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2 Neo-Classical vases, possibly by Samuel Allcock, depicting figures on a classical terrace reserved on an orange ground with gilded decoration, circa 1850. (not a pair) ****Condition report**** 1 vase has wear to orange & crackling to glaze & weighs less than the other vase, neither have Maker's marks.Height 23.5cm
Ruskin Pottery vase in an iridescent blue glaze with purple overtones, impressed marks beneath, 15.5cm high. Condition report: Condition: Appears soundDue to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Chinese porcelain baluster vase, decorated in underglaze blue with five-clawed Imperial dragons over waves and an island, 'clobbered' in red green and yellow in the Wucai style beneath restored waisted neck, double ring marks to rim, shoulder, foot and underside, the latter framing six-character pseudo-Kangxi mark, 37cm highCondition report: Neck spray restored, sold as seen.
* Royal Worcester turquoise-ground baluster vase, 1863, printed puce crowned mark to lid and printed green crowned mark to base, of baluster form below flowing mouth and lid, elaborate rococo gilt decoration on a rich blue-green turquoise ground, the gilt handles in the form of a satyr's head with horns of serpents, view of Worcester from the river, showing the Dent's glove factory and cathedral to one side, and presentation inscription in gilt to the other to Mr John Nicholas Ladler by 190 men in the Employment of Messrs. Dent, Allercroft, Lycett & Co. as a small token of their esteem and gratitude to him as the manager, Worcester, November 1863, 35cm high, finial restoredQty: (1)NOTESDent, Allercroft, Lycett & Co was a Worcester glove-making works. John Nicholas Ladler died in 1878 and is buried at Abney Park Cemetery.
* Mixed Silver. Victorian silver fruit basket by Martin, Hall & Co, Sheffield 1897, of oval form pierced with floral swag border, 28cm wide, approximately 293g, together with a pair of Victorian candlesticks by Harrison Brothers & Howson, Sheffield 1894, in the Neo-Classical style, 17cm high, weighted, a large specimen vase by Charles Edwards, London 1909, plain tapered form, 25.5cm high, weighted, plus a pair of dwarf candlesticks by E F Braham, Birmingham 1946, 6cm high, weightedQty: (6)
* Carpet. A Middle Eastern woollen prayer rug, early-mid 20th century, patterned rug with vase of flowers flanked by 2 pedestals within a mihrab, enclosed by decorative floral borders, in blue, green, pink, cream, and black, on a salmon pink ground, some light wear to edges, fringing to short ends with loss (one end trimmed), 192 x 132cmQty: (1)
A Regency style mahogany extending dining table, reputed to have come from the Waring family of Waring and Gillow, patent number 1374, raised on cabriole lets terminating in claw on ball feet, max length 70ins x width 41ins x height 29.5ins, together with six early 20th century mahogany dining chairs, with vase splats, and two similar chairs
Garlick BARNES (1891-1987)Vase of FlowersOil on canvas Signed 60 x 50cmGarlick Barnes 1891-1987Garlick Barnes moved to St Ives at the outbreak of WWII. Living previously in London and Kent, she had raised her twin sons John & William (born in 1920) before she could dedicate herself to art, she then studied in Canterbury and in 1936 had become a pupil of Walter Sickert in Thanet, exhibiting with him in Margate. After moving to Cornwall, she became an active and popular member of the artists community in St Ives and exhibited regularly, was a member of the NSA and served on the Hanging Committee. Her work included portraiture but her love of gardening and flowers featured predominantly in her work as did the back streets of St Ives and the Cornish countryside. The Salt Gallery St Ives held a retrospective of her work in 1984 by which time she was in her 90s. William (Bill) Barnes 1920 -2019William and his twin brother John began filmmaking as teenagers, committing to film the lives of the coastal, rural and Gypsy communities in Cornwall and Kent that had so interested them from an early age. In 1939, they studied film with Edward Carrick in Soho who was film director for Ealing Studios and The Crown Film Unit, (later GPO films). During the Second World War they both served in the Navy and afterwards joined their mother in St Ives where they exhibited their amazing collection of artefacts which formed the Barnes Museum of Cinematography. In the late 1980s the collection was sold to the Museo Nazionale del Cinema in Turin, with some British material going to Hove Museum. Bill was a leading authority on many aspects of the optical media that preceded cinema and in particular of the early years of cinema itself. In 1997 John and William were awarded the Jean Mitry prize by the Pordenone Silent Film Festival in Italy for their distinguished contribution to silent cinema and in 2006 both brothers received an honorary doctorate from the University of Stirling.
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