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A CHINESE OVOID PORCELAIN VASE with enamelled decoration highlighted in gilt depicting figures in a garden, bearing four character Chenghua mark to base, 11cm high Condition Report : lacking a lid, but otherwise OK Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A large Wedgwood black basalt pot pourri vase with inner and outer covers 19th century, the ovoid body enamelled with exotic birds perched on rockwork amid flowering branches, the outer cover pierced with small holes, impressed mark, the inner cover broken and riveted, 27cm. (3)
A small Flight Barr and Barr (Worcester) vase c.1825-30, of drum shape, painted with a figure in a rural landscape reserved on a gilt seaweed ground between two bands of white beading, reserved on a faux marble ground, raised on three gilt paw feet on a shaped base, impressed and painted marks, restored sections to the rim, 9cm.
A rare pair of Spode vases c.1815-20, the pear-shaped forms painted in pattern 1166 with colourful flower arrangements on a blue and gilt scale ground, raising to pierced necks formed of stiff leaves with scroll handles issuing from rams' head masks, raised on circular feet moulded with formal foliate motifs, iron red factory mark and pattern numbers, some cracking, one neck restored, 27cm. (2) Cf. Leonard Whirter, Spode, pl.214 for a vase of the same shape.
Four delftware plates c.1730-60, one Lambeth and painted with a parrot perched among Oriental branches, one painted in blue with a vase upon a stand among flowering branches, one with a flower spray in the Fazackerly manner, the last with a bird swooping onto a branch, some damages and repairs, 22.8cm max. (4)
A Minton pâte-sur-pâte vase and cover date code for 1884, finely decorated with pâte-sur-pâte on grey panels of Venus in a chariot pulled by putti, and of three putti in flight around a bird's nest, beneath the handles with bird motifs and foliate scrolls, between gilt formal borders, all reserved on a rich turquoise ground, one panel with an indistinct artist's monogram, gilded and impressed marks, the finial cleanly broken and invisibly restored, 39.5cm. (2)
Two Worcester teapots and a vase and cover c.1756-70, one teapot printed and coloured with the Red Bull pattern, the other with Warmstry fluting and painted with a panelled design in Kakiemon enamels, the vase painted with panels of birds reserved on a later apple green ground, the teapots' covers lacking, the vase's cover broken and repaired, 18.7cm max. (4)
Eight coloured glass bulb vases late 18th century and later, including four hyacinth vases in amethyst, amber and cobalt blue, a Tye amethyst glass crocus vase and two other crocus vases, and a small pale lilac acorn vase, one crocus vase repaired to the rim, 17.8cm max. (8)
A Majolica tureen stand and a narrow basket 2nd half 19th century, the rectangular stand applied with a band of leaves, the Minton basket formed as a nailed fence applied with leaves, a Continental Majolica vase applied with bulrushes and raised on the back of a swan, and a small stand printed and coloured with a spray of rose, 31cm max. (4)
Two early 20th century Chinese cloisonné vases comprising of a lidded ginger jar having floral decoration with a blue background together with a tall vase having floral decoration with a red background. Signs of wear and tear commensurate with its age. Tallest measures 27 cm.
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650806 item(s)/page