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A small group of Japanese Satsuma ware including lidded vase/pot with figural finial and painted figural decoration, height 17cm, small bowl with scene of geisha in landscape to interior and butterflies amongst flowers to exterior, with four character mark to base, several bowls and saucers with painted detail and a Bow porcelain saucer in the Imari palette with two birds to centre. Additional InformationGeneral wear and tear, manufacturing imperfections throughout including crazing and rubbing to gilt and painted decoration, the lidded vase/pot with several firing cracks, small chip to rim of lid, geisha decorated bowl with dull short ring, military decorated small plate with damage and restoration to rim, Bow saucer with short ring, rubbing to some of the painted detail, kiln dirt, manufacturing imperfections, etc.
LAZLO; two iridescent glass paperweights modelled as leaf and lily pad respectively, both signed to bases, a Royal Brierley cranberry glass vase with iridescent textured finish, a further Royal Brierley green glass vase, a green and brown trailed vase, a Vidivi clear glass tapered vase, an Art Deco style vase, a candle holder and three scent bottles, a multicoloured dish/bowl, also an amethyst geode.
ELME, ÄLNHULTS; an early to mid-20th century Swedish glass octagonal bowl on tapering foot, etched with a seated male nude holding a tray of fruit, with original sticker to side and mark to base, signed W for Emil Weidlich, numbered 277/180, diameter 17.5cm, and a similar vase etched with a female nude, numbered 276, height 16.5cm (2).Additional InformationGenerally in good order apart from some wear to the base (scratches) and some similar smaller areas to the sides, tiny nibbles to edge of the base and very few small manufacturing imperfections, odd small areas of bruising in areas of three edges of the facets visible after close examination, the vase in similar good condition with general surface wear and some odd small areas of bruising/nibbling.
KJELL ENGMAN FOR KOSTA BODA; a small 'Bon Bon' vase with striped blue neck, applied yellow loop handle and mottled orange body to clear circular foot, signed and no. 89066 with original label to base, height 12.8cm, an Alsterfors cased orange glass vase, a feathered iridescent glass vase and a marble effect green cased glass vase with handkerchief rim (4). Additional InformationRegarding the Kosta Boda vase; manufacturing imperfections including to the base and inside of the neck where there are gaps and rough finishes to the glass.
A pair of blue glass vases with iridescent finish and hallmarked silver rims, height 15.5cm, a cut glass silver topped vase, a scent bottle with silver collar and a silver topped hat pin jar. Additional InformationSilver generally worn throughout, hat pin jar lid with dents throughout, the pair of blue glass vases also with nicks, dents and wear to the silver mounts.
A group of cranberry glass to include a ewer with ribbed neck, a floral painted decanter with handle, a bowl, and a trumpet vase with vaseline glass detailed flared rim, height 32cm.Additional InformationExtensive rubbing to gilding, some rubbing and loss to enamel, polished chips to stopper, usual manufacturing imperfections, general light wear commensurate with age and use.
Maurice Asselin (French 1882-1947) Vase de fleurs Oil on canvas Signed upper right 46 x 38cm (18 x 14¾ in.) Together with two further oils by the same hand, one of a vase of flowers and another a still life of fish (this one unframed). (3) Maurice Asselin was known predominately for still life and figurative painting as well as landscapes. Although he spent much of his life based in Paris, and is known as an 'Ecole de Paris' artist, he frequently visited Brittany and Concarneau in particular, where he was inspired by the coastal landscape (see lots 271-274). Whilst there, he executed numerous watercolour sketches, reminiscent of a spontaneity evident in successive generations of 'plein air' painters.
A large Indian carved ivory page turner, c.1900, sabre form with elephant terminal, 16½in. (42cm.) long; together with other Indian ivory items including a goblet-form vase; a puzzle box; etc. (6), *Condition: - Page turner: Tiny chip to blade tip, chip to top edge of blade and another to edge of foliate mount., - Goblet: Repair to top of stem and paint retouched vertical crack to bowl. , - Puzzle box: Very good condition., - Box: Both hinges damaged and lid off. Pin from front of lid missing. Lacks one foot., - Napkin ring: Very good condition., - Sadeli inlaid page turner: Losses from inlay to both sides.
A Lalique clear & frosted crystal 'Fairy' vase, of large proportions, with three finely detailed fairies in relief surrounding the main body, etched 'lalique France signature to base, retains original Lalique sticker, 11½in. (29.2cm.) high., *Condition: in excellent condition with no faults found. (no box)
A Legras Art Nouveau cameo glass vase, Francois-Theodore Legras (1839-1916), late 19th / early 20th century, of square form, with etched tree and landscape around a lake decoration in muted enamels, signed 'Legras', 6in. (15.2cm.) high., *Condition: slight firing imperfections to upper rim otherwise good.
