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THREE CHINESE BLUE AND WHITE VASES, TWO WITH COVERSLATE QING DYNASTYComprising: a square section archaistic vase, an ovoid prunus vase and cover with a Kangxi mark, and a second ovoid vase and cover painted with chrysanthemum, 32cm max. (5)Provenance: from the collection of David Stopher, Kent.
A CHINESE BLUE AND WHITE 'LONGEVITY' VASE JIAJING 1522-66The hexagonal body painted with six shou characters from which the 'Three Friends of Winter' grow, the shoulder with three crane cartouches, 24cm.Provenance: from the collection of David Stopher, Kent, purchased from Christie's London, 15th May 2008, lot 174.
A SMALL COLLECTION OF CHINESE BLUE AND WHITE ITEMS KANGXI 1662-1722Comprising: a rosewater sprinkler, a small pear-shaped vase, a U-shaped cup with a flared rim and a flattened circular box and cover, the cup and box with lingzhi marks, 18cm max. (5)Provenance: from the collection of Frances L Dickson.
A CHINESE BLUE AND WHITE ‘SUI HAN SAN YOU’ YEN YEN VASEKANGXI 1662-1722The body and neck painted with the Three Friends of Winter; together with two reduced Kangxi vases and an archaistic dragon and phoenix gu-shaped vase, the latter with a Qianlong mark, 45.8cm max. (4)
A CHINESE BLUE AND WHITE 'DRAGON' ROULEAU VASEQING DYNASTYThe body finely incised with breaking waves around which a ferocious scaly dragon pursues a flaming pearl of wisdom, a paper label for JAN Fine Art, London, 43cm.Provenance: formerly in the Niagra Collection, featuring objects deasccessioned from the Royal Ontario Museum in 1969. To the best of our knowledge the present lot was acquired from the 1969 deaccession, museum number no longer visible.
THREE CHINESE BLUE AND WHITE TEAPOTS AND TWO VASESKANGXI 1662-1772One teapot with a cover, the other two with associated covers, one vase reduced and with a metal mount, all variously decorated with birds, flowers and rockwork, 14.5cm max. (8)Provenance: from the collection of David Stopher, Kent.
THREE CHINESE BLUE AND WHITE ITEMSKANGXI 1662-1722One a ribbed ovoid vase with an associated cover, with an artemisia leaf mark, another a small lotus vase, the third a two-handled écuelle and cover, variously painted with flowers and foliage, 23cm max. (5)Provenance: from the collection of David Stopher, Kent, the lotus vase purchased from R&G McPherson Antiques, London.
A CHINESE BLUE AND WHITE 'FLOWERS' BOWL, A 'PHOENIX' MEDALLION BOWL AND A VASEKANGXI AND LATERThe larger bowl painted with lotus, chrysanthemum and peony, Kangxi but with a six character Chenghua mark, the medallion bowl painted with four phoenix roundels between blue enamel geometric borders, a four character Guangxu mark and of the period 1875-1908, the vase painted with lion dogs and flames, with a six character Kangxi mark, 15cm. (3)Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s.
THREE CHINESE BLUE AND WHITE JUGS 18TH CENTURYWith hinged metal mounted covers and moulded bodies decorated with figures, together with a goblet, a bowl and a turquoise vase, the bowl with a Chenghua mark, 15.5cm max. (6)Provenance: from the collection of David Stopher, Kent.
A LARGE CHINESE ARCHAISTIC BRONZE VASE 17TH CENTURYThe quatre-lobed body cast with a wide band of stylised birds on a square scroll ground above formal pendant lappets, the neck with a band decorated with taotie masks and mounted with elephant handles, together with a wood stand, 9kg, 41cm. (2)
TWO OTTOMAN BRASS EWERS AND A VASE 17TH/18TH CENTURYThe pear-shaped ewers finely engraved with foliage, each with two central tear-drop panels decorated with cartouches, the hinged domed lids with knop finials, both with a straight spout, serpentine handles and standing on four feet, the brass vase with a gadrooned body on a trumpet foot, decorated with bands of floral scrolls on a stippled ground, 3.92kg max., 28.4cm max. (3)
A CHINESE CELADON JADE VASE AND A JADE DISHLATE QING DYNASTYThe vase with a flattened ovoid body carved with prunus and with tube handles to the neck, the dish with a slightly everted rim and a straight foot, 17cm. (2)Provenance: a private London collection, acquired prior to 2000.
