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Lot 9

Moorcroft vase, of shouldered tapering form, decorated in the Juneberry pattern, circa 2000, H16cm with original box

Lot 8

Moorcroft vase, of waisted form, decorated in the Cambrian Blue pattern by Kerry Goodwin, circa 2011, H14cm, with original box

Lot 50

Gillies Jones of Rosedale; art glass specimen vase, shaped as a black ball upon a short clear tapering foot, with engraved marks beneath, H14cm

Lot 31

Chinese Qing dynasty famille verte vase, of inverted baluster form, painted with scene of an officials pulling in a raft boat with a courtesan and child on choppy waters with a flying phoenix above, double circle mark beneath, H25cm, together with a Japanese vase & stand, and similar charger D34cm

Lot 45

Okra Merlins Web oval vase, together with Okra perfume bottle and Isle of Wight perfume bottle, both decorated with blue iridescent decoration, vase H16cm, all in original boxes, from Richard P Golding Studio

Lot 59

Gillies Jones of Rosedale purple glass vase with crimped rim on a short pedestal foot, signature to base, H11cm

Lot 25

Moorcroft vase, of compressed form with a tall flared neck, decorated in the Juneberry pattern, circa 2000, H25cm

Lot 1

Moorcroft Collectors Club vase, of inverted baluster form, decorated in the Meconopsis pattern by Rachel Bishop, circa 2004, limited edition no. 14/150, H27.5cm, with original box

Lot 12

Moorcroft Collectors Club vase, of gourd form, decorated in the Centaurea pattern by Rachel Bishop, circa 2004, H23cm, with original box

Lot 63

Gillies Jones of Rosedale black glass vase with crimped rim on a short pedestal foot, signature to base, H11cm

Lot 47

Sklo Union clear glass labrinth vase by Frantisek Vizner, together with two Luminarc geometric cranberry glass vases,Whitefriars style vase in the tangerine colourway, and one other

Lot 7

Moorcroft limited edition vase, of tapering form, decorated in the Ostara pattern by Rachel Bishop, circa 2005, no. 69/100, H21cm, with original box

Lot 23

Moorcroft vase, decorated in Windrush pattern, by Debbie Hancock, circa 2001, H21cm

Lot 11

Moorcroft vase, of bottle form, decorated in the Orchid Arabesque pattern by Emma Bossons, circa 2002, H31.5cm, with original box

Lot 13

Moorcroft limited edition vase, of bottle form, decorated in the Chatsworth pattern by Phillip Gibson, circa 2001, 60/350, H23.5cm, with original box

Lot 65

Gillies Jones of Rosedale dark blue glass vase with crimped rim on a short pedestal foot, signature to base, H11cm

Lot 4

Moorcroft vase, decorated in the Trinity pattern by Philip Gibson, circa 2003, H31.5cm

Lot 79

Poole pottery Form vase by Andrew Tanner, decorated with a silhouette of a tree beneath a red sun, together another with Poole pottery vase and dolphin, largest H24cm

Lot 27

Moorcroft vase of bulaster form, decorated in Hibiscus pattern upon a green ground, H21cm

Lot 373

A pair of Royal Worcester vases, early 20th century the blue ground with gilt floral decoration and central cartouche of painted fruit signed by Chivers RW factory mark to base (one vase with restoration to rim.26cm highrim of one vase restored and cover with crakc and chip to inner portion both vases with some gilt loss

Lot 480

A mid-late 1930's Carltonware "Sketching Bird" pattern vase with satin-matte graduated blue to beige ground, pattern no 3890 designed by Violet Elmer, with blue printed mark to base, 7.23in (18.5cm) high

Lot 449

A contemporary Chinese table lamp formed from a crackle glazed vase 80cm high including fittings

Lot 424

A group of late 19th Century ceramics including an English spill vase painted with flowers, two lustre ware jugs, continental porcelain vase etc

Lot 252

A Chinese porcelain vase, baluster body with blue and white decoration and metal repair to rim with good luck symbol to base

Lot 367

An 18th Century Worcester blue ground beaker vase with Kakiemon style decoration, 15cm high (restored) together with an 18th Century Worcester porcelain tea caddy with blue ground and panels of Kakiemon style decoration (broken and re-stuck)

Lot 380

A very rare early Mdina Glass spherical vase with blue/green bubbled exterior and sandy coloured interior, signed in diamond point by Michael Harris in his handwriting "Mdina" and almost certainly made by him c1970, 5in (12.5cm) high

Lot 251

A carved soapstone vase with birds and monkeys surrounding the vase (Inventory 346)

Lot 657

Group of late 19th Century Wedgwood blue jasper jugs of graduated size together with a small vase and white metal ewer

Lot 306

A Copeland commemorative vase retailed T Goode & Co, commemorates the death of Edward VII 1910 (restored)

