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Click here to subscribeAn Austrian Iridescent glass vase probably Loetz, shouldered swollen form with cylindrical solifleur neck, covered with a splashed blue and green iridescence, another iridescent glass vase with four loop handles, an iridescent glass inkwell with brass mount probably Palme Koenig, two glass vases with applied green trails and two golden iridescent glass bowls probably WMF unsigned, 8.5cm. high (7)
An early Martin Brothers stoneware bud vase by Robert Wallace Martin, lobed form with flaring tube necks, incised flowers and foliage, in green, blue and buff, another early Martin vase incised with ivy and another vase incised marks to base, 13cm. high (3) Provenance The George Twyman Collection of Martin Ware Literature Charles Beard, Frederick Nettlefold catalogue, page 78 plate 16 for a comparable vase based on an Etruscan flower vase.
A large Martin Brothers earthenware Dragon vase by Edwin and Walter Martin, dated 1898, shouldered form, finely incised and painted with fighting dragons in grey, green and yellow on a blue ground, incised 1 1898 Martin Bros London & Southall, repaired damage and losses, 45cm. high Provenance Applied Arts, Phillips, New Bond Street, 15th July 1982 lot 348, purchased by Richard Dennis for Daryl. Exhibited Gorgeously Grotesque Worthing Museum & Art Gallery, 2003, catalogue number 76. Literature Holbrook Jackson Martinware, published in T.P.'s Magazine, 1910, this or a near identical vase illustrated on page 1.
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1887, shouldered ovoid form with cylindrical, knopped neck, the body decorated with foliate sprays in brown on a buff ground, and a Martin Brothers stoneware jug decorated with pendulous flowers incised 2-1887 R W Martin & Bros London & Southall, 20.5cm. high (2) Provenance The George Twyman Collection of Martin Ware
A large Martin Brothers stoneware vase by Robert Wallace Martin, dated 1894, pear shaped, incised with scrolling foliage in buff on a brown ground, with pale blue highlights, incised 5-1894, Martin Bros London & Southall, firing crack to top rim, 28cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1884, swollen, shouldered form, incised with stylised sunflowers glazed white and chestnut on a buff ground, incised 30.1.84 R W Martin & Bros, London & Southall, 20.5cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1890, incised with finches flying amongst wild roses, in ochre, green and white on a buff ground, and another Martin Brothers vase incised with blossom sprays, incised 6-1890 R W Martin & Bros, London & Southall, professional restoration to top rim, 24.5cm. high, (2) Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, baluster form, incised and painted with grotesque fish, an eel and aquatic creatures swimming amongst waterweed, in brown, blue and green, highlighted in white on a tan ground, incised Martin Bros London & Southall, 20.5cm. high Provenance Claudine Casier, purchased by Daryl in 1977. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue number 97.
A Martin Brothers stoneware Orchid vase by Edwin and Walter Martin, dated 1898, shouldered, baluster form, incised and painted with two hummingbirds flying amidst frilled orchid flowers, in green, ochre and white with blue highlights, incised 10-1898 Martin Bros London & Southall, minor professional restoration to top rim, 23.5cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1898, painted with a grotesque mask amongst scrolling foliage with dragon head terminals, in brown and ochre, highlighted in white on a deep ochre ground, incised 3-1898 Martin Bros London & Southall, 22cm. high Provenance The George Twyman Collection of Martin Ware
A large Martin Brothers stoneware vase by Robert Wallace Martin, dated 1892, baluster form, incised with scrolling flowers and foliage in shades of blue and brown on a buff ground, incised 2-1892, R W Martin & Bros, London & Southall, professional restoration to neck, 44cm. high Provenance The George Twyman Collection of Martin Ware.
