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Lot 128

A Ruskin Pottery high-fired stoneware stand by William Howson Taylor, octagonal form, sang de boeuf glaze over grey with mint spots impressed Ruskin England, 16.5cm. diam. 7.5cm. vase diameter

Lot 130

A large Ruskin Pottery high-fired stoneware vase by William Howson Taylor, shouldered form with tapering neck, covered in a sang de boeuf glaze speckled with lavender and mint green impressed Ruskin England, glaze fault to base rim, 39cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 130 for a comparable vase, the shape introduced in the 1920s. Catalogue Notes it is thought this was Nick's first Ruskin vase, the vase that started the collection.

Lot 131

A Ruskin Pottery high-fired stoneware stand by William Howson Taylor, circular section, white glaze covered in flambe with lavender highlights impressed Ruskin England, 6cm. high, 16.5cm. diam. vase aperture

Lot 132

A Ruskin high-fired stoneware stand by William Howson Taylor, dated 1926, octagonal section, covered in a sang de boeuf glaze with mint green spots impressed Ruskin England and date 18cm. wide, 7.3cm vase diameter

Lot 136

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1922, shouldered cylindrical form, covered in a Dove Grey flambe glaze, impressed Ruskin England date 1922, 17cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 96 for two examples glazed in the Dove Grey flambe glaze.

Lot 137

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1925, slender, swollen cylindrical form, silver grey glaze with lavender and mint green splashes, impressed Ruskin England 1925 16.5cm. high

Lot 138

An early Ruskin Pottery stoneware vase by William Howson Taylor, dated 1905, shape 100, meiping form, covered in a running turquoise glaze over sage green, with signs of crystalline to the shoulder, impressed Ruskin Smethwick roundel, date and 255 15.5cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale, page 60 for this shape illustrated in a green flambe glaze also dated 1905.

Lot 139

A Ruskin Potter high-fired stoneware vase by William Howson Taylor, dated 1922, ovoid with everted collar rim, covered in a curdled sky blue and lavender glaze over white impressed Ruskin England and date 15cm. high

Lot 140

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, compressed form with everted neck, streaked lavender glaze over ivory white with mint green spots, impressed WHT monogram 8cm. high

Lot 141

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, compressed ovoid form with cylindrical neck, white glaze with green spots and lavender and purple streaks applied Ruskin paper label, 10cm. high

Lot 142

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1920, shouldered cylindrical from, covered in a fissured purple and lavender glaze over Ivory White glaze impressed Ruskin England and date, painted 106, 20.5cm. high

Lot 143

A large Ruskin Pottery high-fired stoneware vase and stand by William Howson Taylor, vase dated 1927, tapering cylindrical form with everted rim, modelled in low relief with a meandering flower stem, glazed lavender and sang de boeuf over ivory white with intense green spots vase impressed Ruskin England and date, stand impressed Ruskin England, stand with four restored chips to rim 28cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 130 for a comparable vase with the moulded decoration, glazed ivory, illustrated.

Lot 144

A Ruskin Pottery high-fired vase by William Howson Taylor, compressed form with tall flaring neck, covered in a mottled mint green glaze and black, over ivory white with some lavender highlights feint Ruskin Smethwick roundel mark 14.5cm. high Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale Press, page 108 for a vase decorated in a comparable glaze.

Lot 145

A Ruskin high-fired stoneware vase by William Howson Taylor, shouldered form, mint green over pink with green speckling impressed Ruskin mark and Howson Taylor monogram 10.5cm. high

Lot 146

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1910, mei ping form (shape 353), off-white glaze partially covered in a red flambe running glaze turning to lavender, the shoulder with mint green speckles, impressed Ruskin Pottery and date, 28.5cm. high Provenance N. Chamberlain Collection. Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale Press, page 63 for a comparable vase also dated 1910.

