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Bjorn Engo, Norway, an enamel copper dish and a collection of miscellaneous pottery and other items, including an Indian painted metal dish with scalloped edge, a similar bowl, a Roman pottery oil lamp, Etruscan style and rustic pottery, a reproduction classical Greek vase, etc. (Q)
A CHINESE UNDERGLAZE-BLUE AND RED 'BAMBOO-NECK' VASE, 'XIANWENPING' Raised on a slightly splayed foot, the baluster-shaped body rising to a tapering neck encircled by two 'bow-string' bands imitating bamboo below a wide galleried-mouth with incurved rim, the body painted with a magpie on a rocky outcrop amongst bamboo and prunus blossoms, the neck painted with a magpie in flight, pseudo underglaze-blue six-character Kangxi mark, chips to foot, wear to mouth 25,3cm high
A CHINESE HARDSTONE ARCHAISTIC 'PHOENIX' VASE AND COVER The pale-celadon coloured vessel carved and pierced as a phoenix, its wings closed with upswept tips above a mythological creature, the stylised phoenix suspending a loose ring beneath the beak, the shoulder pierced and carved with a pair of Chilong, the cover decorated with a trifid-tail Chilong 16,5cm high
Amy Beatrice Hazell (South African 1864 - 1946) NASTURTIUMS signed and inscribed with the title and artist's name on the reverse oil on board 30 by 24cmNasturtiums in a blue and white vase was painted early in the life of the artist, while she was living in Harrow, England, before she came to South Africa. This delightful still life has all the seasonal appeal of spring in a Delft vase, and is surrounded with a gilded Italianate frame hand made by the custom framers of C. F. Woodhouse, also of Harrow. Beatrice Hazell was an under-rated, yet talented still life painter who came to South Africa at the age of 21 and studied at the Cape Town School of Art where she developed her skill. In 1903 her work was shown on the second South African Society of Artist’s exhibition, a singular distinction as she was the only woman still-life painter to be included in a male dominated genre. Buoyed by her success, she encouraged her friend the young Maggie Laubser to take up painting at the time. Two of her works were shown in 2002 at the Iziko South African National Gallery on the exhibition entitled The Advancement of Art: The South African Society of Artists and its exhibitors, 1902 -1950 and are featured in the accompanying catalogue by ISANG Curator Hayden Proud. - C.K. Berman, E. 1974. Art and Artists of South Africa. AA. Balkema. Cape Town and Rotterdam. Proud. H. 2002. ‘The Advancement of Art’: The South African Society of Artists and its exhibitors, 1902 -1950. Iziko Museums of Cape Town/SASA: Cape Town.
MIXED LOT OF COLLECTABLES including a milliner's hat block; a stationary rack, an Edwardian crumb scoop; two clothes brushes, one on a shaped shield with squirrel decoration; an East Asian shaped brass spill vase; a Continental base metal mantel clock with country scene finial; a decorative bronze female figural study; a Spelter figure of Les Premieres Fleurs, on a circular base (A/F); and a specimen wood walking cane
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653685 item(s)/page