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Walter Taylor (1860-1943). Still life, vase of summer flowers, oil on canvas, signed, 51cm x 36cm. Walter Sickert wrote the preface to one of Taylor's exhibitions in 1932, he held his first solo exhibition at Grafton Galleries in 1914 and had a studio at 18 Fitzroy Street.
A good George III cherry, walnut and elm comb-back Windsor armchair, Thames Valley, circa 1770-90, the tall back having a solid vase-shaped splat, flanked by four spindles and one lath, below a shaped stay-rail, incurved front arm supports, saddle seat, each turned front leg with a small low baluster, joined by an elliptical turned H-form stretcher , 60cm wide, 44cm deep, 118cm high Chris Pickvance Collection
A good 16th century carved oak panel, circa 1530-50 Designed with the Annunciation: The Virgin Mary visited by the Angel Gabriel, watched over by God, sending a dove (The Holy Spirit), a large vase of lilies represent Mary’s virginity . £500-800. Height 51.5cm Width 35cm
A highly unusual George II walnut armchair, probably Welsh, circa 1750, with serpentine top rail, solid vase-shaped splat , round-ended open arms on square-section front supports with inner curved profile, saddle-type seat, on elongated baluster-turned front supports, joined by a H-form stretcher, 66cm wide, 45cm deep, 114.5cm high Chris Pickvance Collection
A rare Charles II brass lantern clock, Edward Webb, Chew Stoke, dated November 7th, circa 1680 , the posted countwheel bell-striking movement now with anchor escapement for regulation by short lenticular bob pendulum swinging outside the frame to the rear, the dial with central alarm disc within stylised symmetrical foliate engraved infill incorporating a winged female mask at twelve o'clock and with pierced black painted brass hand within applied narrow Roman numeral chapter ring with stylised fleur-de-lys hour markers and engraved with date 'nove -7' to the dial plate behind the 'V' numeral, the upper angles engraved with signature Edward Webb, the typical 'Chew Valley' frame with one-piece column turned corner posts beneath lion and unicorn armorial engraved and pierced frets, integral multi-knopped tall vase-and-cover turned finials and domed bell bearer cast with pierced leaf decoration between the limbs, with brass side doors and iron backplate between hanging hoop above spurs to rear, on tall disc-knopped ball feet, (mostly retrained using original pivot plates/bars, alarm lacking), 40cm (15.75ins) high Edward Webb is recorded in Moore, A. J. THE CLOCKMAKERS OF SOMERSET 1650-1900 as married to Anne with sons Walter (1667), James (1670), Richard (1674), George (1678) and William (?). He was probably the son of Charles Webb who owned a foundry in Chew Stoke. Both Edward and his wife Anne died in 1694. Nine lantern clocks by Edward Webb dated 1676, 1678, 1681, 1684, 1688, 1691, 1692, 1692 and 1693 are recorded with the 1684 and 1688 clocks fully described an illustrated in White, George English Lantern Clocks on pages 232 (Figures V/39 and 40), 233 (V/42 detailing date March 10 engraved beneath the chapter ring of the 1684 clock) and 237 (V/51 and 52). In addition to these Moore notes a further undated lantern clock signed Edward Webb of Chewstoke fecit , and a posted musical longcase clock movement and dial (also illustrated by White on page 233, Figure V/43). From these references it would appear that the present clock is currently an unrecorded example of Webbs work. The current lot utilises frame castings that were favoured by the Bristol and Chew Valley school of clockmakers with the earliest surviving being the Edward Webb 1676 example (private collection). All the other recorded lantern clocks by Webb (dates ranging from 1678-93) all share the same frame castings. These castings were also used by John London of Bristol, Thomas Veale of Chew Magna and latterly by Edward Bilbie of Chew Stoke (who is believed to have succeeded Edward Webb in around 1695). Bilbie appears to have persisted with the use of such castings long after Bristol makers had moved onto patterns more closely related to London work of the period, suggesting that such frames were probably cast locally (in the Chew Valley) - perhaps initially by Edward Webb at his foundry in Chew Stoke then by the Bilbie family after Webb's death in 1694. Another noteworthy detail is the distinctive dial engraving which is executed with scrolling foliage issuing from a central point at the base of the dial centre, continuing symmetrically around the alarm disc and terminating with a central winged female mask motif at the top. The design of this decoration is typical of Webb and appears to have its roots in the work of Thomas Brown of Bristol who was most active during the 1650's (see White, George English Lantern Clocks page 232) and can can be directly compared to a clock by John Clarke of Bristol which was sold in these rooms on 15th September 2015 (lot 185) for £9,500 hammer. Some later alterations as mentioned in the description. Brass case with some tarnishing.Please note this is only a brief overview report, for a full condition report please send a request via the-saleroom.com