Lot 148

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, compressed form with cylindrical neck, covered in a flambe red glaze with splashes of white to the foot impressed WHT monogram 10cm. high

Lot 149

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1933, single-handled form, covered in a streaked flambe glaze over white, with lavender and mint green spots impressed Ruskin 1933 21.5cm. high

Lot 151

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, shouldered form, covered in a running flambe glaze over silver with lavender patch and mint-green spots impressed Ruskin, professional restoration to base rim 20.5cm. high

Lot 153

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1920, ovoid with cylindrical neck, covered in a fissured lavender and flambe glaze over white impressed Ruskin and date, three fine stress lines to base rim, 17cm. high

Lot 154

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1920, shouldered form with flaring neck, covered in a rich sang de boeuf fissured glaze over ivory white impressed Ruskin England and date 17.5cm. high

Lot 155

A small Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1921, ovoid body with cylindrical neck and everted rim, covered in a flambe glaze with blue and grey spots impressed Ruskin England and date 10cm. high Provenance The Albert E Wade Collection Part II, Sotheby's 8th November 2002, lot 411

Lot 156

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1933, ovoid with cylindrical neck, covered in a streaked red flambe glaze over white, with black spots impressed Ruskin England and date 17.5cm. high

Lot 157

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1920, ovoid with tall, flaring cylindrical neck, covered in a fissured flambe, lavender and grey glaze over white impressed Ruskin England date 15.5cm. high

Lot 158

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1920, shouldered form, covered in a deep sang de boeuf glaze over white, with lavender splashes impressed Ruskin England and date 1920 20.5cm. high

Lot 159

A rare early Ruskin Pottery high-fired vase by William Howson Taylor, dated 1908, waisted cylindrical form, covered in a deep sang de boeuf mottled glaze, with lavender and green on an ivory ground, impressed Ruskin Pottery date 1908, paper collection labels 20cm. high Provenance Ferneyhough Collection The Albert E Wade Collection, part 1 Three Artist Potters, Sotheby's 2nd May 2002 lot 261.

Lot 160

A Ruskin Pottery high-fired stoneware small Elephant's Foot vase by William Howson Taylor, cylindrical with swollen body, sang de boeuf over grey with green spots impressed Ruskin England 10cm. high

Lot 161

A Ruskin Pottery high-fired stoneware Elephant's Foot vase by William Howson Taylor, dated 1911, covered in a running blue-lavender glaze over purple, partially fissured, impressed Ruskin Pottery, dated 1911, small bruise to foot rim, 21cm. high Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale Press, page 59 for three similar elephant's foot vases with fissured glazes.

Lot 162

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1905, shape 193, shouldered baluster form, covered with a fissured sang de boeuf and lavender glaze over ivory, with lavender spots impressed Ruskin Pottery Smethwick mark, date and No.200, 16.5cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 60 for a comparable vase, shape 193, purchased by the Victoria & Albert museum in 1906.

Lot 163

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1933, carafe form, white glaze with mottled lavender and sang de boeuf patches and mint green spots impressed Ruskin England 1933, professionally restored neck, 23cm. high

Lot 164

An early Ruskin Pottery stoneware vase by William Howson Taylor, dated 1905, shouldered form covered with a black cherry fissured glaze, over ochre impressed Ruskin Pottery West Smethwick mark, date 1905 and painted scissor mark, Albert Wade paper label 27cm. high Provenance The Albert E Wade Collection, Part 1, Three Artist Potters Sotheby's 2nd May 2002 lot 288 Literature Paul Atterbury and John Henson Ruskin Pottery Baxendale Press page 61 this vase illustrated

Lot 165

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1908, baluster form covered in an off white glaze with sang de boeuf bands and mint green speckles impressed Ruskin Pottery West Smethwick mark, and date 22cm. high

Lot 166

A Good Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1915, ovoid with cylindrical neck with everted rim, covered in a splashed turquoise and purple glaze over silver grey ground impressed Ruskin England and date marks, paper label 25cm. high Provenance Florence Howson Taylor, thence by descent

Lot 167

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, the ovoid body with cylindrical neck and everted rim, covered in a sang de boeuf and lavender glaze over ivory white, with mint green spots feint Ruskin Pottery Smethwick roundel to the base concealed by glaze 15cm. high