A CHINESE JADE 'PRUNUS' CUP AND A JADE FIGURE OF A HORSE AND A BOYQING DYNASTYThe cup with a prunus branch handle and two birds amidst flowering branches, the horse and boy group of a celadon-grey jade, the boy holds a ruyi-sceptre and stands beside a seated horse with a vase on his back, 8cm and 6.5cm. (2)Provenance: by repute, both acquired from Christie's, the cup on 9th December 2000, the horse and boy on 17th August 2000.
A SMALL PAIR OF CHINESE JADEITE VASE AND COVERSLATE QING DYNASTYWith loose ring handles and chrysanthemum knops, together with a small jade vase, a brush rest, and a soapstone model of a mountain, 19.5cm max. (7)Provenance: a private London collection, acquired prior to 2000.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A CHINESE POTTERY MODEL OF AN ELEPHANTLATE MING DYNASTYStanding four square with its head turned slightly to sinister, he carries a vase on his back, all decorated with green, amber and straw coloured glazes, a paper label for Brodie & Enid Lodge no.F21, 39cm.Provenance: from the collection of Brodie & Enid Lodge, Flore House, Northamptonshire. The Brodie Lodge archive lists no.F21 as purchased from Sparks on the 12th October 1949 for £72. For details of this famous collection, cf. R Davids and D Jellinek Provenance p.298.
A CHINESE GILT-DECORATED BLUE GROUND MEDALLION VASESIX CHARACTER GUANGXU MARK AND OF THE PERIOD 1875-1908The rounded body and waisted neck with finely detailed medallions, between bands of ruyi-heads, lotus and shou characters and lappets, 38.5cm.Provenance: from the collection of Anouska Hempel.Cf. The Wonders of the Potter’s Palette, Qing Ceramics from the Collection of the Hong Kong Museum of Art, Hong Kong, 1984, pp.186-187, no.128. for a related vase.
A CHINESE GILT-DECORATED BLUE-GROUND ROULEAU VASELATE QING DYNASTYThe cylindrical body decorated with six panels containing flowers, fish and bucolic scenery, one panel with two seals which read Dashi Shanfang, the rim with a band of spirals, 43cm.Provenance: from the collection of Anouska Hempel.
A MASSIVE CHINESE 'QIN QI SHU HUA' POWDER BLUE-GROUND AND GILT DECORATED ROULEAU VASE19TH CENTURYThe cylindrical body decorated with four panels of auspicious objects and with six further panels containing flowers and rockwork, the rim with a band of key fret, 78cm.Provenance: from the collection of Anouska Hempel.
SIX CHINESE CERAMIC ITEMSQING DYNASTY AND 20TH CENTURYComprising: a robin's egg glazed brushpot, a dark copper-red glazed small vase with a four character Xuande mark, a green glazed waterpot, a small ge-type dish and a pair of moulded phoenix dishes with Yongzheng marks, together with a wood stand, 18.5cm. (7)Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s.
A CHINESE FAMILLE VERTE SQUARE-SECTION 'LOTUS' VASE 19TH CENTURYEach face painted with lotus flowers and leaves growing from a pond, two faces with aquatic birds, an artemisia leaf mark, 49.5cm.Provenance: purchased from Christie's London, 15th April 1999, lot 310, from a private British collection, formed 1970-2003.
A CHINESE FAMILLE ROSE VASE AND A PAIR OF OVOID VASES AND COVERSLATE QING DYNASTYThe large vase painted with panels of officials on a yellow-ground decorated with flowers, the jars painted in famille jeune enamels with phoenix, peonies and rocks, paper labels for Christie's 21st January 1999 lot 275 and 2nd April 1998 lot 575, 60cm. (5)Provenance: from a British private collection, formed 1970-2003.
A CHINESE FAMILLE ROSE ‘LONGEVITY’ VASEREPUBLIC PERIODThe cylindrical body painted with Shoulao riding a spotty deer with Magu offering a peach and a lingzhi, beneath calligraphy including a studio mark, the base with a four character mark reading Yun Yu Zhai hua, 28cm.Provenance: from the collection of David Stopher, Kent.
A CHINESE FAMILLE ROSE 'NINE PEACHES' VASE 20TH CENTURYTypically decorated with a fruiting tree and two bats to the reverse, with a Ju Ren Tang zhi mark, 37.5m.Provenance: from the collection of David Stopher, Kent, purchased from Christie’s, London, 19th July 2007, lot 295.
A CHINESE FAMILLE VERTE ‘FOUR SEASONS’ VASEKANGXI 1662-1722The slender ovoid body painted with panels containing chrysanthemum, peony, prunus and lotus, together with a wood cover, paper label for Christie’s, 21st June 2006, lot 432, 27.6cm. (2)Provenance: from the collection of David Stopher, Kent, purchased from Christie’s, London, 21st June 2006, lot 432.
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653833 item(s)/page