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Lot 1398
14th-16th century AD. A green glazed Sangkhalok Celadon ware vase with flaring mouth, narrow neck, bulbous body with ribbing to the upper part, unglazed section to the base. 525 grams, 16cm (6 1/4"). Ex Kinnard collection, Oxford, UK, formed in the early 1980s; thence by decent 2015. Sangkhalok ceramic wares are a high quality pottery that comes in a variety of forms, glazes and decoration; that with the jade green glaze is known as Celadon ware. Celadon originated in China, and later spread to other regions in Asia, such as Japan, Korea and Thailand. The technique of producing this pottery in Thailand began in the Sukhothai period (1238-1351 Ad). and continued in popularity through the end of Si Ayutthaya kingdom (1351-1767 AD). Fine condition.
Lot 1083
1st century BC-1st century AD. A group of ceramic items comprising: plate with raised rim; miniature bowl; tubular vase with central globular application; single-handled jug. 453 grams total, 56-128mm (2 - 5"). The property of a German gentleman; acquired 1980s-early 1990s. Fair condition. [4]
Lot 1396
14th-16th century AD. A green glazed Sangkhalok Celadon ware spouted vase with long tapering neck and globular body, both with ribbing; small foot with unglazed patches; label to side Kinnaird Collection Thailand. 504 grams, 16cm (6 1/4"). Ex Kinnard collection, Oxford, UK, formed in the early 1980s; thence by decent 2015. Sangkhalok ceramic wares are a high quality pottery that comes in a variety of forms, glazes and decoration; that with the jade green glaze is known as Celadon ware. Celadon originated in China, and later spread to other regions in Asia, such as Japan, Korea and Thailand. The technique of producing this pottery in Thailand began in the Sukhothai period (1238-1351 Ad). and continued in popularity through the end of Si Ayutthaya kingdom (1351-1767 AD). Fine condition.
Lot 1395
13th-16th century AD. A green glazed Sangkhalok Celadon ware vase with flaring mouth, narrow neck, bulbous body with ribbing to the upper part, unglazed section to the base; label to side Kinnaird Collection Thailand. 951 grams, 14cm (5 1/2"). Ex Kinnard collection, Oxford, UK, formed in the early 1980s; thence by decent 2015. Sangkhalok ceramic wares are a high quality pottery that comes in a variety of forms, glazes and decoration; that with the jade green glaze is known as Celadon ware. Celadon originated in China, and later spread to other regions in Asia, such as Japan, Korea and Thailand. The technique of producing this pottery in Thailand began in the Sukhothai period (1238-1351 Ad). and continued in popularity through the end of Si Ayutthaya kingdom (1351-1767 AD). Fine condition.
Lot 3041
190-100 BC. Magistrate Seuthes. Obv: head of the Amazon Kyme right, hair bound in a taenia. Rev: KYMAIWN legend to right, magistrate's name SEYQHS below, horse standing right, left foreleg raised, one-handled vase below; all within laurel wreath. 17.01 grams. Oakley 58a (same dies); BMC 78; SNG Fitzwilliam 4310-4311; Pozzi 2301. See Wildwinds.com (this coin). Good very fine. [No Reserve]
Lot 1389
13th-16th century AD. A green glazed Sangkhalok Celadon ware vase with narrow mouth and neck; globular body with applied fan tail to the rear and spout in the form of a chicken head with mouth open; unglazed areas to the foot; label to side Kinnaird Collection Thailand. 691 grams, 15cm (6"). Ex Kinnard collection, Oxford, UK, formed in the early 1980s; thence by decent 2015. Sangkhalok ceramic wares are a high quality pottery that comes in a variety of forms, glazes and decoration; that with the jade green glaze is known as Celadon ware. Celadon originated in China, and later spread to other regions in Asia, such as Japan, Korea and Thailand. The technique of producing this pottery in Thailand began in the Sukhothai period (1238-1351 Ad). and continued in popularity through the end of Si Ayutthaya kingdom (1351-1767 AD). Fine condition.
