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A large Ruskin Pottery high-fired stoneware vase by William Howson Taylor, shouldered form with tapering neck, covered in a sang de boeuf glaze speckled with lavender and mint green impressed Ruskin England, glaze fault to base rim, 39cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 130 for a comparable vase, the shape introduced in the 1920s. Catalogue Notes it is thought this was Nick's first Ruskin vase, the vase that started the collection.
A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1922, shouldered cylindrical form, covered in a Dove Grey flambe glaze, impressed Ruskin England date 1922, 17cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 96 for two examples glazed in the Dove Grey flambe glaze.
An early Ruskin Pottery stoneware vase by William Howson Taylor, dated 1905, shape 100, meiping form, covered in a running turquoise glaze over sage green, with signs of crystalline to the shoulder, impressed Ruskin Smethwick roundel, date and 255 15.5cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale, page 60 for this shape illustrated in a green flambe glaze also dated 1905.
A large Ruskin Pottery high-fired stoneware vase and stand by William Howson Taylor, vase dated 1927, tapering cylindrical form with everted rim, modelled in low relief with a meandering flower stem, glazed lavender and sang de boeuf over ivory white with intense green spots vase impressed Ruskin England and date, stand impressed Ruskin England, stand with four restored chips to rim 28cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 130 for a comparable vase with the moulded decoration, glazed ivory, illustrated.
A Ruskin Pottery high-fired vase by William Howson Taylor, compressed form with tall flaring neck, covered in a mottled mint green glaze and black, over ivory white with some lavender highlights feint Ruskin Smethwick roundel mark 14.5cm. high Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale Press, page 108 for a vase decorated in a comparable glaze.
A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1910, mei ping form (shape 353), off-white glaze partially covered in a red flambe running glaze turning to lavender, the shoulder with mint green speckles, impressed Ruskin Pottery and date, 28.5cm. high Provenance N. Chamberlain Collection. Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale Press, page 63 for a comparable vase also dated 1910.
A small Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1921, ovoid body with cylindrical neck and everted rim, covered in a flambe glaze with blue and grey spots impressed Ruskin England and date 10cm. high Provenance The Albert E Wade Collection Part II, Sotheby's 8th November 2002, lot 411
A rare early Ruskin Pottery high-fired vase by William Howson Taylor, dated 1908, waisted cylindrical form, covered in a deep sang de boeuf mottled glaze, with lavender and green on an ivory ground, impressed Ruskin Pottery date 1908, paper collection labels 20cm. high Provenance Ferneyhough Collection The Albert E Wade Collection, part 1 Three Artist Potters, Sotheby's 2nd May 2002 lot 261.
A Ruskin Pottery high-fired stoneware Elephant's Foot vase by William Howson Taylor, dated 1911, covered in a running blue-lavender glaze over purple, partially fissured, impressed Ruskin Pottery, dated 1911, small bruise to foot rim, 21cm. high Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale Press, page 59 for three similar elephant's foot vases with fissured glazes.
A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1905, shape 193, shouldered baluster form, covered with a fissured sang de boeuf and lavender glaze over ivory, with lavender spots impressed Ruskin Pottery Smethwick mark, date and No.200, 16.5cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 60 for a comparable vase, shape 193, purchased by the Victoria & Albert museum in 1906.
An early Ruskin Pottery stoneware vase by William Howson Taylor, dated 1905, shouldered form covered with a black cherry fissured glaze, over ochre impressed Ruskin Pottery West Smethwick mark, date 1905 and painted scissor mark, Albert Wade paper label 27cm. high Provenance The Albert E Wade Collection, Part 1, Three Artist Potters Sotheby's 2nd May 2002 lot 288 Literature Paul Atterbury and John Henson Ruskin Pottery Baxendale Press page 61 this vase illustrated
A Good Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1915, ovoid with cylindrical neck with everted rim, covered in a splashed turquoise and purple glaze over silver grey ground impressed Ruskin England and date marks, paper label 25cm. high Provenance Florence Howson Taylor, thence by descent
A large Ruskin Pottery stoneware vase by William Howson Taylor, dated 1922, shouldered form, covered in a white glaze with red flambe splashed band impressed Ruskin England and date 37cm. high Literature Paul Atterbury and John Henson, Ruskin Pottery, Baxendale Press, page 110 for comparable glazes, page 115 for a period photograph of a near identical vase given (as part of a group of Ruskin Pottery) by William Howson Taylor to the Birmingham Art Gallery, 1926.