Lot 169

A Ruskin Pottery vase by William Howson Taylor, dated 1933, ovoid with broad cylindrical neck and everted rim, covered in a clouded lavender streaked glaze with blue patches impressed Ruskin England, date and incised facsimile Howson Taylor signature 14cm. high

Lot 170

An early Ruskin Pottery vase by William Howson Taylor, ovoid with waisted cylindrical neck, covered in a rich blue glaze impressed WHT monogram 25cm. high

Lot 171

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1922, ovoid with tall flaring neck, covered in a lavender and pale blue glaze, with mint green spots, impressed Ruskin England date 1922, 17cm. high

Lot 172

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1917, ovoid form, covered in a rich red flambe glaze with lavender streaking and mint speckles, impressed Ruskin West Smethwick mark, dated mark, 16cm. high

Lot 174

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1933, shouldered form with single-handle, covered in a running flambe glaze with lavender and green glaze impressed Ruskin England and date 19cm. high

Lot 178

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1907, shouldered cylindrical form, covered in a purple glaze with streaked blue and lavender and green spotting, impressed Ruskin West Smethwick mark, dated 1907, 22.5cm. high

Lot 179

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1905, meiping form, lavender flambe glaze covered in mint speckles, the shoulder with white patches impressed Ruskin Pottery West Smethwick mark, date partially obscured 19.5cm. high

Lot 180

A Ruskin Pottery stoneware vase by William Howson Taylor, dated 1933, white glaze covered in a running red flambe and lavender glaze with mint green spots impressed Ruskin England and date 22.5cm. high

Lot 181

A large Ruskin Pottery stoneware vase by William Howson Taylor, dated 1922, shouldered form, covered in a white glaze with red flambe splashed band impressed Ruskin England and date 37cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 110 for comparable glazes, page 115 for a period photograph of a near identical vase given (as part of a group of Ruskin Pottery) by William Howson Taylor to the Birmingham Art Gallery, 1926.

Lot 182

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1932, tapering cylindrical form with flaring neck, covered in a grey flambe glaze impressed Ruskin England and date, Ferneyhough paper label 28.5cm. high Provenance Ferneyhough exhibition, 1981, catalogue number 10. Literature Paul Atterbury & John Henson, Ruskin Pottery, Baxendale Press, page 96 for two similar examples.

Lot 183

A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1907, shouldered low body with waisted cylindrical neck, covered in a speckled and running green flambe glaze impressed Ruskin West Smethwick mark, dated 1907 26.5cm. high Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale Press, page 58 for three comparable green flambe vases.

Lot 187

A large Pilkington's Lancastrian ginger jar and cover by Richard Joyce, dated 1911, modelled in low relief with scaly fish swimming in turbulent waters in ruby and golden lustre on a green lustre ground impressed mark, painted artist cipher, painted date mark, 1911, cover restored, 23cm. high (2) Literature A J Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 34 plate XIX for a comparable vase and cover by Joyce dated 1914 with similar fish decoration , held in the collection of Manchester City Art Gallery. The Studio Yearbook, 1911, two comparable examples illustrated, page 132 and colour plate page 133 entitled The Green Sea.

Lot 188

A Pilkington's Lancastrian vase, dated 1909, compressed form, the fluted body covered in a fiery crystalline aventurine glaze impressed mark and date code IX, 17cm. high

Lot 189

A Pilkington's Lancastrian vase, dated 1910, shouldered form with cylindrical neck, covered in a ruby flambe lustrous glaze with feathered white decoration, and three other Pilkington's vases with similar glaze experiments impressed marks, impressed X date mark, 20cm. high (4)

Lot 190

An early Pilkington's Lancastrian vase, shouldered form, covered in a fiery crystalline glaze, a Pilkington's Royal Lancastrian vase modelled in low relief with fish a Pilkington's Royal Lancastrian plate modelled in low relief with a flowerhead design, and a green crystalline vase incised P mark 9cm. high (4)