A 19th century Bohemian engraved and ruby flashed glass vase, indistinct etched maker's mark to base, beaker form with everted rim, engraved with circular ruby floral reserves on an all-over engraved ground with birds, rocaille, foliage and flowers, below a ruby cased floral engraved rim, 6in. (15.3cm.) high; together with a 19th century engraved blown glass footed bowl, 8¼in. (21cm.) diameter; a Bohemian amber and ruby flashed and engraved glass goblet, chipped; a Bohemian ruby flashed glass beaker with finely engraved floral, scroll and wrigglework decoration; and three other pieces. (7), Condition: - Ruby flashed & engraved vase: VG with no faults., * Clear engraved glass bowl: Long, thin impact crack to top or rim., - Goblet: Large chip to foot and scratching to underside. Three rim chips., - Beaker: Two tiny frits to top of rim. Two tiny chips to top of base and a couple of minute frits., - Ruby flashed bowl: Tiny rim frit. A few scratches to base., - Ruby vase: Scratching to base, a few tiny scratches elsewhere., - Clear ribbed glass small vase with ruby lined rim: VG, no faults.
A Victorian oversized goblet form cranberry and clear glass vase, the ovoid cranberry bowl with engraved fern leaf decoration and engraved inscription, 'A Birthday Present to Mr. Hiram Syson Burslem Feb. 22nd 1879', on hollow hourglass stem and foliate scroll engraved plain foot with ground pontil, 11¼in. (28.5cm.) high; together with a Victorian cut glass tazza, 8¼in. (21cm.) high. (2), *Condition: - Goblet vase: VG - minor scratches around edge of base. No other faults., - Tazza: Shallow chip to inside edge of rim.
An Art Nouveau glass bud vase with silver overlayearly 20th century, on blue ground, 5 7/8in. (15cm.) high; together with an iridescent Loetz style vase with applied gold strawberry plant decoration, raised on three gilt metal feet. (2), *Condition: both vases good with no chips or cracks found,very minor gilt loss.
A small collection of 19th century Austrian silver, comprising a lidded, twin handled sucrier of lobed melon form, engraved armorial to body, Vienna, 1840, maker's mark indistinct; a tazza, with flower form bowl and floral decoration, Vienna, 1852, maker's mark indistinct; a tea canister, with floral decoration, Vienna, 1885, no maker's mark; a thistle form vase / tot, with embossed floral decoration, cartouche monogramed 'Clara', Vienna, 1865, maker's mark 'AK'; and a cream jug, stamped '12' to base, the canister standing, 6 1/8in. (15.8cm.), weight, 28 tr.oz. (5), *Condition:each piece in good condition, the cream jug with dent to side, vase with flea-bite nibbles, otherwise good.
An Art Deco silver powder compact, William Suckling Ltd., Birmingham 1920, octagonal with engine turned and striped decoration; together with a three silver napkin rings; a small silver trumper vase; a cased set of silver shell bowl coffee spoons; a cut glass and silver pot; and a cased set of silver plated fish servers, gross silver weight 8 tr.oz. (8)
A large Chinese porcelain famille rose twin handle vase, 20th century, ovoid form with slightly flared circular foot, slightly everted rim and twin rose painted stag's head handles, painted with the eight Daoist immortals and their attendants in a garden beneath a pagoda, other cloud deities above, below a ruyi and floral pendant border to the neck and above a floral and lappet border to the foot, blue printed four character Qianlong mark to base, 13½in. (34.25cm.) high. , *Condition: Very good with no chips, cracks or other damage. No restoration.
A Chinese style stoneware twin handled vase, probably early 20th century, baluster form with flared rim and twin angular handles, slightly flared foot, in a deep sage green glaze, cream glaze to base, 12in. (30.5cm.) high; together with a Japanese enamelled earthenware twin handled baluster vase, with twin beast handles, decorated with fruiting vines, 12½in. (31.75cm.) high. (2), *Condition: - Green vase: Very good, with no damage. Two glaze flaws to body., - Japanese vase: Some discoluration to cream glazed areas and wear to lattice painted decoration. No chips or cracks.