A set of four unusual mid-16th Century carved walnut blocks, French, (4) Designed with a beast, issuing foliage from the mouth, a leafless tree, stylized foliage from a scaly pyramidal mound, and one with twin-handled vase and flowers, (4) Provenance: C. Wittenberg Collection, East Sussex. , 28.5cm wide, 40cm high
A good selection of Wedgewood Jasper ware, including two laurel border vases No. 3084, one No. 3085, and Arcadian vase No. 2715, coffee pot, a flower vase, with Silver Jubilee china bowl and two Spode 200year commemorative vases, and Silver Jubilee plate, (10), Note: No in house packing is available for this lot
Group of Chinese ceramics, including two Chinese famille verte plates with a famille verte bowl (18.5cmDiam), with an Archaic bronze vase (20cmH), a brass bowl decorated with keywork and dragons and impressed mark to base (24cmDiam), a blue and white lidded vase (14cmH), with two other miniature vases and plate, a ginger jar and figure and polychromes miniature scent bottle, (11), Note: No in house shipping on this lot
Group of Chinese ceramics, including blue and white late 18th century cylinder vase, repaired (25cm), blue and white dragon plate with Yongzheng mark to base, 31cmDiam, blue and white prunus ginger jar, pair of prunus vases with marks to base (25cmH), and another vase, (6), Note: No in house shipping on this lot
A selection of ceramics and glassware to include a Chinese blue and white wedding jar and cover, Wedgwood cornucopia vase and a boxed set of six Murano etched wine glasses with gilt rims and an Ikea black ceramic contemporary model, together with mixed lot of brassware and other items to include a fireguard and matching spark guard, compendium set, barometer and other itemsLocation: 8:4/LWF/LAF
A Flintlock TinderlighterLate 18th CenturyOf box-lock pistol form, with border engraved action (top jaw and screw replaced) decorated with a differing design of foliage on each side, one side involving a vase, large oval pan, border engraved rectangular brass tinderbox, one side hinged and engraved with owner's monogram 'FF', steel catch and exposed trigger, later pierced brass bipod, and figured flat-sided butt (some old bruising and minor split) 20.5 cm.For further information on this lot please visit Bonhams.com
A 40-Bore Flintlock Box-Lock PistolBy T. Richards Of Birmingham, Late 18th CenturyWith turn-off cannon barrel, border engraved action signed on a rococo scroll on one side and decorated with a rocaille and banner on the other, sliding trigger-guard safety-catch engraved with a flower-head on the bow, figured flat-sided butt swelling at the pommel and inlaid along the back with silver wire scrolls and an engraved silver flower-head issuing from an engraved silver vase, and silver butt-cap cast and chased with a grotesque mask and scallop shell (some old patination), private Birmingham proof marks and maker's mark 'TR' 7.7 cm. barrel Footnotes:The maker is almost certainly Thomas Richards recorded at 53 High Street, Birmingham between circa 1747 and 1784This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A COLLECTION OF SILVER ITEMS To include: an Edwardian silver pedestal bowl by Barker Brothers, Chester 1907, on a circular moulded spreading pedestal foot, 15cm (6in) diameter; a matched pair of spill vases, maker's marks obscured, London 1896 and 1910, with shaped crimped borders chased with lobed bands, floral and foliate decoration, 13.5cm (5 1/4in) high; a late Victorian thistle shaped vase, Birmingham 1900, with a crimped border, chased with a foliate swag band and on a circular moulded spreading pedestal foot, 11cm (4 1/4in) high; a German silver coloured bowl, post 1886 .835 standard, on three pad feet, 11cm (4 1/4in) diameter; a cased set of six silver tea spoons; and other items 738g (23.75 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
A COLLECTION OF SILVER COLOURED ITEMS To include: a German silver coloured mounted glass ashtray, post 1886 .800 standard, 18cm (7in) diameter; another similar smaller example; a silver coloured mounted cut glass vase, stamped 925 Sterling, 8.5cm (3 1/4in) high; a cased set of six silver coloured salts with glass bowls and salt spoons; and other items 242g (7.8 oz) gross weighable Condition Report: There is no condition report available for this lot and is sold as found Condition Report Disclaimer
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653833 item(s)/page