A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1885, ovoid with collar neck and flaring rim, applied with strap handles, incised with stems of white lily flowers, glazed white and chestnut on a buff ground, the neck highlighted with blue, incised 10-1885 R W Martin & Bros London & Southall, 19cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, shouldered baluster form, incised with grotesque fish swimming amongst jellyfish, a seahorse, other aquatic creatures and waterweed, in brown and white on a streaked blue and mushroom ground, incised 9 1908 Martin Bros London & Southall, 26cm. high Provenance Andrew Lineham, collection Rhys Morgan collection, purchased by Daryl from Rhys in October 1982. Derek Garrod collection, then re-purchased by Daryl from Garrod in 1993. Exhibited Gorgeously Grotesque, Worthing Museum and Art Gallery, 2003, catalogue no.14
An early Martin Brothers stoneware vase by Robert Wallace Martin, dated 1878, shouldered, flaring cylindrical form, applied with twin mask handles, the body incised with scrolling classical foliage, between geometric bands, in shades of blue and ochre, incised R W Martin 2-78 and a hashed cipher, museum restored top rim, hairline to body, 33cm. high Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 45 figure IV for an identical example. Provenance The George Twyman Collection of Martin Ware.
A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1880, shouldered from with cylindrical neck, incised and painted with a pair of birds perched in tree boughs, in green, blue and brown on a mushroom ground, and another similar dated 1886 modelled with cranes, main vase incised 13.1.80 R W Martin London & Southall, restored, 24cm. high, (2) Provenance The George Twyman Collection of Martin Ware.
A Martin Brothers stoneware vase made for the Exeter Exhibition 1880, twin-handled urn form, incised with simple flowers and Mary Wreford to one side the reverse incised Exeter Exhibition 8.10.80, a Martin Brothers stoneware jug painted with blossom, two pierced vases, a small vase and three other items, stamped RWMartin Southall, 77, 8.5cm. high (8) Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1899, shouldered, baluster form of rectangular section, incised with a butterfly flying above a wild flower, the reverse with a bee above a white anemone flower, the sides with companion panels, glazed green, blue and white on a buff ad brown ground, incised 9-1899 Martin Bros London & Southall 30cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware bird vase by Edwin and Walter Martin, dated 1900, baluster form, incised and painted with birds catching insects whilst flying amidst prunus blossom, in ochre and white on a tan ground, incised 11-1900, Martin Bros London & Southall, firing fault to top rim, 23.5cm. high Provenance The George Twyman Collection of Martin Ware
A Martin Brothers stoneware vase by Robert Wallace Martin, twin-handled urn form on cruciform base, incised with exotic birds perched on a tree bough, the reverse with a bird flying past another exotic bird, inside scrolling foliage border, glazed brown on a tan ground, on ebonised wood base, repaired to foot, 27cm. high Provenance The George Twyman Collection of Martin Ware
A good pair of Chinese carved blackwood vase stands, late 19th century, the top modelled as co-joined roundels inset with rouge marble and inlaid with mother of pearl, lotus flower and vines, all upon a finely carved stand with prunus blossom decoration and with lower under tier carved with bamboo shoots and leaves, all upon four carved legs. Width 36 cm, height 47 cm (see illustration). CONDITION REPORT: One plant stand is missing four pieces of mother of pearl inlay to the top. One cash has a 10 cm very fine split to the marble however on further inspection this looks like a natural fissure. One cash symbol on the top has a 2 cm crack. The legs have carved cherry blossom brackets of which one is missing. One leg has been split and broken, there are signs of repairs. Two legs have been re-attached to the lower tier, there remains excessive wood glue on each. Its partner stand is missing four pieces of mother of pearl inlay to the top. One piece of marble has a fine 2.5 cm x 1 cm piece missing on the top. There is an age split to the centre piece of wood. There is a very fine 15 cm crack through the top. There are some small age splits to the side of the top. One section of carved apron is loose but still fully intact. The majority of the cracks should be visible using the zoom facility on the website. Regardless of all faults these remain an attractive pair of stands.
A Japanese cloisonne hexagonal vase, Meiji period, decorated with a bird amongst blossoming chrysanthemums and flowers against a midnight black ground, on wood stand. Height including stand 33.5 cm. CONDITION REPORT: This vase has been drilled through the underside to accommodate an electric cable. There appear to be no major or minor losses to the enamel. There is a cluster of chrysanthemums of which the uppermost is missing +/- 2 mm x 1 mm of cloisonné. Other than that there appear to be no obvious losses or major cracks. The wood stand upon which it sits has a 3 cm x 1 cm slither repair on the rim.
