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A Bohemian ruby tinted glass vase, late 19th Century, of tapered ovoid shape with spreading circular foot and trumpet neck, gilt overall with foliate scrollwork and reserved with an opaque oval panel enamelled with a head and shoulders portrait bust of a lady, height approx 23cm (some wear).
A Bohemian cranberry flashed part suite of glass, late 19th/early 20th Century, each bowl cut with relief rectangular panels against a gilt leafy and seaweed ground raised on similarly gilt waisted faceted stems, comprising ten wines, twelve tumblers, six liqueurs, a decanter and stopper and a bulbous shaped vase.
A Royal Worcester porcelain two handled vase, circa 1886, the ivory ground bulbous body painted by E. Salter, signed, with a lighthouse in stormy weather, a gilt shipwreck in the foreground, the neck flanked by gilt dolphin handles, puce printed and impressed marks to base with shape No. '1327', height approx 27cm (minor chipping to rim).
A Royal Worcester porcelain lobed bulbous vase, circa 1905, painted with pink and yellow roses beneath a green everted neck, green printed marks to base with painted numerals, height approx 8cm, together with a Royal Worcester porcelain pink and yellow rose painted vase, circa 1913 (lacking cover) and a Royal Worcester porcelain two handled rose painted vase by Hood, signed (restored).
A Royal Worcester porcelain two handled spill vase, circa 1910, the flared cylindrical body painted by K. Blake, signed, with blackberries and blossom beneath a moulded rim, the gilt scroll moulded handles above the trellis moulded gilt spreading circular foot, black printed marks to base with shape No. '1556', height approx 17cm (minor restoration to rim).
A Royal Worcester porcelain vase, post 1950, the tapered cylindrical body with crimped gilt rim, painted by T. Nutt, signed, with a still life study of fruit in a woodland setting, black printed mark to base with black painted numerals, height approx 8cm, together with another Royal Worcester porcelain vase, circa 1908, painted with blackberries and blossom beneath moulded shoulders (lacking cover).
A Royal Doulton porcelain ovoid shaped vase, early 20th Century, decorated by J. price, signed, in the round with autumnal silver birch trees, green printed mark to base with impressed numerals and black painted 'BB. 2259', together with a lustre vase decorated with two 18th Century dressed lovers in a landscape, signed H. Davis, otherwise unmarked.
A Susie Cooper Kestrel shape preserve pot and cover, decorated with green and blue stylized leaves within green and yellow borders, printed factory mark and inscribed 'E.219' to base, a matching four piece condiment set, comprising salt, pepper, mustard and stand, and a butter dish stand, together with a pair of Crown Devon fish plates, a Gouda 'Marion' pattern vase, and a Royal Crown Derby bone china figure of a seal decorated in the Imari palette (faults).
A Doulton Lambeth stoneware small vase, circa 1880, decorated by Elizabeth Atkins, monogrammed, the baluster body with foliage and flower stems outlined with white beading, impressed and incised marks to base, height approx 12cm (small chip to rim) together with a Royal Doulton gilt whorl ground small jardinière and a Doulton Lambeth stoneware jug (restored).
A large Doulton Lambeth Faience vase, circa 1900, the high shouldered body with waisted cylindrical neck painted by Emily Gillman, monogrammed, with pink flowers against a shaded green ground, brown printed, impressed and painted marks to base, height approx 44.5cm (restoration to neck and foot).
A Royal Doulton stoneware vase, of bulbous shape with extended cylindrical neck, relief decorated with Art Nouveau foliate medallions to the lower body against a brown ground, together with three other pieces of Royal Doulton stoneware, comprising a squat vase, a blue ground pot and pierced cover and a speckled mushroom glazed vase.
A Doulton Lambeth stoneware vase, circa 1886, the high shouldered buff body decorated by Edith Lupton, monogrammed, with incised and relief flowers and foliage against a ground of dense enamelled white blossom, the neck with floral medallions between beaded bands, impressed and incised marks to base, height approx 25cm.
A Doulton Lambeth stoneware vase, decorated by George Tinworth, monogrammed, the high shouldered body with a scrolling incised blue seaweed design punctuated with foliate medallions and white beaded trails against the buff ground enamelled with dense white stylized foliage and flowers, impressed and incised marks to base, height approx 26cm.
A Doulton Lambeth stoneware match holder and strike, of spherical shape with ribbed exterior decorated with a zig-zag band of flowers and foliage, impressed marks to base, together with a small group of Doulton wares, comprising a Royal Doulton footed circular bowl printed in black to the interior and exterior with a continuous landscape band, a Faience vase by Mary Denley with Neoclassical style scrolling foliage (restored) a coaching scenes series ware cream and sugar bowl (hairline to sugar) and a jug relief moulded with a portrait of Elizabeth I (restored).
A pair of Continental porcelain 'Vienna' style vases, late 19th Century, each campana shaped two handled vase printed with figural scenes after Kaufmann within elaborate gilt 'C' scroll frames and green and magenta panelled grounds overlaid with gilt decoration, raised on similarly decorated square pedestal bases, blue printed pseudo Hapsburg shield marks to bases, height approx 34cm.
A small 'Vienna' porcelain vase, late 19th Century, the U-shaped body painted by Asime, signed, with a titled figure group 'Pomona', within a gilt frame against a gilt overlaid magenta ground flanked by gilt angular handles on a pedestal base, underglaze blue pseudo Hapsburg shield mark to base with black script title (faults and repairs), a 20th Century Dresden floral encrusted and pierced circular bowl and cover and four other pieces of Continental porcelain (some faults).
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653833 item(s)/page