A set of six 18th century mahogany dining chairs in the manner of Thomas Chippendale, the foliate carved yoke top rails over interlaced carved and pierced vase splats, above drop-in seats in petit point with birds in trees within mirror shaped reserves, raised on straight moulded front legs and square back legs, united by H-stretchers, repairs, some damage to polish. (6)
A Regency cross banded mahogany dwarf glazed bookcase, the rectangular rosewood cross banded and edged top with rounded front angles, on turned, reeded and tapered columns with gilt brass mounts, flanking a pair of glazed rosewood cross banded doors enclosing two adjustable shelves, raised on turned vase feet, 35 x 11¾in. (90 x 30cm.), 36in. (91cm.) high.
A pair of Chinese porcelain Imari decorated baluster vase table lamps, the vases late 18th / early 19th century, later converted to lamps, the vases decorated in the Imari palette with birds, flowering peonies and bamboo issuing from a rocky outcrop, within diaper, ruyi and foliate pendant borders, on gilt bronze Empire style bases and urn socles, 16¼in. (41.25cm.) high to top of urn socle. (2), *Condition: Vases have not been removed and therefore could not be examined fully. There is no damage to the visible porcelain. There is some gilt wear to the decoration and some small scratches to the glaze. The upper lamp fittings are of two different types. The lamps have old wiring and will require rewiring before use as lamps.
A small Chinese porcelain famille verte vase, probably early 20th century, ovoid form with waisted neck, enamelled and painted with a noble couple of their attendants in a garden, within lappet and toothed borders, 6in. (15.25cm.) high., *Condition: Very minor wear to painted decoration. Otherwise very good - no chips, cracks or other damage, no restoration.
WILLIAM DE MORGAN (1839-1917) LARGE RUBY LUSTRE VASE, CIRCA 1900 decorated with spiral bands of lions and lionesses in an exotic landscape, decorated under the base with a web design with spider and flies 47cm high Literature: Greenwood, Martin 'The Designs of William de Morgan', Richard Dennis 2007, p. 227, pl. 179 where a ruby lustre vase of the same shape is illustrated.
GORDON FORSYTH (1879-1952) FOR PILKINGTON'S TILE & POTTERY CO. LARGE LANCASTRIAN LUSTRE VASE & COVER, CIRCA 1907 decorated with a landscape frieze of animals, birds and cypress trees, impressed maker's mark and artist's cypher to base, applied exhibition label under cover 44cm high Provenance: Richard Dennis 'Pilkington's Royal Lancastrian Pottery Exhibition', 1980, no. 319 Literature: Cross, Anthony 'Pilkington's Royal Lancastrian Pottery and Tiles', Richard Dennis, 1980, page 35, plate XX11 where this example is illustrated.
WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. FLORIANWARE 'GREEN AND GOLD' TWIN-HANDLED VASE, CIRCA 1903 of trumpet form, decorated with stylised flowerheads and scrolling foliage on a green ground, painted green signature and printed maker's marks, painted mark M. 2025 (handles restored) 22cm high
ENGLISH SCHOOL TWO ARTS & CRAFTS OCCASIONAL TABLES, EARLY 20TH CENTURY comprising an OAK TABLE, with hexagonal top above ring-turned legs linked by stretchers and vase stand, 68cm diameter, 72cm high; and a MAHOGANY TABLE, the circular dished top raised on turned legs linked by stretchers and vase stand, 60cm diameter, 68cm high (2)
EDMOND LACHENAL (1855-1948) ART NOUVEAU VASE, CIRCA 1900 the pinched mouth above a tapered ovoid body with trefoil cut-outs to the shoulder, decorated with a matt green two-tone glaze enclosing ombre blue glazed panels with twining trefoil leaf motifs, signed LACHENAL with incised marks 22cm high
LOETZ, AUSTRIA 'TITANIA' IRIDESCENT GLASS BOWL, CIRCA 1910 the ruby glass body with iridescent inclusions on three sphere feet, 21cm diameter; a LOETZ STYLE IRIDESCENT GLASS VASE, CIRCA 1900, the lemon glass body applied with swirling iridescence, 12cm high; and a MICHAEL POWOLNY LOETZ GLASS BOWL, CIRCA 1920, the blue glass with three tapered and applied feet, 23.5cm diameter (3)
LALIQUE, FRANCE CLEAR AND FROSTED GLASS VASE, POST 1945 moulded with a band of fruiting foliage, script-etched maker's mark LALIQUE, 15cm high; and a LALIQUE FROSTED GLASS BOWL, moulded with entrelac decoration, etched maker's marks, 10cm diameter; and a R. LALIQUE 'FONTAINEBLEAU' PATTERN VASE, with original blue staining (damaged), etched maker's marks, 17cm high (3)
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653685 item(s)/page