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Lot 17

Moorcroft Vase of baluster form in the Spike pattern, blue printed marks to base and signed Beverley Wilkes, 16cms high, boxed,

Lot 5

Hallmarked silver Posey vase - Adie Brothers Ltd - 1922 - H: 12.5cm

Lot 121

Small Moorcroft vase - Approx H: 11.5cm

Lot 122

Moorcroft vase - Approx H: 17cm

Lot 120

Small Moorcroft vase - Approx H: 10cm

Lot 405

Large ceramic Chinese vase/stick stand A/F - Approx H: 63cm

Lot 123

Large Moorcroft vase - Approx H: 24cm

Lot 2075

A Pair of George V Silver Two-Light Candelabra, by Mappin and Webb, Sheffield, 1918, each on circular fluted base, with octagonal tapering stem, the detachable branches with two scrolling arms and with a central vase-shaped finial, the branches each terminate in octagonal sockets with detachable nozzle, the bases filled, 30cm high, the branches 19oz 5dwt, 595gr (2) . Each fully marked on base and branches. Further part marked on nozzles. There is some overall surface scratching and wear, consistent with age and use. There are some dings and areas of minor unevenness to the surface in come areas. The total gross weight, including the filling material is 1,332gr.

Lot 2080

A George V Silver Hip-Flask, by William Hutton and Sons Ltd., Sheffield, 1912, oval, the base with detachable cup with engraved initials, with bayonette mounted cover, 13.5cm high, gross weight 7oz, 217gr. Fully marked on vase, near neck, one neck and further part marked on cover. the base stamped with crossed arrows trademark. there is some surface scratching and wear overall. The inside of the cup is gilt. The gross weight includes the cork inside the cover.

Lot 439

Owen Bowen ROI (1873-1967) Still life of roses in a glass vase on a table Signed, oil on canvas, 60.5cm by 44.5cm Provenance: Purchased directly from the artist Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 690

A Coalbrookdale Cast Iron Three-Division Stickstand, repainted silver, bearing lozenge registration mark and numbered 68, with turned finials and moulded pediment decorated with ribbons and leaves with half-turned dividers above two relief decorated panels of birds divided by a vase issuing flowers, with removeable drip tray, 65cm by 23cm by 93cm

Lot 601

A limited edition Moorcroft vase decorated with hummingbirds, 60/75, designed by Paul Hilditch 2003, 25.5cm

Lot 1150

A pair of Chinese vases, a single Chinese vase, a vase with lid and five saucers **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

Lot 1125

A collection of items including a vase, tankard, spoons, bar pump handles, miniature eggs, a boomerang, etc. **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

Lot 814

A collection of silver plate including a tray, dish, two vegetable dishes, a salt scoop and holder, teapot, coffee pot, sugar bowl and milk jug, vase, a quart tankard, knives, forks and a pair of grape scissors

Lot 604

A Crown Devon lustre vase decorated with fruit, 20cm

Lot 723

A Murano glass clown, lady, basket, fish vase and other glass

Lot 688

A collection of decorative glass, a pair of Mary Gregory cranberry glass beakers, an iridescent vase with silver overlay, a/f, glass paperweights including Saint Louis, enamel trinket boxes, etc.

Lot 849

A Franz Porcelain Peony Collection vase, a/f, a coffee pot and jug

Lot 709

A collection of Royal Crown Derby; vase, Royal Antoinette cup and saucer, Derby Posies and Vine Cobalt plate, two other coffee cups and saucers including Crescent China with silver holder

Lot 700

A Wedgwood Jasperware lidded Campana vase, teapot, two lidded pots and two pin trays, spout on teapot a/f

Lot 603

A Moorland Chelsea Works Burslem art pottery vase and matching pair of lidded vases decorated with dragonflies

Lot 681

A cloisonne and plique-a-jour vase and a carved Chinese scent bottle, both a/f

Lot 66

A West German Carstens pottery vase, model 7321-40, 40cms h

Lot 65

A glazed terracotta studio pottery vase, 35cms h

Lot 67

A West German Bay Keramik porcelain vase, 25cms h and two others

Lot 660

A Victorian circular walnut foot stool raised on china feet and a carved hardwood vase stand AF

Lot 51

Owen Bowen (Staithes Group 1873-1967): Still Life - Flowers in a Glass Vase, oil on canvas signed 59cm x 49cm

Lot 52

Gertrude Talmage (née Rowe) (St Ives School 1866-1941): Still Life of Flowers in a Chinese Vase, oil on canvas indistinctly signed and dated 1927, St. Ives framer's label verso 45cm x 24cm Notes: this lot has previously been attributed to the artist's husband, Algernon Mayow Talmage, as the first letter of the signature is not clear. However, Algernon left his wife and St Ives for London in 1907, and as such it seems unlikely that a 1927 painting by himself would have been framed there. Gertrude was more famous as an art teacher than an artist in her own right, and consequently her work very rarely comes on the market.