Lot 191

A Pilkington's Lancastrian vase, dated 1909, compressed ovoid form with swollen neck, covered in a curdled blue glaze, and two Pilkington's Lancastrian solifleur vases decorated with experimental glazes, a tall Royal Lancastrian vase and a matt glaze vase, impressed marks, small bruise to curdled vase 11cm. high (5)

Lot 192

A Pilkington's Lancastrian vase, shouldered form, modelled in low relief with foliate sprays, covered in a red lustre glaze, and five other Pilkington's vases covered in red glaze impressed marks, 18.5cm. high (6)

Lot 193

A Pilkington's Lancastrian vase dated 1909, shape no.2819, compressed form with moulded design, covered in a red flambe lustre glaze, a Pilkington's Lancastrian twin-handled vase a Pilkington's vase glazed green and a matt glaze tazza impressed marks, date code, 18cm. high (4)

Lot 194

A Pilkington's Royal Lancastrian vase by William S. Mycock, dated 1929, shouldered form, painted with panels of scrolling foliage in blue on a turquoise ground, another Pilkington's vase modelled in low relief with a leaping scaly fish, two other Pilkington's vases and a Denby matt glaze vase impressed mark and incised monogram 25cm. high (5)

Lot 195

A Pilkington's Lancastrian Pottery vase by Richard Joyce, modelled in low relief with fish swimming amongst waterweed, covered in a streaked red lustre glaze, and another Pilkington's vase modelled in low relief with leaping Ibex, covered in a streaked flambe red and lavender glaze impressed mark, painted artist cipher, 17cm. high (2)

Lot 196

A Pilkington's Lancastrian twin-handled vase by Gordon M. Forsyth, dated 1910, shouldered form, painted with a lion rampant to both sides, between panels of heart-shaped flowers and foliage, in ruby and gold lustre on a blue ground , the neck inscribed Festina Lente (Make Haste Slowly) , impressed mark, painted artist cipher and date code, 24cm. high

Lot 197

A Pilkington's Lancastrian vase by Gordon M. Forsyth, dated 1908, shouldered form, painted with a band of heraldic Lion Passant, between Tudor rose and heart-shaped foliate borders, in red and golden lustre on a pale blue ground impressed marks, painted artist cipher and date code 19.5cm. high

Lot 198

A Pilkington's Lancastrian vase designed by Walter Crane painted by William S. Mycock, dated 1911, shape 2469, painted with a frieze of lion Passant, above heart shaped foliage and Tudor rose motif in bronze lustre on red and green lustre, with modern wooden stand, impressed marks, painted artist ciphers and date code 13cm. high Provenance Bill Coles collection Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 9 plate III for a comparable example illustrated. A Catalogue of the Lancastrian Pottery at Manchester City Art Galleries, catalogue number 186 for a comparable piece. This design, also known as the Lion Bowl, painted by Richard Joyce was exhibited at the Franco British Exhibition in 1908.

Lot 199

A Pilkington's Lancastrian vase by Annie Burton, shouldered, tapering cylindrical form, painted with berried foliage in copper and yellow lustre on a mottled red ground impressed mark, painted artist monogram 10cm. high Provenance British Art Pottery, Woolley and Wallis, 11th December 2013 lot 99, private collection.

Lot 2

A small Austrian iridescent glass Propeller vase, probably Loetz, covered in an iridescent finish, a WMF Ikora glass vase, a Murano glass vase, a Dennis G Helfer glass vase and a collection of four other glass vases 16cm. high (8)

Lot 200

A Pilkington's Lancastrian vase by Charles Cundall, dated 1911, ovoid with collar rim, painted with a frieze of stylised trees, in golden lustre on a red and orange lustre ground impressed mark, painted artist cipher and date code 9.5cm. high

Lot 201

A Pilkington's Royal Lancastrian vase by Richard Joyce, ovoid with everted collar rim, painted with scaly fish swimming amongst waterweed, painted in ruby and gold on a streaked green ground impressed marks, painted artist cipher, 11cm. high

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