEFRIARS: A PEWTER "SWUNG OUT" GLASS VASE, model no. 9650, 40cm high, and a "TOP HAT" vase, decorated in the pewter colourway with white enamel band to rim, 18cm high (2)

Lot 69

MOORCROFT: A "WINDSOR CARNATION" LIMITED EDITION VASE, baluster form, tubeline decorated, designed by Sally Tuffin, commissioned exclusively by Talents of Windsor, no.293/300, 18.5cm high and one other, 16cm high, impressed and painted marks (2)

Lot 38

WILLIAM MOORCROFT: A POMEGRANATE VASE, c.1916, flared cylindrical form, painted in polychrome and decorated with a frieze of fruits on a dark blue ground, impressed and fascimile marks, 26.5cm high

Lot 65

MOORCROFT: A "BLAKENEY MALLOW" VASE, c.2001, baluster form, tubeline painted in polychrome, designed by Sarah Brummel-Bailey, 28cm high, and a "CROWN IMPERIAL" limited edition vase, designed by Rachel Bishop, no. 285/600, painted and impressed marks, 31cm high (2)

Lot 8

THOMAS WEBB & SONS (STOURBRIDGE): A CAMEO GLASS VASE, globular form with raised collar, the translucent red ground overlaid with opaque white, finely wheel-carved primula flowers, the circular foot and rim banded, 12.5cm high

Lot 56

WALTER MOORCROFT: An "Anemone Flambe" vase, of baluster form, decorated with anemone flowers, on red/greenish ground, painted and impressed marks, 17cm high

Lot 82

MOORCROFT: A "Trees and Bluebells" trial vase, c.2017, of squat form with slender fluted neck, tubeline decorated and painted in polychrome with bluebells and trees, on a cream and blue ground, designed by Rachel Bishop, signed, painted and impressed marks, paper label, 24cm high

Lot 75

MOORCROFT: A "Pied Wagtails" limited edition vase, c.2013, of baluster form, tubeline decorated and painted in polychrome, designed by Vicky Lovatt, no. 71/125, painted and impressed marks, 18cm high

Lot 110

RARE POOLE POTTERY CARTER STABLER ADAMS "SPLASHED GLAZE" VASE, shouldered form, shape no.970, decorated in the LH pattern, designed by John Adams, painted by Eileen Prangnell, painted and impressed marks, 24cm high Literature, Poole Pottery Leslie Hayward and Paul Atterbury, page. no 70, bottom left, for comparable vase.

Lot 274

•DUNCAN GRANT (1885-1978) 'Angus Davidson at Charleston, 1922' Davidson depicted seated at an octagonal writing table, his head resting on his left arm, a vase of orange and red dahlias and various papers and objects on the painted tabletop, oil on canvas, 61cm x 73.5cm Exhibited: 'Duncan Grant: Recent Paintings', Independent Gallery, June 1923, no. 24 'Duncan Grant: A Retrospective Exhibition', The Tate Gallery, London, 12th May - 20th June 1959, no. 51 (plate 7) , listed as 'Man at a Table' 'Portraits by Duncan Grant' Arts Council Touring Exhibition, 1969-70; no. 30 Provenance: Acquired by Michael B Harman Esq. from Agnew's in 1940 and thence by direct descent. Known primarily for his work as a translator and publisher, Angus Davidson (1898-1980) was associated with the circle of artists, writers and intellectuals known as the Bloomsbury Group. Between 1924 and 1929 he worked as an assistant at the Hogarth Press with Leonard and Virginia Woolf. He translated the works of Alberto Moravia and Mario Praz, and wrote an innovative biography of Edward Lear that focused on his achievements as an artist. Davidson featured greatly in Duncan Grant's affections from 1922 and although the relationship faded, Davidson was to remain one of Grant's most loyal and lasting friends. Duke's are thankful to Richard Shone for his invaluable assistance in cataloguing this lot

Lot 100

MOORCROFT: A "Kettlewell" limited edition vase, c.2014, of baluster form, tubeline decorated and painted in polychrome, designed by Vicky Lovatt, no. 13/25, painted, signed and impressed marks, paper label, 23.5cm high

Lot 103

MOORCROFT: A "Flying Colours" limited edition vase, c.2017, of baluster form, tubeline decorated and painted in polychrome with aircraft flying over white chalk cliffs, celebrating 100 years of the RAF, designed by Paul Hilditch, no.28/50, signed, painted and impressed marks, 23.5cm high

Lot 45

WILLIAM MOORCROFT: A MACINTYRE BURSLEM VASE, ovoid form with two handles, decorated with sprays of roses, tulips and forget-me-nots, gilt highlights, printed and painted marks, 21.5cm high

Lot 73

MOORCROFT: A "Moth Orchid" flambe vase, c.2014, of shouldered baluster form, decorated with a frieze of flowers, on a red/bluish ground, designed by Anji Davenport, painted and impressed marks, 20cm high

Lot 106

MOORCROFT: A "Sichuan Giant Pandas" trial vase of flared tapering form, tubeline decorated and painted in polychrome with pandas climbing bamboo, designed by Vicky Lovatt, painted and impressed marks, 40.5cm high

Lot 49

WILLIAM MOORCROFT: A "Pansy" vase of shouldered form with everted rim, decorated with pansies on a dark blue ground, signed and impressed marks, 25.5cm high