A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1932, tapering cylindrical form with flaring neck, covered in a grey flambe glaze impressed Ruskin England and date, Ferneyhough paper label 28.5cm. high Provenance Ferneyhough exhibition, 1981, catalogue number 10. Literature Paul Atterbury & John Henson, Ruskin Pottery, Baxendale Press, page 96 for two similar examples.
A Ruskin Pottery high-fired stoneware vase by William Howson Taylor, dated 1907, shouldered low body with waisted cylindrical neck, covered in a speckled and running green flambe glaze impressed Ruskin West Smethwick mark, dated 1907 26.5cm. high Literature Paul Atterbury and John Henson Ruskin Pottery, Baxendale Press, page 58 for three comparable green flambe vases.
A large Pilkington's Lancastrian ginger jar and cover by Richard Joyce, dated 1911, modelled in low relief with scaly fish swimming in turbulent waters in ruby and golden lustre on a green lustre ground impressed mark, painted artist cipher, painted date mark, 1911, cover restored, 23cm. high (2) Literature A J Cross, Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 34 plate XIX for a comparable vase and cover by Joyce dated 1914 with similar fish decoration , held in the collection of Manchester City Art Gallery. The Studio Yearbook, 1911, two comparable examples illustrated, page 132 and colour plate page 133 entitled The Green Sea.
An early Pilkington's Lancastrian vase, shouldered form, covered in a fiery crystalline glaze, a Pilkington's Royal Lancastrian vase modelled in low relief with fish a Pilkington's Royal Lancastrian plate modelled in low relief with a flowerhead design, and a green crystalline vase incised P mark 9cm. high (4)
A Pilkington's Lancastrian vase, dated 1909, compressed ovoid form with swollen neck, covered in a curdled blue glaze, and two Pilkington's Lancastrian solifleur vases decorated with experimental glazes, a tall Royal Lancastrian vase and a matt glaze vase, impressed marks, small bruise to curdled vase 11cm. high (5)
A Pilkington's Royal Lancastrian vase by William S. Mycock, dated 1929, shouldered form, painted with panels of scrolling foliage in blue on a turquoise ground, another Pilkington's vase modelled in low relief with a leaping scaly fish, two other Pilkington's vases and a Denby matt glaze vase impressed mark and incised monogram 25cm. high (5)
A Pilkington's Lancastrian Pottery vase by Richard Joyce, modelled in low relief with fish swimming amongst waterweed, covered in a streaked red lustre glaze, and another Pilkington's vase modelled in low relief with leaping Ibex, covered in a streaked flambe red and lavender glaze impressed mark, painted artist cipher, 17cm. high (2)
A Pilkington's Lancastrian twin-handled vase by Gordon M. Forsyth, dated 1910, shouldered form, painted with a lion rampant to both sides, between panels of heart-shaped flowers and foliage, in ruby and gold lustre on a blue ground , the neck inscribed Festina Lente (Make Haste Slowly) , impressed mark, painted artist cipher and date code, 24cm. high
A Pilkington's Lancastrian vase by Gordon M. Forsyth, dated 1908, shouldered form, painted with a band of heraldic Lion Passant, between Tudor rose and heart-shaped foliate borders, in red and golden lustre on a pale blue ground impressed marks, painted artist cipher and date code 19.5cm. high
A Pilkington's Lancastrian vase designed by Walter Crane painted by William S. Mycock, dated 1911, shape 2469, painted with a frieze of lion Passant, above heart shaped foliage and Tudor rose motif in bronze lustre on red and green lustre, with modern wooden stand, impressed marks, painted artist ciphers and date code 13cm. high Provenance Bill Coles collection Literature A J Cross Pilkington's Royal Lancastrian Pottery and Tiles, Richard Dennis, page 9 plate III for a comparable example illustrated. A Catalogue of the Lancastrian Pottery at Manchester City Art Galleries, catalogue number 186 for a comparable piece. This design, also known as the Lion Bowl, painted by Richard Joyce was exhibited at the Franco British Exhibition in 1908.
A Pilkington's Lancastrian vase by Annie Burton, shouldered, tapering cylindrical form, painted with berried foliage in copper and yellow lustre on a mottled red ground impressed mark, painted artist monogram 10cm. high Provenance British Art Pottery, Woolley and Wallis, 11th December 2013 lot 99, private collection.
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653685 item(s)/page