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A Moorcroft Pottery vase decorated in the Kelmscott Dream pattern designed by Rachel Bishop, printed marks, numbered 23 of a limited edition of 25, height 25cmThis pattern was designed as a limited edition only available via the Locked Room page on the Moorcroft website.
A Chinese famille rose double gourd vase, late Qing/Republic Period, the lemon yellow sgraffito ground delicately carved with meandering tendrils, the body painted with lotus, chrysanthemum and foliage, further detailed to the central section with a painted trelliswork tied section imitating fabric, the interior and underside with turquoise ground and iron red Qianlong seal mark, height 20cm.
A collection of Chinese Sang de boeuf glazed wares, to include a bottle vase of compressed form and two ovoid brushwashers, all with all over rich red (oxblood) glazes and white crackle glazed interiors, all unmarked, vase height 17cm, brushwashers heights 10cm and 11cm. (qty)
A Chinese 19th Century famille verte rouleau vase, the pale white ground painted with a continuous scene of the seven sages of bamboo grove, before fenced formal gardens flanked by bamboo, set below a trellis work and Buddhistic emblem shoulder design and traditional scroll rim border, height 45.5cm, double circular blue lines to the underside of the base.
A Chinese 19th Century famille verte vase, of tapered baluster form rising to a flared rim, the white glazed body with a continuous scene depicting the story and capture of Lady Wenji (Cai Yan) in red, green and black enamels, double circular lines to underside, height 45cm.
A Chinese green glazed rouleau vase, the emerald green glazed body with everted dish mouth rim, decorated with traditional scroll and lappet borders, picked out with buff gazed depictions of peacocks and landscapes, Kangxi (1662-1722) six-character mark to base, height 29cm.
A Chinese blue and white vase, Kangxi (1662-1722) four-character mark to base, of rounded ovoid form rising to a flared rim, decorated in rich cobalt with fan shaped panels, filled with flowers and rockwork, before ruyi and Buddhistic emblem borders, four-character mark to base, height 22cm.
A late 19th Century Stourbridge quilted air trap satin glass ewer of footed globe and shaft form with applied handle, cased in a graduated pink over opal with a chevron pattern, height 15cm, together with a similar vase in graduation pink over opal, a posy bowl moulded in relief with a floral pattern in graduated green over opal and another vase with wrythen moulded body cased in peach with white stripes, S/D. (4)
A group of assorted 19th Century and later ruby glass, including a Jack in the Pulpit vase with clear circular foot, height 21.5cm, a small bowl cased in clear glass with internal controlled air bubble decoration, two jugs with applied clear handles and two floriform vases in the manner of Richardson, S/D. (6)
An Okra hand blown glass vase of shouldered ovoid form decorated with iridescent silver blue whiplash lines over a purple ground, engraved Glass Guild founder member to the base, numbered 587, height 12cm, together with another Okra vase of globe and shaft form with frill rim, with iridescent green and amber whiplash lines and stylised leaves over the cased mottled white ground, engraved marks, height 23cm, with box. (2)
A Winchcombe studio pottery jug by Ray Finch of waisted cylindrical form with applied handle, slip decorated in brown against a brown ground, height 13cm, together with three other items of studio pottery including two Leach Pottery vases by Robert Fishman and a Yelland tumbler form vase, all with seal marks. (4)
A post war Boda glass vase designed by Erik Hoglund, deep cinnamon decorated with internal controlled air bubbles and a stylised cat, height 12cm, together with a Kosta Boda candlestick by Kjell Engman, internally decorated with green trails on a mottled graduated orange ground. (2)
A late 19th Century Stourbridge glass vase of trumpet form, possibly Thomas Webb & Sons, with stylised leaf foot and rim and thorn decoration, in a graduated opalescence, height 24.5cm, together with a selection of similar vases including two in graduated uranium green to ruby, a graduated ruby example and another vase in blue with opalescent rim, S/D. (5)
A group of six late 19th Century Stourbridge glass vases and other items all cased in opal over pink, including a trumpet form vase with wide frill rim and clear crystal foot, height 15cm, five later 19th Century ruby glass jugs and another of ovoid form with applied clear feet and white threading, etc., S/D. (11)
A collection of late Victorian ruby glass, including a posy vase of trumpet form with wide frill rim, clear crystal foot and applied decoration, another trumpet form vase with ruby threading and applied decoration mounted to a mirrored base, table salts, etc., height of tallest 20cm, S/D. (9)
A small early 20th Century Royal Worcester twin handled shape 1089 vase, the whole glazed in a pale matt blue with Masonic symbols to one side and gilt text 'Concord Lodge No. 3239, 'Worshipful Master, Bro. Thos. E. Iles, Feb 17th 1917, Ladies Evening', puce mark with date code for circa 1916, height 8cm
A Doulton Lambeth stoneware vase of shouldered ovoid form with flared collar neck with a band of flowers and foliate scrolls between foliate borders picked out in pale blue and green over a tonal green glazed ground, impressed and incised marks, height 19cm, together with a pair of Royal Doulton vases of compressed globe and shaft form with stylised floral decoration in blue and white over a tonal green ground. (3)
A collection of assorted Royal Crown Derby comprising two Imari 2451 plates, largest diameter 27cm, two Imari 3788 coffee cans and saucers, saucer diameter 12cm and nine pieces of assorted Derby Posies to include a vase, jardinière and pin dishes, all with printed marks (qty)
A large Belleek 'Hippiritus' table centrepiece vase, naturalistically modelled as a large trumpet shaped shell surrounded by three smaller, all to a shaped base with shells, starfish and sea plants, unmarked, height 28.5cm, together with a Belleek Neptune teapot, black 2nd Period mark, two third Period jugs both decorated with Bacchanalian masks and grape vines and a third Period tray with similar decoration, length 33cm, all S/D
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653833 item(s)/page