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A 19th century Continental egg form cabinet cup and saucer decorated in the Dresden manner, together with thee Delft condiments, a Noritake chocolate pot and cover, a Bonn type vase, a baluster ewer and other items, including a 20th century French faience jardiniere and a Doulton Morrisian jug
A George III silver sugar vase and cover, by Robert Hennell, London 1777, circular tapering form, pierced with vertical slats and with medallions, rams' heads and swag decoration, the cover with leaf decoration and with a ball finial on three hoof feet on a shaped triangular foot, with a blue glass liner, plus a George III Bright-cut ladle, London 1791, height 15.5cm, approx. weight 9.7oz. (2)
A presentation silver vase, by the Goldsmiths and Silversmiths Company, London 1905, retailed later by Asprey London, Warwick vase shape, foliate decoration, reeded foliate capped side handles, foliate border, inscribed 'From H.R.H Prince Faisal to Dr. Daniel Davies 1946', on a raised circular foot on a square base, together with a signed photograph of Prince Faisal, height 26.2cm, length handle to handle 39cm, approx. weight 112oz. (2) Faisal of Saudi Arabia was born 14 April 1906. he became crown Prince in 1953 and King on the 20 November 1964. He died on 25 March 1975. Daniel Davies became physician to the Royal Household of King George VI from 1938, he was Knighted in 1951 and died in 1966.
By Fred Rich, a modern silver and enamel vase, London 1994, also signed 'Fred Rich 94', tapering cylindrical form, enamelled with four frogs amongst reeds, flowers and foliate decoration, gilded interior, on a raised spread circular foot, height 15.8cm, approx. weight 25oz. Fred Rich (b.1954) studied at the central School of Arts and Design, London. This is where he learnt his skills in enamelling, and also attended evening enamelling classes at the Sir John Cass School of Art . In 1980 Fred won various awards including a bursary from the Royal Society of Arts and another from Goddard's. He graduated in 1981 with a first class honours degree. He set up a workshop in Portobello Green with two fellow graduates from the Central School. The demand for his enamelling skills by other designers resulted in him being so busy he could not get on with his own work. The Worshipful Company of Goldsmiths acquired the enamelled vase for which he won another award for in 1982, and in 1983 he started exhibiting at the Goldsmith's Fair, but was mainly offering jewellery with some small piece of silver. In 1984 De Beers purchased one of this necklaces for the trainer of the winner of the King George VI and Queen Elizabeth Diamond Stakes. Commissions arrived from the British Museum, De Beers, Lambeth Palace and the World Gold Council. Towards the latter half of the 1980's he decided to gradually wind down his work for others and concentrate on his own projects. In the 1990's there was a change in his work and he was one of the four exhibitors of the Rising Star's Exhibition at Goldsmiths Hall in 1990. In 1993 his work was commissioned by Garrard and Co, as part of their 150th anniversary exhibition. His work so impressed Richard Jarvis, the Managing Director of Garrards that he supported a one man show by Fred. in 1997 he received four major accolades including the coveted Jacques Cartier Award. In 2000 he established a partnership Fred Rich Enamel Design, with Adrian Butcher. Reference: Andrew, J. and Styles, D., Designer British Silver The Antique Collector's Club, 2015. pages 406-415. A vase by Fred Rich was exhibited at Treasures of the 20th Century, The Goldsmiths Company, 25 May-21 July 2000, no. 288, illustrated on page 108 of the catalogue.
Please note: the date is 1564, not 1654 as previously catalogued.An Elizabeth I silver Seal-top spoon, unascribed, possibly by John Daniell, London 1564, fig-shaped bowl, tapering faceted stem, the terminal with a vase shaped seal-top, length 17.5cm, approx. weight 1.9oz. Provenance: The David Constable Collection. J.H. Bourdon-Smith Ltd. Blackham Collection. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume One, Constables Publishing, 2016, pages 468/9, entry number 86. J.H. Bourdon-Smith Ltd, illustrated, no.12, in Loan Exhibition of Early English Spoons, 1981, held in conjunction with the launch of Tim Kent's Publication London Silver Spoon Makers, 1500-1697. Illustrated in Schroder, T., The National Trust Book of English Domestic Silver 1500-1900, 1988, page 84.
A Japanese Satsuma stoneware vase, decorated in typical colours and gilt with Daimyo and kacho-ga, Meiji Period, lamped and with later gilt metal mounts; overall height about 60 cm highPlease note that this vase has been mounted with gilt metal; some deterioration and/or damage extant.
A pair of Chinese famille verte vases; each one with trumpet neck, and decorated with narrative battle scenes (possibly intended to portray a cameo from Shui-Hu Zhuan); 48 cm high, underglaze blue four-character mark of The Kangxi Emperor, but not of the period (2)Some damage extant, including: one vase with rim chips and damage.
A famille rose vase of octagonal, tapering form, decorated with Manchu/Chinese figures in a garden landscape, 14 cm high, Qianlong four-character mark but not of the period; together with a Canton famille rose teapot with associated cover (2)No easily apparent areas of damage.
Seven pieces of Chinese famille rose porcelain, comprising: a small oviform vase, 5 cm high; a floral decorated cup; a small Canton vase; four Canton vessels and three associated covers. The largest vessel 10 cm diameter (10)Please note that this is a group lot where condition may vary from object to object; the damage includes areas or repair, wear and deterioration.
A Qajar style polychrome tile of a falconer, 21 x 15 cm; together with three other tiles, similar, various illustrating a camel rider, a seated figure, and birds and flowers. The last tile 32.5 x 23 cm; together with an Isnik style vase, and a tankard of cylindrical form decorated with floral designs, 13 cm high (6)Please note that this is a group lot where condition may vary from object to object. Some areas of damage extant including some flaking, some degradation, and some superficial or other cracking.
A gilt metal mounted, famille rose Chinese vase decorated on the cafe-au-lait ground with panels depicting Manchu/Chinese figures, overall height including mounts 46 cm; together with a polychrome enamel vase and cover, similarly mounted for electricity, overall height 38 cm (2)Please note that both vases have been converted for electrical use, involving damage and/or deterioration to both ceramics.
Two Wedgwood dragon lustre bowls, one of octagonal form with powder blue exterior, the base of the interior painted with celestial pearls, 17 cm diam., the other circular and footed, 12 cm diam., both Z4829, gilt Portland vase marks (2)Both good condition - no chips or cracks
A pair of 19th century Greek Revival ewers, 41cm high and a similar vase with lion head handles, 34.5 cm high, possibly Bates Brown-Westhead Moore, black ground, decorated with classical figures including Achilles, The Meeting of Hector and Andromache and Pha (2)Vase - Chip on rimEwer - One handle with strap repairs
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653685 item(s)/page