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An Aesthetic Movement amboyna and ebonised jardinière, circa 1880, in the manner of Gillows, the lined top above a frieze centred by a Jasperware style plaque, on fluted supports each with rectangular vase mounted with further Jasperware style plaques and united by a conforming stretcher, 82cm high, 78cm wide, 44cm deepProvenance: Berwick House, ShropshireCondition Report: Marks, knocks, scratches, abrasions, consistent with age and use,Some chips and losses, old splits and cracks,The jardinière interior dirty and discoloured, and with corrosion.One plaque is detached but present - the rear is marked WEDGWOOD, one is totally missing - all are dirty and unexamined out of the mount. Elements of the gilt metal beading are missing and are not present with the lot. The vase to the stretcher is bent and misshapenCondition Report Disclaimer
A pair of Cantonese Famille Rose vases, circa 1880, each painted with two panels of figures on the body and two on the neck, on a brightly coloured ground of fruit, flowers and birds, 34.5cm high (2) Provenance: The Collection of Countess Veronica MunsterCondition Report: the vases both once had handles and all four of which are now all absentone vase with two pieces broken from neck rim and glued and restored back approximately 12cm x 4cm and 15cm x 4cm and 1.5cm x 1.5cm chip on unglazed foot rim Condition Report Disclaimer
A collection of various tapestry cushions, comprising; three various cushions incorporating various antique tapestry fragments on a velvet ground, the largest 48 x 40cm, a similar cushion with tasselled fringing, 31cm square, an abstract woven cushion, 41cm square, a long bolster type cushion, with phoenixes around a vase, 62 x 24cm, and a silver tread applied cushion, 35cm square, together with a table runner, 58 x 22cm, and a pair of table mats, 27 x 14cmProvenance:Property from The Manor House, Stanford in the Vale
A selection of German porcelain, various dates 18th, 19th & early 20th centuries, comprising: a Meissen (outside decorated) flower-encrusted cabinet cup and saucer painted with insects, blue crossed swords and cancellation marks; a pair of small campana urns painted with Watteauesques, Berlin type sceptre marks, 10cm high; a Frankenthal tea cannister with later 19th century white-metal mounts, remnants of a Carl Theodor mark, 13cm high overall; a Meissen blue-ground coffee cup and saucer painted with Watteauesques, blue crossed swords marks; a Vienna-style blue-ground and gilt cabinet cup and saucer, RL Limoges France mark and two items of English ceramics, comprising: a porcelain two-handled urn painted with a vase issuing flowers, 13cm high; and a Mason's Ironstone China blue-ground square section bottle vase painted with flowers, impressed mark, 11.5cm highCondition Report: Meissen (outside dec) flower-encrusted cup and saucer = typical chips to extremities, small rim chip to saucer.Campana urns = gilt worn from handles.Vienna style cup and saucer = saucer cracked, handled cracked.English vase = cracked.Mason's vase = gilding rubbed.Condition Report Disclaimer
A George III carved mahogany and painted mace for the Governor of the Hospital of Poor's Portion (Plymouth Work House), of bannister form, the square-section head decorated with royal coat of arms, coat of arms of the City of Plymouth, another coat of arms and initials W H, above two inverted baluster sections, 59cm long See Mervyn Mitton, (1985) The Policeman's Lot, p. 6 for this mace.Condition Report: Crack through head, old wear and knocks. Vase finial possibly repaired.Condition Report Disclaimer
A Chinese Famille Verte rouleau vase, Qing Dynasty, 19th century, painted with a Phoenix perched on a rock amongst flowering shrubs, the vase height 46cm, adapted for electricity and drilledProvenance: Berwick House, ShropshireCondition Report: drilled to side otherwise in good condition other than minor enamel lossesCondition Report Disclaimer
A Coalport cabinet plate, painted by M Pinter, signed, the central field decorated with a girl and lamb companion, within a tooled and raised gilt border, 27cm, printed mark; a Wedgwood vase; a Coalport figure, Donna; a Coalport cottage, an Aynsley Little Sweetheart pattern vase, powder bowl and ginger jar; a pair of glass air twist candle sticks, 27cm; etc
An Edinburgh International hand cut lead crystal decanter and stopper boxed; an Edinburgh International cut glass fruit bowl, boxed and four fruit dishes, boxed; an Atlantis clear glass decanter and stopper, the silver collar presentation engraved, Birmingham 1986, boxed; a Thomas Webb crystal cut glass vase, 27cm, boxed; a cut glass decanter; assorted cut glass drinking glasses; qty
A Waterford Crystal cut glass pen stand and pen, boxed; a Swarovski Crystal swan, 8cm wide, boxed; an Orrefors of Sweden glass Fleur bowl, designed by Jan Johansson, boxed; another Orrefors flower shaped bowl, boxed; a Royal Doulton cut glass scent atomiser, boxed; other scent atomisers; a continental cases glass vase, another smaller; a Mdina paperweight; qty
Oriental Ceramics - a Chinese famille noire porcelain baluster vase, painted with famille rose reserves and foliage, 36cm high, six-character red seal mark, 20th century, (1); a Japanese Imari baluster vase, painted in the typical palette and picked out in gilt, 40cm high, signed shoulder, the base with red character marks, Meiji period, (1), [2]
A Royal Crown Derby Posie pattern hexagonal vase, candle snuffer, six eggcups, miniature milk jug and sugar bowl, bridge trays, assorted shaped pin and trinket trays, two graduated pedestal bon-bon dishes, two cream jugs, two rectangular trinket boxes and covers, six miniature cream jugs, etc, assorted marks and dates; qty
Mid to late 20th century pottery to include a Motto ware jug, a Myott jug and a Beswick vase together with a small quantity of Wedgwood Jasperware and a New Zealand Coromandel triangular vase by Ian Drury, together with mixed 20th century glass to include a pink swirl design vase by Okgra glass, mixed decanters and vases Location: 3.1
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650806 item(s)/page