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Chinese Qing dynasty famille verte vase, of inverted baluster form, painted with scene of an officials pulling in a raft boat with a courtesan and child on choppy waters with a flying phoenix above, double circle mark beneath, H25cm, together with a Japanese vase & stand, and similar charger D34cm
A pair of Royal Worcester vases, early 20th century the blue ground with gilt floral decoration and central cartouche of painted fruit signed by Chivers RW factory mark to base (one vase with restoration to rim.26cm highrim of one vase restored and cover with crakc and chip to inner portion both vases with some gilt loss
A 19th century English porcelain vase possibly Derby on a pierced base the green ground with handpainted floral cartouche together with a Bloor Derby gryphon spill vase the green ground with gilt decorationlargest vase gryphon vase restored, crack to base of largest vase
PAIR OF FAMILLE NOIR 'MILLEFLEUR' VASES QIANLONG MARK BUT 20TH CENTURY 二十世紀 乾隆款 黑地粉彩百花不落地鹿耳小瓶(共兩件)each of hu form, the body moulded together with a porcelain stand base, the body of the vase decorated with millefleur decoration against a black-enamelled ground, the neck flanked by a pair of deer heads, the base inscribed with a six-character apocryphal Qianlong mark in iron-red (2) 12.8cm high each Formerly in a private European collection
LARGE FAMILLE ROSE 'NINE PEACHES' VASE QING DYANSTY, 19TH CENTURY 清 粉彩九桃紋天球瓶sturdily potted with a large globular body surmounted by a tapering cylindrical neck, decorated around the exterior with large luscious peaches and leaves issuing from gnarled branches, set among white and pink blossoms, the base inscribed with a six-character Qianlong mark in underglaze blue 51cm high
BLUE AND WHITE BALUSTER VASE WITH COVER 19TH-20TH CENTURY 十九至二十世紀 青花雅聚圖將軍罐 帶木座painted with figures in a garden engaging in scholarly activities, the base with a double-circle, the domed cover decorated with two boys, on a wooden stand 29cm high Private Scottish collection, North Berwick
LARGE BLUE AND WHITE 'WUSONG FIGHTING TIGER' VASE KANGXI MARK BUT 20TH CENTURY 二十世紀 康熙款 青花武松打虎大瓶painted with a legendary hero Wu Song from the classical novel Water Margin fights a tiger to rescue villagers, the waisted neck further adorned with pomegranates and flowers on leafy branches, the base inscribed with a six-character apocryphal Kangxi mark in underglaze blue 46.5cm high
FINE INLAID BRONZE 'FLORAL' VASE BY MIYABE ATSUYOSHI OF KYOTO (ACTIVE CA. 1850-1900), MEIJI PERIOD 明治 宮部篤良 銅花鳥紋瓶of ovoid form, decorated in relief with flowers and leaves, four birds in flight, signed in chiselled characters on the base Dainihon Kyoto no ju Ikkodo Miyabe Atsuyoshi (Ikkodo Miyabe Atsuyoshi of Kyoto in Japan), with a kao 17.52cm high; 1712g Private Scottish collection, Renfrewshire Miyabe Atsuyoshi (宮部篤良) was a master bronze smith who lived in Kyoto. He exhibited domestically and internationally at the turn of the twentieth century and at the World’s Fair in St. Louis in 1904.He is recorded in Wakayama Takeshi (若山猛), Kinko jiten (金工事典, Dictionary of Metalworkers), Tokyo, Token Shunju Shinbunsha (刀剣春秋新聞社), 1999, p.1141, as a maker of sword- fittings and a pupil of Shinoyama Tokuoki (1813-1891), active in Kyoto during the late Edo period and early Meiji era.
WHITE-GLAZED BOTTLE VASE TANG DYNASTY 唐 白釉長頸瓶of ovoid form with a tall, slender neck and trumpet mouth, a greyish creamy glaze covered the body thinning and stopping above the foot 22.3cm high Private Scottish collection, Scottish Borders. The owner had an enduring friendship with Dr Kenneth Lawley (1937-2023), a lifelong Asian art collector and a significant part of whose collection was sold in this saleroom, 3 November 2023, lot 1-95. Dr Lawley was close to the collection offered in this sale, indeed some of the items came directly from him. He would share his research, his catalogue, and his admiration of these items with the owner, as a natural consequence of their friendship. By repute acquired from Dr Kenneth Lawley. Exhibited: Early Oriental Ceramics, MacRobert Centre, University of Stirling, 5-25 July 1973, no. 6, illustrated on the cover. Compare to a similar bottle vase, Sui/Tang Dynasty, sold at Bonhams Hong Kong, 6-20 September 2023, lot 10; and an extremely rare white-glazed pear-shaped vase, Sui / Tang dynasty, sold at Sotheby's New York, 23 March 2022, lot 296.