Lot 1320
Qianlong Period, 18th century AD. A bronze container in the shape of a vase in profile, with decoration in cloisonné enamel including polychrome scrolling lotus and prunus blossom, tendrils and geometric shapes on a blue field; gilt borders; gilt facing imperial lion-head to the lid, four character seal block to the underside; possibly from the Imperial Palace. 932 grams, 16cm (6 1/4"). Property of a Gloucestershire, UK collector; acquired UK, 1990-2015. Accompanied by an Art Loss Register certificate. Foreign influence contributed to the development of cloisonné during the early fourteenth to fifteenth century in China. The earliest securely dated Chinese cloisonné is from the reign of the Ming Xuande emperor (1426–35). However, cloisonné is recorded during the previous Yuan dynasty, and it has been suggested that the technique was introduced to China at that time via the western province of Yunnan, which, under Mongol rule, received an influx of Islamic people. Cloisonné objects were intended primarily for the furnishing of temples and palaces, because their flamboyant splendor was considered appropriate to the function of these structures but not well suited to a more restrained atmosphere, such as that of a scholar’s home. This opinion was expressed by Cao Zhao in 1388 in his influential Gegu Yaolun (Guide to the Study of Antiquities), in which cloisonné was dismissed as being suitable only for lady’s chambers. However, by the period of Emperor Xuande, this ware came to be greatly prized at court. Fine condition, light abrasion. [No Reserve]
Lot 1988
21st century BC. A marble cylinder seal with figures; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Pink Marble, 29.5 x 16.5 mm. On the right is a god seated on an angular throne, wearing a long flounced robe, a horned tiara, and holding up in one hand an overflowing vase. Facing him is a goddess in a long robe falling in creases. She raises one hand and with the other grips the wrist of a worshipper standing behind her. He raises one hand. A vertical fringe of his garment hangs down in front of him. This is a seal of the Ur III Dynasty, c. 2050-2000 B.C. It is large for the period and in an unusual stone.' 14.92 grams, 29mm (1 1/4"). Property of a London gentleman; part of his family collection since the 1970s. This lot is part of a single collection of cylinder seals which were examined in the 1980s by Professor Lambert and most are accompanied by his own detailed notes; the collection has recently been reviewed by Dr. Ronald Bonewitz. Fine condition. Rare.
Lot 1394
13th-16th century AD. A green glazed Sangkhalok Celadon ware vase with flaring mouth, narrow neck, bulbous body with netting pattern to the shoulder; unglazed areas to the foot; label to side Kinnaird Collection Thailand. 664 grams, 16cm (6 1/4"). Ex Kinnard collection, Oxford, UK, formed in the early 1980s; thence by decent 2015. Sangkhalok ceramic wares are a high quality pottery that comes in a variety of forms, glazes and decoration; that with the jade green glaze is known as Celadon ware. Celadon originated in China, and later spread to other regions in Asia, such as Japan, Korea and Thailand. The technique of producing this pottery in Thailand began in the Sukhothai period (1238-1351 Ad). and continued in popularity through the end of Si Ayutthaya kingdom (1351-1767 AD). Fine condition.
Lot 1397
14th-16th century AD. A green glazed Sangkhalok Celadon ware vase with narrow mouth and small rim with applied ruyi head; globular body with two horizontal lines of dots to the mid section; area to the foot unglazed; label to foot Kinnaird Collection Thailand. 446 grams, 13cm (5 1/4"). Ex Kinnard collection, Oxford, UK, formed in the early 1980s; thence by decent 2015. Sangkhalok ceramic wares are a high quality pottery that comes in a variety of forms, glazes and decoration; that with the jade green glaze is known as Celadon ware. Celadon originated in China, and later spread to other regions in Asia, such as Japan, Korea and Thailand. The technique of producing this pottery in Thailand began in the Sukhothai period (1238-1351 Ad). and continued in popularity through the end of Si Ayutthaya kingdom (1351-1767 AD). Fine condition.
Lot 1388
13th-16th century AD. A green glazed Sangkhalok Celadon ware vase with narrow mouth and small rim; globular body with applied decoration in the form of a bird face and fan tail; narrow stem with unglazed areas to the base; label to side Kinnaird Collection Thailand. 521 grams, 12cm (4 3/4"). Ex Kinnard collection, Oxford, UK, formed in the early 1980s; thence by decent 2015. Sangkhalok ceramic wares are a high quality pottery that comes in a variety of forms, glazes and decoration; that with the jade green glaze is known as Celadon ware. Celadon originated in China, and later spread to other regions in Asia, such as Japan, Korea and Thailand. The technique of producing this pottery in Thailand began in the Sukhothai period (1238-1351 Ad). and continued in popularity through the end of Si Ayutthaya kingdom (1351-1767 AD). Fine condition.