Lot 67

Iris Collett (British 1938-): Still Life of Flowers in a Vase, oil on board signed 46cm x 41cm Provenance: from the artist's studio sale

Lot 68

Iris Collett (British 1938-): Still Life of Flowers in a Vase, oil on board signed 41cm x 31cmProvenance: from the artist's studio sale

Lot 381

EARLY 20TH CENTURY GLASS TRUMPET VASE, the wrythen blue body terminating in a brass hand, on an alabaster square base, 16cm high Provenance: The William Mowat-Thomson Collection

Lot 426

JANET ADAM STUDIO POTTERY STONEWARE VASE, of campana form, mottled brown glaze, on a square base, with 'Adam Pottery' sticker to base, 26.5cm high, along with a Fursbreck Orkney pottery vase, another studio pottery vase, and a Scottish studio pottery jug (4) Provenance: The William Mowat-Thomson Collection

Lot 1230

GEORGE III MAHOGANY TIP-UP CIRCULAR TEA TABLE, on a turned vase shaped pillar, the scroll legs with pad feet, 91cm diameter Provenance: The William Mowat-Thomson Collection

Lot 20

LATE 19TH CENTURY CHINESE FAMILLE ROSE VASE, of footed ovoid form with trumpet neck and twin handles, the body hand-painted with panels of foliage, character marks to base, 31.5cm high Provenance: The William Mowat-Thomson Collection

Lot 240

GARNITURE OF THREE MID-19TH CENTURY ENGLISH PORCELAIN SPILL VASES, likely Spode, each of trumpet form, decorated with a landscape in the Imari palette, beaded borders, the two smaller vases painted '967' to base, the tallest 16cm high, along with another Imari spill vase (4) Provenance: The William Mowat-Thomson Collection

Lot 32

LATE 19TH CENTURY CHINESE FAMILLE ROSE VASE, of footed square form with twin foo dog handles, each side hand-painted with alternating panels depicting birds perched in foliage, and character marks, marks to base, 13.5cm high, along with another Chinese famille rose vase and cover, and a hexagonal incense burner (3) Provenance: The William Mowat-Thomson Collection

Lot 1324

GILDED HIGH BACK SINGLE CHAIR IN THE MANNER OF DANIEL MAROT, the shell and scroll moulded top rail with intricately carved back below with vase of flowers, scrolls and leafage within fluted uprights, upholstered seat in green floral damask, on turned tapering legs joined by an 'H' stretcher with scroll moulded apron, 128cm high Provenance: The William Mowat-Thomson Collection

Lot 1380

WALNUT OPEN ELBOW CHAIR OF QUEEN ANNE DESIGN, the scroll moulded back with vase shaped splat, the arms with carved eagle terminals, upholstered drop in seat in floral needlework, on cabriole forelegs carved at the knee with shells Provenance: The William Mowat-Thomson Collection

Lot 1214

GEORGE III MAHOGANY CIRCULAR TILT TOP TEA TABLE, on a turned vase shaped pillar, the scroll legs on pad feet, 73cm diameter Provenance: The William Mowat-Thomson Collection

Lot 347

EARLY 20TH CENTURY CHINESE BRONZE VASE, the trumpet neck with twin upright handles, over an ovoid body and circular foot, the neck cast in relief with panels of figures, the body in high relief with a dragon set amongst foliage, on a hardwood stand, 16cm high overall Provenance: The William Mowat-Thomson Collection

Lot 12

MID-19TH CENTURY PARIS PORCELAIN VASE, of urn form with twin handles, the front panel hand-painted with a Classical scene depicting a Bacchanalian youth sat upon a barrel, the reverse with a floral still life, on a green ground with gilt borders, on a circular socle on a square foot, 32cm high Provenance: The William Mowat-Thomson Collection

Lot 81

LATE 19TH CENTURY JAPANESE KUTANI VASE, of small proportions, hand-painted with herons and reeds, character marks to base, 9cm high, along with a Kutani rice bowl, cover and saucer, another bowl, an Imari tea bowl, and a teapot (5) Provenance: The William Mowat-Thomson Collection

