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A Pair of George V Silver Two-Light Candelabra, by Mappin and Webb, Sheffield, 1918, each on circular fluted base, with octagonal tapering stem, the detachable branches with two scrolling arms and with a central vase-shaped finial, the branches each terminate in octagonal sockets with detachable nozzle, the bases filled, 30cm high, the branches 19oz 5dwt, 595gr (2) . Each fully marked on base and branches. Further part marked on nozzles. There is some overall surface scratching and wear, consistent with age and use. There are some dings and areas of minor unevenness to the surface in come areas. The total gross weight, including the filling material is 1,332gr.
A George V Silver Hip-Flask, by William Hutton and Sons Ltd., Sheffield, 1912, oval, the base with detachable cup with engraved initials, with bayonette mounted cover, 13.5cm high, gross weight 7oz, 217gr. Fully marked on vase, near neck, one neck and further part marked on cover. the base stamped with crossed arrows trademark. there is some surface scratching and wear overall. The inside of the cup is gilt. The gross weight includes the cork inside the cover.
A Coalbrookdale Cast Iron Three-Division Stickstand, repainted silver, bearing lozenge registration mark and numbered 68, with turned finials and moulded pediment decorated with ribbons and leaves with half-turned dividers above two relief decorated panels of birds divided by a vase issuing flowers, with removeable drip tray, 65cm by 23cm by 93cm
Gertrude Talmage (née Rowe) (St Ives School 1866-1941): Still Life of Flowers in a Chinese Vase, oil on canvas indistinctly signed and dated 1927, St. Ives framer's label verso 45cm x 24cm Notes: this lot has previously been attributed to the artist's husband, Algernon Mayow Talmage, as the first letter of the signature is not clear. However, Algernon left his wife and St Ives for London in 1907, and as such it seems unlikely that a 1927 painting by himself would have been framed there. Gertrude was more famous as an art teacher than an artist in her own right, and consequently her work very rarely comes on the market.
JANET ADAM STUDIO POTTERY STONEWARE VASE, of campana form, mottled brown glaze, on a square base, with 'Adam Pottery' sticker to base, 26.5cm high, along with a Fursbreck Orkney pottery vase, another studio pottery vase, and a Scottish studio pottery jug (4) Provenance: The William Mowat-Thomson Collection
GARNITURE OF THREE MID-19TH CENTURY ENGLISH PORCELAIN SPILL VASES, likely Spode, each of trumpet form, decorated with a landscape in the Imari palette, beaded borders, the two smaller vases painted '967' to base, the tallest 16cm high, along with another Imari spill vase (4) Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY CHINESE FAMILLE ROSE VASE, of footed square form with twin foo dog handles, each side hand-painted with alternating panels depicting birds perched in foliage, and character marks, marks to base, 13.5cm high, along with another Chinese famille rose vase and cover, and a hexagonal incense burner (3) Provenance: The William Mowat-Thomson Collection
GILDED HIGH BACK SINGLE CHAIR IN THE MANNER OF DANIEL MAROT, the shell and scroll moulded top rail with intricately carved back below with vase of flowers, scrolls and leafage within fluted uprights, upholstered seat in green floral damask, on turned tapering legs joined by an 'H' stretcher with scroll moulded apron, 128cm high Provenance: The William Mowat-Thomson Collection
EARLY 20TH CENTURY CHINESE BRONZE VASE, the trumpet neck with twin upright handles, over an ovoid body and circular foot, the neck cast in relief with panels of figures, the body in high relief with a dragon set amongst foliage, on a hardwood stand, 16cm high overall Provenance: The William Mowat-Thomson Collection
MID-19TH CENTURY PARIS PORCELAIN VASE, of urn form with twin handles, the front panel hand-painted with a Classical scene depicting a Bacchanalian youth sat upon a barrel, the reverse with a floral still life, on a green ground with gilt borders, on a circular socle on a square foot, 32cm high Provenance: The William Mowat-Thomson Collection
MID-19TH CENTURY ROYAL CROWN DERBY PORCELAIN VASE, of urn form with twin scroll handles, decorated in gilt with Classical scenes on a cobalt blue ground, raised on a circular socle on a square foot, printed 'Crown Derby' mark to base, 30cm high Provenance: The William Mowat-Thomson Collection
LATE 19TH CENTURY CHINESE BLUE & WHITE STONENWARE VASE AND COVER, of baluster form, the domed cover with moulded finial in the form of a scholar, decorated with alternating panels depicting a lady, and a vase set with flowers, within foliate borders, 52cm high Provenance: The William Mowat-Thomson Collection
GARNITURE OF THREE LATE VICTORIAN EARTHENWARE SPILL VASES, each of cylindrical form, the larger with trumpet rim, the two smaller with pierced rims, each transfer printed with flowerheads on a blue and white ground, the tallest vase 18cm high (3) Provenance: The William Mowat-Thomson Collection
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