A Moorcroft "Bramble" pattern squat vase, designed by Sally Tuffin, date cipher for 1991, together with a clematis pattern vase, circa 1960's, both with inscribed and impressed marks, 7 cm and 15.5 cm respectively. CONDITION REPORT: Both items appear to be in good order and free from any excessive crazing, chips, cracks or restoration.
A Myott Son & Co Art Deco vase, the top with five apertures upon a square stepped and tapering body decorated with flowers in orange and brown, printed marks, shape number 8942, height 21.8 cm. CONDITION REPORT: The side with the minimal decoration has a very fine 5 cm hairline crack within the glaze. The remainder of the vase appears to be in good and free from any obvious chips, further cracks or restorations. There is a corner to the base which has a large pinhead size piece of the orange glaze missing.
Cranberry glass, comprising two tall neck vases, a squat bulbous vase and a cream jug. Tallest 18.5 cm. CONDITION REPORT: The Cranberry glass jug is in good order with no obvious chips, cracks or restorations. The melon form vase has a small air bubble on the rim which although it looks like a chip isn't. There are no further obvious chips, cracks or restorations. The silver mount on the stem vase is knocked and bashed however the glass appears to be unaffected and there are no obvious visible chips, cracks or restorations. The final stem vase has small nibbles to the Interior of the rim but nothing too significant. The remainder of the body is free from any visible signs of chips, cracks or restorations.
An early 20th century walnut and bergere three piece suite, with carved shell top rail and vase shaped back splat, with double skin sides, all upon short cabriole legs with carved shell knees terminating in claw and ball feet and with feather filled cushions, the settee 169 cm wide, 80 cm high.
A Meissen style porcelain bottle vase and cover, late 19th century, the cover with floral knop, the body decorated with floral sprigs and insects, blue crossed sword marks to the underside, impressed number 2, 26.5 cm high and a Meissen porcelain plate, 19th century, with hand painted floral spray decoration, underglaze blue crossed sword and star marks and impressed numbers 12A, 23.7 cm diameter.
A Victorian Harrach glass and enamel vase, decorated with a bird amongst leafy branches against a salmon pink ground supported upon three gilt legs with anthemion decoration. Height 30 cm. CONDITION REPORT: The gilding around the rim and the beaded border is partially erased. Each of the four legs has rubbed gilding, more excessively so on the left and right legs. When looking at the front there is a small 2 cm x 4 mm blemish above the right hand leg, this is in the body of the glass. The enamels all appear to be intact and in good order. Looking at the front the anthemion decoration on the central leg looks to be missing some enamel, this has been done in its manufacture. There looks to be a small chip on the extreme left side foot which should be visible from the additional images. The pink ground is not a uniform pink but darker in some patches. There are no signs of any further chips, cracks or restorations.
A Loetz Art Nouveau Creta Papillon twin handled vase, circa 1900, with wavy gilt rim and inverted tapering reeded handles upon a bulbous body, with ground pontil. Height 28 cm (see illustration). CONDITION REPORT: There is a small chip to the rim. Other than that the vase appears to be in good decorative order throughout with no further obvious chips or cracks visible. The vase rings out nicely when lightly tapped.
Wemyss ware, 19th century, comprising a cherry pattern bowl, cabbage rose spill vase, a waisted spill vase and matching sugar bowl and cream jug, impressed, inscribed or printed marks. Tallest 11 cm. CONDITION REPORT: The small cream jug has a slightly stained interior and there is a very small chip to the rim (right hand side of the handle) otherwise there are no further faults visible. The small sugar bowl has three white patches on the rim where the green paint has not gone fully around. There are small stained crazing marks in the base. Otherwise it appears to be free from any obvious chips, cracks or restorations. The waisted vase has a 5 mm x 5 mm rim chip and a further 5 mm x 2 mm slither missing from the rim. Otherwise it appears to be free from any further obvious chips, cracks or restorations. The bottom of the vase has very fine stained crazing. The cabbage rose spill vase has a very crazed and stained interior and exterior, however there are no obvious chips, cracks or restorations. The large bowl is missing a handle and has a finely crazed and lightly stained interior but is otherwise free from any obvious chips, cracks or restorations.