Lot 307

LATE VICTORIAN GREEN GLASS HYACINTH VASE, mould blown, of waisted form, 14.5cm high, along with another, and another late Victorian glass vase (3) Provenance: The William Mowat-Thomson Collection

Lot 263

MID-19TH CENTURY CUT GLASS DECANTER, of mallet form, with faceted mushroom stopper, facet cut neck and body, polished pontil, 26.5cm high, along with a Victorian glass decanter and stopper, a decanter and a vase (4) Provenance: The William Mowat-Thomson Collection

Lot 112

VICTORIAN ENGLISH PORCELAIN SPILL VASE, of trumpet form, decorated in relief with a figural scene, on three paw feet, 14cm high, along with six others (7) Provenance: The William Mowat-Thomson Collection

Lot 1217

GEORGE III CHILDS' ELM AND OAK ARMCHAIR, with pierced vase shaped splat, outswept arms, with solid seat on square chamfered legs, 61cm high Provenance: The William Mowat-Thomson Collection

Lot 1228

GEORGE III MAHOGANY CORNER CHAIR, with two vase shaped splats within cylindrical uprights, drop in seat, with a cabriole front leg Provenance: The William Mowat-Thomson Collection

Lot 187

EARLY 19TH CENTURY DERBY PORCELAIN VASE, of urn form with twin upright handles, the central reserve hand-painted with a floral bouquet, richly gilded throughout with scrolls, shells and foliage, painted marks to base, 23cm high Provenance: The William Mowat-Thomson Collection

Lot 1219

SET OF SIX LATE GEORGE III MAHOGANY SINGLE DINING CHAIRS, of Chippendale design, the serpentine top rail with pierced vase shaped splat, upholstered drop-in seat, on square chamfered legs joined by an 'H' stretcher (6) Provenance: The William Mowat-Thomson Collection

Lot 505

BRITISH STUDIO POTTERY EARTHENWARE VASE, of baluster form with trumpet rim, decorated in blue with abstract motifs on a white ground, 'AR' monogram to base, 26.5cm high Provenance: The William Mowat-Thomson Collection

Lot 304

LATE 19TH CENTURY CONTINENTAL PORCELAIN SPILL VASE, modelled in the form of a lady's hand holding a flower, the bowl applied with further foliage, on a naturalistic base, 20.6cm high, along with an English porcelain vase (2) Provenance: The William Mowat-Thomson Collection

Lot 10

MID-19TH CENTURY ROYAL CROWN DERBY PORCELAIN VASE, of urn form with twin scroll handles, decorated in gilt with Classical scenes on a cobalt blue ground, raised on a circular socle on a square foot, printed 'Crown Derby' mark to base, 30cm high Provenance: The William Mowat-Thomson Collection

Lot 1206

VICTORIAN WALL MIRROR, the multiple plates contained in an embossed brass frame, with floral vase cresting and similar base, 110cm high Provenance: The William Mowat-Thomson Collection

Lot 362

EARLY 19TH CENTURY SPODE PORCELAIN VASE, of footed baluster form with trumpet rim and twin scroll handles, decorated with a Chinoiserie landscape in the Imari palette, 16cm high Provenance: The William Mowat-Thomson Collection

Lot 335

LATE 19TH CENTURY BOHEMIAN GLASS VASE, of faceted trumpet form with central ruby flashed band, above a knopped stem and faceted circular foot, gilded throughout with scrolls and foliage, 28.7cm high Provenance: The William Mowat-Thomson Collection

Lot 1352

PAIR OF FROSTED GLASS BALUSTER VASE TABLE LAMPS, with brass bases, with pleated fabric shades, 73cm high overall Provenance: The William Mowat-Thomson Collection

Lot 408

LATE 19TH CENTURY CHINESE BLUE & WHITE STONENWARE VASE AND COVER, of baluster form, the domed cover with moulded finial in the form of a scholar, decorated with alternating panels depicting a lady, and a vase set with flowers, within foliate borders, 52cm high Provenance: The William Mowat-Thomson Collection

Lot 27

FU HUA (Chinese, 20th century), A Still Life composition depicting orchards from a 'Hu' vase, watercolour on paper, signed, 13 x 17.5ins

Lot 65

GARNITURE OF THREE LATE VICTORIAN EARTHENWARE SPILL VASES, each of cylindrical form, the larger with trumpet rim, the two smaller with pierced rims, each transfer printed with flowerheads on a blue and white ground, the tallest vase 18cm high (3) Provenance: The William Mowat-Thomson Collection

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