Lot 858
1st-2nd century AD. A silver cosmetic spoon with long, tapering shaft with sitting figure of an eagle at one end; to the other a round plate at the bottom of the handle, above a figure of Cupid holding bow and arrow and small vase. 32 grams, 16.3cm (6 1/2"). From an old German collection; acquired before 1990. Fine condition.
Lot 595
A MOORCROFT ‘ANEMONE’ PATTERN VASE with everted rim, cobalt blue ground, painted initials, impressed factory mark and MADE IN ENGLAND; A Small Moorcroft Flambe ‘Leaf and Berry’ Pattern Vase, impressed factory mark and painted signature; and A Moorcroft Trial ‘Shoal’ Pattern Vase, tube lined with orange and green fish reserved against a cobalt blue ground, impressed factory mark, MADE IN STOKE ON TRENT ENGLAND, painted date 27.9.2006 the largest vase 19cm tall (3)
Lot 626
A CHINESE FAMILLE ROSE VASE, LATE 19TH CENTURY the globular body with elongated neck, painted with alternating panels depicting figures at various pursuits, including maidens amid clouds, warriors, musicians, ducks swimming in ponds and flower filled baskets amongst scrolls and dense foliage, between bands of lappets, greek key and diaper cells 90cm high including stand
Lot 653
A SKRDLOVICE TOPAZ AND CLEAR-GLASS 'PINEAPPLE' VASE, DESIGNED BY FRANTISEK VIZNER, 1971 model 7117, the topaz cylindrical core embellished towards the base with three rows of irregular clear-glass mosaic prunts, c.f. R. Bevan-Jones & J. Parik, Skrdlovice & Beranek: Legends of Czech Glass, London, 2014, p 85 15,5cm high Frantisek Vízner (1936-2011) was one of the most important, innovative, and internationally influential Czech glass designers of the 20th century. He studied at the Academy of Applied Art under professors Karel Stipl and Plátek and became the lead designer at the Skrdlovice glassworks in 1967, before becoming an independent studio glass artist in 1977. His work can be found in many museums and important institutions all over the world and his studio works regularly fetch tens of thousands of dollars when sold. In 2012 František Vízner was ranked amongst the top 10 in the list of the top fifty most influential artists of all times by the Studio Glass movement in the United States.
Lot 661
A ŠKRDLOVICE GLASSWORKS 'WHIRLPOOL' VASE DESIGNED BY FRANTISEK VIZNER, 1974 Frantisek Vízner (1936-2011) was one of the most important, innovative, and internationally influential Czech glass designers of the 20th century. He studied at the Academy of Applied Art under professors Karel Stipl and Plátek and became the lead designer at the Skrdlovice glassworks in 1967, before becoming an independent studio glass artist in 1977. His work can be found in many museums and important institutions all over the world, and his studio works regularly fetch tens of thousands of dollars when sold. In 2012 František Vízner was ranked amongst the top 10 in the list of the top fifty most influential artists of all times by the Studio Glass movement in the United States. model number 7411 cf. Bevan-Jones, Robert and Pa?ik, Jind?ich (authors); Hill, Mark (general editor). Škrdlovice & Beránek: Legends of Czech Glass, 2014, 128 pp (full page reproduction on page 62). 28,5cm high
Lot 643
A SKRDLOVICE AMBER AND CLEAR-GLASS 'CONTROLLED BUBBLE' TEARDROP VASE, DESIGNED BY PAVEL JUDA, 1985 pattern number 8533 23cm high Škrdlovice Beránek is one of the 20th century’s greatest forgotten glass companies. For decades, the identity of the company was largely hidden from the world and the major contribution it made to 20th Century glass design is only now being uncovered and reappraised by scholars, design historians and collectors. Founded in 1942, in the midst of the Second World War by the enterprising and talented glass master Emanuel Beránek, the company’s earliest designs were produced using waste broken glass, peat to fire the furnaces and a huge amount of raw talent and sheer determination. Against all odds, the company survived and flourished under Communist rule in the 1950s and 60s, exporting its vast and diverse range of colourful, curving glass across the world. From the 1950s and into the early 21st Century, nearly every one of Czechoslovakia’s best and more influential glass designers worked at Škrdlovice, including now globally revered names such as František Vízner. Many of the company’s other designers also have international reputations today and their work can be found in museums as well as important private and public collections all over the world. The Škrdlovice factory closed in 2008. With armies of collectors internationally now snapping up the magnificent items produced there, Czech art glass in general has rapidly been becoming the latest highly sought after additions to prized art glass collections all over the world as post-war Czech glass design is now taking its rightful place in 20th century design history.
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