An Art Deco Poole pottery vase, circa 1925/30, decorated with a bird amongst flowers and leaves between small sprigs, shape No. 336, impressed Carter Stabler Adams Limited mark to the underside, artist mark for Winifred Rose pattern LYY. Height 18 cm, and a 1960's Poole pottery side plate, diameter 15.5 cm. CONDITION REPORT: Using a magnifier we can see an assortment of hairline cracks within the glaze but nothing in the body of the vase. There are no rim chips, post production cracks or signs of restoration. The side plate has a small rim chip located on the surface beneath the lettering. There are a few surface marks on the underside but nothing too significant.
A Doulton Lambeth stoneware vase by Hannah Barlow, circa 1885, scraffito decorated with cows in landscape between impressed bands of flowers and palmettes, the underside with incised monogram and impressed marks (faults and losses). 29 cm high. CONDITION REPORT: The rim has a shallow 1 cm chip. From the images you will see that there are two large hairline cracks in the rim which lead into the body and join just below the half rosettes and gadrooned rim and continues as a single crack to the rear rump of the standing cow. The foot of the vase appears to be undamaged.
A garniture of three handpainted topographical English porcelain vases, early 19th century, each with moulded wavy rim above a landscaped and gilt knop, all on a raised circular foot, each inscribed with Pattern No. "1079". Tallest 18.5 cm. CONDITION REPORT: All vases have issues. The larger vase has a small splice missing in the rim from which issues a 7 cm hairline crack. One smaller vase has a large thumb piece section missing from the rim, a Y shaped hairline crack and repair and a larger repair to the rim resulting in pieces missing. The second smaller vase has a small re-glued section to the rim approximately the size of a large thumbnail, the blue ground colour is deteriorating on the body and the foot.
A large William Moorcroft "Orchid" pattern vase, circa 1930's, with a band of orchids against a shaded blue ground, blue inscribed initials, impressed facsimile signature and with applied labels "Potter to HM The Queen". Height 35 cm (see illustration). CONDITION REPORT: In good order throughout with no signs of any obvious chips, cracks or restorations.
A collection of Bohemian glassware, ruby, blue and green flash with gilding. Decanter height 37.5 cm. CONDITION REPORT: On the decanter with the red overlay the stopper has a small chip to its tip. The decanter body appears to be free from any obvious chips, cracks or faults. The gilding is good. The green overlay decanter stopper has ting flea bites to the interior stopper rim. The decanter itself appears to be in good order generally however there is a tiny flea bite on the base of the foot rim. Otherwise the decanter is free from any further obvious chips, cracks or visible faults. The gilding is good. The blue overlay decanter has small nibbles to the interior rim of the stopper. There is some light rubbing to the gilding on the stopper. There is light gilding to the rim of the decanter. There is a small patch of gilt rubbing to the base of the handle. The decanter appears to be in good order generally and free from any further obvious chips, cracks or restorations. The vase has a small chip on the underside of the foot rim otherwise appears to be in good order with no further obvious chips or cracks. The gilding is good throughout. There are four green overlay goblets, two of which have interior rim chips but otherwise all appear to be free from any further chips or cracks. The gilding is good. There are five green overlay wine glasses, one of which has a chip to the underside of the foot rim. Three have notable gilt rubbing on the foot rim. The bowls all appear to be in good order and free from any obvious chips or cracks and the gilding is generally good throughout. The plate appears to be in good order with no obvious chips, cracks or restorations. There are four red overlay goblets, one goblet has a notable patch of gilt rubbing around the rim. The second goblet has a pinhead size patch of gilt rubbing on the rim otherwise the goblets appear to be in good order with no obvious chips, cracks or restorations. Other than that mentioned the gilding is good throughout.
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