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SÈVRES (MANUFACTURE NATIONALE DE) & Gaston GOOR (1902 –1977) "AthlÉtisme" Élégant vase cylindrique en porcelaine, haut talon et col évasé, décor émaillé d’athlètes et anneaux olympiques, rehauts de dorure. Signature émaillée "P. G d’ap. GOOR 67-35", cachet "Sèvres Manufacture Nationale France". Haut. 28 cm Historique?: Forme dessinée par la décoratrice Anne-Marie Fontaine, décor réalisé par Gaston Goor qui donne des projets entre 1931 et 1935. Ce décor étant l’un des derniers projets et faisant partie d’une série destinée à des sociétés sportives "Sports d’hiver", "Athlétisme" et Natation".
Émile GALLÉ (1846-1904) Vase balustre méplat à corps godronné et polylobé sur talon, en verre teinté jaune givré, à décor gravé à l’acide de rinceaux et d’un motif central de personnage médiéval au chien, émaux polychromes et rehauts dorés. Signature gravée à l’acide et dorée "Gallé". Haut. 24,5 cm Bibliographie?: - Nancy, Jugendstil in Lothringen 1900, Mûnchner StadtMuseum, catalogue d’exposition, Aôut 1980 à janvier 1981, Verlag Philipp von Zabern, modèle similaire reproduit p. 247. - Bernd Hakenjos, Emile Gallé, Hirmer Editeur, 2012, modèle à rapprocher de celui reproduit p. 80.
ÉMILE GALLÉ (1846-1904) Vase cornet en verre transparent, rythmé de bagues successives et de frises de cabochons formant fleurettes appliquées à chaud, décor émaillé polychrome de rinceaux fleuris et rehauts d’or. Signature incisée "E. Gallé Nancy". (Usures de dorure sur l’ouverture). Haut. 16,6 cm
Ernest CHAPLET (1835-1909) & Édouard DAMMOUSE (1850-1903) & A. KALT Grand vase ovoïde en grès sur talon, circa 1885-1887, à large ouverture soulignée d’un bandeau ourlé, riche décor fleuri, émaux verts, rouges, bordeaux, beiges et bleus, rehauts d’or, fond principal gris clair, bandeaux beiges. Signatures de cachets en creux "Rosaire", "H & Cie", "A.K", "ED. D." (Base entièrement bordée de larges éclats). Haut. 36 cm - diam. 31 cm Bibliographie?: Jean d’Albis, Ernest Chaplet, Les presses de la connaissance, Paris, 1976, modèle à rapprocher de ceux reproduits pp. 19, 44, 45.
ERNEST CHAPLET (1835-1909) & ÉDOUARD DAMMOUSE (1850-1903) & A. KALT Important vase balustre, circa 1885-1887, en grès, à large ouverture évasée à décor d’iris, fleurs de pommier, chrysanthèmes, fleurettes et rubans, émaux verts, bordeaux, beiges et bleus, rehauts d’or, fond principal gris clair, bandeaux beiges. Signatures de cachets en creux "Rosaire", "H & Cie", "ED.D.", "AK". (Un fêle restauré au col). Haut. 42 cm - Diam. 30 cm Bibliographie?: Jean d’Albis, Ernest Chaplet, Les presses de la connaissance, Paris, 1976, modèle à rapprocher de ceux reproduits pp. 44, 45.
DAUM NANCY Petit vase balustre en verre jaspé jaune pâle et brun à décor gravé à l’acide et émaillé polychrome de bleuets. Signature gravée à l’acide "Daum Nancy". (Infimes éclats au talon, égrenures). Haut. 9,2 cm Vase miniature ovoïde méplat en verre jaspé jaune et brun à décor floral gravé à l’acide et rehaussé d’émaux polychromes. Signé "Daum Nancy". (Un éclat en bordure interne du col, égrenures en bordures).