Lot 663

A German Jugendstil three handled pewter vase c1900 by the Kayserzinn Factory. Designer Hugo Leven. Nicely decorated with three large butterflies

Lot 305

A 19th century English porcelain vase possibly Derby on a pierced base the green ground with handpainted floral cartouche together with a Bloor Derby gryphon spill vase the green ground with gilt decorationlargest vase gryphon vase restored, crack to base of largest vase

Lot 302

An opalescent glass vase decorated with tulips, signed to the base Barolac, 25cm high

Lot 590

Imperial yellow Chinese porcelain jar, 19th Century Chinese blue and white vase with character marks to base and decorated with prunus flowers, together with a pair of late 19th Century Japanese blue and white porcelain Koro (4)

Lot 291

An impressive Chinese porcelain vase decorated in famille rose/vert with peacocks amongst foliage within stylised borders, 60cm high (hairline to body)

Lot 286

An unusual carved Chinese pottery vase of globular shape with a Chinese boy as finial

Lot 241

A Moorcroft vase, tube lined and hand painted Lily decoration, painted and impressed factory marks to base 18cm high

Lot 259

A box of plated cutlery, glassware, ceramics, a Kaisar vase, some Nursery china, a Chinese design table casket & a Celtic pewter photograph frame

Lot 236

A Royal Worcester Ltd Edition flower vase, 'Millenium' 20cm tall, together with a selection of cut glass vases, a fruit bowl and four bronzed and ceramic bird ornaments.

Lot 272

A pair of 20th century spelter figurines on ebonised bases, 28cm tall, together with a RHS bone china fluted flower vase, hand painted with agapanthus flowers on a white background, 30cm tall, and a studio pottery urn.

Lot 362

Group of silver hallmarked items to include a cut glass silver lidded pot (hallmarked Birmingham 1912), strainer spoon (Sheffield 1957), table salt (Birmingham 1882) and a Tunstall jasperware St Austell miniature vase with a silver collar. Spoon measures 14.5cm.

Lot 5

Antique silver bud vase measures height 13cm Birmingham silver hallmarks

Lot 296

PAIR OF FAMILLE NOIR 'MILLEFLEUR' VASES QIANLONG MARK BUT 20TH CENTURY 二十世紀 乾隆款 黑地粉彩百花不落地鹿耳小瓶(共兩件)each of hu form, the body moulded together with a porcelain stand base, the body of the vase decorated with millefleur decoration against a black-enamelled ground, the neck flanked by a pair of deer heads, the base inscribed with a six-character apocryphal Qianlong mark in iron-red (2) 12.8cm high each  Formerly in a private European collection

Lot 305

LARGE FAMILLE ROSE 'NINE PEACHES' VASE QING DYANSTY, 19TH CENTURY 清 粉彩九桃紋天球瓶sturdily potted with a large globular body surmounted by a tapering cylindrical neck, decorated around the exterior with large luscious peaches and leaves issuing from gnarled branches, set among white and pink blossoms, the base inscribed with a six-character Qianlong mark in underglaze blue  51cm high

Lot 241

BLUE AND WHITE BALUSTER VASE WITH COVER 19TH-20TH CENTURY 十九至二十世紀 青花雅聚圖將軍罐 帶木座painted with figures in a garden engaging in scholarly activities, the base with a double-circle, the domed cover decorated with two boys, on a wooden stand  29cm high Private Scottish collection, North Berwick 

Lot 250

BLUE AND WHITE 'BIRD' VASE STYLE OF WANG BU (1896-1968) 王步風格 ‘願聞吾過之齋’款 青花花鳥紋梅瓶of elongated meiping form, painted with two birds perched on a gnarled branch with delicately trailing vines, the base inscribed with a six-character ‘yuan wen wu guo zhi zhai’ mark  22.5cm high

Lot 242

LARGE BLUE AND WHITE 'WUSONG FIGHTING TIGER' VASE KANGXI MARK BUT 20TH CENTURY 二十世紀 康熙款 青花武松打虎大瓶painted with a legendary hero Wu Song from the classical novel Water Margin fights a tiger to rescue villagers, the waisted neck further adorned with pomegranates and flowers on leafy branches, the base inscribed with a six-character apocryphal Kangxi mark in underglaze blue 46.5cm high

Lot 348

FINE INLAID BRONZE 'FLORAL' VASE BY MIYABE ATSUYOSHI OF KYOTO (ACTIVE CA. 1850-1900), MEIJI PERIOD 明治 宮部篤良 銅花鳥紋瓶of ovoid form, decorated in relief with flowers and leaves, four birds in flight, signed in chiselled characters on the base Dainihon Kyoto no ju Ikkodo Miyabe Atsuyoshi (Ikkodo Miyabe Atsuyoshi of Kyoto in Japan), with a kao 17.52cm high; 1712g Private Scottish collection, Renfrewshire Miyabe Atsuyoshi (宮部篤良) was a master bronze smith who lived in Kyoto. He exhibited domestically and internationally at the turn of the twentieth century and at the World’s Fair in St. Louis in 1904.He is recorded in Wakayama Takeshi (若山猛), Kinko jiten (金工事典, Dictionary of Metalworkers), Tokyo, Token Shunju Shinbunsha (刀剣春秋新聞社), 1999, p.1141, as a maker of sword- fittings and a pupil of Shinoyama Tokuoki (1813-1891), active in Kyoto during the late Edo period and early Meiji era. 

