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Click here to subscribeReproduction period style mahogany tester bed, the top supported upon cabled columns and acanthus carved baluster vase supports, the main headboard with swan neck carved cornice over a fielded panelled board, supported upon carved claw and ball front feet and square block stepped back feet, 65" wide overall
Three 19th century Canton wares, the yellow ground bottle vase painted with scrolling flowers, 20cm (8in) high, the exterior of the blue ground hexagonal bowl with alternating phoenix and flower heads, Qianlong seal mark, 17cm (6.75in) wide and the yellow ground exterior of the bulb pot with green dragons, 17cm (6.75in) wide (3)
††A pair of early 19th century ormolu mounted Chinese vase candelabra, each side of the flattened baluster vases painted with mandarin palette figure reserves on a chicken skin moulded ground, the four lights of the candelabra above dragon handles, the quatrefoil feet with foliate castings above, 47cm (18.5in) high (2) (D)
A Japanese carved ivory tusk vase and cover, late 19th century, carved in relief with an eagle swooping on terrified monkeys as they eat grapes and fill a wicker basket with pomegranates, the cover carved with two monkeys and tiger finial (detached) stencilled details, 17.5cm high
A Chinese monochrome powder blue vase, 20th century, the baluster body relief moulded with three clawed dragons amongst clouds within ruyi strap work and cloud borders, thunder scroll and plantain leaf shoulder, apocryphal underglaze blue Yongzheng six character mark and stamped `China` in red, 25.5cm high
A Coalport style trumpet vase, circa 1830, the body finely painted with a continuous band of garden flowers against a gilt ground and within further gilt borders, raised on a pedestal base, unmarked (at fault) 13cm high and another similar gilded with poppies and leaves against a puce ground (at fault) 13cm high (2)
A Wedgwood botanical dessert service, 19th century, each piece painted with wild flower sprays within cobalt and gilt vermicelli, shaped borders, comprising; a comport (cracked), 10.5cm high, four pedestal dishes, 5.5cm high and six plates, 24cm diameter, black printed portland vase mark and impressed along with an English porcelain, botanical painted part dessert service, probably Ridgway, 19th century, comprising two pedestal dishes, 27.5cm wide and six plates, 23cm diameter, puce painted `2/5463` (19)
A Wedgwood black basalt vase and liner, the tapering cylindrical vase raised on a spreading foot and decorated with a continuous frieze of classical figures within garden landscapes, impressed `Wedgwood, Made in England` 19.5cm high (at fault) and a near pair of black basalt cream jugs, each with chevron decoration, unmarked both 10cm high (3)
A near pair of Wedgwood black basalt tea cups and associated saucers, each with stiff leaf and classical decoration, impressed marks, saucers 13cm diameter, a Wedgwood black basalt coffee cup and saucer decorated with putti scenes, impressed marks, saucer 13cm diameter, a black basalt helmet shaped cream jug, early 19th century, with cane work lower section to the body, 10.5cm high along with a Wedgwood black basalt low cream jug 6cm high and a cylindrical spill vase, decorated with classical figures, 5.5cm high (at fault) (9)
A Maw & Co lustre vase dated 1901 designed by Walter Crane, the ovoid body raised on pedestal base and with tapering neck and red lustre decoration depicting classical figures within art nouveau, pomegranate and scrolling foliate sinuous borders, painted in red to base `Maw & Co Ltd, Jackfield, Shropshire, Octr 1901`, both handles missing neck restored and repaired, heavily crazed throughout, 27cm high George & Arthur Maw set up Maw and Co. in 1850 at Worcester. Two years later they moved to Ironbridge Gorge, Shropshire and in 1882 they expanded, opening another plant, The Benthall Works, at Jackfield, Shropshire. Towards the end of the nineteenth century they started making high quality art pottery and enlisted the help of well known artists such as Lewis Day and Walter Crane to design both art pottery and tiles. Their work was exhibited at the most prestigious fairs including the Chicago World Fair of 1893 and they were chosen for the decorative work on the Maharaja`s palace at Mysore. Another very similar example of this vase in green lustre is held in the collections of The Shrewsbury Museum.
A Mason`s Ironstone China toilet set, late 19th/early 20th century, each piece printed in black and picked out in polychrome enamels with a chinoiserie view of a bird perched in the branches of a flowering tree with outstretched wings and within ochre coloured rims, to include; an octagonal jug with lamprey handle, 28cm high, a bowl 40.5cm diameter, a chamber pot with lamprey handle 14cm high, a dressing table tray 30.5cm wide, a pair of candlesticks (at fault) 16.5cm high, a graduated set of three jars and covers, a pin tray, a ring tree and a vase 14.5cm high, black printed marks (12)
Two Murano glass latticino bowls, one yellow striped and aventurine speckled, 13cm diameter the other with red striped and white woven decoration and trailed glass handles (cracked), a Victorian ovoid vase, Stourbridge, enamelled with a fish amongst weeds, trailed glass shoulders, 15.5cm high (3)
A set of walnut and elm dining chairs , elements 18th century and later, each with a solid vase shaped back splat, above a generous drop-on seat, within a moulded seat rail on slender cabriole front legs, with shell carving to the knee terminating in a pointed toe (2 + 4)
A George III mahogany carver dining chair the vase shaped pierced back splat over a drop-in wool work covered seat between open arms on square chamfered front legs united by a plain H stretcher along with a late George III elm country Chippendale dining chair with pierced scrolling back splat over a later covered wool work drop-in seat on square chamfered front legs united by plain side stretchers (2)
A pair of 18th/early 19th century walnut Portuguese dining chairs in the Rococo taste, each with a shaped and pierced top rail over a vase shaped pierced back splat, above a cane serpentine fronted seat on slender cabriole front legs terminating in a claw and ball foot united by a shaped H-stretcher (restored), 47cm wide, 106cm high, 41cm deep
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