Émile GALLÉ (1846-1904) Vase ovoïde élancé sur talon à col corolle, de la série "Fonds marins", en verre multicouche brun et vert animé de poudres intercalaires, à décor gravé à l’acide de grandes algues. Trace de signature. (Petit éclat en bordure interne du col, petits éclats au talon, nombreuses rayures à la panse, petit éclat à la panse). HAUT. 23 CM
Émile GALLÉ (1846-1904) Vase cylindrique sur talon, col légèrement évasé, en verre multicouche vert, violet et rouge-brun animé de bulles intercalaires, à décor gravé à l’acide de fleurs et rinceaux feuillagés. Signature japonisante "Gallé" à la base de la panse, daté 1900 sous la base. (Infimes égrenures au col). Haut. 16,7 cm
Émile GALLÉ (1846-1904) Grand vase ovoïde à col ourlé, en verre multicouche violet et jaune sur fond bleuté et satiné à décor gravé à l’acide représentant le lac de Côme animé d’un paon sur une balustrade. Signature gravée à l’acide et rehaussée d’émail "Gallé". (Petits éclats au col). Haut. 35 cm
Æ’ Le Verre Français Vase "Prunes", circa 1919-1921 en verre multicouche, écaille de tortue sur fond rouge, gravé à l’acide d’un décor stylisé de feuillages et fruits, corps balustre sur large base galbée. Signature incisée "Le Verre Français". Haut. 42,8 cm Bibliographie?: Marie-Christine Joulin, Gerold Maier, "Charles Schneider?: Le Verre Français - Charder Schneider", Éditions Wissner-Verlag, 2004, modèle de décor reproduit p. 100.
Æ’ Le Verre Français Vase "Feuille de figuier", circa 1918-1921, en verre multicouche, écaille de tortue et violet sur fond orangé, gravé à l’acide et à la meule d’un décor floral géométrisé, corps balustre à panse sphérique et col fuselé orné de larges cannelures. Signature incisée "Le Verre Français". Haut. 39,7 cm Bibliographie?: Marie-Christine Joulin, Gerold Maier, "Charles Schneider?: Le Verre Français - Charder Schneider", Éditions Wissner-Verlag, 2004, modèle reproduit p. 86.
A FAMILLE ROSE MEDALLION BOWL, the interior decorated in underglaze blue with a central vase of flowers surrounded by further fruit and foliage, the exterior decorated with four roundels showing fruit and flowers, on a graviata ground, with polychrome scrolling flowerheads and tendrils, the base with a Daoguang seal mark, 6"" dia.
A FAMILLE ROSE REVOLVING VASE of cylindrical form, the neck, shoulders and base with flowerheads and scrolling tendrils on a red ground, the body with two revolving sections decorated with character roundels, flowerheads and tendrils on a yellow ground, the base with a Qianlong seal mark, 7.25"" high
? A LARGE FAMILLE VERTE BALUSTER VASE decorated with a scene from the fable of the Shui Man Jin Shan (Flood Over the Jinshan Temple), showing the White Snake Goddess and her assistants attempting to rescue her lover from imprisonment at the Jinshan Temple, one side with an inscription and seal marks, the base with a six character Guangxu mark, 15.5"" high Provenance: Private collection, East Dorset. Purchased from an antique dealer in Bournemouth in the late 1960`s. THIS LOT IS NOT AVAILABLE FOR ONLINE BIDDING. IF YOU WISH TO BID ON THIS LOT PLEASE CONTACT THE AUCTIONEERS.
A FINE BLUE AND WHITE ROULEAU VASE, the waisted neck above a gently tapering cylindrical body, decorated with a scene from the Story of The Three Kingdoms, showing a warrior on horseback engaging with a standing figure within a landscape setting beside rocks, the shoulder and neck decorated with two butterflies above a bird and foliage, the shoulder and foot also with `hidden` bands of incised decoration, Chongzhen, 15.25"" high Provenance: G. & C.W. Digby Collection. THIS LOT IS NOT AVAILABLE FOR ONLINE BIDDING. IF YOU WISH TO BID ON THIS LOT PLEASE CONTACT THE AUCTIONEERS.