SMALL BLUE AND WHITE VASE QING DYNASTY, 18TH CENTURY 清 '玉'底款 青花博古紋小瓶of rouleaux form, the sides painted with two tripod bronze ding censers with other ruyi sceptre and pouch, the shoulder further with other antiquities, the base inscribed with one-character ‘Yu’ mark in underglaze blue 14cm high
TEADUST-GLAZED VASE XIANFENG MARK, 19TH-20TH CENTURY 十九至二十世紀 咸豐款 茶葉末釉荸薺瓶of compressed pear form rising from a spreading foot to a tall cylindrical neck, covered with an evenly-mottled dark green glaze stopping at the foot, the base with the incised with a six-character Xianfeng mark 32cm high
LANGYAO GREEN-GLAZED BOTTLE VASE QING DYNASTY, 19TH CENTURY 清 郎窯綠釉瓶 連木座covered on the exterior with a transparent glaze of bright apple-green tone applied over a creamy-white glaze suffused with black and russet crackle which also covers the interior of the neck and the base, with a wooden base 21.4cm high From the collection of Benjamin Everett Gill (1838-1901) from Aberdeen. Benjamin E Gill was a shipwright with Hall, Russell & Company. He built and sailed to Japan in 1869 on the Jho Sho Maru with Thomas Blake Glover who had commissioned the vessel. After they arrived in Nagasaki in January 1870, Thomas B Glover sold the boat to the Kumamoto Domain and that started the Japanese navy. A collection of Asian Art was brought back to Scotland by 1884 when Benjamin E Gill got married. The illustration shown Benjamin E Gill in Nagasaki in the early 1870s. The collection was passed down by direct descent to the current owner's father and mother, Michael Peter Gill (1934-2015) and Shiona Airlie (1953-2023), and subsequently grew. Michael P Gill was the head of art at George Watson's College, and Shiona Airlie, who had a lifelong love of everything Chinese, its history, culture and language, was the author of Thistle and Bamboo: The Life and Times of Sir James Stewart Lockhart (1989) and Scottish Mandarin: The Life and Times of Sir Reginald Johnston (2012).
FINE PAIR OF SILVER-MOUNTED, GOLD-LACQUER, AND SHIBAYAMA-INLAID VASES MEIJI PERIOD 明治 芝山嵌金地花鳥圖對瓶each gold-lacquered body inset with mother-of-pearl and other semiprecious stones with four ducks swimming in a pond and one in flight near raised mountains in okibirame, further inlaid with aquatic floral and foliage, with detailed ripples, the mouth and foot applied with silver decorated with floral sprays in coloured enamels (2) 18cm high each; 222g and 216g Private Scottish collection, Blairgowrie; inherited from current owner's parents Compare to a four-section vase made with similar technique, dated to Meiji era, sold at Bonham's London, 18 May 2023, lot 4.
BRONZE ‘MYTHICAL BEAST’ HANDLED VASE YUAN TO MING DYNASTY 元至明 銅錦地紋獸面雙耳方瓶of square-sectioned bottle form, set on a high splayed foot rising to waisted neck and stepped mouth, the foot adorned with swirling wave pattern, the neck with brocade pattern, the neck further flanked with a pair of mythical-beast loop handles 24.2cm high; 1200g
WHITE-GLAZED 'ZHANGZHOU WARE' MALLET-SHAPED VASE QING DYNASTY, 18TH CENTURY 清 漳州窯 白瓷棒槌瓶the ovoid body supported on short splayed foot elegantly elongated to a waited neck, terminating to an everted rim, covered overall in a white glaze with ivory tinge and fine craquelure, leaving on the foot rim unglazed 33cm high A closely comparable Zhangzhou ware vase, similar in shape and ivory-tinged white glaze, slightly larger (41.4cm high) and dated to the Ming to Qing dynasty, is in the collection of the National Palace Museum, Taipei, museum number: Zhong Ci 中瓷329.
BRONZE ARCHAISTIC VASE, ZUN QING DYNASTY, 19TH CENTURY OR EARLIER 清或更早 銅鑄饕餮紋百環尊heavily cast in trumpet form with raised centre, decorated with taotie mask all over on diaper ground, bearing lugs suspending rings, a lug on the base 34.1cm high; 7.4kg Private Scottish collection, Scottish Borders National Palace Museum, Taipei has six slightly smaller comparable examples, all dated to the Song Dynasty or later, museums nos. Zhongtong 中銅001919N; 001868N; 001154N; 000667N; 000572N; and 000517N. Also see a related square-section bronze archaistic ‘gu’ vase, 18th-19th century, sold at Bonhams Edinburgh, 15 November 2018, lot 100.
BLUE AND WHITE 'LOTUS' BOTTLE VASE GUANGXU MARK AND POSSIBLY OF THE PERIOD 光緒款或到代 青花纏枝蓮紋賞瓶the globular body with a wide band of lotus flowers borne on scrolling leafy stems above a border of lappets around the foot, below moulded rings at the shoulder enclosing narrow bands of ruyi-heads and foliate scrolls, the waisted neck with slender plantain leaves and a border of ruyi-heads beneath the rim, the base inscribed with a six-character Guangxu mark in underglaze blue 37cm high Private collection, Cambridgeshire
BLACK-GLAZED RUSSET-SPLASHED BOTTLE VASE, YUHUCHUN PING NORTHERN SONG TO JIN DYNASTY 北宋至金 黑釉鐵鏽花玉壺春瓶elegantly potted with a pear-form body supported on a short flared foot rising to everted mouth, covered in a thick black glaze painted freely with stylised foliage in splashes of russet 26cm high Private Scottish collection, Scottish Borders. The owner had an enduring friendship with Dr Kenneth Lawley (1937-2023), a lifelong Asian art collector and a significant part of whose collection was sold in this saleroom, 3 November 2023, lot 1-95. Dr Lawley was close to the collection offered in this sale, indeed some of the items came directly from him. He would share his research, his catalogue, and his admiration of these items with the owner, as a natural consequence of their friendship. Acquired from Dr Kenneth Lawley, 20 June 2003, with an original invoice, receipt, and correspondence. Exhibited: Early Oriental Ceramics, MacRobert Centre, University of Stirling, 5-25 July 1973, no. 28. Illustrated in the exhibition photograph (circled). For the discussion on similar long-necked, pear-shaped bottles with russet-splash decorations, see Robert D. Mowry, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown- and Black-Glazed Ceramics, 400-1400, Cambridge, 1995, pp. 159-160. In which a related yuhuchun vase painted with two stylised birds in flight, Jin dynasty, is illustrated on pt. 52.
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653833 item(s)/page