Lot 63

MOORCROFT: A "TRIBUTE TO CHARLES RENNIE MACKINTOSH" VASE, c.1995, shouldered tapering form, tubeline decorated in polychrome, designed by Rachel Bishop, painted and impressed marks, 36cm high

Lot 117

POOLE POTTERY "LEAPING GAZELLE" VASE, tapering form, shape no. 669, painted in polychrome with gazelles amongst foliage, decorated in the TZ pattern, designed by Truda Adams, painted and impressed marks, 33.5cm high

Lot 44

WILLIAM MOORCROFT: A "FLORIAN WARE" VASE, cylindrical flared form, decorated with stylised tubeline flowers on a blue ground, painted and printed marks, 30cm high

Lot 167

CONSTANCE SPRY FOR FULHAM POTTERY: A TWIN-HANDLED FLOWER VASE, model FMA 2, shaped oval form with scroll loop handles, unglazed, impressed marks, 44.5cm long x 19cm high

Lot 48

WILLIAM MOORCROFT: A "BIG POPPY" VASE, oviform, 15.5cm high, a "Poppy" footed bowl, 6.5cm dia, a small "Pansy" trumpet shaped vase, 9cm high, and three smaller footed dishes, 9cm approx (6)

Lot 191

•ALAN ASHPOOL (b.1932): A "PAGODA" STONEWARE VASE, of tall slender form with raised and everted rim, matte glazed with polychrome bands, impressed marks, 36cm high, and six other various pots (7) PROVENANCE: The Alan Ashpool Studio Collection

Lot 58

WILLIAM MOORCROFT: A MACINTYRE "EIGHTEENTH CENTURY" VASE, cylindrical form with three scroll handles, decorated with classical swags of roses and forget-me-nots, gilt highlights, signed and printed marks, 18.5cm high

Lot 3

THOMAS WEBB & SONS (STOURBRIDGE): A CAMEO GLASS VASE, shouldered tapering form, the translucent blue ground overlaid in opaque white, finely wheel-carved brambles, acanthus leaf border, the circular rim banded, 15.5cm high

Lot 6

THOMAS WEBB & SONS (STOURBRIDGE): A MINIATURE CAMEO GLASS VASE, tapering form with raised neck, the yellow ground overlaid in opaque white and ruby coloured finely wheel-carved flowers and insects, the rim banded, 7.5cm high

Lot 130

POOLE POTTERY: A "FREEFORM" VASE, shape no. 377, decorated in the PJL pattern, painted by Gwen Haskins, impressed and painted marks, 24.5cm high

Lot 121

POOLE POTTERY TRADITIONAL VASE, shouldered form with raised collar, shape no. 435, decorated in the BX pattern, designed by Truda Adams, painted by Eileen Prangnell, impressed and painted marks, 28cm high Exhibited at The Brighton Museum 1998

Lot 114

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL VASE, globular form, shape no. 212, red-bodied, decorated in the BX pattern, designed by Truda Carter, painted by Winifred Rose, painted and impressed marks, 27cm high

Lot 180

•STIG LINDBERG FOR GUSTAVSBERG: A TALL STUDIO VASE, bottle form, painted in polychrome and decorated with a sgrafito design, printed marks, 39cm high

Lot 260

JAMES BOLIVAR MANSON A still life of flowers in a vase on a windowsill, signed, oil on canvas, 60cm x 50cm

Lot 171

DAVID LEACH OBE (1911-2005): A LOWERDOWN POTTERY STONEWARE BOWL, circular form, stylised decoration with a Tenmoku glaze, impressed mark, 27cm dia, and a small vase, 7.5cm high, with booklet "David Leach, A Potter's Life" signed (3) PROVENANCE: Bowl purchased by the vendor from Alpha House Gallery, December, 1994

Lot 109

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL VASE, tapering form with raised collar, shape no. 515, decorated in the Y pattern, painted in polychrome in a geometric design, by Anne Hatchard, painted and impressed marks, 36.5cm high

Lot 111

POOLE POTTERY CARTER STABLER ADAMS TRADITIONAL VASE, shouldered form, shape no. 966, decorated in the GEP pattern, designed by Truda Carter, painted by Ruth Pavely, impressed and painted marks, 24.5cm high

Lot 28

MULLER FRERES: AN ART DECO FROSTED GLASS VASE, globular form with raised collar, moulded, cast signature, 17cm high, and one other similar, unsigned, 20.5cm high (2)

Lot 162

DENNIS CHINAWORKS: A "THREE LADY" SECOND VASE, c. 2011, tapering cylindrical form, tubeline decorated and painted in polychrome with figures on a cream ground, designed by Sally Tuffin, thrown by Rory Mcleod and decorated by Heidi Warr, impressed and painted marks, 33cm high

Lot 68

MOORCROFT: A "CAROUSEL" LIMITED EDITION VASE, c.1996, tapered form with long slender neck, designed by Rachel Bishop, no.886, 29cm high (with certificate) and a "GUSTAVIA AUGUSTA" bowl, 26cm dia, impressed and painted marks (2)

Lot 54

WILLIAM MOORCROFT: A "Scrolling Fern" vase, of ovi-form, decorated with a scrolling stylised fern design with graduated bands in tones of blue and green, painted and impressed marks, 10.5cm high

Lot 124

POOLE POTTERY EXHIBITION STANDARD "ATLANTIS" VASE, cylindrical form with flared everted rim, designed by Guy Sydenham and Beatrice Bolton, incised stylised decoration, impressed marks, 30.5cm high

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