Lot 194

WHITE-GLAZED BOTTLE VASE TANG DYNASTY 唐 白釉長頸瓶of ovoid form with a tall, slender neck and trumpet mouth, a greyish creamy glaze covered the body thinning and stopping above the foot 22.3cm high  Private Scottish collection, Scottish Borders. The owner had an enduring friendship with Dr Kenneth Lawley (1937-2023), a lifelong Asian art collector and a significant part of whose collection was sold in this saleroom, 3 November 2023, lot 1-95. Dr Lawley was close to the collection offered in this sale, indeed some of the items came directly from him. He would share his research, his catalogue, and his admiration of these items with the owner, as a natural consequence of their friendship. By repute acquired from Dr Kenneth Lawley. Exhibited: Early Oriental Ceramics, MacRobert Centre, University of Stirling, 5-25 July 1973, no. 6, illustrated on the cover.  Compare to a similar bottle vase, Sui/Tang Dynasty, sold at Bonhams Hong Kong, 6-20 September 2023, lot 10; and an extremely rare white-glazed pear-shaped vase, Sui / Tang dynasty, sold at Sotheby's New York, 23 March 2022, lot 296.

Lot 233

SMALL BLUE AND WHITE VASE QING DYNASTY, 18TH CENTURY 清 '玉'底款 青花博古紋小瓶of rouleaux form, the sides painted with two tripod bronze ding censers with other ruyi sceptre and pouch, the shoulder further with other antiquities, the base inscribed with one-character ‘Yu’ mark in underglaze blue  14cm high

Lot 284

TEADUST-GLAZED VASE XIANFENG MARK, 19TH-20TH CENTURY 十九至二十世紀 咸豐款 茶葉末釉荸薺瓶of compressed pear form rising from a spreading foot to a tall cylindrical neck, covered with an evenly-mottled dark green glaze stopping at the foot, the base with the incised with a six-character Xianfeng mark 32cm high

Lot 263

LANGYAO GREEN-GLAZED BOTTLE VASE QING DYNASTY, 19TH CENTURY 清 郎窯綠釉瓶 連木座covered on the exterior with a transparent glaze of bright apple-green tone applied over a creamy-white glaze suffused with black and russet crackle which also covers the interior of the neck and the base, with a wooden base 21.4cm high From the collection of Benjamin Everett Gill (1838-1901) from Aberdeen. Benjamin E Gill was a shipwright with Hall, Russell & Company. He built and sailed to Japan in 1869 on the Jho Sho Maru with Thomas Blake Glover who had commissioned the vessel. After they arrived in Nagasaki in January 1870, Thomas B Glover sold the boat to the Kumamoto Domain and that started the Japanese navy. A collection of Asian Art was brought back to Scotland by 1884 when Benjamin E Gill got married. The illustration shown Benjamin E Gill in Nagasaki in the early 1870s. The collection was passed down by direct descent to the current owner's father and mother, Michael Peter Gill (1934-2015) and Shiona Airlie (1953-2023), and subsequently grew. Michael P Gill was the head of art at George Watson's College, and Shiona Airlie, who had a lifelong love of everything Chinese, its history, culture and language, was the author of Thistle and Bamboo: The Life and Times of Sir James Stewart Lockhart (1989) and Scottish Mandarin: The Life and Times of Sir Reginald Johnston (2012). 

Lot 364

FINE PAIR OF SILVER-MOUNTED, GOLD-LACQUER, AND SHIBAYAMA-INLAID VASES MEIJI PERIOD 明治 芝山嵌金地花鳥圖對瓶each gold-lacquered body inset with mother-of-pearl and other semiprecious stones with four ducks swimming in a pond and one in flight near raised mountains in okibirame, further inlaid with aquatic floral and foliage, with detailed ripples, the mouth and foot applied with silver decorated with floral sprays in coloured enamels (2) 18cm high each; 222g and 216g  Private Scottish collection, Blairgowrie; inherited from current owner's parents Compare to a four-section vase made with similar technique, dated to Meiji era, sold at Bonham's London, 18 May 2023, lot 4. 