A LARGE BRONZE DRAGON VASE of baluster form, the long neck with a dragon coiled around it in high relief, the body decorated with four ogee narrative panels with inscriptions, one relating to the Immortal Magu, on a ground of scrolls and precious objects, the base with a Xuande mark within a double-dragon roundel, Qing, 18th/19th century, 23"" high
A FINE CLOISONNÉ MINIATURE BOTTLE VASE, the ovoid body decorated with three monster masks and ruyis amongst scrolls on a greenish-turquoise ground between lappet and ruyi bands, the flared neck with stylised characters between further ruyi and lappet bands, the base with an incised six character horizontal Qianlong mark above a single character `qiang`, 5"" high This exquisite vase, and the following lot (145), appear to belong to a group of miniature cloisonne vessels produced for Imperial consumption during the reign of the Qianlong Emperor. As well as the miniature format, the principal unifying factor of the group is the presence of a single character mark below the horizontal Qianlong reign mark. On the present lot this mark is `qiang` and on lot 145 it is `gong`. Others to have appeared on the market bear the characters `you` and `ji` It seems likely that this group of vessels were originally part of the documented ""Lu Ping San Shi"" sets. These were three-object miniature cloisonne sets made during the Qianlong period, which consisted of a censer, a bottle, and an incense container. It is recorded that each of the items in these triple sets was marked with a single character from the famous Thousand Character Classic (Qian Zi Wen), a poem used to teach children from the sixth century onwards. The link between the use of a children`s poem and the diminutive size of the objects is amusing and surely no coincidence. It is thought that each set used a unique character to indicate its location within the Forbidden City. This topic has been discussed at length by Yang Yong in the Chinese ""Art Market"" Journal, issue 11, 2008. Provenance: Frederick Wright, Esq. (c.1890-1980), almost certainly purchased before WWII, and thence by descent. THIS LOT IS NOT AVAILABLE FOR ONLINE BIDDING. IF YOU WISH TO BID ON THIS LOT PLEASE CONTACT THE AUCTIONEERS.
? A FINE MINIATURE CLOISONNÉ BOTTLE VASE decorated with lotus flowers and leafy tendrils on a bluish-turquoise ground between ruyi bands at the top and bottom, the base with an incised four character horizontal Qianlong mark above a single character `gong`, 5"" high This exquisite vase, and the previous lot (144), appear to belong to a group of miniature cloisonne vessels produced for Imperial consumption during the reign of the Qianlong Emperor. As well as the miniature format, the principal unifying factor of the group is the presence of a single character mark below the horizontal Qianlong reign mark. On the present lot this mark is `gong` and on lot 144 it is `qiang`. Others to have appeared on the market bear the characters `you` and `ji` It seems likely that this group of vessels were originally part of the documented ""Lu Ping San Shi"" sets. These were three-object miniature cloisonne sets made during the Qianlong period, which consisted of a censer, a bottle, and an incense container. It is recorded that each of the items in these triple sets was marked with a single character from the famous Thousand Character Classic (Qian Zi Wen), a poem used to teach children from the sixth century onwards. The link between the use of a children`s poem and the diminutive size of the objects is amusing and surely no coincidence. It is thought that each set used a unique character to indicate its location within the Forbidden City. This topic has been discussed at length by Yang Yong in the Chinese ""Art Market"" Journal, issue 11, 2008. Provenance: Frederick Wright, Esq. (c.1890-1980), almost certainly purchased before WWII, and thence by descent. THIS LOT IS NOT AVAILABLE FOR ONLINE BIDDING. IF YOU WISH TO BID ON THIS LOT PLEASE CONTACT THE AUCTIONEERS.
A FINE PAIR OF LACQUER AND SHIBAYAMA VASES, each with two ogee panels decorated in shibayama with birds and blossoming foliage, on a gold-lacquer ground with flowers and other motifs, the long flared necks with silver collars, each vase on a stepped base with six shaped feet, old collection label underneath no. 134, the bases signed on gilt panels Nobukazu/Shinichi, Meiji, 10"" high (2) Provenance: Private collection, West Dorset.
†After the Antique: A lead model of the Warwick urn 2nd half 19th century on later composition stone base urn 86cm.; 34ins wide; 130cm.; 51ins high overall The marble original of this urn was discovered in 1771. It was purchased by Sir William Hamilton and sold after restoration to the Earl of Warwick, who for a long time forbade casts to be made of it. Eventually bronze and cast iron replica’s were made and it was copied on a reduced scale in silver, bronze and terracotta by artists using the prints by Piranese. It is perhaps the most famous antique vase after the Medici and Borghese urns. By repute, it headed a list of art treasures compiled by Napoleon Bonaparte, to be appropriated after the conquest of Great Britain.
An inlaid Edwardian mahogany open armchair with shaped outline and pierced vase shaped splat with classical carved and pierced detail over scrolled arms, floral tapestry upholstered pad seat and cabriole supports together with three further inlaid Edwardian occasional chairs of varying design
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653833 item(s)/page