Lot 48

BRONZE ‘MYTHICAL BEAST’ HANDLED VASE YUAN TO MING DYNASTY 元至明 銅錦地紋獸面雙耳方瓶of square-sectioned bottle form, set on a high splayed foot rising to waisted neck and stepped mouth, the foot adorned with swirling wave pattern, the neck with brocade pattern, the neck further flanked with a pair of mythical-beast loop handles 24.2cm high; 1200g

Lot 302

FAMILLE VERTE 'BIRD AND FLOWER' VASE 19TH-20TH CENTURY 十九至二十世紀 綠彩花鳥紋燈籠瓶one side of the oval body painted with a bird perched on a rockwork surrounded by large sprays of flowers 38cm high

Lot 289

WHITE-GLAZED 'ZHANGZHOU WARE' MALLET-SHAPED VASE QING DYNASTY, 18TH CENTURY 清 漳州窯 白瓷棒槌瓶the ovoid body supported on short splayed foot elegantly elongated to a waited neck, terminating to an everted rim, covered overall in a white glaze with ivory tinge and fine craquelure, leaving on the foot rim unglazed  33cm high  A closely comparable Zhangzhou ware vase, similar in shape and ivory-tinged white glaze, slightly larger (41.4cm high) and dated to the Ming to Qing dynasty, is in the collection of the National Palace Museum, Taipei, museum number: Zhong Ci 中瓷329.

Lot 316

PAIR OF FAMILLE ROSE 'GU' VASES WITH ROOSTERS QING DYNASTY, 18TH CENTURY 清 粉彩雄雞牡丹紋觚式瓶(一對)each vase finely painted in mirror image with a rooster standing on a rock, with large peonies blossoming in a garden setting (2) heights: 20.7cm and 20.8cm 

Lot 42

BRONZE ARCHAISTIC VASE, ZUN QING DYNASTY, 19TH CENTURY OR EARLIER 清或更早 銅鑄饕餮紋百環尊heavily cast in trumpet form with raised centre, decorated with taotie mask all over on diaper ground, bearing lugs suspending rings, a lug on the base  34.1cm high; 7.4kg Private Scottish collection, Scottish Borders  National Palace Museum, Taipei has six slightly smaller comparable examples, all dated to the Song Dynasty or later, museums nos. Zhongtong 中銅001919N; 001868N; 001154N; 000667N; 000572N; and 000517N. Also see a related square-section bronze archaistic ‘gu’ vase, 18th-19th century, sold at Bonhams Edinburgh, 15 November 2018, lot 100. 

Lot 87

BLUE AND WHITE 'LOTUS' BOTTLE VASE GUANGXU MARK AND POSSIBLY OF THE PERIOD 光緒款或到代 青花纏枝蓮紋賞瓶the globular body with a wide band of lotus flowers borne on scrolling leafy stems above a border of lappets around the foot, below moulded rings at the shoulder enclosing narrow bands of ruyi-heads and foliate scrolls, the waisted neck with slender plantain leaves and a border of ruyi-heads beneath the rim, the base inscribed with a six-character Guangxu mark in underglaze blue 37cm high  Private collection, Cambridgeshire 

Lot 205

BLACK-GLAZED RUSSET-SPLASHED BOTTLE VASE, YUHUCHUN PING NORTHERN SONG TO JIN DYNASTY 北宋至金 黑釉鐵鏽花玉壺春瓶elegantly potted with a pear-form body supported on a short flared foot rising to everted mouth, covered in a thick black glaze painted freely with stylised foliage in splashes of russet 26cm high Private Scottish collection, Scottish Borders. The owner had an enduring friendship with Dr Kenneth Lawley (1937-2023), a lifelong Asian art collector and a significant part of whose collection was sold in this saleroom, 3 November 2023, lot 1-95. Dr Lawley was close to the collection offered in this sale, indeed some of the items came directly from him. He would share his research, his catalogue, and his admiration of these items with the owner, as a natural consequence of their friendship. Acquired from Dr Kenneth Lawley, 20 June 2003, with an original invoice, receipt, and correspondence. Exhibited: Early Oriental Ceramics, MacRobert Centre, University of Stirling, 5-25 July 1973, no. 28. Illustrated in the exhibition photograph (circled).  For the discussion on similar long-necked, pear-shaped bottles with russet-splash decorations, see Robert D. Mowry, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown- and Black-Glazed Ceramics, 400-1400, Cambridge, 1995, pp. 159-160. In which a related yuhuchun vase painted with two stylised birds in flight, Jin dynasty, is illustrated on pt. 52.

Lot 265

GE-TYPE CRACKLE-GLAZED BOTTLE VASE QING DYNASTY, 19TH CENTURY 清 仿哥釉瓶of globular form with cylindrical neck, covered overall save for the foot ring with translucent blue glaze thinning on the rim revealing mushroom tone suffused with a network of crackles  14.7cm high

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